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Journal : Interiority

Interiority Across the Scales Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol. 7, No. 1
Publisher : UI Scholars Hub

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Abstract

The understanding of interior gradually has shifted from the enclosed spatiality defined by physical boundaries to the extended notion of interiority as a dynamic condition. Understanding interior becomes more complex as dynamic conditions make it possible for interior to extend across boundaries, time, scales and typologies. This issue of Interiority presents various inquiries on the emergence of interiority and interior conditions across different scales. The articles demonstrate a wide range of perspectives on interior beyond the conventional notion of interior scale and typology, mainly addressing the domestic environment and its dynamic variants and elements. These cases acknowledge the dynamic aspects of interior architecture, which opens possibilities for various interpretations of interior, locating it within a broader understanding of social, political and cultural contexts. The emergence of interior conditions across scales calls for multidimensional thinking and multidisciplinary approaches in interior research and practice.
Situated Interior Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol. 6, No. 2
Publisher : UI Scholars Hub

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Abstract

The idea of a situated interior reflects the conceptual understanding of an expanded range of interiority from the self to the outside world; it involves traversing rigid boundaries to allow fluidity and continuity. The situated interior considers the critical role of other things in defining the interior practice, from the practice of inhabitation and the practice of making and designing to the dynamic formation of the discipline. The collection of articles in this issue of Interiority demonstrates the numerous ways particular situations define the practice of design, inhabitation, and the discipline of the interior. The narratives of various situations presented in this issue of Interiority demonstrate the relational qualities of self, interior, and context manifested in the continuous process of making, inhabiting, and experiencing. They highlight the critical role of such relational qualities as a foundation for a better understanding of interior practice and interior inhabitation that are dynamic and meaningful.
Revisiting Bodies in Interior Design Practice Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

Addressing human bodies is inevitable in interior inquiries and practices. Integrating knowledge about human bodies into design practice can extend beyond the idea of bodies as merely static entities with fixed dimensions. The idea of bodies as the basis for spatial design practice views the human body as a living entity that dwells, occupies, moves, and engages in space. Knowledge about bodies as the basis of practice also needs to view bodies' presence as sociocultural entities. The emergence of the virtual environment provides another context with a shifting materiality of bodies and interior spaces. This issue of Interiority acknowledges the breadth of knowledge about bodies in spatial design disciplines. The articles demonstrate various ideas that reflect some challenges surrounding the integration of knowledge about bodies into design practice.
Tracing the Progression of Inhabitation through Interior Surface in Semarang Old Town Warakanyaka, AA Ayu Suci; Yatmo, Yandi Andri
Interiority Vol. 1, No. 1
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Abstract

The capacity of the interior to adapt and transform through time has made the interior space bears the consequences from its past occupancies. The trails of the past are imprinted within the layers of interior surfaces. This paper argues that by utilising the idea of Anthropocene, these surfaces could become the medium to trace the inhabitation processes that happen throughout the life of the building, whether it was in the past, in the present or to predict the future. In particular, this paper attempts to explore and speculate on the progression of inhabitations through the interior surfaces of the buildings in Semarang Old Town, Central Java, Indonesia. The investigations are presented through the stories of the facades, the paints and the tiles, to reveal how these interior layers narrate the idea of the deep time in which the past inhabitation is embedded. These layers of interior surfaces suggest the role of time and continuous transformation in affecting and producing the current interior spaces. An understanding of deep time, as reflected in the layers of interior surfaces, also suggests the agency of human inhabitation within the transformation of interior space and highlights the ability of interior space to manoeuvre in time
Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior Wahid, Arif Rahman; Paramita, Kristanti Dewi; Yatmo, Yandi Andri
Interiority Vol. 4, No. 1
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This paper explores inscription as a projection of the spatial dynamics of a setting, beyond a historical or cultural symbol in a context, and highlights that inscription—a written or carved message on a surface—is an element that immaterially demonstrates a more in-depth narrative of an interior. This paper focuses on exploring inscriptions embedded in various production settings in Jakarta and Central Java, collecting individual and observational accounts on the production of such inscriptions and their meanings. The study suggests that inscriptions demonstrate various roles, from providing information, mediating different spaces and performing as tools to assist activities. Inscriptions may traverse the trajectories of different spaces and exist in different layers of time, creating an interior connection across space and time. These layers and trajectories project the dynamics of material and bodily processes, assembling the immaterial interior.
Fragments Within Fragments: The Collective Negotiation of Exquisite Corpse Drawings Ardianta, Defry Agatha; Yatmo, Yandi Andri; Atmodiwirjo, Paramita
Interiority Vol. 8, No. 1
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This paper argues for the critical role of collective drawings as a form of representation that highlights the open process. The open process of collective drawing involves actions performed by multiple actors and actions that are not limited to producing drawings together but also require the expression of ideas. Collective drawing encourages negotiations among fragments of the drawing, which opens up various possibilities of representations within the interiority discourse. Exquisite corpse drawings made by Surrealist artists occupy an influential position as drawings produced via an open process regulated by the internal mechanism, manifesting as a continuous act of drawing. This study on exquisite corpse drawings is conducted by dissecting the drawing fragments and examining how the head–torso–feet relationship is negotiated within them. The study reveals that layers of negotiation among fragments represent how the collective act of drawing works. This finding contributes to expanding the internal logic and system of a collective drawing process, allowing diverse interpretations and articulation of the representation works.
Interior Fragments Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol. 8, No. 1
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The critical role of fragments in spatial discourse stems from the complex relationship between fragment and whole. The paradox of fragments offers a deeper understanding of how our architecture, interior, and urban systems are constructed by the presence of fragments and whole and, more importantly, by their interrelationship. Understanding fragments is more than just understanding them as independent spatial entities; it establishes knowledge of how fragments are constructed, connected, and negotiated. This issue of Interiority presents a collection of inquiries on fragments within various everyday interior contexts and representations, demonstrating the emergence of spatialities that celebrate interconnection possibilities beyond the independent parts. The articles in this issue present inquiries into fragments, demonstrating the role of fragments in constructing relationships, building narratives and layers of interconnections, and establishing deeper meanings in various interior phenomena and representational media.
Deep Interior: Sensorial Encounters of Orang Suku Laut with the Sea Suryantini, Rini; Saginatari, Diandra Pandu; Yatmo, Yandi Andri
Interiority Vol. 5, No. 2
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This paper explores the idea of a deep interior during an encounter between a sea tribe and the sea, as an intimate interaction between the body and nature that consists of liquid matter, the earth’s surface, and the sea inhabitants. This paper introduces the idea of intimate engagement with such a liquid environment to reveal its interiorisation. It arguably positions ecological understanding through reading and responding to nature as the key to interiorisation. This study learns about the livelihood of a sea tribe, Orang Suku Laut (OSL), in the Riau Archipelago, Indonesia, mainly through food hunting and gathering activities. Through the trajectories produced during food-sourcing activities, it is revealed that reading and responding to nature depends on the multiple layers of nature’s dynamic entities: physical features, climatic conditions and particular signs. The deep interior suggests a different spatial understanding and ways of inhabiting the world, constructing an intimate interiorisation with ecology.
Interior as Ecosystem Atmodiwirjo, Paramita; Yatmo, Yandi Andri
Interiority Vol. 8, No. 2
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The idea of interior as an ecosystem views the emergence of interior as a dynamic and relational environment. Rather than viewing the interior as a static or enclosed environment, the ecological perspective considers the interior as an ecosystem, constructed by the systems of relations that involve a multiplicity of actors and entities. This issue of Interiority presents the emergence of various interior occupation and adaptation models that have emerged as an integral part of the ecosystem. The collection of articles in this issue presents a range of cases, ranging from traditional, modern, to contemporary lifestyles and contexts. The works demonstrate the ecosystem involving various actors, both human and non-human, across cultures and time periods. They represent the acts of responding and manoeuvring within the ecological entanglement. They illustrate how interior is not merely a backdrop of living but dynamic agents that keep evolving and transforming within the dynamic ecologies.