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All Journal SELONDING Jurnal Pendidikan dan Kajian Seni GETER : Jurnal Seni Drama, Tari dan Musik Clef: Jurnal Musik dan Pendidikan Musik Kompetensi: Jurnal Bahasa Dan Seni SoCul: International Journal of Research in Social Cultural Issues Seniman: Jurnal Publikasi Desain Komunikasi Visual
R.A. Dinar Sri Hartati
Universitas Negeri Manado
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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ANALISIS MANAJEMEN PADUAN SUARA PEMUDA GMIM EBEN HAEZAR TALIKURAN Voice Deo Grazio Tuwo; Meyny Kaunang; RAD Sri Hartati
KOMPETENSI Vol. 3 No. 9 (2023): KOMPETENSI: Jurnal Ilmiah Bahasa dan Seni
Publisher : Fakultas Bahasa dan Seni, Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/kompetensi.v3i9.6460

Abstract

Tujuan penelitian dalam skripsi ini adalah untuk memperoleh data tentang bagaimana pengelolaan yang menyebabkan bertahannya Paduan Suara Pemuda di Jemaat GMIM Eben Haezar Talikuran dan faktor-faktor penyebab Paduan Suara Pemuda di Jemaat GMIM Eben Haezar Talikuran diminati para penyanyi dan untuk mengetahui hal-hal apa saja yang menunjang sehingga kualitas Paduan suara ini terus bertahan bahkan meningkat. Dalam Pengumpulan data ini dilakukan dengan menggunakan metode penelitian kualitatif deskriptif dengan teknik observasi, wawancara, dan studi dokumen/dokumentasi. Selanjutnya disusun menjadi uraian (deskripsi) untuk dikaji lebih lanjut atau diadakan analisis data. Pada tahun 1992, Pemuda GMIM Eben Haezar Talikuran sudah aktif mengikuti kegiatan baik di aras wilayah maupun Sinode. Terlebih khusus dalam bidang Paduan Suara. Jemaat ini bukan hanya mengikuti kegiatan tersebut akan tetapi boleh meraih pretasi. Ada beberapa faktor yang mempengaruhi perkembangan Paduan Suara diantaranya, Manajemen dari Paduan Suara Pemuda jemaat GMIM Eben Haezar Talikuran. Hasil penelitian yang dilakukan, dapat disimpulkan bahwa suatu Paduan Suara yang berjalan baik, jika ada Manajemen di dalamnya. Fungsi Manajemen merupakan faktor yang sangat mempengaruhi berkembangnya suatu Paduan Suara ini. Walaupun tak dapat dipungkiri bahwa ada hal-hal yang terjadi diluar kendali termasuk hal-hal yang menghambat proses perkembangan suatu Paduan Suara. Paduan Suara bukan hanya program yang harus dijalankan akan tetapi menjadi sarana penjangkauan anggota pemuda yang kurang aktif dalam kegiatan pemuda. Paduan Suara menjadi wadah bagi para pemuda untuk mengembangkan potensi diri yang kemudian menjadi hobbi dan yang terpenting adalah menjadi wadah untuk memuji dan memuliakan Tuhan.
ANALISIS MANAJEMEN PADUAN SUARA REMAJA PEMUDA LPPD SULAWESI UTARA MENUJU PESPARAWI NASIONAL YOGYAKARTA XIII Devid Michael Porung; Meyny Kaunang; RAD Sri Hartati
KOMPETENSI Vol. 3 No. 9 (2023): KOMPETENSI: Jurnal Ilmiah Bahasa dan Seni
Publisher : Fakultas Bahasa dan Seni, Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/kompetensi.v3i9.6483

Abstract

Paduan Suara Remaja Pemuda Lembaga Pengembangan Pesparawi Daerah (PSRP LPPD) Sulawesi Utara merupakan kelompok paduan suara perwakilan yang mewakili provinsi Sulawesi Utara dalam kompetisi paduan suara Pesparawi Nasional Yogyakarta XIII. Penelitian ini disusun untuk mendeskripsikan pengelolaan (manajemen) kelompok paduan suara PSRP LPPD Sulawesi Utara. Penelitian ini adalah sebuah penelitian deskriptif kualitatif, di mana peneliti mencoba memberikan gambaran terhadap sebuah fenomena yang terjadi di lapangan apa adanya. Pengumpulan data dilakukan melalui teknik observasi,wawancara dan dokumentasi. Data yang diperoleh dianalisis dengan menggunakan teknik analisis data interaktif, yang terdiri dari tiga langkah yakni reduksi data, penyajian data, dan penarikan kesimpulan/verifikasi. Hasil penelitian menujukkan bahwa fungsi manajemen PSPR LPPD Sulawesi Utara seperti perencanaan, pengorganisasian, pengimplementasian, dan pengendalian dijalankan dengan baik, baik secara teknis maupun non teknis. Dari segi teknis, pelatih mampu merancang strategi baik dalam pemilihan lagu, dan proses Latihan yang matang. Sedangkan dalam hal nonteknis, tim produksi mampu bekerjasama dengan baik sehingga program dapat berjalan sesuai dengan rencana.
THE THE IMPLEMENTATION OF DISCOVERY LEARNING ON THE MUSIC ARTS SUBJECT AT SENIOR HIGH SCHOOL Riski T. R. Lamansiang; R.A.Dinar Sri Hartati; Meyny Kaunang
SoCul: International Journal of Research in Social Cultural Issues Vol. 2 No. 6 (2022): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v2i6.7314

Abstract

The challenge addressed by this research is how to integrate the Discovery Learning framework for teaching music arts into conventional classroom settings. This study used a descriptive qualitative research strategy and SMA Katolik Karitas Tomohon is the research location. Lucky Mongi S.Pd., a music art teacher at SMA Katolik Karitas Tomohon for the last decade, and the students of his Music arts class were the subject of this research. After analyzing information gathered via observation, interviews, and written records, the usefulness of the learning model Discovery Learning is clear. The music instructor at SMA Katolik Karitas Tomohon, grade XA, has adopted the appropriate stages from the Discovery Learning curriculum to pique the pupils' curiosity about the topic at hand: the form and value of musical notes. In order to make the learning process more meaningful and to make students comfortable and not bored during the teaching and learning process, researchers found that most students are actively involved in asking questions about the material delivered by music teachers in the process of teaching and learning activities in class. The result is that the learning strategy used at SMA Katolik Karitas Tomohon to facilitate the study of music is appropriate.
PEMBELAJARAN TEKNIK VOKAL DALAM PADUAN SUARA Joam Nieckens Mokoagow; Meyny Kaunang; RAD Sri Hartati
KOMPETENSI Vol. 3 No. 10 (2023): KOMPETENSI: Jurnal Ilmiah Bahasa dan Seni
Publisher : Fakultas Bahasa dan Seni, Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/kompetensi.v3i10.6602

Abstract

Penelitian ini bertujuan untuk menginvestigasi proses pembelajaran teknik vokal pada Paduan Suara SMA Negeri 3 Kotamobagu. Paduan suara, sebagai kegiatan sosial yang sangat sukses dalam ranah seni, memiliki berbagai manfaat. Paduan suara merupakan entitas dasar yang dapat diorganisir dan disutradarai oleh kelompok paduan suara dan aransemen vokal. Dalam konteks paduan suara, setiap suara memiliki perannya masing-masing dalam komposisi, terbagi menjadi sopran, alto, tenor, dan bass (SATB). Namun, paduan suara siswa di sekolah belum mencapai standar SATB. Penelitian ini berfokus pada proses pembelajaran teknik vokal dalam paduan suara SMA Negeri 3 Kotamobagu dan implikasinya. Pendekatan kualitatif dan metodologi Musikologi digunakan dalam penelitian ini, dengan pengumpulan data melalui observasi, wawancara, dan dokumentasi. Hasil penelitian ini menunjukkan bahwa materi pembelajaran teknik vokal dalam paduan suara merupakan komponen integral dalam proses belajar mengajar. Ini memegang peran kunci dalam upaya siswa dalam menguasai isi pembelajaran, yang sekaligus menjadi dasar bagi penilaian kemampuan siswa dengan menggunakan instrumen penilaian yang disusun berdasarkan indikator pencapaian kompetensi.
MASAMBO SINGING IN TUMARATAS DUA VILLAGE, WEST LANGOWAN SUB-DISTRICT, MINAHASA DISTRICT Resita Klaudia Alow; R.A. Dinar Sri Hartati; Luccylle Takalumang
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 2 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i2.8003

Abstract

This research aims to investigate the existence and continuity of Masambo singing in Tumaratas Dua Village. Qualitative research methods were applied by utilizing documentation, interview, and observation techniques. A musical approach, particularly through theories in ethnomusicology and music psychology, was used to analyze various aspects of Masambo Singing. The research findings include several things: first, Masambo singing functions as a form of community expression, conveying prayer requests, expressions of gratitude, and as a means of communication. Second, the existence of Masambo singing provides significant benefits in maintaining cultural continuity and strengthening community solidarity. Third, the lyrics in Masambo singing are constantly changing according to the needs of the community. Fourth, the times affect the continuity of Masambo singing. Fifth, Masambo singing contains social values such as honor, mutual cooperation, deliberation, and sacrifice. Sixth, changes in Masambo singing are influenced by social, religious, cultural, and economic factors.
A QUALITATIVE ANALYSIS ON THE APPLICATION OF TEMPO ON THE CHOIR SONGS WITHOUT TEMPO MARKINGS Rena Maria Mamantung; R. A. Dinar Sri Hartati; Luccylle M. Takalumang
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 4 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i4.8295

Abstract

This research was conducted with the aim of understanding and explaining how tempo is applied in singing choir songs that do not have tempo markings. Tempo, in this context, refers to the speed or slowness with which a musical composition is sung, either by human vocals or musical instruments. To measure the speed of a song, a tool called a Maezel Metronome is used. Tempo markings can be classified into several groups, such as very slow, not very slow, medium, fast, and very fast tempos. This study is conducted using the qualitative research method in which the data collection is carried out through library research and observation. The obtained data are then validated through the process of categorization, editing, analysis and conclusion. The validated data are analyze using he theory of tempo proposed by Perry Rumengan. This research uses a qualitative descriptive method with data collection techniques through literature study and observation. The research results show that tempo has an important role in the context of choirs. In applying tempo to Choir songs, it is necessary to pay attention to the meaning of the lyrics, the ideas conveyed, the melody and rhythm movement, the time structure, expression techniques, as well as the style and genre of the music concerned.
AN ANALYSIS ON THE ROLE AND FUNCTION OF SINGERS IN WORSHIP: A CASE STUDY AT THE NEW JERUSALEM BETHEL CHURCH INDONESIA Ariandi Richard Mabuka; R. A. Dinar Sri Hartati; Franklin Dumais
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8307

Abstract

This research aims to examine the roles and functions of the worship singers at the New Jerusalem Bether Church Indonesia in Kampung Lebo. To achieve this goal, data collection tools such as observation, interviews, literature review, and documentation were employed. The research method used is a qualitative descriptive method, with the objective of identifying the outcomes obtained in the field. In this study, the researcher utilized theories that support the research, serving as the foundation for investigating the roles and functions of singers in worship at the Indonesian Bethel Church in Kampung Lebo. The research has elucidated the roles and functions of singers in the worship of the New Jerusamlem Bether Church Indonesia in Kampung Lebo. The researcher discovered several aspects regarding the roles and functions of singers, including the significant role of backing vocalists in the progression of worship, their ability to assist the song leader in leading worship, the importance of singers being pitch-perfect, their capacity to provide harmony and vocal energy in every song, the ability to transform the worship atmosphere to avoid monotony, guiding the congregation in singing, providing enthusiasm, and making the congregation feel engaged during worship. The data were obtained through interviews with singers and the pastor.
THE HISTORICAL DEVELOPMENT OF THE GROUP BAMBOO CLARINET MUSIC GEMA DIRGANTARA LIWUTUNG Millen Rousevelt Hendriks; Franklin Dumais; R. A. Dinar Sri Hartati
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8308

Abstract

This study is conducted to analyze the historical development of the Group Gema Dirgantara Liwutung as the group of bamboo clarinet music. This research uses a qualitative approach and the data collection techniques used are observation, interviews, documents. Data analysis is done after the data is collected then classified, interpreted and described in the form of words. The results of this study indicate that Bamboo Clarinet Music is the most influential art in community activities in Liwutung village. For example a wedding event, in the event Bamboo Clarinet Music plays an important role when the groom will go to the bride's house and pick her up then go to the house of worship (church) and at the peak of the wedding there is a Polynesian dance accompanied by Bamboo Music. In addition, Bamboo Music is not only used for village activities but is also often invited to various events outside the region and nationally with achievements, namely the golden Indonesia commemoration event at the State Palace in 1995, Makasar Trevel Mart in 1996, and the birthday of Jayapura city in 2015. Based on the research results, the author suggests: 1) There needs to be a forum for routine/planning performances in an event or concert, so that Bamboo Music is known more widely; 2) There needs to be successors to play bamboo music; 3) The need for regular training, so that in an event or concert the preparation is very mature.This study is conducted to analyze the historical development of the Group Gema Dirgantara Liwutung as the group of bamboo clarinet music. This research uses a qualitative approach and the data collection techniques used are observation, interviews, documents. Data analysis is done after the data is collected then classified, interpreted and described in the form of words. The results of this study indicate that Bamboo Clarinet Music is the most influential art in community activities in Liwutung village. For example a wedding event, in the event Bamboo Clarinet Music plays an important role when the groom will go to the bride's house and pick her up then go to the house of worship (church) and at the peak of the wedding there is a Polynesian dance accompanied by Bamboo Music. In addition, Bamboo Music is not only used for village activities but is also often invited to various events outside the region and nationally with achievements, namely the golden Indonesia commemoration event at the State Palace in 1995, Makasar Trevel Mart in 1996, and the birthday of Jayapura city in 2015. Based on the research results, the author suggests: 1) There needs to be a forum for routine/planning performances in an event or concert, so that Bamboo Music is known more widely; 2) There needs to be successors to play bamboo music; 3) The need for regular training, so that in an event or concert the preparation is very mature.
A DESCTIPTIVE ANALYSIS ON THE KAKULA MUSIC PLAYING PATTERNS AS TRADITIONAL MUSIC OF THE KAILI TRIBE OF CENTRAL SULAWESI PROVINCE Rifaldo Christein Bawiling; R. A. Dinar Sri Hartati; Luccylle M. Takalumang
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 5 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i5.8330

Abstract

This research is intended to provide an overview of the Kakula Music Playing Pattern as a Traditional Music of the Kaili Tribe of Central Sulawesi Province. Kakula is a traditional music of Kaili tribe (native tribe of Central Sulawesi. The method used in this research is a descriptive qualitative research method in which this research is carried out with data collection techniques using observation, interview and documentation methods. The findings show that Kakula as the music instrument have a long history with the people of Kaili Tribe. The Kakula music have various functions for the people of Kaili Tribe. Hence, Kakula is a form of presentation of ensemble music with rhythmic patterns that are different from one another.
KAJIAN DESKRIPTIF TERHADAP CARA MEMBUAT ALAT MUSIK KOLINTANG MELULU MENURUT LOUDEWIK SUPIT KALIGIS Rondonuwu, Reyubal Kezly; Kaunang, Meyny; Sri Hartati, R. A. Dinar
KOMPETENSI Vol. 4 No. 4 (2024): KOMPETENSI : Jurnal Ilmiah Bahasa dan Seni
Publisher : Fakultas Bahasa dan Seni, Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/kompetensi.v4i4.8631

Abstract

Penelitian ini bertujuan untuk mengetahui bagaimana cara membuat alat musik kolintang Melulu menurut Loudewik Supit Kaligis. Untuk mencapai tujuan, peneliti menggunakan pendekatan deskriptif kualitatif. Penelitian ini mengumpulkan data deskriptif dalam bentuk kata-kata tertulis atau lisan dari subjek yang diamati. Penelitian ini dilakukan dengan wawancara langsung dengan Bapak Loudewik Supit Kaligis. Teknik pengambilan data yaitu dengan wawancara, observasi dan dokumnetasi langsung. Proses analisis data dilakukan dengan menggunakan model analisis data interaktif. Hasil penelitian menunjukan bahwa cara membuat alat musik Kolintang Melulu memilih jenis kayu yang digunakan adalah kayu telur, bandaran, wenang, kakinik atau jenis kayu lain yang ringan tetapi tetap memiliki tekstur padat dan serat kayunya tersusun rapih membentuk garis-garis horizontal. Pada mulanya, alat musik ini hanya terdiri dari beberapa potong kayu yang dijajar di kaki pemainnya yang duduk di tanah. Setelah itu, kayu pohon yang sudah ditentukan, kemudian kayu-kayu itu dikeringkan terlebih dahulu. Setelah selesai dikeringkan, barulah kayu-kayu itu dibelah sesuai dengan nada Kolintang yang ingin dihasilkan. Proses selanjutnya melibatkan proses pembuatan kotak resonansi dan penyeteman alat musik kolintang. Hasil penelitian ini diharapkan dapat memberikan gambaran yang jelas terhadap proses pembuatan alat musik kolintang.
Co-Authors Aloysius Totuuk Aprilia Christiani Sual Ariandi Richard Mabuka Arie Tulus Bawiling, Rifaldo Christein Chezel Samgar Rembang Chrisno Jonrit Irvan Damasing Christian Antonius Tololiu Christy Prilia Kansil Dennys Fredrik Julius Tasarane Devid Michael Porung Franklin E Dumais Glenie Latuni Hendrico B. Lomban Hendriks, Millen Rousevelt Imitha Muslimah Chaerani Irwan, Irmawati Jans George Mangare Joam Nieckens Mokoagow Krismar A. Sumangando Lapian, Pingkan Nadia Luccylle M Takalumang Mabuka, Ariandi Richard Mamantung, Rena Maria Meyny S. C. Kaunang Millen Rousevelt Hendriks Moniung, Jordan Rivaldo Otniel Runtulalo Perry Rumengan Rena Maria Mamantung Resita Klaudia Alow Rifaldo Christein Bawiling Riski T. R. Lamansiang Rondonuwu, Reyubal Kezly Sri Sunarmi Tatontos, Keren K. Voice Deo Grazio Tuwo Waraney Josua Mongkau Widyata Nikbert Sarayar Yosua Mitchel Lakoy Zelly Jeannie Lombeng