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All Journal Nirmana Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Intervensi Komunitas: Jurnal Pengabdian Masyarakat Jurnal Desain Komunikasi Visual Nirmana
Satriana Didiek Isnanta
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Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Performance Art Antara Media Penyadaran, Kepentingan Pasar Dan Partisipasi International Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v4i2.369

Abstract

Good performance art is work that managed to amaze the public. Successfully influenced public to observe every detail. Instead, the public will demand the uniqueness of the event that makes it willing to pay attention to the performance, detailed for detailed. From the above explanation affirmation finally appeared a question, when a performance art relies heavily once with the right choice of space and how the public (audience or the audience), thus creating a unique event and can amaze the public. In the video performance, no other consciousness to show more conceptual performance: performance scene that has been designed, presented in video media. May be more readily as experimentation on attempted filmed theater, but completely abandoned the live performance itself, because of the possibility of a repetition of the scene to be there. As an avant-garde art (avant garde) as described above,” originality” and the seriousness of the challenges of performance art gets a modern capitalist society. Performance art that was originally to be agents of change in the value of the community, the are deflected by spearheading the advertising to market interests. keywords : performance art, agent of change, ambient media
Penciptaan Karya Seni Lukis Kaca Dengan Teknik Layer Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v6i1.445

Abstract

Traditional glass painting in Indonesia are all just move the painting of medium canvas / cloth into the medium of glass. This makes traditional glass painting closed character of the medium. With this in mind it is ultimately the writer interested to study the creation of works of art glass to approach contemporary art discourse. Is expected to emerge glass paintings that have novelty or is present in the composition of the exploration areas, symbols, and meanings. In addition, this study also explores the creation of techniques, tools and materials work. Not only use metal paint painting techniques as well as traditional glass painting but using layer technique. This layer techniques to maximize the clarity of glass that had not explored in the practice of traditional glass painting.Keywords: Painting glass, experiment, layer technique
ANALISIS FORMAL SENI LUKIS KARYA SOEGENG TOEKIO TAHUN 2000-2015 Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v7i1.1577

Abstract

This article discusses the formal aesthetic work Soegeng Toekio years 2000-2015. It is based on the understanding that the aesthetic value of a work of art can be formed by the work itself, and standard views deserve is requiring the work itself, rather than coming from outside work which is seen as an extra factor aesthetic.The approach used is the aesthetic approach using aesthetic theory by De Witt H. Parker, in his book The Principles of Aesthetics (1920), quoted by The Lian Gie in the book "Philosophy of Beauty" mentions six principles of aesthetics form, namely: 1). The principle of organic unity, 2). The principle of theme, 3). The variation principle according to themes, 4). The principle of balance, 5). The principle of development, and 6). The principle of hierarchy.The works Soegeng Toekio studied from 2000 to 2015 year. The work can be grouped into two major parts, the first is the search for, where Soegeng Toekio started trying to break away from the grip wayang beber and looking for his own visual style (2000-2004) and the second, are the works that have been able to represent Soegeng Toekio’ visual styles (2005-2015). Keywords: Soegeng Toekio, painting, formal analysis, aesthetics De Witt H. Parker
STUDI PENCIPTAAN LAMPION ROTAN LORO BLONYO SEBAGAI ELEMEN ESTETIK INTERIOR Syamsiar, S.,; Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v9i1.2113

Abstract

ABSTRAKStudi penciptaan, lampion rotan Loro blonyo sebagai elemen estetik interior ini merupakan penelitian terapan. Peneltian ini dilakukan berdasarkan pada perkembangan aplikasi lampion dan patung loro blonyo yang telah berubah fungsi dari sakral menjadi profan. Lampion dan Patung Loro Blonyo yang pada awalnya digunakan sebagai elemen ritual telah terkomodifikasi menjadi benda bernilai estetis dan ekonomis.Pemilihan materi rotan sebagai medium pembuat lampion dipilih dalam penelitian ini karena karakter lampion yang sangat luwis sehingga mudah dalam proses pembentukkannya, sedangkan pemilihan patung loro blonyo karena salah satu produk budaya Jawa yang sampai sekarang masih dikenal masyarakat.Metode penelitian yang digunakan adalah riset etik dan emik yang menjadi dasar penbuatan produk lampion rotan loro blonyo.Luaran studi penciptaan ini direncanakan dalam bentuk artikel untuk jurnal ilmiah dan prototype lampion rotan loro blonyo dan akan dipamerkan ke public sebagai bentuk pertanggung jawaban atas hasil penelitian yang telah dilakukan. Kata kunci: lampion, rotan, loro blonyo, elemen interior.  ABSTRACTStudies creation, wicker lanterns Loroblonyo as interior aesthetic element is an applied research. This study is based on the development of applications Loroblonyo lanterns and sculptures that have changed the function of the sacred into the profane. Lanterns and sculpture Loroblonyo that was originally used as a ritual element has been commodified into valuable objects aesthetically and economically.Selection of rattan material as medium lantern maker chosen in this study because of the character of the lanterns very luwis so easy in the process pembentukkannya, while the statue Loroblonyo election for one of the products of Javanese culture, which is still known to the public.The method used is research ethics and EMIC the basis penbuatan lanterns rattan products Loroblonyo.Outcome studies of this creation is planned in the form of articles for scientific journals and wicker lanterns Loroblonyo prototype and will be exhibited to the public as a form of accountability for the results of research that has been done. Keywords: lantern, rattan, Loroblonyo interior elements.
KARAKTERISTIK SENI LUKIS KARYA SOEGENG TOEKIO Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v9i2.2167

Abstract

The study entitled "Characteristics Of Soegeng Toekio's Paintings". The focus of this research is to find the character of Soegeng Toekio’s paintings in order to know the weaknesses and shortcomings Soegeng Toekio’s works together. The first step taken is collecting data from all three sources of information required by the holistic art criticism, namely, the creation of works Soegeng Toekio’s backgrounds as genetic information, Soegeng Toekio’s paintings as objective information and gazerer comments as affective information. Once the source of the data collected and analyzed using analysis of interaction (the Information sources of genetic and affective) and interpretive analysis of sources of objective information. After all the data is analyzed and then synthesized and conclusions drawn with regard to the characteristics of Soegeng Toekio’s painting.Results from this study is the character of Soegeng Toekio’s painting are illustrative figurative decorative style, the paintings with decorative styles, with strength in typical comical figure with forms like wayang beber. Illustrates the tradition of events identified from the human figure clothes which are then contrasted/ contrasted with popular contemporary colors. Keywords: Soegeng Toekio, characteristics, painting, art criticism, holistic
REFLEKSI DIRI TERHADAP HUBUNGAN MANUSIA DAN ALAM SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI RUPA EKSPERIMENTAL Sugiharto, Farid Dwi Bagus; Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v10i2.2327

Abstract

Creation of experimental art with the title "Self Reflection Against Human and Natural Relations" in the background of the writer's anxiety about the environmental damage caused by humans. From the source of the idea, the writer creates experimental fine arts that will be used as an awareness media on how important the role of nature is for the survival of living thing on earth.The results of this creation are experimental installation with elements of painting, audio, video and motion installation to point a space. The processing of this final project refers to the method of creation of Henri Cholis which refers to Hawkins, namely that in the process of create there are three stages: exploration, imvising and forming. Keywords: self-reflection, experimental art, nature damage 
STUDI PENCIPTAAN KARYA SENI INSTALASI “MARI KITA…!” Isnanta, Satriana Didiek; Zarkasi, Much. Sofwan; Panindias, Asmro Nurhadi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 12 No. 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i2.3422

Abstract

ABSTRACTThis article is the result of a study on the creation of installation art based on local wisdom with the source of the idea of creating the Loro Blonyo statue. Loro blonyo is a pair of wooden statues consisting of a statue of a woman accompanied by a man wearing a traditional Javanese wedding dress in a basahan style in a sitting position. Broadly speaking, the meaning of the Loro Blonyo statue for the Javanese community is the unity of a couple as a reflection of the harmony and unity of Javanese thoughts. The meaning of the loro blonyo statue is then analyzed, elaborated, and reinterpreted.The research method used is Dharsono's Artistik Creation (2016), namely: research with an ethical approach and research with an emic approach, exploration, experimentation, and formation. The results of the research were concluded and became the basis for the concept of installation art with the visual form of local culture as a strengthening of cultural identity. Keywords: installation art, art experimentation, loro blonyo, cultural identity.  ABSTRAKArtikel ini merupakan hasil studi penciptaan karya seni instalasi berbasis kearifan lokal dengan sumber ide penciptaan patung Loro Blonyo. Loro blonyo adalah sepasang patung dari bahan kayu yang terdiri atas patung perempuan dan didampingi seorang laki-laki dengan menggunakan busana perkawinan adat Jawa gaya basahan dalam posisi duduk. Secara luas, makna patung Loro Blonyo  bagi masyarakat Jawa adalah kesatuan pasangan sebagai refleksi pikiran Jawa yang harmoni dan manunggal. Makna patung loro blonyo tersebut kemudian dianalisis, dielaborasi dan ditafsir ulang.Metode penelitian menggunakan Kreasi Artisik  Dharsono (2016), yaitu : riset dengan pendekatan etik dan riset dengan pendekatan emik, eksplorasi, eksperimentasi dan pembentukan. Hasil riset tersebut disimpulkan dan menjadi dasar konsep karya seni instalasi dengan wujud visual budaya lokal sebagai penguatan identitas kultural. Kata kunci: Seni instalasi, eksperimentasi seni, loro blonyo, identitas kultural.
Co-Authors Afri Wita Angling Yoga Bayu Apip Apip Ariyanto, Ahmad Fajar Asmoro Nurhadi Panindias Deni Rahman Joko Budiwiyanto Much Sofwan Zarkasi Panindias, Asmro Nurhadi Prasetyo, Ernasthan Budi Sugiharto, Farid Dwi Bagus Supendi, Eko Syamsiar, S., Taufik Murtono Zarkasi, Much. Sofwan