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Journal : Jurnal Sosioteknologi

KAJIAN MORALITAS TEKNOLOGI PINTU PERLINTASAN KERETA API (Studi Kasus: Pintu Perlintasan Kereta Api Cikudapateuh Bandung) Idhar Resmadi
Jurnal Sosioteknologi Vol. 13 No. 2 (2014)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2014.13.2.2

Abstract

Kecelakaan kereta api merupakan salah satu peristiwa transportasi yang sering terjadi di Indonesia. Salah satu permasalahan yang mengemuka adalah persoalan pintu perlintasan kereta. Kecelakaan yang sering terjadi di sekitar pintu perlintasan disebabkan kelalaian petugas penjaga pintu atau sikap dari para pengemudi yang nekat. Faktor manusia dan teknologi sering menjadi sorotan dalam banyak kasus kecelakaan kereta api. Konsep mengenai determinisme teknologi dan konstruksi sosial memang merupakan dua kutub yang seolah-olah saling berlawanan dalam melihat suatu fenomena teknologi. Tulisan ini membahas bagaimana suatu pintu perlintasan kereta api dipandang sebagai salah satu unsur teknologi yang berperan penting dalam menjaga keselamatan manusia. Kajian ini mengamati faktor manusia dan nonmanusia dalam melihat moralitas teknologi pintu perlintasan kereta api di Cikudapateuh, Bandung. Kata Kunci: teknologi, moralitas, pintu perlintasan kereta api, transportasi Train wreck is one of the transportation accidents that often occur in Indonesia. One of the problems that often arise is that of railroad crossings due to negligence of the officers in charge or to reckless motorists. Human factors and technology are often in the spotlight in many cases of train accidents. The concept of technological determinism and social construct is a two-seemingly-contradictory view of technological phenomena. This paper outlines how rail crossings are viewed as an element of technology that plays an important role in human safety. This study observes human and non-human factors in perceiving the morality of railroad crossings technology in Cikudapateuh, Bandung. Keywords: technology, morality, railway crossings, transportation
KAJIAN DIFUSI INOVASI KONVERGENSI MEDIA DI HARIAN PIKIRAN RAKYAT Idhar Resmadi; Sonny Yuliar
Jurnal Sosioteknologi Vol. 13 No. 2 (2014)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2014.13.2.5

Abstract

Konvergensi media merupakan salah satu perkembangan media massa yang melibatkan banyak faktor teknologi di dalamnya. Kehadiran internet mendorong media massa menerapkan konsep konvergensi media seperti media online, e-paper, e-books, radio streaming, media sosial, dan lain-lain. Persaingan bisnis media menjadi salah satu faktor pendorong media massa menerapkan konsep ini karena perkembangan teknologi tidak hanya mengandalkan format cetak (koran, majalah, buku) semata. Inovasi konvergensi media dibutuhkan agar media massa mampu tetap bersaing di era bisnis dewasa ini. Sebagai salah satu bentuk inovasi, konvergensi media memerlukan berbagai proses dan tahapan dalam penerapannya. Tulisan ini akan menelusuri proses terjadinya difusi inovasi konvergensi media dengan objek penelitian harian Pikiran Rakyat. Penelitian secara kualitatif ini menggambarkan bagaimana konvergensi media mampu diadopsi oleh suatu media massa secara bertahap. Kata kunci: konvergensi media, difusi inovasi, media massa ABSTRACT The convergence of media is one of the developments of mass media that involve many technology factors in it. The existence of internet encourages the media to apply the concept of convergence of media such as online media, e-paper, e-books, radio streaming, social media, and others. Competition in media business is one factor driving the mass media to apply this concept because the mass media today does not merely rely on printted formats (newspapers, magazines, books) alone. Media convergence innovation is deemed necessary in order that the mass media be able to remain competitive in today's media business era. As one of the innovations in the mass media, media convergence requires a variety of processes and stages in the application. This paper will explore the process of diffusion of convergence innovation in the dailynews Pikiran Rakyat. This qualitative study describes how the media convergence is adopted by the mass media in stages. Keywords: media convergence, diffusion of innovation, mass media
ANALISA MEDIA SIBER ZINETFLIX SEBAGAI MEDIA ALTERNATIF TENTANG FILM DI ERA DIGITAL Idhar Resmadi
Jurnal Sosioteknologi Vol. 20 No. 3 (2021): December 2021
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2021.20.3.5

Abstract

Nowadays, social media is used to build not only friendship networking but also business. Various companiesand media institutions use social media to disseminate information. One of the most popular social media widelyused by business companies and media institutions is Instagram, including Netflix Indonesia, which has created amass media-based Instagram “Zinetflix”. Zines is considered an alternative media that provides a lot of informationoutside the mainstream mass media channels. The characteristics of zines are community-based, anti-mainstream,and offering a more experimental format than conventional media. Zinetflix is a media innovation in the cyber mediabecause it utilizes various features and technology to become a channel of information. This study uses a qualitativeresearch method with a case study approach. The case study selected is “Zinetflix” which was designed by moviecontent provider Netflix. The data collection was conducted through observations, interviews, and literature studies.The results discussed in this research is how the use of Instagram social media features become an informationmedia space in the cyber media era as Zinetflix does in the celebration of the National Film Day every year.
Performativitas Komunitas Virtual: Suatu Analisis dari Teori Jaringan-Aktor dalam Komunitas Virtual NFT Idhar Resmadi; Rendy Pandita Bastari; Lingga Agung; Luqman Rusdan Nugraha
Jurnal Sosioteknologi Vol. 21 No. 3 (2022): November 2022
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2022.21.3.4

Abstract

Visual artists used NFT (non-fungible tokens) to market artwork and build virtualcommunity networks. NFTs are special certificates or licenses for digitally sold items.In this context, the presence of NFT creators has given rise to a virtual communityinvolving many digital media activities. The phenomenon then offers a variety of newtechnology-based relationships (blockchain, metaverse, NFT, Twitter, Twitter Spaces,Discord, and Clubhouse) and human actors (artists, digital artists, and designers), whichgive rise to specific characteristics to interact with each other or market their artworkin a virtual community. This research aims to discuss the interaction process in the NFT virtual community to understand the NFT ecosystem based on digital media. The actor- network theory is used to understand the network relations between human and non-human actors interacting through various digital platforms. The results of this study showed that the NFT virtual community could not be separated from the presence ofhuman and non-human actors.
DAMPAK PLATFORMISASI PADA TATA KELOLA MUSIK STREAMING DI INDONESIA DAN PERLAWANANNYA OLEH MUSISI INDIE LOKAL Resmadi, Idhar
Jurnal Sosioteknologi Vol. 23 No. 3 (2024): NOVEMBER 2024
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2024.23.3.5

Abstract

Issues of inequality and injustice have become prevalent in economic-political discourse in digital media, particularly because of the impact of platformization on digital streaming platforms. This article examines how platformization shapes cultural production, the governance of the music streaming industry, and the resistance againts its dominance in Indonesia emerge. Through observations and interviews with indie music practitioners in Indonesia, this article discusses platform-based cultural production and the rise of new power held by aggregators in the music-streaming industry. The discussion is divided into the impact of platformization on indie musicians and alternative production patterns that challenge platform-based cultural production in Indonesia. This article aims to provide an overview of the impact of platformization on indie musicians in Indonesia and to explore alternative methods that encourage musicians to gain independence from platforms.