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Tembang dalam Tradisi Orang Sunda: Kajian Naskah Guguritan Haji Hasan Mustapa Dede Burhanudin
Jurnal Lektur Keagamaan Vol 11 No 1 (2013): Jurnal Lektur Keagamaan Vol. 11 No. 1 Tahun 2013
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

The content of Guguritan Haji Hasan Mustapa deals with the dynamic of religious life of Sundanese. Through, Guguritan, members of community communicate each other by means of dialog. From the guguritan as a culture, it is manifestly that Sunda is an open cultural identity. Sunda and Sundanese also, have become the meeting point of their cultural identity. It was shown here by their pattern of reciprocal interaction and adaptation—both in group communication (makalangan) and adaptation to the change of the world (ngigelan zaman dan ngigelkeun zaman).Keywords: Tembang, Tradition, Guguritan Haji Hasan Mustapa

Carios Babad Sumedang Dede Burhanudin
Jurnal Lektur Keagamaan Vol 10 No 1 (2012): Jurnal Lektur Keagamaan Vol. 10 No. 1 Tahun 2012
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

This article deals with Prince Gesan Ulun of Sumedang Larang kingdom. It is said that in his journey of seeking knowledge in Demak and Cirebon, the prince felt in love with Haris Baya, the queen of Girilaya Kingdom of Cirebon. This led to bloody conflicts between Cirebon and Sumedang Larang. Thanks to the advice of Mataram ruler, the conflict eventually came to an end. The advice was based on Islamic teachings. Gesan Ulum married Haris Baya. But he had to relinguish some of his territory to Cirebon

Inskripsi Keagamaan Nusantara di Palu Sulawesi Tengah Dede Burhanudin
Jurnal Lektur Keagamaan Vol 14 No 1 (2016)
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Religious inscriptions often cannot be separated from religious doctrines developed by the local communities in relation to their level of understanding of religion. In Central Sulawesi, religious teachings acquired from the teachers, scholars and religious leaders of Islam have colored the form and content of religious inscriptions. This article discusses the history and development of some religious inscriptions in Central Sulawesi, primarily in the cities of Palu, Donggala, and Banggai. The study focuses on four areas, namely (1) The family cemetery of Tanga Banggo (Kings of Palu), (2) the Mosque of Kampung Baru in Kota Palu, (3) the Al-Amin Mosque in Wani, Donggala, and (4) The Grand Mosque of Donggala in Donggala. From these areas, the research found 46 inscriptions. The inscription on the tombstone consists of identity and titles of the deceased, prayers, verses of the Qur’an, and the name of the Prophet's family and Companions. Meanwhile, the inscription on the mosques consists of the mosque names, the year of construction, and Hadith. Calligraphy is used generally in the styles of Tsulutsi, and Naskhi. The materials used consisted of wood, river rock, stone and marble temples. The existing conditions of inscriptions on tombstones, generally have suffered damage (wear). Headstone size generally between 20-120 centimeters. Headstone for men mostly spherical (phallus) and for women are usually flat. At the cemetery, the inscription contains the pilgrimage to the cemetery or graves, especially the graves Islamic leaders generally have similarities with other regions in Indonesia. While encryption in mosques suggests the words of prayers five times a day, away from God’s prohibition, hoping to worship for Allah's pleasure, advice, obedience, and others. Keywords: Religious Inscription, Mosques, Tombs, Islam, History, Central Sulawesi Inskripsi kegamaan seringkali tidak dapat dipisahkan dari kepercayaan masyarakat setempat dalam hubungannya dengan tingkat pemahaman mereka terhadap agamanya. Di Sulawesi Tengah, ajaran agama yang diperoleh dari para guru, ulama dan pimpinan agama Islam sedari awal mewarnai bentuk dan isi inskripsi keagamaan. Artikel ini membahas sejarah dan perkembangan beberapa inskripsi keagamaan di provinsi Sulawesi Tengah, tepatnya di kota yaitu Palu, Donggala, dan Banggai. Penelitian di fokuskan pada empat lingkungan, yaitu (1) Makam Situs Pekuburan Keluarga Tanga Banggo (Raja-Raja Palu), (2) Masjid Jami Kampung Baru Kota Palu, (3) Masjid Al Amin Wani di Donggala, dan (4) Masjid Raya Donggala di Donggala. Penelitian ini menemukan 46 inskripsi. Inskripsi pada nisan terdiri dari identitas dan gelar orang yang meninggal, doa, ayat al-Qur’an, dan nama keluarga dan sahabat Nabi. Sementara itu, inskripsi di Masjid terdiri dari nama masjid, tahun pembangunannya, dan hadis. Kaligrafi yang digunakan umumnya memakai Arab tsulutsi, dan naskhi. Adapun bahan yang digunakan terdiri dari kayu, batu sungai, batu candi dan marmer. Keadaan inskripsi yang ada pada nisan, umumnya telah mengalami kerusakan (aus). Ukuran nisan pada umumnya antara 20 - 120 cm. Nisan untuk laki-laki kebanyakan berbentuk bulat (lingga) dan untuk perempuan pipih. Di pekuburan, inskripsi berisikan ziarah ke pemakaman atau kuburan, terutama kuburan pemuka-pemuka Islam yang banyak kesamaan dengan daerah lainnya di Indonesia. Sementara inkripsi yang ada di masjid banyak menjelaskan masalah salat lima waktu, menjauhi larangannya, ibadah untuk mengharap rida Allah, nasehat, ketaatan, dan lain-lain. Kata kunci: Prasasti Keagamaan, Masjid, Kuburan, Islam, Sejarah, Sulawesi Tengah

Klenteng Kuno Boen Bio di Surabaya (Nilai dan Makna Ajaran Khonghucu) Dede Burhanudin
Jurnal Lektur Keagamaan Vol 15 No 1 (2017)
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Boen Bioyang Temple, located in Surabaya City, is one of the houses of worship in Indonesia that still cling to the purity of Confucian religious teachings. Especially, it still maintains the pure values of Confucian teachings that do not go through syncretism like other temples. Temples in Indonesia are mostly Tridharma temples used by three religions, namely Confucianism, Buddhism and Taoism. This article wishes to reveal (1) the context and historical back-ground of the founders of Boen Bio Temple, which includes the time, the founding figures, and the conditions of the community around that time; (2) data on the architectural model of the building, and the objects as well as the philosophical meanings contained therein and (3) the role of religious spreading and the social and cultural use since its inception to date. The expected benefits of this research can add to the religious treasures of the Indonesian archipelago, exploring the values of local wisdom. These also conserve and preserve historical religious places of worship in Indonesia, especially the Confucian Chinese people who are Confucians in Surabaya and generally the people of Indonesia. Basically, the research method used here is descriptive and quali-tative, related to history. The use of such methods may present evidence of evidence and facts contained in the temple through the stages of historical studies. A historical approach is made to describe the historical background of the existence of a historic place of worship, while the archaeological approach is done to describe the ancient objects and the symbols within them.Keywords: Temple, Confucianism, Chinese, Surabaya, Indonesia. Latar belakangPenelitian Klenteng Boen Bio yang ada di Kota Surabaya ini, adalah salah satu satu tempat ibadah di Indonesia yang masih berpegang teguh pada kemurnian ajaran agama Khonghucu. Teru-tama masih mempertahankan nilai-nilai murni ajaran Khonghucu yang tidak mengalami sinkretisme seperti kelenteng-kelenteng lainnya. Jika Kelenteng-kelenteng di Indonesia kebanyakan merupakan kelenteng Tri-dharma yang digunakan oleh tiga agama, yakni Khonghucu, Budha dan Tao. Adapun tujuan dan manfaat dari penelitian ini diantaranya (1) untuk mengungkapkan konteks latar sejarah berdirinya Klenteng Boen Bio, yang meliputi waktu, pendiri, serta kondisi masyarakat di sekitar saat itu. (2) Didapatnya data tentang model aristektur bangunan, dan benda-benda berikut makna filosofis yang terkandung di dalamnya serta (3) mengetahui peran penyebaran agama serta pemanfaatan sosial budaya sejak awal berdirinya sampai saat ini. Manfaat yang diharapkan dari penelitian ini dapat menambah khazanah keagamaan Nusantara, menggali nilai-nilai kearifan lokal dan mengkonservasi dan melestarikan tempat-tempat ibadah keagamaan bersejarah di Indonesia. khususnya masyarakat Tionghoa yang beragama Khonghucu di Surabaya dan umumnya masyarakat Indonesia. Secara mendasar metode penelitian ini deskriptif kualitatif yang terkait dengan sejarah dan kekunoan.Penggunaan metode tersebut diharapkan dapat memaparkan bukti temuan dan fakta yang terdapat pada Klenteng tersebut melalui tahapan kajian sejarah. Pendekatan yang dilakukan disesuaikan dengan sifat penelitian yang akan dilakukan yaitu historis dan arkeologis. Pendekatan historis dilakukan untuk men-deskripsikan latar belakang sejarah keberadaan rumah ibadah bersejarah, sedangkan pendekatan arkeologis dilakukan untuk mendeskripsikan benda-benda kuno serta simbol yang ada didalamnya.Karena keterbatasan waktu dan teknis, maka dalam penelitian ini hanya di analisis melalui pendekatan sejarah.Kata Kunci: Klenteng, Khonghucu, Tionghoa, Kota Surabaya, Indonesia.

Vihara Dhanagun dan Komunikasi Budaya di Kota Bogor, Jawa Barat Burhanudin, Dede
Jurnal Lektur Keagamaan Vol 16 No 1 (2018)
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

This article discusses the Dhanagun Temple, one of the Confucian worship houses in Bogor. Through the study of places of worship, the theme of cultural communication was raised, especially Confucians with the surrounding environment, by revealing the context of the historical setting, which includes the time, founders, and conditions of the community around that time, the architectural model of buildings, and the following philosophical meanings contained in it. Furthermore, it was also revealed that the use of this place of worship in the socio-cultural context from its inception to the present. Dhanagun Temple has dominant characteristics of Chinese architecture. The frame uses a multilevel beam structure system and a beam bond structure system. The shape of the roof stands out with a frame structure system made of wood. This monastery is decorated with ornaments that can be grouped into five categories, namely animals (fauna), plants (flora), nature (universes such as fire, water, and sun), geometrics, and legends, especially about gods. The results of this study are expected to enrich the archipelago's religious treasures, explore the values of local wisdom and conserve and preserve historical heritage, including historic places of worship.Keywords: Dhanagun Temple, culture, history, architecture, ornament.Artikel ini membahas Vihara Dhanagun, salah satu rumah ibadah Konghucu di Bogor. Melalui kajian rumah ibadah ini diangkat tema komuniÂ¬kasi budaya, khususnya penganut Konghucu dengan lingkungan sekitarnya, dengan mengungkap konteks latar sejarah berdirinya, yang meliputi waktu, pendiri, serta kondisi masyarakat di sekitar saat itu, model aristektur bangunan, dan benda-benda berikut makna filosofis yang terkandung di dalamnya. Selin itu, diungkap pula pemanfaatan rumah ibadah ini dalam konteks sosial budaya sejak awal berdirinya sampai saat ini. Vihara Dhanagun memiliki karekteristik arsitektur Tionghoa. Rangkanya menggunakan sistem struktur balok bertingkat dan sistem struktur ikatan balok. Bentuk atapnya menonjol dengan sistem struktur rangka yang terÂ¬buat dari kayu. Vihara ini dihiasi dengan ornamen yang dapat dikelompokkan menjadi lima kategori, yaitu hewan (fauna), tumbuhan (flora), nature (alam semesta seperti api, air, dan matahari), geometrik, dan legenda, terutama tentang dewa-dewa. Dari hasil kajian ini diharapkan dapat menambah khazanah keagamaan Nusantara, menggali nilai-nilai kearifan lokal dan mengkonservasi serta melestarikan peninggalan bersejarah, termasuk rumah ibadah bersejarah.Kata Kunci: Vihara Dhanagun, budaya, sejarah, Arsitektur, ornamen

DIASPORA KHAZANAH BUDAYA KEAGAMAAN MASYARAKAT BALI DI LAMPUNG SELATAN Yunani, Ahmad; Pinem, Masmedia; Burhanudin, Dede; Nugraha, Mulyawan Safwandy; Salsabila, Nadira
Jurnal Lektur Keagamaan Vol 21 No 2 (2023): Jurnal Lektur Keagamaan Vol. 21 No. 2 Tahun 2023
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/jlka.v21i2.1161

ABSTRACT The purpose of this study is to explore the various diaspora forms of the Balinese ethnic community's religious and cultural traditions, specificially in Tridharmayoga Village in South Lampung. The island of Bali is recognized for its unique Hindu religious traditions which mirror the indigenous culture. It is observed that when the Hindu Balinese community migrates to transmigration areas or other regions exterior to Bali, they persist in practicing these traditions as a component of their Hindu identity. The Tridharmayoga Village was founded on the principles of three diaspora religions: Hinduism, Islam and Catholicism. The village promotes interacttions that place a high emphasis on unity, despite the changes in religious traditions and cultural practices that might diverge from the native homeland. However, these traditions remain prevalent in the diaspora region. Considering these factors, questions emerge regarding the Balinese diaspora's presence in this village and how the Balinese ethnic group's religious and cultural heritage traditions, inherited from their homeland, are expressed in this new environment. This research adopts an exploratory and qualitative descriptive-analytical approach, presenting data descriptively based on the empirical evidence collected from the field. Data were collected through observations, interviews, and document analysis from a variety of sources in the field. The findings of this study indicate that the village, which is rooted in unity, diversity, and multiculturalism, adjusts its religious traditions to align with the established culture. This adjustment, however, does not eradicate the fundamental traditions but modifies them to suit the economic conditions of the host land, ensuring adherence to obligatory practices. This study offers insights into the value transformation within the religious traditions of the Balinese ethnic group, influenced by specific local conditions, particularly focusing on the Hindu Balinese community in Tridharmayoga Village. Keywords: Diaspora, Religious Culture, Balinese Hindu Ethnicity, Tridharmayoga Village, South Lampung. ABSTRAK Tulisan ini bertujuan untuk mengidentifikasi dan menganalisis bentuk diaspora tradisi khazanah budaya keagamaan dari komunitas diaspora etnis Bali, khususnya di Desa Tridharmayoga Lampung Selatan. Sebagaimana diketahui bahwa di Bali tradisi keagamaan Hindu memiliki ciri khas tersendiri yang mencerminkan budaya lokal. Ketika masyarakat Hindu Bali pindah ke daerah transmigrasi atau wilayah lain di luar Bali, mereka akan tetap menjalankan tradisi tersebut sebagai Hindunya. Desa Tridharmayoga dibangun atas dasar tiga agama diaspora; yaitu Hindu, Islam dan Katolik. Interaksi yang dibangun di desa ini sangat menjunjung tinggi kebersamaan, meskipun ada pergeseran tata tradisi dan budaya keagamaan yang agak berbeda dengan tradisi daerah asal. Akan tetapi masih menjadi tradisi yang dominan daerah perantauan. Karenanya berdasarkan hal tersebut, maka muncul permasalahan tentang bagaimana keberadaan orang Bali di Desa ini, dan bagaimana tradisi Khazanah Budaya Keagamaan etnis Bali yang sudah mentradisi di negeri asal mereka?. Penelitian bersifat eksploratif, dan merupakan penelitian deskriptif analitis kualitatif, yakni menyajikan data secara deskriptif sesuai data dan fakta yang ditemukan di lapangan. Data dikumpulkan dari berbagai sumber di lapangan melalui observasi atau pengamatan, wawacara, dan studi dokumen. Temuan yang didapat adalah bahwa desa ini yang dibangun atas dasar kebersamaan dan keragaman serta multikultur, karenanya tradisi keberagamaan yang dilaksanakan menyesuaikan dengan kultur yang telah dibangun, akan tetapi tidak menghilangkan tradisi yang semestinya dilakukan, hanya saja sehubungan dengan keberadaannya berada di tanah rantau, maka dalam pelaksanaannya disesuaikan dengan kondisi perekonomian yang ada tanpa menghilngkan kewajiban kewajiban yang harus dilakukan.. Penelitian ini diharapkan mendapatkan gambaran terjadinya transformasi nilai dalam tradisi keagamaan etnis Bali yang disebabkan dengan kondisi lokal tertentu, khususnya etnis Hindu Bali di Desa Tridharmayoga. Kata Kunci: Diaspora, Budaya Keagamaan, Etnis Hindu Bali, Desa Tridharma Yoga, Lampung Selatan

Reviving Faith: The Dynamic Legacy of HKBP Resort Balige Church Pinem, Masmedia; Burhanudin, Dede; Cahyadi, Indrawan; Rohanda, Rohanda; Nurjaman, Andri
Hanifiya: Jurnal Studi Agama-Agama Vol 7, No 2 (2024): Hanifiya: Jurnal Studi Agama-Agama
Publisher : Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hanifiya.v7i2.37495

HKBP is one of the largest congregations in the world and has even spread to America and Europe. HKBP in Indonesia is a Christian Church based in Tanah Batak, namely in Tarutung City, North Tapanuli, North Sumatra Province. The main focus of this research is the history of the HKBP Resort Balige church. This research uses a historical research method which has four stages, namely stages heuristics, criticism, interpretation and historiography. The research results show that the history and development of the HKBP Ressort Balige Church began with the arrival of Christian missionaries to Batak Land, then built the HKBP church, which was consecrated as the HKBP Balige church by Ompu Ephorus Pdt. I.L. Nommensen. In its development, the HKBP Balige church developed well; this was marked by the social charities around the church, such as hospitals, Schools, universities and a Multi-Purpose Building which functioned as a public service to the surrounding community. The role of the HKBP Church in the social life of the Balige community as a fellowship of believers always requires order and order in the implementation of services. This can be proven by your willingness to be selected as an Elder, Deacon, or Servant on the Development Commission or on the Committee of an activity.

MODEL PELESTARIAN WARISAN BUDAYA, KONSERVASI LINGKUNGAN, DAN PEMAJUAN KEBUDAYAAN: STUDI ATAS SITUS TAMAN PURBAKALA CIPARI KUNINGAN Saefullah, Asep; Syibromalisi, Arif; Burhanudin, Dede
Journal of Religious Policy Vol. 2 No. 2 (2023): Juli-Desember 2023
Publisher : The Ministry of Religious Affairs, The Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31330/repo.v2i2.35

Tulisan ini membahas kontribusi pelestarian warisan budaya dan konservasi lingkungan bagi pemajuan kebudayaan dan penguatan karakter masyarakat. Dalam hal kebijakan agama, tulisan ini mengangkat tentang kesalihan sosial dalam memakmurkan bumi, yaitu pemanfaatannya, penjagaannya, dan pelestariannya untuk generasi yang akan datang. Keselarasan agama dan budaya dalam konteks pelestarian lingkungan juga termasuk bahasan dalam artikel ini. Objek kajiannya adalah Situs Taman Purbakala Cipari, Cigugur, Kuningan, Jawa Barat. Fokus kajian meliputi nilai-nilai budaya, praktik tradisional, dan upaya konservasi lingkungan yang melibatkan masyarakat lokal. Metode yang digunakan adalah pendekatan kualitatif. Data dikumpulan melalui studi pustaka dan observasi. Dalam analisis digunakan teori ekologi budaya dan konstruksi sosial. Hasil kajian menunjukkan bahwa masyarakat di sekitar Situs Taman Purbakala Cipari memiliki kearifan lokal dalam pelestarian lingkungan, seperti praktik pertanian ramah lingkungan (PRL) dan pengelolaan sumber daya alam secara berkelanjutan. Nilai-nilai ini tercermin pada pembagian hutan, aturan adat pengelolaan hutan, pengelolaan air dan sampah dengan konsep reuse, reduce, dan recycle (3R). Hubungan antara pelestarian warisan budaya dan konservasi lingkungan sangat signifikan dalam menjaga keberlanjutan dan identitas masyarakat, juga berkontribusi pada pemajuan kebudayaan. Pengetahuan lokal, praktik tradisional, dan nilai-nilai budaya merupakan dasar yang kuat bagi pelestarian lingkungan yang berkelanjutan dan meningkatkan kesadaran akan pentingnya pelestarian lingkungan. Interaksi yang harmonis antara budaya dan lingkungan memberikan peluang untuk pengembangan ekowisata berkelanjutan, pendidikan budaya, dan penyadaran sejarah. Dalam konteks global, integrasi pelestarian warisan budaya dan konservasi lingkungan dapat menjadi model yang relevan untuk pemajuan kebudayaan; yang berkontribusi pada penguatan karakter, identitas budaya, dan keberlanjutan lingkungan.

Strengthening Moral Education Values: Sociological Analysis of the Mbah Sholeh Haolan at Pesantren Benda Kerep, Cirebon Rusmana, Dadan; Rosidin, Didin Nurul; Saefullah, Asep; Burhanudin, Dede; bin Zainuddin, Ghazali
Ulumuna Vol 28 No 1 (2024): June
Publisher : Universitas Islam Negeri Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/ujis.v28i1.1050

This article explores the role of Mbah Sholeh haolan (commemoration) in strengthening Islamic education in Benda Kerep Village. This event serves as a cornerstone for cultural preservation, intergenerational learning, and practical implementation of Islamic values. The kyai, or spiritual leaders, play a pivotal role in guiding the community, reinforcing their authority and the respect they command. The haolan facilitates social cohesion, fosters a strong sense of identity, and exemplifies the community’s commitment to Islamic teachings. By examining the significance of Mbah Sholeh haolan, the article provides insights into how traditional Islamic communities can navigate the challenges of modernity while preserving their religious and cultural heritage. This study show that commemoration is one of the means used to pass on the cultural and religious values contained in "Wasiat Sepuh" as one of the character education and character-building. Kyai is the central figure, the foremost patron, followed by the community, so what Scott calls a patron-client cluster is formed. Kyai in Benda Kerep serves as an information leader who, in many ways, trumps the role of formal government officials. Kyai serves as the community's protector, a place to seek advice, and the final decision-maker on various problems in the area.

MAINTAINING HERITAGE, EMBRACING CHANGE: ULAMA IN MADURA'S SALAFIYAH PESANTREN Rohanda, Rohanda; Burhanudin, Dede; Yunani, Ahmad; Saefullah, Asep
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 21 No. 2 (2024): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v21i2.41359

This research examines the role of ulama in education in three salafiyah Islamic boarding schools in Madura: Al-Is'af, Assadad, and Al-Usymuni. The main objective of this research is to analyze the works of ulama that are still used as the main literature in these pesantrens and to investigate how salafiyah pesantrens maintain the quality of traditional religious education while adopting the modern classical education system. The methodology used includes exploration to identify and inventory the works of scholars, as well as content analysis to reveal important information such as author, field of study, and book title. The study found that although salafiyah pesantren have incorporated non-yellow literature into their curriculum, they still maintain a focus on deep religious understanding (tafaqquh fiddin) through the teaching of classical books. The works of ulama are still the main reference in pesantren education, proving the important role of ulama in maintaining the Islamic scientific tradition in Indonesia.

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