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All Journal Jurnal Pendidikan Seni Rupa Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
BUDIAPRILLIANA, LUH
Institut Seni Indonesia Denpasar
Arts Humanities Education

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Creative Innovation of Multifunctional Painted Shawl Nisa, Apriliana Putri Khairun; Pemayun, Tjokorda Udiana Nindhia; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2862

Abstract

Multifunctional Painting Shawl is a product of 4moon that emphasizes Functional and beauty. According to Wikipedia, Shawls is a traditional Indonesian clothing in the form of a long cloth. Shawls are usually used by women. This shawl is specially designed to have several functions at once in one object only. Not only functional, the 4moon shawl also has additional aesthetic value found in the surface design and additional prada. The purpose of this study are 1) To find out the Transfer of Knowledge of Multifunctional Painting Shawl Entrepreneurial Governance, 2) To find out the Transfer of Multifunctional Painting Shawl Entrepreneurial Skills, 3) To find out the Transfer of Knowledge and Marketing Technology of multifunctional Painting Shawl, 4) To find out the Analysis of multifunctional Painting Shawl Entrepreneurship activities. This type of research is included in quantitative research and observation as a method of data collection. The result of the study are 1) There are 6 multifunctional painting shawl products by 4moon 3) Marketing that the author does is offline and online such as Instagram. The author also applies a custom-order system 4) Adding insights such as adding prada using massage canting techniques
Visualization Of The Barong Landung Of The Abiantuwung Tabanan Village In Paintings Budiana, I Putu; Karja, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3294

Abstract

Bali has many types of dances. In Bali you can find many types of dance, such as the barong dance. One of them is Barong Landung, which is the embodiment of a human or giant. With the presence of barong landung, Balinese people interpret it as a force that is believed to provide safety. The research problem focuses on the form of barong landung in the Abiantuwung Traditional Village, Barong Landung has a symbol of connection with Pura Dalem Balingkang. The research uses qualitative methods with analysis of interview and observation data. From the research results, it was found that the Barong Landung in the Abiantuwung Traditional Village is different from the barong landung in general in Bali. Barong landung is the embodiment of the Almighty Creator himself, which undagi in the past was certainly created in accordance with the conditions of the time at that time, namely when intercultural marriage between China and Bali was hot. The charm of this dance can generally only be enjoyed at special moments such as religious holidays in Bali which are usually called Piodalan which are held at certain temples. However, the barong landung in the Abiantuwung Traditional Village is only performed on certain days, such as at certain sasihs where the barong landung goes around at night without lights.
Visualization of the Impact of the Development of the Industrial Revolution in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3487

Abstract

Revolusi industri adalah transformasi besar perkembangan teknologi dan pengetahuan pada manufaktur dengan mengubah sistem produksi dari cara tradisional menjadi lebih efktif, efisien, dan ekonomis. Perkembangan Revolusi Industri sudah terjadi sebanyak empat kali dimulai dari abad ke-18 sampai abad ke-21, mengalami dampak yang sangat pesat yang berdampak pada proses produksi dan reproduksi. Revolusi industri memiliki dampak positif yaitu membantu manusia menjalani kehidupan dengan teknologi yang baru dan juga ada dampak negatif yaitu manusia akan kehilangan lapangan pekerjaan karena sudah digantikan oleh teknologi dan robot yang dipekerjakan. Maka dari itu, fenomena ini sangat menarik saya untuk mengambil judul “Visualisasi Dampak Perkembangan Revolusi Industri Dalam Seni Lukis Digital” bertujuan agar dapat membuat karya seni lukis digital dari dampak revolusi industri, metode yang digunakan adalah metode penciptaan yang bersifat kualitatif di uraikan secara deskriftiv. Hasil dari pembahasan dampak revolus industri yang divisualisasikan menjadi seni lukis digital membahas tentang satu konsep, dua penciptaan karya, dan tiga deskripsi karya, empat estetika karya, dan kelima keotentikan karya. Penciptaan karya ini dilakukan distudio Antara Putra dari bulan Agutus sampai Maret menghasilkan enam karya seni digital yang berjudul karya 1 Revolusi 1.0, karya 2 Takterkendali, karya 3 Manusia dan teknologi, karya 4 Bali revolusi 55.0, karya 5 Serangan saiber, dan karya 6 AI.
Visualization of the Impact of Industrial Revolution Developments in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3643

Abstract

Eksplorasi Visual Cerita Rakyat Palembang “Legenda Pulau Kemaro” Dalam Karya Seni Digital Simatupang, Putri Gracia; Budiaprilliana, Luh; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.4252

Abstract

The report on the creation of the work entitled "Visual Exploration of Palembang Folklore, Legend of Kemaro Island" in Digital Art Works aims to introduce Palembang folklore so that it can be known by the wider community and encourage people to love the culture of their respective regions more. The process of creating digital works uses the Hawkins method, which includes exploration, experimentation and formation, and is equipped with a presentation method to display the results of the work. In the process of creating works, fine art elements such as points, lines, planes, shapes, spaces, colors, textures and light and darkness are applied and combined to create interesting visuals. This work is realized through non-proportional anatomical objects in the shape of children with fat and cute faces, inspired by the shape of bakpau. The choice of this shape provides visual uniqueness and an attractive impression. The results of the creation of this work are 16 (sixteen) digital works that visualize Palembang folklore, the Legend of Kemaro Island. These works were then presented as an interactive art installation with the title "A Story." Through this work, it is hoped that Palembang folklore can be better known and appreciated by the wider community, as well as encouraging a love of local culture. Thus, this work contributes to the preservation and introduction of regional culture to a wider generation, emphasizes telling stories that are rich in cultural values, and provides new experiences for art lovers.
TRADITIONAL REPETITION PATTERNS IN THE CREATIVE PROCESS OF THE KETUT SUGANTIKA LEKUNG’S POROSAN SERIES Budiaprilliana, Luh
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 7 No. 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v7i2.3036

Abstract

This research examines the repetition patterns found in the creative process of Ketut Sugantika Lekung's Porosan Series artworks. Porosan Series is one of Ketut Sugantika Lekung's artworks, inspired by the shape and the making process of a sacred ritual object called Porosan. In general, Porosan Series artworks display visualizations that emphasize the impression of repetition. The creative process of the Porosan Series imitates the process of making the original Porosan. Imitation activities in this creative process were studied to see the influence of traditional repetition patterns originating from making original porosan. This research uses a descriptive method with a qualitative approach, which emphasizes more in-depth data analysis. The results of the research show indications of the influence of original porosan making's traditional repetition pattern in the creative process of the Porosan Series. The Porosan Series creative process also uses three stages like the original porosan: preparation, realization, and finishing, but the original Porosan's final stage is drying, not finishing. Even though there are several modifications, the strong influence of the traditional repetition pattern is still visible because it shows some behaviors that are similar in every stage and process between the two things, such as focus, relaxation, and sincerity, thus creating a meditative state without realizing it. This research is essential to see the impact of local wisdom, which can positively influence the creative process of original Balinese artists to create a potential new method based on Balinese traditions and local wisdom.
MEDIA EXPLORATION AS PRODUCT DEVELOPMENT OF OBI BELT PAINTINGS AT AGUNG BALI COLLECTION: Eksplorasi Media Sebagai Pengembangan Produk Obi Belt Lukis Di Agung Bali Collection Toganata, I Made Anju Adi; Sucipta, I Wayan Adi; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4482

Abstract

This internship/practical work program is implemented to provide opportunities for students to choose their interests and prepare students to enter the world of work. Obi belt is a textile product from Japan that is used as a belt to keep the kimono neat and tight. Product development is a strategy and process used by companies to create new products, improve old products, or increase the usefulness of products to existing market segments on the assumption that customers want new elements about these products. The purpose of this internship is to identify the strategy and process of product development at Agung Bali Collection. The method of implementation in this MBKM Internship / Work Experience Program students will be involved in various practical activities, such as direct observation of the fabric weaving process, how to design fabric designs and techniques used in the manufacture of woven fabrics and also need to know how the marketing system is carried out in the industry at Agung Bali Collection. Data collection used to find information and data in this internship is through interview, observation or observation, documentation and literature. The results of the MBKM internship program are in the form of knowledge, skills and technology transfer. The principles of knowledge, skill and technology transfer can lead to new innovations in obi belt products. The products made by Obi Belt are unique, special and certainly different from other products on the market. The transfer of knowledge, skills and technology gained at Agung Bali Collection greatly facilitates the creation of new innovations in obi belts.
VISUAL EXPRESSION OF THE LOTUS FLOWER PHILOSOPHY IN PAINTING ARTWORKS Prayoga, I Made; Budiaprilliana, Luh; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4508

Abstract

This report explains the creation of a painting with the theme "Visual Expression of Lotus Flower Philosophy in Painting". The abstract of the lotus flower philosophy describes the beauty that emerges from less than ideal conditions, where the lotus grows from mud but remains clean and beautiful on the surface of the water. In its life, the lotus flower is a plant with beautiful flowers, but behind the beauty of its flowers, the plant grows in a muddy and dirty environment to achieve the beauty of the lotus flower. This abstract reviews the application of the lotus flower philosophy in human life, describing how values such as resilience, beauty, and growth can be applied in the context of personal and professional development. The statement about the life of the lotus flower contains important values that can be applied in human life, how values such as resilience, beauty, and growth can be applied in the context of personal and professional development. This philosophy also describes the importance of living in the midst of difficulties, seeking light in the darkness, remaining calm in chaos, and how we process ourselves in finding our identity. By exploring the balance between hardness and softness, and the ability to thrive in difficult environments, this philosophy inspires humans to reach their highest potential in everyday life.This report explains the concept of painting inspired by the philosophy of the lotus flower that can be applied in human life by exploring the aesthetic elements and symbolism in the lotus flower. This painting tries to capture the beauty and meaning of the philosophy of the lotus flower with a creative context. by combining various techniques in one painting that can symbolize the meaning and philosophy of the lotus flower.
CAFE LIFE VISUALIZATION IN DIGITAL ARTWORK Sucita, I Komang; Sucipta, I Wayan Adi; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4529

Abstract

This independent project report is entitled "Visualization of Cafe Life' in Digital Artwork and aims to reveal the phenomenon of life in a coffee shop through digital artwork. This study explores how the function of a coffee shop has shifted, which now not only provides coffee, but also sells a lifestyle that is popular with many people. This study also illustrates the anxiety that the author faces when carrying out his two daily activities as a barista and a student. The process of creating this digital artwork involves stages of exploration, improvisation, and formation, which are realized using digital media such as iPads and illustration software. The result is a series of digital illustration artworks that identify aspects of life in a coffee shop, and the researcher's personal challenges in carrying out two activities. There are six works produced, all of which are based on digital illustrations and the presentation media themselves vary from drinking cups, coffee grinders, tote bags, and t-shirts. This research contributes to the understanding of cafe life as a socio-cultural phenomenon and technological development, and offers a new perspective in creating digital artwork that is relevant to the development of the times. It is hoped that this work can inspire students, artists, and the younger generation to continue exploring and developing their creative potential through the use of digital technology and direct experience in everyday life.
Tradisi Bali dalam Lipatan Kanvas Karya Seri Porosan I Ketut Sugantika ‘ Lekung’ Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1549

Abstract

Tradition in the anthropological dictionary is the same as customs, whic is called the magical-religious habits of the life of an indigenous population which include cultural values, norms, laws and rules that are interrelated, and then become a system or regulations that have been established and include all conceptions of the cultural system of a culture to regulate social action (Arriyono and Siregar, 1985:4). The tradition that is strongly implemented in the environment where the child grows up has an influence in building the memory web of the child in his growth and development. I Ketut Sugantika 'Lekung' as one of the artists who was born and raised in Bali is one of the many artists who brings the memory web of Balinese traditions into their creative process. The Porosan series by I Ketut Sugantika 'Lekung' is a representation of Balinese tradition which is realized through the repetition of folds on canvas. The process of making which is full of repetitions with similar patterns presents a trance for the artist so that he feels a situation like he is meditating focusing on controlling the Tri Pramana which is consisting of Bayu, Sabda, and Idep.
Co-Authors Budiana, I Putu Budiarta, I Dewa Putu Gede Drs. I Wayan Mudana,M.Si. . Drs.Jajang S,M.Sn . Drs.Mursal . Gulendra, I Wayan I Made Ruta I Nyoman, suardina I Wayan Sujana Karuni, Ni Kadek Made Purnami Utami Mustika, I Ketut Neode, Haris Candra Nisa, Apriliana Putri Khairun Pemayun, Tjokorda Udiana Nindhia Prayoga, I Made Putra Adnya, Made Chandra Ruta, I Made Sari Apriliani, Sari Silasana, I Putu Arya Simatupang, Putri Gracia Sucipta, I Wayan Adi Sucita, I Komang Suryadinata T. Y., Anak Agung Gde Trisna Toganata, I Made Anju Adi UDIANA NINDHIA PEMAYUN, TJOKORDA Utami, Ni Made Purnami Wayan Karja Yudana, Komang