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Gandrung Sewu Festival: The Eroded Image of the Blambangan People's Heroism Isfironi, Mohammad; Hargo Yuwono, Pujo Semedi; Margana, Sri
MUHARRIK: Jurnal Dakwah dan Sosial Vol. 5 No. 2 (2022): Muharrik: Jurnal Dakwah dan Sosial
Publisher : Fakultas Dakwah Institut Agama Islam Sunan Giri Ponorogo

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Abstract

Since it was first held in 2012 the Gandrung Sewu Festival has become a favorite in the Banyuwangi Festival event. The popularity of Gandrung Sewu appears not only because this show is aesthetically appealing, but also it holds the stories and desires of the people Banyuwangi. In addition to describing the implementation of the Gandrung Sewu performance which is part of the Banyuwangi Festival event, this paper also aims to reveal the history of the heroism of the Blambangan people which became the background for the emergence of Gandrung and later became an art performance called the Gandrung Sewu Festival. This paper is based on field note from observations of the Gandrung Sewu Festival and in-depth interviews with resource persons who have competence and relevance. The result of the study show that the Gandrung Sewu not only an art performance created from Gandrung which has become one of the icons of Banyuwangi’s arts and culture, but also an image of the herois of the Blambangan people in a war against foreign domination in the past, the heroism of the Bayu war unites returned the people of the Blambangan who were scattered in a new spirit which was marked by the birth of Banyuwangi. The heroism of the Blambangan people, which the people of Banyuwangi continues to love, continues to be eroded in to a variety of purely aesthetic artistic creativity in order to serve the growing demand for the tourism markes, especially in the era of Regent Abdullah Azwar Anas’leadership in 2010-2020. Key Words : Banyuwangi Festival, Blambangan, Heroism Image, Gandrung Sewu Aesthetics
Politics of Prophecy in Java: A Mythological Narrative on Political Succession of Javanese Dynasties in Babad Tanah Jawi Achmad Fawaid; Wening Udasmoro; Sri Margana
Khazanah Sosial Vol. 4 No. 2 (2022): Khazanah Sosial Vol 4, No 2 August 2022
Publisher : UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/ks.v4i2.17622

Abstract

This article is to figure out how Javanese power succession has archetypal structures and relational systems in Babad Tanah Jawi, representing that the past is prophetic prologomena for the future. Using Lévi-Strauss’s structural anthropology of myth as a methodological approach, this study attempts to analyze the relational systems of successive power of Javanese characters (rulers) from pre-Majapahit to early Mataram in Babad Tanah Jawi and to interpret symbols of the prophetic divine during the periods of different Javanese reigns. This study has found that Javanese dynastic succession has been characterized by archetypal structures, in which the Javanese rulers commonly passed through identical phases of life-journeys, ranging from getting divination from fortune-teller (prophecy), getting out of the origins (exodus), to getting political recognition to be the next ruler (legitimacy). This system argues that the mythological prophecy in Babad Tanah Jawi is political because it prevails the logic of the Javanese worldview (weltanschauung) and the precondition of mystical and political legitimacy for Javanese rulers. The narratives of prophetic symbols, in which the different Javanese rulers had been involved in similar forms and structures, also imply the political dimension of prophecy representing the power of their reigns.
The Rise and Fall of Persegres: The Footprints of PT Petrokimia Gresik in the Dynamics of National Football Competition (1978 – 1996) Muhammad Najib Khilmi; Sri Margana
Tarikhuna: Journal of History and History Education Vol 7, No 2 (2025): November 2025
Publisher : UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/thje.v7i2.12887

Abstract

This study aims to examine the role of PT Petrokimia Gresik in the development of football in Gresik from the 1980s to the early 1990s, focusing on social support and the company’s Corporate Social Responsibility (CSR) strategies, as well as how sports were utilized as a social and promotional tool. Utilizing historical research methods and Bowen's CSR framework retrospectively, this study analyzes the internal and external factors influencing the trajectory of the Persegres team. The results indicate that PT Petrokimia Gresik's substantial investment in infrastructure and athlete development through the application of CSR principles successfully established Persegres as a prominent football power while simultaneously building a positive corporate image. However, the team subsequently experienced a decline and relegation in 1995-1996 due to changes in the competition structure, reduced financial support, internal conflicts, incidents of supporter violence, and match-fixing practices. It is concluded that the success and sustainability of a football team are highly dependent on consistent corporate support, robust internal management, and adaptation to external dynamics. This study provides an academic contribution by highlighting the complexity of interactions between CSR principles, sports development, and social dynamics within the context of industrial and community development.
Narrative Imagination of Islam in Nusantara: A Study on Islam in Babad Tanah Jawi and Babad Giyanti Achmad Fawaid; Wening Udasmoro; Sri Margana; Miftahul Huda
Indonesian Journal of Islamic Literature and Muslim Society Vol. 8 No. 1 (2023): June 2023
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v8i1.5030

Abstract

The lack of research on literary elements in "babad" is in line with the limited study of Islamic elements within this genre. This research aims to analyze the Javanese poets' depictions of Islam in "Babad Tanah Jawi" and "Babad Giyanti." The study operates under the assumption that "babad" as literary works can allegorically create a contested space where Islam interacts with other traditions. A qualitative paradigm with a comparative structural approach is employed in this study, focusing on the narratives that shape the author's understanding of Islam in the 18th century. The findings of this research reveal that the court poet's portrayal of Islam in "Babad Tanah Jawi" shares similarities with another work in the same genre, "Babad Giyanti." These commonalities encompass the utilization of Islamic verses in the "bhabuka" text and "asmaul husna," the depiction of "walisongo's" role, the practice of "tawajjuh," moral Islamic teachings, and the political positioning characterized by ambivalence and negotiation among different traditions.