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All Journal Jurnal Imajinasi BUAH HATI Metta : Jurnal Ilmu Multidisiplin Jurnal Penelitian Musik Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Insan Pendidikan dan Sosial Humaniora JURNAL ILMIAH PENDIDIKAN KEBUDAYAAN DAN AGAMA Jurnal Informasi Pengabdian Masyarakat Ardhi: Jurnal Pengabdian dalam Negri Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Jurnal Multidisiplin Indonesia Jurnal Penelitian Musik Jurnal Pendidikan dan Sosial Humaniora KREATIF: Jurnal Pengabdian Masyarakat Nusantara
Yuli Astuti
Universitas Syiah Kuala
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Chemistry Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Physics Public Health Social Sciences Other

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HARMONY OF THE CHANTING OF KENDURI PRAYERS IN THE SOUND TRADITION OF THE GAYO COMMUNITY: KESELARASAN LANTUNAN DOA KENDURI DALAM TRADISI BUNYI MASYARAKAT GAYO ZUHRI ARADIKA DIAN MUHCTAR; Ari Palawi; Yuli Astuti
Jurnal Penelitian Musik Vol 6 No 2 (2025): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.62.02

Abstract

This research aims to examine the harmony between prayer chants in the implementation of kenduri and the tradition of musical sounds in the Gayo community. Through an ethnographic approach, this study explores the structure, function and meaning of prayer chants in the context of kenduri, and analyzes how these prayers are harmonized and integrated with traditional Gayo sound elements. The results of the research show that the prayer chants at the Gayo community's kenduri have a unique structure and pattern that is rich in rhythm, intonation and distinctive lyrics. These prayers function as a means to ask for blessings, express gratitude, and confirm the cultural values ​​and beliefs of local communities. The integration of prayer chants and harmonious sounds creates a solemn, serene and sacred atmosphere during the celebration of the kenduri. This reciprocal interaction between prayer and sound also plays an important role in maintaining the continuity and preservation of Gayo cultural traditions. This research provides an in-depth understanding of how spiritual, aesthetic and contextual components interact and influence each other in the cultural practices of the Gayo community. Keywords: prayer chanting, kenduri, musical sound tradition, Gayo society, cultural integration.
Teknik Pembelajaran Paduan Suara untuk Meningkatkan Kreativitas Siswa pada Mata Kuliah Paduan Suara di Prodi Pendidikan Sendratasik Universitas Syiah Kuala Yuli Astuti; Samsuri Samsuri
Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Vol. 2 No. 4 (2025): Desember: Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i4.504

Abstract

This study aims to analyze effective choir teaching techniques to enhance students' creativity in the Choir Course at the Performing Arts Education Program, Syiah Kuala University. Using a qualitative approach, this research explores various techniques applied by lecturers, interactions during the learning process, and their impact on students' creative abilities. Data were collected through observation, in-depth interviews, and documentation, then analyzed descriptively. The results indicate that vocal exploration methods, music interpretation exercises, and group collaboration significantly support the enhancement of students' creativity. This study recommends developing a creativity-based curriculum for the Choir Course.
HARMONY OF THE CHANTING OF KENDURI PRAYERS IN THE SOUND TRADITION OF THE GAYO COMMUNITY: KESELARASAN LANTUNAN DOA KENDURI DALAM TRADISI BUNYI MASYARAKAT GAYO ZUHRI ARADIKA DIAN MUHCTAR; Ari Palawi; Yuli Astuti
Jurnal Penelitian Musik Vol 6 No 2 (2025): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.62.02

Abstract

This research aims to examine the harmony between prayer chants in the implementation of kenduri and the tradition of musical sounds in the Gayo community. Through an ethnographic approach, this study explores the structure, function and meaning of prayer chants in the context of kenduri, and analyzes how these prayers are harmonized and integrated with traditional Gayo sound elements. The results of the research show that the prayer chants at the Gayo community's kenduri have a unique structure and pattern that is rich in rhythm, intonation and distinctive lyrics. These prayers function as a means to ask for blessings, express gratitude, and confirm the cultural values ​​and beliefs of local communities. The integration of prayer chants and harmonious sounds creates a solemn, serene and sacred atmosphere during the celebration of the kenduri. This reciprocal interaction between prayer and sound also plays an important role in maintaining the continuity and preservation of Gayo cultural traditions. This research provides an in-depth understanding of how spiritual, aesthetic and contextual components interact and influence each other in the cultural practices of the Gayo community. Keywords: prayer chanting, kenduri, musical sound tradition, Gayo society, cultural integration.
Penyajian Tari Ula-Ula Lembing di Kabupaten Aceh Tamiang Tengku Hartati; Yuli Astuti; Nurlaili Nurlaili
Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora Vol. 4 No. 2 (2024): Juni : Jurnal Pendidikan dan Sosial Humaniora
Publisher : AMIK Veteran Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/khatulistiwa.v4i2.12774

Abstract

The Ula-Ula Lembing dance is a traditional dance originating from Aceh Tamiang Regency. Performances of this dance are currently rare, both within Aceh Tamiang Regency and across Aceh as a whole. This study aims to describe the Ula-Ula Lembing dance in terms of its history, movement variations, and lyrics. This research employs a qualitative descriptive method. Data collection techniques were conducted through observation, interviews, and documentation. Data analysis utilized triangulation, which encompasses data display, verification, and drawing conclusions. The research results indicate that the Ula-Ula Lembing dance was originally performed during weddings and the coronation of Tuan Muda as the King of Tamiang. This dance depicts the story of a wandering young man who faces obstacles in search of his dream princess. The presentation of the Ula-Ula Lembing dance consists of five acts, namely Patam-Patam Pembuka, Tunda Deting, Niti Batang, Puku-Puku Pangku, and Patam-Patam Penutup. The dance features various movements, including the respectful greeting (salam penghormatan), silat movements, Ula-Ula Lembing movements, Jud kedidi movements, kayoh maida kayoh movements, puku-puku pangke movements, rencah tebang movements, and the closing greeting (salam penutup). The performance utilizes sung poetry accompanied by musical instruments such as the accordion, violin, and Malay drum (gendang Melayu). This dance is performed by a group of 10 to 16 female dancers.
Makna Simbolik dan Nilai Estetika Ragam Hias pada Arsitektur Masjid Tuha Indrapurwa Aceh Besar Tarina Dara Meutuah; Reftha Fazariyani L. S.; Dhia Annisa Ahmad; Ayi Rahmatul Auliya; Ilham Habib; Alisa Desi Dalila; Yuli Astuti
Jurnal Multidisiplin Indonesia Vol. 3 No. 3 (2025): September: Jurnal Multidisiplin Indonesia
Publisher : PT. ALHAFI BERKAH INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62007/joumi.v3i3.1040

Abstract

This study aims to examine the reconstruction of the Tuha Indrapurwa Mosque in Lam Badeuk Village, Peukan Bada District, Aceh Besar Regency. The Tuha Indrapurwa Mosque is one of the oldest mosques in Aceh, possessing significant historical, cultural, and architectural value as a representation of the cultural acculturation process during the spread of Islam in the region. The study employs a qualitative descriptive method with a historical approach. Data were gathered through observation, interviews with community leaders and mosque administrators, and documentation. The findings indicate that the post-2004 tsunami reconstruction of the Tuha Indrapurwa Mosque was carried out with the support of non-governmental organizations (NGOs), resulting in changes to certain building materials and structural elements. Nevertheless, key architectural features such as the tiered roof structure, the *mimbar* (pulpit), spatial orientation, and other symbolic elements were preserved as integral parts of the local community's historical and spiritual identity. An analysis of these architectural elements reveals a blend of Islamic values ​​and local culture that remains intact to this day. Consequently, the reconstruction of the Tuha Indrapurwa Mosque serves not only as a physical restoration effort but also as a means of preserving the cultural heritage and identity of the Acehnese people.
Co-Authors Alisa Desi Dalila Ari Palawi Ayi Rahmatul Auliya Dhia Annisa Ahmad Hayatu Wardani Ilham Habib Ilham Septian Ilham Septian Ismawan Ismawan Lindawati Lindawati Muazin Muazin Nurlaili Nurlaili Nurlaili Reftha Fazariyani L. S. Rida Safuan Selian Samsuri Samsuri Samsuri Samsuri Samsuri Tarina Dara Meutuah Tengku Hartati Yeni Zuryaningsih ZUHRI ARADIKA DIAN MUHCTAR