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All Journal ATAVISME JURNAL ILMIAH KAJIAN SASTRA METASASTRA: Jurnal Penelitian Sastra Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia International Journal of Multidisciplinary Sciences PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA
Atisah Atisah, Atisah
Pusat Bahasa, Jalan Daksinapati Barat IV, Rawamangun, Jakarta Timur
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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“LALAN BELEK” CERITA BIDADARI DARI REJANG, BENGKULU :KAJIAN MOTIF Atisah, Atisah
METASASTRA: Jurnal Penelitian Sastra Vol 8, No 2 (2015)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2015.v8i2.239-248

Abstract

Tulisan ini bertujuan mengungkap motif cerita bidadari “Lalan Belek” dari Rejang, Bengkulu dengan menggunakan teori motif index Stith Thomson.  Cerita bidadari  khususnya di Indonesia  sangat menarik dan banyak versinya. Umumnya setiap etnis di Indonesia memiliki cerita bidadari.Keberagaman cerita bidadari dari setiap etnis itu, merupakan mozaik yang indah dalam kehidupan berbangsa. Berapa jumlah Motif index dan motif indeks apa saja, kearifan lokal apa yang terdapat dalam cerita bidadari “Lalan Belek” merupakan masalah yang dibahas dalam penelitian ini. Penelitian ini menggunakan metode analisis deskriftif. Hasil yang didapat,antara lain, motif  manusia menikah dengan bidadari  kemudian urusan rumah tangga merupakan urusan perempuan. Padahal dalam perkawinan yang ideal, laki-laki dan perempuan harus bekerja sama dan saling mengisi. Perkawinan laki-laki bumi dengan  bidadari (putri dari Kahyangan) merupakan perkawinan dua dunia yang berbeda dan perkawinan dua makhluk dari dunia yang berbeda itu (khususnya cerita “Lalan Belek”) berakhir tidak bahagia. Mereka berpisah karena ingkar janji.Abstract: This article aims to reveal the story of an angel motif "Lalan Belek" of Rejang, Bengkulu using index motive  theory by Stith Thomson. Angel story is very interesting, especially in Indonesia it has many version.Commonly each ethnic in Indonesia has an angel story. The plurality of story in each ethnic is a beautiful mosaic in the life of the nation. What number of motive index and what kind of it, and the local knowledge is the issue that is expressed in this study from in the story of an angel "Lalan Belek" . This study uses descriptive analysis method. The results, among other things, are human motives married to an angel  then the household  by the women. Although the ideal marriage is when men and women must work together and complement each other. Male earth mating  with an angel (daughter of heaven) is a marriage of two different worlds and the marriage of this type (especially the story "Lalan Belek") end up unhappy. They split up because of broken promises.
ROMAN MOETIARA BERLUMPUR DAN PATJAR MERAH KEMBALI KE TANAH AIR KARYA YUSDJA: NASIONALISME ALA AKTIVIS PERGERAKAN MERAH (The Story of Moetiara Berlumpur and Patjar Merah Kembali ke Tanah Air Written Yusdja: Nationalism in Red Movement Activists Version) Atisah, Atisah
METASASTRA: Jurnal Penelitian Sastra Vol 4, No 1 (2011)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2011.v4i1.15-30

Abstract

Tulisan ini memaparkan tokoh-tokoh Pergerakan Merah dalam memperjuangkan kemerdekaan dari penjajah Belanda dalam roman Moetiara Berlumpur dan Patjar Merah Kembali ke Tanah Air karya Yusdja. Kedua roman tersebut memberi gambaran peran aktivis Pergerakan Merah yang memperjuangkan nasionalisme atau semangat kebangsaan ala Pergerakan Merah yang beraliran komunis. Bentuk nasionalisme ala Pergerakan Merah itu terefleksi dalam perjuangan yang keras (radikal) dan setia kepada partai. Mereka bergerak di lingkungan kaum buruh dan orang-orang kecil (marginal). Perlawanan para aktivis Pergerakan Merah atas penjajah, yakni dengan cara mengadakan pembongkaran jalan kereta api (Batang Oepamo), memutuskan kawat telepon, dan  menghasut  kuli-kuli tambang.Abstract:This paper describes the Red Movement leaders in fighting for independence from Dutch colonialists in the Story of  Moetiara Berlumpur and Patjar Merah kembali ke Tanah Air written  by Yusdja . Both stories illustrate the role of the Red Movement activists fighting for nationalism or national spirit in Red movement version having communist ideology. Form nationalism in Red Movement version was reflected in the hard (radical) and loyal struggle to the party. They moved in the environment of the labor and low class society. The  Red Movement activists against the colonialists were done by doing some actions, namely, destroying the railroad (Batang Oepamo), cutting  telephone wire, and inciting the mining workers.
UMBU LANDU PARANGGI DALAM PEMBINAAN SASTRAWAN INDONESIA: STUDI KASUS PERSADA STUDI KLUB Atisah, Atisah
ATAVISME Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v13i1.146.89-99

Abstract

Tulisan ini bertujuan memaparkan cara Umbu Landu Paranggi dalam membina sastrawan Indonesia melalui komunitas Persada Studi Klub dengan perspektif sosiologi sastra. Pada tanggal 5 Maret 1969, Umbu Landu Parangi dan teman-temannya mendirikan komunitas sastra atau komunitas seni pada umumnya di Yogyakarta yang diberi nama Persada Studi Klub (PSK). Aggota PSK umumnya adalah penulis muda yang dapat menunjukkan karyanya atau sekurang-kurangnya mempunyai ketertarikan yang serius kepada seni. Setiap anggota PSK didorong untuk menjadi penulis yang berhasil. Umbu membina para pengarang pemula itu secara persuasif, disiplin, dan mandiri. Umumnya karya mereka dipublikasikan dalam dua rubrik surat kabar Pelopor Jogja, yaitu rubrik ?Sabana? dan ?Persada?. Kedua rubrik itu diasuh oleh Umbu Landu Paranggi. Jadi, sebagai anggota PSK, penulis muda tidak hanya mendapat kesempatan untuk meningkatkan dan mengeksplorasi kemampuannya melainkan juga memperoleh kesempatan untuk menerbitkan dan memperkenalkan karya-karyanya ke masyarakat luas. Abstract: This paper is aimed to describe Umbu Landu Paranggi method in Indonesian man of letters build through Persada Studi Klub community by sociology of literature perspectives. In March 5, 1969, Umbu Landu Paranggi and his colleagues founded literature community, or art in general, in Yogyakarta which is named Persada Studi Klub (PSK). The member of PSK are mostly young writer who can show their works or at least they have serious interest on the arts. Every PSK member was encouraged to be success writer. Umbu cultivate the beginner's authors persuasive, discipline, and independent. Mostly their works were published in two rubrics of Pelopor Jogja newspapers, i.e. ?Sabana? and ?Persada?. Both rubrics was hosted by Umbu Landu Paranggi himself. So, as the PSK member, the young writers not only have a chance to improve and explore their capability but also to publish and introduce their works to the wider community. Key Words: guiding young writer, persuation, community
RELIGIOUSITY IN THE STORY “A DEER THAT ALWAYS REMEMBERS GOD”: FABLE FROM SUNDA LAND Atisah, Atisah
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 3, No 2 (2021)
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bahasa.v3i2.119

Abstract

This paper aims to analyze and reveal the values of religiosity in the animal story or fable "A Mouse Deer Who Always Remembers God". The method used is descriptive analysis method and the theory used to analyze the work is an objective theory based on the work itself. In the fable, the deer figure is very famous, he is smart and always gets a solution when facing problems. He often uses his senses well. In the story "A Mouse Deer Who Always Remembers God", the deer figure always gets a solution to every problem because he always remembers God. The author of the (anonymous) deer story seems to realize that even a creature (animal) always remembers God, what about us humans? By always remembering God life will be saved. This is the hidden message of the author. This fable genre turns out not only to function as entertainment, it also has various functions such as didactic functions, advice, satire, and even.AbstrakTulisan ini bertujuan untuk menganalisis dan mengungkapkan nilai-nilai religiusitas dalam cerita binatang atau fabel “Seekor Kancil yang Selalu Ingat Kepada Tuhan”. Metode yang digunakan adalah metode deskriptif analisis dan teori yang digunakan untuk menganalisis karya adalah teori objektif yang bertumpu pada karya itu sendiri.  Dalam fabel sosok kancil sangat terkenal, ia berwatak cerdik dan selalu mendapat solusi ketika menghadapi masalah. Ia sering menggunakan akal dengan baik. Pada cerita “Seekor Kancil yang Selalu Ingat Pada Tuhan”, sosok kancil selalu mendapat solusi  dari setiap masalah karena ia selalu ingat pada Tuhan. Pengarang cerita kancil (anonim) tersebut tampak menyadari, bahwa seekor makhluk (binatang) pun selalu ingat Tuhan, bagaiman dengan kita seorang manusia? Dengan selalu mengingat Tuhan hidup akan selamat. Inilah pesan tersembunyi pengarang.Genre fabel ini ternyata tidak hanya berfungsi sebagai hiburan, juga memiliki berbagai  fungsi seperti fungsi didaktik, nasihat, sindiran, bahkan kritik sosial. 
INTAKE OF MINANG CULTURAL VALUES AS STRENGTHENING THE CHARACTER OF THE NATION'S CHILDREN IN SHORT STORIES “TSUNAMI” BY ISMALINAR Syahrul, Ninawati; Sunarti, Sastri; Atisah, Atisah; Fadlly, Harits
Prosiding Seminar Nasional dan Internasional HISKI 2024: Konferensi Internasional Kesusastraan XXXII HISKI (Maret 2024)
Publisher : Himpunan Sarjana-Kesusastraan Indonesia (HISKI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/psni.v1i0.156

Abstract

This research will analyze the cultural values and local wisdom of the Minang ethnic group contained in the short story "Tsunami" by Ismalinar. This research uses an interpretive qualitative descriptive method with a literary anthropology approach. The focus of the analysis rests on local cultural values, both expressed and implied, by looking at the principle of benefit in the lives of Minang people and its impact as an enricher of national culture as a common property. The analysis data comes from literature studies, namely in the form of narrative text and dialogue between characters in the short story. The data analysis technique uses narrative analysis techniques. The findings from this research show that first, the language system in this short story contains several Minang vocabulary words that are synonymous with Indonesian; second, the knowledge system is knowledge of oneself, knowledge of people, knowledge of nature, and knowledge of God; third, the religious system is obedience in worship; fourth, the art system and livelihood system are not depicted in the short story; fifth, the technological system is the form of a gadang house; seventh, the social organization system is matrilineal and customary in consensus. All of this is certainly useful and can be a positive intake for students or the younger generation in strengthening the character of the nation's children.
Gender Bias in Fairy Tales Narrative Analysis of The Folk Story Malin Deman and Puti Bungsu Syahrul, Ninawati; Sunarti, Sastri; Atisah, Atisah
International Journal of Multidisciplinary Sciences Vol. 3 No. 2 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i2.3933

Abstract

The status and role of women in familial, social, and cultural contexts remain persistent themes in both modern and classical fiction, including traditional folk tales. For past generations, folk tales often served as a medium for expressing social realities and moral reflections, particularly concerning the position of women within the family. This research investigates the portrayal of women in the folk tale Malin Deman and Puti Bungsu, with the aim of describing and analyzing gender roles and biases embedded in the narrative. Using a qualitative method with a discourse analysis approach, the study relies on literature review and narrative analysis techniques, focusing on a feminist perspective. The results reveal three key findings. First, female characters are portrayed as passive, forgiving, non-aggressive, and aligned with traditional ideals of femininity. Second, these characters are depicted as incapable of altering their destinies without male intervention, reinforcing dependency. Third, women are shown as victims of male domination, abuse, and objectification. The study concludes that such representations reinforce entrenched gender stereotypes, promoting the ideal woman as beautiful, graceful, submissive, and helpless without male support. These portrayals pose a significant challenge to the feminist movement and the broader pursuit of gender equality in contemporary society.
Co-Authors Fadlly, Harits Ninawati Syahrul Sastri Sunarti