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All Journal RETORIKA: Jurnal Ilmu Bahasa Jurnal Kajian Bali EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics Litera : Jurnal Bahasa dan Sastra
Gede Primahadi Wijaya Rajeg
Udayana University
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Face Threatening Acts of the Main Character in “The Half of it” Movie Kadek Gita Arya Cahyaningrum; Gede Primahadi Wijaya Rajeg; I Nyoman Tri Ediwan
RETORIKA: Jurnal Ilmu Bahasa Vol. 8 No. 2 (2022)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.8.2.2022.144-150

Abstract

This study analyzed face threatening acts (FTAs) used by the main character in the movie titled The Half of It, focusing on (i) the types of the FTAs and (ii) how the FTAs are used by the main character. The data came from all utterances (words, phrases, clauses, sentences) produced by the main character. A pragmatic theory of FTAs from Brown and Levinson was applied to analyze the data qualitatively. Four types of FTAs are found in this study. The first type is “threatening the hearer’s negative face”, which was embedded in specific acts used by the main character, namely Suggestion, Threat, Reminding, Order, Warning, and Compliment. The second type is, “threatening the speaker’s negative face”, which is followed by such acts as Response to the hearer’s faux pas, Excuses, and Acceptance of offers. The third type is, “threatening the hearer’s positive face” with the acts of Criticism, Insults, Disagreement, Ridicule, Reprimand, Disapproval, Irreverence, Complaints, and Accusations. The last type of the FTAs is “threatening the speaker’s positive face” by using Confession, Emotion leakage, Physical control over the body, Apology, and Acting stupid. Finally, the FTAs enacted in the utterances of the main character are minimized by means of applying the politeness strategies. It has been discovered that the main character used the four types of politeness strategy that were positive politeness, negative politeness, bald on-record, and off-record strategy.
Querying texts with the AntConc corpus software Gede Primahadi Wijaya Rajeg; Luh Putu Laksminy; I Made Rajeg
LITERA : Jurnal Bahasa Dan Sastra Vol. 12 No. 1 (2026): LITERA: Jurnal Bahasa dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v12i1.4987

Abstract

AntConc is an open-source corpus linguistic tool featuring basic corpus linguistic analytical techniques. A powerful element of AntConc is its various pattern-searching methods. This paper describes the flavours of AntConc’s searching methods and illustrates them for the query of phonological, morphological, and syntactic phenomena. The more advanced searching method, namely Regular Expressions (RegEx), is also discussed. The paper illustrates the use of RegEx for querying a rather complex morphological phenomenon in Indonesian, namely reduplication. RegEx search output is compared with the output from the basic Wildcard search feature to accentuate the sophistication and flexibility of RegEx for more targeted and specific results. The paper, overall, underscores the importance of mastering the different methods of querying texts with different complexities in AntConc for investigating a wider range of data-intensive, linguistic inquiries.
Evidence from Balinese: Subject-Versus Object-Control Varies According to the Identity of the Verb, but not Necessarily the Probability of the Event Described I Nyoman Aryawibawa; Gede Primahadi Wijaya Rajeg; Ketut Artawa; Ben Ambridge
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 13 No. 1 (2023): Volume 13 No 1 April 2023
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2023.v13.i01.p02

Abstract

The objective of the present study was to investigate whether interpretation (Subject-vs-Object control) of an understudied type of control sentence (Sarahi wants someonej [PROi/j] to entertain) depends at least in part on which scenario is most probable. In Study 1, 44 Balinese speakers each rated the relative acceptability of the Subject- and Object-control readings of 272 Balinese sentences of this type. In Study 2, 20 Balinese speakers rated the likelihood of scenarios corresponding to the Subject- and Object-control readings of the sentences from Study 1. Counter to our predictions, however, these ratings did not significantly predict the relative acceptability of the Subject- and Object-control readings from Study 1, apparently because of other, uncontrolled differences between the verbs. We conclude that the question of whether the interpretation of control sentences depends on the relative probability of the scenarios remains unanswered; similar studies in other languages would help resolve this issue
Feminist Existentialism as Portrayed in the Movie Hidden Figures Ni Putu Yona Mahadewi; Gede Primahadi Wijaya Rajeg; Ni Luh Putu Krisnawati
EJI (English Journal of Indragiri): Studies in Education, Literature, and Linguistics Vol. 10 No. 1 (2026): EJI (English Journal of Indragiri): Studies in Education, Literature, and Ling
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61672/eji.v10i1.3030

Abstract

Feminist existentialism highlights the struggles women face in societies that impose restrictions based on gender and societal expectations. This study aimed to explore how the movie Hidden Figures portrays feminist existentialism ideology through the experiences and resistance of its main characters. Using a qualitative research method, the study examined the duality of the sexes and the various forms of women’s resistance as depicted in the film. Data collection was carried out through documentation and note-taking techniques. The analysis employed Simone de Beauvoir’s feminist existentialism framework as its primary theoretical foundation to examine how the movie Hidden Figures represents gender duality and feminist existentialism through the resistance of its main female characters, focusing on the identification of gender duality, the evaluation of acts of resistance, and the contextualization of these themes within the discourse of feminist existentialism. The findings reveal that Hidden Figures present a clear depiction of gender duality, where women are marginalized in workplaces, education, and social spaces. Despite these limitations, the main characters resist societal restrictions by asserting themselves in professional fields, intellectual discourse, and social transformation, aligning with the feminist existentialism concept of transcendence. Through their struggles, the film challenged traditional gender norms and contributes meaningfully to discussions on gender equality.
Co-Authors Ben Ambridge I Ketut Artawa I MADE RAJEG I Nyoman Aryawibawa I Nyoman Tri Ediwan Kadek Gita Arya Cahyaningrum Luh Putu Laksminy Ni Luh Putu Krisnawati Ni Putu Yona Mahadewi