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Novel Gone Girl sebagai Upaya Pembebasan Bahasa Perempuan Rizal, Muhammad
MUWAZAH: Jurnal Kajian Gender Vol 12 No 2 (2020)
Publisher : IAIN Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/muwazah.v12i2.2592

This paper aims to reveal feminine language narrated by the author through novel Gone Girl. The novel tells the complex story of the struggle of women in liberating their language from masculine domination. As a female author, Gillian Flynn tries to create a new narrative on women. She opens the other side of women who are rarely revealed. This author's effort is the point of the discussion. How the author practices feminine language and why she did it will be the main problem in the research. Luce Irigarayâ€™s thoughts about feminine language is used as a tool to answer the problem. In addition, the gynocritical approach is also used to explain the issue of female author who writes about woman. This paper finds that the author of the novel experienced boredom about the portrayal of mainstream women. The author offered the anti-mainstream ways to portray women. This effort becomes a tactic for the author to liberate women from masculine domination.

Novel Gone Girl sebagai Upaya Pembebasan Bahasa Perempuan Muhammad Rizal
Muwazah Vol 12 No 2 (2020)
Publisher : UIN K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/muwazah.v12i2.2592

This paper aims to reveal feminine language narrated by the author through novel Gone Girl. The novel tells the complex story of the struggle of women in liberating their language from masculine domination. As a female author, Gillian Flynn tries to create a new narrative on women. She opens the other side of women who are rarely revealed. This author's effort is the point of the discussion. How the author practices feminine language and why she did it will be the main problem in the research. Luce Irigarayâ€™s thoughts about feminine language is used as a tool to answer the problem. In addition, the gynocritical approach is also used to explain the issue of female author who writes about woman. This paper finds that the author of the novel experienced boredom about the portrayal of mainstream women. The author offered the anti-mainstream ways to portray women. This effort becomes a tactic for the author to liberate women from masculine domination.

Kearifan Ekologis dalam Cerita Rakyat Kalimantan Tengah: Kajian Ekokritik Muhammad Rizal; Shabrina An Adzhani; Wildi Adila
SUAR BETANG Vol 17, No 2 (2022): December 2022
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v17i2.394

This article discusses the relationship between folklore originating from Central Kalimantan and the natural surroundings. Taking the object of two folklores entitled “Legenda Batu Bagaung” and “Dohong dan Tingang”. The article will question how the influence of this folklore in Central Kalimantan. The theory used is the ecocriticism theory by Endraswara. This theory examines how the narrative in the story will be relevant to the living environment in the area where the folklores originate. This article also uses ecocriticism as a method. Through this method, the author will discuss the relationship between folklore in Central Kalimantan and the natural surroundings. From the question and theory presented, the writer concludes that “Legenda Batu Bagaung” and “Dohong dan Tingang” as folklores have a position as a reminder for people to always protect their nature. In addition, these folklores are also considered to have no influence at all on the local community where the narrative of reminders to protect nature is ultimately ignored.AbstrakArtikel ini membahas hubungan cerita rakyat yang berasal dari Kalimantan Tengah dengan alam sekitar. Mengambil objek dari dua cerita rakyat dengan judul “Legenda Batu Bagaung” and “Dohong dan Tingang”, artikel ini mempertanyakan bagaimana pengaruh cerita rakyat tersebut terhadap daerah di Kalimantan Tengah. Teori yang digunakan adalah teori ekokritik sastra yang diusung oleh Endraswara. Teori itu mengulas bagaimana narasi dalam cerita akan relevan dengan lingkungan hidup yang ada di daerah tempat cerita rakyat berasal. Artikel ini juga menggunakan metode ekokritik. Melalui metode ini, peneliti akan membahas hubungan antara cerita rakyat di Kalimantan Tengah dan alam sekitar. Dari pertanyaan dan teori yang dipaparkan, penulis menyimpulkan bahwa “Legenda Batu Bagaung” dan “Dohong dan Tingang” sebagai cerita rakyat mempunyai posisi sebagai pengingat warga agar selalu menjaga alamnya. Di samping itu, cerita rakyat itu juga dianggap tidak mempunyai pengaruh sama sekali terhadap masyarakat lokal ketika narasi pengingat untuk menjaga alam pada akhirnya juga diabaikan.

DARI HUMANISME KE POSHUMANISME: SEBUAH PENULUSURAN NILAI-NILAI TOLERANSI DALAM FILM EX MACHINA (2014) DAN ARTIFICIAL INTELLIGENCE (2001) Muhammad Rizal; Riana Dwi Rahayu
Widyaparwa Vol 51, No 1 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i1.1178

Post-humanism concept refers to human or entities which are in a position outside the boundaries of human beings. Post-humanism appeared based on humanism. If humanism means understanding that prioritizes the value and position of humans as criteria in everything, post-humanism then inquires the primacy of humans and the need for humans as criteria. Therefore, the article will track the values of tolerance from the point of view of humanism and post-humanism through films. Film Ex Machina (2014) and Artificial Intelligence (2001) are considered able to translate how the values of tolerance present in the post-human world. This article uses Robert Pepperell's perspective on post-humanism. The research method used is the descriptive analysis. The analyzed data is taken from dialogue and visual scene, which are proven by screen captures, in the film. As result, article shows the inability of humans to be tolerant in the posthuman world. These results show that humans are actually surrounded by posthuman elements such as robots, but their frame of mind still revolve around “humans will always be perfect creatures”.Konsep poshumanisme mengacu pada pengertian bahwa manusia atau entitas berada dalam posisi di luar batas-batas yang dimiliki manusia. Poshumanisme lahir atas dasar humanisme. Jika humanisme berarti paham yang mengedepankan niai dan kedudukan manusia sebagai kriteria dalam segala hal. Maka poshumanisme justru mempertanyakan keutamaan manusia dan perlunya manusia sebagai suatu kriteria tersebut. Dari pemahaman ini, artikel akan melacak nilai-nilai toleransi dalam berkehidupan dengan cara pandang poshumanisme melalui film. Film seperti Ex Machina (2014) dan Artificial Intelligence (2001) dianggap mampu menerjemahkan bagaimana nilai toleransi akan hadir dalam dunia poshumanisme. Penelitian ini akan dilakukan dengan menggunakan cara pandang Robert Pepperell mengenai poshumanisme. Metode penelitian yang digunakan adalah metode deskriptif analisis. Data yang dianalisis diambil dari penggalan dialog dan visual, yang dibuktikan dengan tangkapan layar, dalam film. Hasilnya, artikel menemukan ketidakmampuan manusia dalam bersikap toleran di dunia poshuman. Penemuan ini menunjukkan bahwa manusia memang secara nyata dikelilingi oleh elemen-elemen poshumanisme seperti robot, namun kerangka pemikiran mereka masih berkutat pada “manusia akan selalu menjadi makhluk yang sempurna”.

FEMININE DEATH AS SACRIFICE IN THE LITTLE MATCH GIRL, DEAD MEN’S PATH, AND THE STORY OF AN HOUR Wanda Andres Saputra; Asmanadia Izzatul Karimah; Alya Nur Haliza; Dinda Ayu Fitriani; Tera Sella Isyfiani; Muhammad Rizal
Lire Journal (Journal of Linguistics and Literature) Vol 7 No 2 (2023): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory English Department Universitas Bangka Belitung, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v7i2.195

This research article discusses feminine death in three short stories: The Little Match Girl (1906) by Hans Christian Andersen, Dead Men's Path (1972) by Chinua Achebe, and The Story of an Hour (1969) by Kate Chopin. It aims to reveal the existence of extremity and sacrifice in the death of a woman. This study used a qualitative-descriptive design to reveal and investigate the phenomena and forms, or modes, of women's deaths. The theory of feminine death from Elizabeth Bronfen (2017) is used to reveal the extremity and sacrifice of a woman, and the theory of philosophical death and female finitude from Linnell Secomb (1999) is used to reveal the mode and symbols of feminine death. Based on Spradley's theory and analysis, we argue that the three short stories all have extremity and sacrifice; in the short story by Hans Christian Andersen, there is a mode or form of death called "being-towards-death." Furthermore, in the work of Chinua Achebe, there is a mode of death called "the master-slave battle to the death." Lastly, Kate Chopin produced "dwelling-with-death". The three short stories can be found in extremity, sacrificing, and feminine modes of death. Thus, the identification can reveal the feminine death phenomenon in the short story.

PAIDEIA ADAPTATION: CAN WE TRANSFORM PEDAGOGICAL MATERIALS INTO ANTHROPOMORPHIC NARRATIVES? Pujiyanti, Umi; Muhammad Rizal; Robith Khoiril Umam
CrossOver Vol. 3 No. 2: December 2023
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/crossover.v3i2.7839

Paideia philosophy urges education and anything derived or related to it to respond to the zeitgeist of an era. Thus, techniques to deliver any pedagogical materials should position the target users as the axis to disclose them more possibilities to comprehend the materials. One of the techniques is designing anthropomorphic narratives. Studies on this topic circumnavigate around educational domains. Perceiving this issue from the lens of literary adaptation is the gap left by the previous studies. We argue that narrating pedagogical materials anthropomorphically is better termed paideia adaptation. This study attempts to prove the existence of this adaptation type by utilizing qualitative method, indicating the narrative and language features of the adaptation. Implementing the theories of onto fiction by Couceiro-Bueno, ergodic literature by Aarseth, second degree of literature by Genette, anthropomorphism by Weemans and Prévost on a corpus of animated films and games, the findings indicate that paideia adaptation has four narrative features namely anthropomorphic narratives, pseudoreferentiality, metalepsis, and metafictionality. This adaptation also has distinctive language features namely thematization, proairetic decoding, and didacticization. The result discloses a new viewpoint in the study of adaptation.

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