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Satrya HD, Dharma

Universitas Hamzanwadi

Author-ID : 547665

Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Nursing Social Sciences Other

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DEWI RENGGANIS (KAJIAN ANTROPOLOGI SASTRA LEVI- STRAUSS) hilmiyatun, hilmiyatun; satrya, Dharma
Educatio Vol 10, No 2 (2015)
Publisher : Universitas Hamzanwadi

Penelitian ini bertujuan untuk mendeskripsikan civitas budaya yang muncul dari nalar masyarakat Sasak Lombok yang terkandung dalam cerita rakyat Dewi Rengganis. Pendekatan penelitian yang digunakan pada penelitian ini adalah pendekatan kualitatif deskriptif dengan jenis penelitian analisis teks (content analysis). Teknik noniteraktif dilakukan untuk pengumpulan data dengan cara membaca secara intensif cerita rakyat Dewi Rengganis dengan melakukan pencatatan secara aktif melalui analisis dokumen. Sementara itu teknik analisis data yang digunakan dalam penelitian ini adalah analisis model interaktif yang meliputi tiga komponen penting yang selalu bergerak, yaitu reduksi data (data reduction), penyajian data (data display), dan penarikan simpulan (conclusion drawing). Selanjutnya Keabsahan data yang digunakan adalah teknik trianggulasi data. Trianggulasi data atau sumber dilakukan dengan cara mencarik informasi tentang produk nalar masyarakt Sasak Lombok yang terdapat pada naskah cerita rakyat Dewi Rengganis berdasarkan analisis dokumen. Hasil penelitian mengungkap bahwa cerita rakyat Dewi Rengganis merupakan hasil imajinasi manusia dan produk nalar manusia khususnya masyarakat Sasak. Sebagai hasil imajinasi, cerita rakyat Dewi Rengganis ini menjadi tempat ekspresi untuk mengungkapkan banyak hal, baik yang sifatnya nyata maupun tidak nyata, dan bahkan tidak akan pernah nyata namun terwijud dalam civitas budaya masyarakat Sasak pada umumnya. Hal ini dibuktikan dengan adanya kepercayaan masyarakat Sasak tentang sebuah keajaiban berasal dari kegaiban (bersifat tidak nyata). Selain itu adanya aktivitas bermusyawarah diyakini sebagai salah satu cara menyelesaikan persoalan yang dihadapi oleh masyarakat Sasak untuk menemukan solusi dari masalah yang menimpa mereka (bersifat nyata). Kata Kunci: Cerita Rakyat, Dewi Rengganis, Antropologi Sastra

PERTUNJUKAN MENUBUHKAN SENI(NYA INDONESIA) DAN RESPON PENONTON Murcahyanto, hary; HD, Dharma Satrya
Educatio Vol 11, No 1 (2016)
Publisher : Universitas Hamzanwadi

This study focused on the creative process and the audience response that refer to the post-colonial and post-modern theory. The method used is discourse analysis. The performance of Indonesia art processed during a month, which is in the lecturing process conducted during four meetings. The creative process starts from the discourse about the body and embody. The body discourse as a tool and goal. Body shown is the body of dance and drama, with another sentence is to embody the dance and Indonesian drama. The dances are performed is a dance of Papua, Kalimantan, Java, Bali, Indonesia, and Sasak. The sixth area was a representation of Indonesian art. The next show is a drama of White Blue Love then ended with a dance and Gugur Mayang music. The creative process based on the ability of setting up objects, events, pantomime and processes involving multimedia. All performances are getting response from the audience. There is good and less good respond. Some said exceptional, cool, fun, exciting, and entertaining. The responses indicate a logical reasoning about the stage and sense reasoning about the effect of the show. Another interpretation of these events in perspective post structuralism with refers to post structuralism Bartes and Foucoult and refers to post modernism Jameson and Lyotard, that the show was not be seen as a tradition or modernity, but an event with post-space, at the crossroads between tradition and modernity. The show speaks to the value.Keywords: Indonesia Art, Audience Response, Post-Structuralism, Post-Modernism

PERTUNJUKAN MENUBUHKAN SENI(NYA INDONESIA) DAN RESPON PENONTON hary Murcahyanto; Dharma Satrya HD
Educatio Vol 11, No 1 (2016)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/edc.v11i1.251

This study focused on the creative process and the audience response that refer to the post-colonial and post-modern theory. The method used is discourse analysis. The performance of Indonesia art processed during a month, which is in the lecturing process conducted during four meetings. The creative process starts from the discourse about the body and embody. The body discourse as a tool and goal. Body shown is the body of dance and drama, with another sentence is to embody the dance and Indonesian drama. The dances are performed is a dance of Papua, Kalimantan, Java, Bali, Indonesia, and Sasak. The sixth area was a representation of Indonesian art. The next show is a drama of White Blue Love then ended with a dance and Gugur Mayang music. The creative process based on the ability of setting up objects, events, pantomime and processes involving multimedia. All performances are getting response from the audience. There is good and less good respond. Some said exceptional, cool, fun, exciting, and entertaining. The responses indicate a logical reasoning about the stage and sense reasoning about the effect of the show. Another interpretation of these events in perspective post structuralism with refers to post structuralism Bartes and Foucoult and refers to post modernism Jameson and Lyotard, that the show was not be seen as a tradition or modernity, but an event with post-space, at the crossroads between tradition and modernity. The show speaks to the value.Keywords: Indonesia Art, Audience Response, Post-Structuralism, Post-Modernism

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