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Teknik Permainan Saxofon Alto Oleh Jetro Manalu Dalam Mengiringi Repertoar: Studi Kasus Upacara Pernikahan di Sidikalang Algoboy N. Nainggolan; Hendrik L. Simanjuntak; Kamaluddin Galingging
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v7i1.3264

Abstract

This study aims to examine Jetro Manalu's alto saxophone playing technique and analyze its application in performing repertoire at traditional Batak Toba wedding ceremonies in Sidikalang. This study uses a qualitative approach with data collection methods through observation, interviews, and documentation. The research results show that before performing music, Jetro Manalu focuses on two main aspects: instrumentation and instrumentalist. Instrumentation includes warm-up exercises, long tones, scales, and mouthpiece, reed, and tuning checks to achieve optimal and clear sound quality. Meanwhile, the instrumental aspect is related to mastery of tempo, dynamics, and expression in playing. In addition, this study found a process of adapting the sulim voicing technique in the Toba Batak music tradition into saxophone playing, especially when performing the Gondang Si Bunga Ri repertoire. The adaptations include three main techniques: mangarutu, mandila-dilai, and manganak-anaki. These three techniques contribute to shaping the gondang melody, enriching its musical articulation, and providing a saxophone sound that reflects the regional nuances of the Toba Batak.
Analisis Pemanfaatan Teknologi Sequencer dalam Aransemen Musik Ibadah di Gereja Bethel Indonesia (GBI) Miracle: Indonesia Samuel Ferdinata Sirait; Hendrik L. Simanjuntak; Ronald H. Saragih
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v7i1.3268

Abstract

This study aims to analyze the concept and the impact of sequencer usage in worship music arrangement at Gereja Bethel Indonesia Miracle Medan. The research employs a descriptive qualitative approach, with data collected through observation, interviews, and documentation. The findings indicate that the sequencer plays a significant role in maintaining tempo stability, enriching musical arrangements through sound layering, and supporting the management of dynamics and song transitions. The production process includes song selection, tempo determination, click track creation, addition of digital instruments, and structuring of the song within a digital audio environment. However, its use is not applied to all songs, particularly in sections that require flexibility and improvisation. Overall, the use of a sequencer contributes positively to musical quality and the creativity of the music team, although it also presents technical challenges and requires adaptation in its implementation.