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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik ProTVF Community Development Journal: Jurnal Pengabdian Masyarakat Cinematology Journal Anthology of Film and Television Studies Jurnal Kajian Budaya dan Humaniora (JKBH) Kabuyutan: Jurnal Kajian Iilmu Sosial dan Humaniora Berbasis Kearifan Lokal
Pandu Watu Alam
Fakultas Ilmu Komunikasi Universitas Padjadjaran
Religion Arts Humanities Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Library & Information Science Public Health Social Sciences

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Semiotic Analysis and Mise En Scene Concept of Ancient Javanese Rituals in the Film BITING (2021) Nisrina Firdaus; Pandu Watu Alam
Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v2i3.53946

Abstract

This article describes the semiotic analysis and the concept of mise en scene of ancient Javanese rituals in the film Biting (lidi). This film is interesting to study because the concept of ancient Javanese rituals is presented as a spectacle that can educate the public about the myths prevailing in ancient Javanese ritual culture. In addition, the concept of the existence of images presented adequately represents the essence of ancient Javanese culture through costumes, make-up, dialogue, settings. Location, artistic, camera position and lighting. This is the aim of research on reading signs and markers as well as the concept of mise en scene. A qualitative method with a semiotic approach and the concept of mise en scene is used in analyzing this film. This study found that all elements of semiotics starting from the meaning of denotation, connotation and myth are clearly visible in every scene. The concept of mise en scene can also be seen clearly depicting the appropriateness of the ancient Javanese rituals in each scene. The implications of this research can be a reference for researchers in analyzing ancient Javanese rituals in particular and other cultural structures in a film.
Intra-Extramusical Resonance of Western Pop Songs on Indonesians in a Communication Perspective Pandu Watu Alam; Riyan Hidayatullah
Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 3 (2022): October
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v2i3.55185

Abstract

The song is music with lyrics, one of the aesthetic communication media that can convey one's ideas or thoughts. The message conveyed by a song does not only rely on intramusical factors but also extramusical factors that influence listeners in understanding a piece of work, especially with lyrics in foreign (Western) languages. This research aims to find out how the transmission of Western songs in Indonesia is from a communication perspective? What intra and extra-musical factors do Indonesians absorb in Western songs? What is the form of musical communication of Western songs in the context of Indonesian society? Qualitative methods are used in this study so that the results obtained can be described in the form of narration and illustrative chart images. From the results of the study, listeners to western pop songs in Indonesia initially tended to think that songs in foreign languages (English) were superior and even had a special place in the listeners' hearts. However, along with technological developments and all the conveniences they have, the intra-extramusical resonance of western pop songs is increasingly varied, no longer just following the trend of becoming fans of western pop songs, many Indonesian people also become creators and combine it with Indonesian traditional music or with other cultures. another (fusion). The intra-extramusical factor which is an element of musical communication that occurs in western pop songs in Indonesia seems to have been the reason for how effectively musical communication is used to convey messages, whether it is used in the world of basic education, health therapy, or intercultural communication (west and east). as a place for cultural acculturation. The progress of the times and the role of the media are inseparable from the massive resonance of the spread of western pop songs through digital platforms such as spotify, youtube, and others. So now connoisseurs of we
Diegetic and nondiegetic sounds in film scoring of Pengabdi Setan film Pandu Watu Alam; Rangga Saptya Mohamad Permana; Sri Seti Indriani
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.47281

Abstract

Background: This research examines the 2017 film Pengabdi Setan scoring function. Joko Anwar wrote and directed the film Pengabdi Setan, released on September 28, 2017. This film is a remake of a 1980 film of the same name. In this film, the score is essential for visually confirming symbols or incomplete messages. There are two types of sound: diegetic sound and non-diegetic sound. Purpose: This research aims to determine how diegetic and non-diegetic sound were used to create a horror atmosphere in the film Pengabdi Setan. Methods: The authors described the audio analysis results in the form of diegetic and non-diegetic sounds using a qualitative descriptive analysis. Documented assessment and observation were employed as data collection techniques. Results: The results indicate that infrasonic sound (infrasound) and sub-bass frequencies in the form of non-diegetic sounds emotionally impact audiences. The typical frequency is 31 Hz, and although it is inaudible to the human ear, the audience can sense the vibrations of this frequency. This frequency can typically only be perceived as a “chest rumble.” In general, both diegetic and non-diegetic sounds in the film Pengabdi Setan contribute to completing the defective message symbol. The combination of infrasonic sound effects, sub-bass, and musical composition validates the visual messages or symbols. Implications: This research can theoretically serve as a resource for future researchers interested in studying diegetic and non-diegetic sound in film. Directors and cinema sound engineers can use this research to construct diegetic and non-diegetic sound in their films, particularly horror films.
Psikoanalisis Musik terhadap Musik Film Sang Pencerah: Aktualisasi Biografis Tya Subiakto Ardy Aprilian Anwar; Pandu Watu Alam; Azuddin Asri
PROMUSIKA Vol 14, No 1 (2026): April 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v14i1.17364

Abstract

Proses kreatif komposer dalam musik film, khususnya yang berkaitan dengan dimensi psikologis, merupakan ranah yang masih jarang dieksplorasi dalam literatur musikologi. Penelitian ini bertujuan untuk mendekonstruksi proses kreatif Tya Subiakto dalam skor film Sang Pencerah guna mengungkap relasi antara impuls bawah sadar dan keputusan musikal menggunakan perspektif mekanisme pertahanan diri Sigmund Freud. Penelitian ini menerapkan metode studi kasus kualitatif yang mengintegrasikan analisis tekstual musikal, wawancara biografis mendalam, dan studi dokumentasi. Temuan penelitian menunjukkan adanya manifestasi konkret mekanisme pertahanan Freud dalam struktur komposisi, yaitu: (1) Sublimasi yang teridentifikasi pada crescendo orkestra penuh tema 'Mars Muhammadiyah' (00:01:06) sebagai penyaluran obsesi masa kecil; (2) Represi yang termanifestasi dalam pola ritmis string section repetitif (00:02:15–00:03:00) sebagai pengelolaan ketegangan emosional; dan (3) Pemindahan (displacement) yang terbukti melalui adopsi progresi akor 'Child's Anthem' (Toto) pada tema dialog Dahlan-Nyai (01:10:00). Studi ini menyimpulkan bahwa biografi komposer bukan sekadar latar belakang sejarah, melainkan elemen konstitutif yang membentuk narasi musikal film. Kontribusi teoritis penelitian ini menawarkan model analisis interdisipliner yang memperkaya diskursus musikologi Indonesia dengan menjembatani psikoanalisis dan kritik musik film.Actualization of Tya Subiakto's Biography in the Music of Sang Pencerah: An Analysis of Musicological PsychoanalysisAbstractThe composer's creative process in film music, particularly its psychological dimensions, remains underexplored in musicological literature. This research aims to deconstruct Tya Subiakto's creative process in the Sang Pencerah film score to clarify the relationship between subconscious impulses and musical decisions, drawing on Sigmund Freud's perspective on defense mechanisms. This study employs a qualitative case study method, integrating musical textual analysis, in-depth biographical interviews, and documentary study. The findings demonstrate concrete manifestations of Freudian defense mechanisms within the compositional structure: (1) Sublimation, identified in the full orchestral crescendo of the 'Mars Muhammadiyah' theme (00:01:06) as a channel for childhood obsessions; (2) Repression, manifested in repetitive rhythmic patterns of the string section (00:02:15–00:03:00) as a means of processing emotional tension; and (3) Displacement, evidenced by the adoption of the 'Child's Anthem' (Toto) chord progression in the Dahlan-Nyai dialogue theme (01:10:00). This study concludes that a composer's biography serves not merely as historical background but as a constitutive element shaping the film's musical narrative. Theoretically, this research contributes an interdisciplinary analytical model that enriches Indonesian musicological discourse by bridging psychoanalysis and film music criticism.Keywords: Creative process; Film scoring; Freud psychoanalysis; Composer's biography; Tya Subiakto
MODEL PENDAMPINGAN OPTIMALISASI PERPUSTAKAAN KOMUNITAS PEREMPUAN KEPALA KELUARGA SEBAGAI SARANA PEMBERDAYAAN BERKELANJUTAN Saleha Rodiah; Henny Sri Mulyani Rohayati; Pandu Watu Alam; Rahman Muhammad Yusuf; Jean Meigrete Rosmini; Tita Nursari
Community Development Journal : Jurnal Pengabdian Masyarakat Vol. 6 No. 6 (2025): Vol. 6 No. 6 Tahun 2025
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/cdj.v6i6.53770

Abstract

Pemberdayaan Perempuan Kepala Keluarga (PEKKA) adalah pilar ketahanan keluarga, namun kelompok ini seringkali menghadapi keterbatasan akses pada sumber daya pendidikan dan sarana pemulihan psikososial. Perpustakaan komunitas di Serikat PEKKA Kabupaten Cianjur memiliki potensi signifikan sebagai pusat pemberdayaan, tetapi kondisinya masih pasif, cenderung menjadi 'gudang buku', dan belum mampu menyediakan layanan relevan seperti mengatasi stres dan kejenuhan anggota. Oleh karena itu, kegiatan pengabdian ini bertujuan untuk mendeskripsikan model pendampingan sistematis yang mengoptimalkan fungsi perpustakaan sebagai pusat pemberdayaan dan layanan biblioterapi yang berkelanjutan. Metode yang digunakan adalah Participatory Action Research (PAR), melibatkan mitra secara aktif dalam setiap tahapan program. Model pendampingan yang diterapkan, yaitu "Karya Puspa" (Komunitas Aktif Perpustakaan Partisipatif), terdiri dari lima tahap: Sosialisasi, Pelatihan (manajemen perpustakaan dan teknis biblioterapi), Pendampingan (optimalisasi fisik dan implementasi layanan), Penerapan Teknologi (otomasi perpustakaan) dan Evaluasi partisipatif. Hasilnya menunjukkan bahwa Model Karya Puspa efektif mentransformasi perpustakaan menjadi pusat layanan yang fungsional. Peningkatan kapasitas kader terbukti signifikan, dibuktikan dengan meningkatnya skor rata-rata 1,54 (sangat tidak mampu) menjadi 3,01 (cukup mampu). Pendekatan PAR dan pelatihan yang intensif menumbuhkan sense of ownership yang tinggi pada mitra, memastikan perpustakaan dikelola secara mandiri dan berkelanjutan oleh kader internal PEKKA. Keberhasilan program ini menegaskan peran strategis perpustakaan komunitas sebagai social-hub yang berdampak langsung pada kesejahteraan sosial dan psikologis anggota kelompok rentan.
KONTRIBUSI PULAU JAWA UNTUK KULTUR SINEMA INDONESIA: KAJIAN SINGKAT FESTIVAL-FESTIVAL FILM DI PULAU JAWA: KONTRIBUSI PULAU JAWA UNTUK KULTUR SINEMA INDONESIA: KAJIAN SINGKAT FESTIVAL-FESTIVAL FILM DI PULAU JAWA Rangga Saptya Mohamad Permana; Pandu Watu Alam; Sri Seti Indriani
Jurnal Kajian Budaya dan Humaniora Vol 5 No 3 (2023): Jurnal Kajian Budaya dan Humaniora (JKBH), Oktober, 2023
Publisher : PT. RANESS MEDIA RANCAGE

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61296/jkbh.v5i3.179

Abstract

Festival film merupakan salah satu fenomena yang menarik untuk dikaji karena sifatnya yang multidisipliner, karena kita bisa mengkaji festival film dari berbagai sudut pandang, mulai dari perspektif ekonomi, manajemen, budaya, sejarah, hingga geografi. Terkait dengan festival film, Indonesia sendiri memiliki banyak festival film yang rutin diadakan setiap tahunnya baik yang berskala nasional maupun regional, khususnya di Pulau Jawa. Di Pulau Jawa sendiri, beberapa festival film telah lama diselenggarakan dan rutin diadakan setiap tahunnya, baik itu festival film internasional seperti Festival Film Bandung (FFB) di Bandung, ARKIPEL di Jakarta, atau Jogja-NETPAC Asian Film Festival (JAFF) di Yogyakarta, serta festival film berskala nasional, seperti Festival Film Purbalingga (FFP) di Purbalingga dan Malang Film Festival (MAFI Fest) di Malang. Tujuan dari kajian ini adalah untuk untuk memberikan gambaran mengenai kondisi festival film di Indonesia secara umum, dan khususnya lima festival film di Pulau Jawa yang disebutkan sebelumnya. Penulis menggunakan metode penelitian deskriptif kualitatif dengan pendekatan kajian literatur dalam kajian ini. Hasil menunjukkan bahwa meski mayoritas festival film di Indonesia masih berupa audience festivals, namun setidaknya festival-festival film di Indonesia sudah dalam trek yang benar dan turut mendukung kemajuan industri film Indonesia karena seringkali menjadi titik awal perjuangan para sineas nasional maupun internasional asal Indonesia. Pulau Jawa masih menjadi barometer festival film di Indonesia, dengan berbagai misi, kepentingan dan genre yang diusung oleh masing-masing festival tersebut. Hal ini juga berlaku untuk lima festival film di Pulau Jawa, yakni FFB, ARKIPEL, JAFF, FFP dan MAFI Fest. Mulai dari program festival hingga film-film yang disajikan kepada penonton festival, kelima festival film tersebut memiliki kualitas tersendiri, yang masing-masing berkontribusi untuk kultur sinema Indonesia.
PEMBERDAYAAN MASYARAKAT MELALUI EKONOMI KREATIF AKAR WANGI DI GARUT, JAWA BARAT: PEMBERDAYAAN MASYARAKAT MELALUI EKONOMI KREATIF AKAR WANGI DI GARUT, JAWA BARAT Santi Susanti; Pandu Watu Alam
Jurnal Kajian Budaya dan Humaniora Vol 6 No 1 (2024): Jurnal Kajian Budaya dan Humaniora (JKBH), Februari, 2024
Publisher : PT. RANESS MEDIA RANCAGE

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61296/jkbh.v6i1.193

Abstract

Generally, the creative economy industry starts from small and medium enterprises (SMEs) that grow to become large. The existence of the internet, which was born from the development of information technology, makes it easier for creative SME entrepreneurs to market their products and conduct transactions with consumers. Various online media are utilized so that potential customers are familiar with the products offered, and can directly order without having to visit the store directly. This study aims to reveal the empowerment of local wisdom-based creative economic potential through e-commerce. The research was conducted in Garut with the object of research is Zocha Graha Kriya, Garut Handicraft Center, which empowers the potential of local resources in the form of vetiver, becoming souvenirs for tourists visiting Garut. Using a qualitative research method with a case study approach, this research reveals that Zocha Graha Kriya has succeeded in empowering vetiver as a local potential for the creative economy into works that have aesthetic value and are useful. The potential of local human resources was also successfully empowered so that the results of the local economic potential did not leave Garut. This strategy succeeded in optimizing the utilization of the local potential of the vetiver creative industry into an SME industry managed from-by-and for Garut.
TEATER KEBUDAYAAN SEBAGAI MEDIA PROMOSI WISATA KECAMATAN JATIGEDE, SUMEDANG Santi Susanti; Sandi Jaya Saputra; Sri Seti Indriani; Jimi Narotama Mahameruaji; Lilis Puspitasari; Evi Rosfiantika; Pandu Watu Alam
KABUYUTAN Vol 4 No 2 (2025): Kabuyutan, Juli 2025
Publisher : PT. RANESS MEDIA RANCAGE

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61296/kabuyutan.v4i2.349

Abstract

Gagasan pembangunan Teater Kebudayaan Kecamatan Jatigede (TKKJ) sebagai ruang kreatif dan media promosi wisata berbasis budaya lokal merupakan bagian dari Program Pengabdian kepada Masyarakat (PPM) Prodi Televisi dan Film FIKOM Unpad. TKKJ dirancang sebagai pusat kolaborasi antara komunitas budaya, akademisi, dan pelaku industri kreatif, dengan fungsi utama menyajikan narasi lokal melalui pertunjukan teater dan konten multimedia. Meskipun belum direalisasikan, konsep ini menawarkan pendekatan inovatif dalam pengembangan pariwisata berbasis pengalaman dan partisipasi masyarakat.Metode yang digunakan meliputi produksi konten kreatif berupa video dan foto promosi, serta perencanaan pembangunan fisik Jatigede Display Room di sekitar Masjid Al-Kamil. Konten audiovisual dirancang untuk menampilkan kekayaan budaya lokal, seperti mitos, sejarah, dan ekspresi seni kontemporer, dengan prinsip multimedia learning untuk meningkatkan daya tarik dan retensi informasi wisatawan. TKKJ diharapkan menjadi creative hub yang memperkuat branding Jatigede sebagai destinasi budaya dan edukatif.Tantangan seperti keterbatasan SDM, pendanaan, dan keberlanjutan program diantisipasi melalui sinergi lintas sektor dan dukungan kebijakan. Dengan perencanaan yang matang dan pelibatan komunitas, TKKJ berpotensi menjadi model promosi wisata budaya yang berkelanjutan dan berdampak sosial.
Co-Authors Ardy Aprilian Anwar Azuddin Asri Evi Rosfiantika Henny Sri Mulyani Rohayati Jean Meigrete Rosmini Jimi Narotama Mahameruaji Lilis Puspitasari Nisrina Firdaus Rahman Muhammad Yusuf Rangga Saptya Mohamad Permana Riyan Hidayatullah Saleha Rodiah Sandi Jaya Saputra Santi Susanti Sri Seti Indriani Tita Nursari