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Musical Composition “Theme and Variations of the Sahur Arakan for Chamber Orchestra” Zulpiana, Dila; Sidik, Hadaci; Murniati, Murniati; Zaidi, Ahmad
Scoring: Journal of Film Music Vol 1, No 2 (2023): Scoring Jurnal of Film Musik
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v1i2.3921

Abstract

The composition of this music departs from the art of the tradition of Arakan Sahur. Tradition originating from the Kuala Tungkal area, Tungkal Ilir District, Tanjung Jabung Barat Regency, Jambi Province. Arakan Sahur is a tradition of waking people from sleeping in the month of Ramadan. This tradition is carried out when people eat at dawn. The composition of the Sahur Sahur Music is the music that is worked on in the form of music theme variations with the format of the chamber orchestra instrument. The goal is to get to get a dawn atmosphere with a different taste. The cultivation of the composition of the Sahur Sahur uses the technique of developing the main theme of the composition of the motifs, rhythm, and melody. Repetition of the main theme uses eight variations without eliminating the pattern of dawn.
Performance of Laksmana Raja Di Laut Arranged by Julyani for Solo Marimba and Vibraphone Youlanda, Mayank Rizkia; Marh, Fahmi; Herdianto, Ferry; Zaidi, Ahmad
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4714

Abstract

Laksamana Raja Di Laut is a Malay song composed by Datuak Suhaimi (Pak Ngah) in 1993, which was popularized and sung by Iyeth Bustami. This song was rearranged by Ijunk for marimba solo and vibraphone, with Big Band accompaniment format. The accompaniment format for marimba solo with vibraphone is complemented by traditional Malay drums. The musical arrangement of this song into a solo, uses a new musical concept that offers hybrid music (mixed music), through the naming of a new genre by the arranger, namely Progressive Malay, by adapting a free-form approach and variations of the theme. The arrangement of Admiral Raja di Laut uses a tighter notation with thirty-second notes to display the arranger's imagination with vibraphone and marimba about the sea and the prowess of a sailor from the Malay lands.
Musical Illustration in the Film Silogui: A Cinematic Study of Mentawai Children Martiano, Vereki; Zaidi, Ahmad; Askhan, Asifa; Putra, Andika Bayu
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5654

Abstract

ABSTRACT  The film "Silogui" offers an authentic portrayal of children's lives on Siberut Island, Mentawai, West Sumatra, highlighting noble cultural values, reverence for nature, and the strong presence of ancestral spirits. The main narrative follows Kumey, who ventures to find Arenga palm wood with his friend, Aduy. Conflict arises when Kumey is disturbed by a great forest guardian spirit for failing to perform the Panki ritual. This incident leads Kumey to regret and promise to respect nature and ancestral customs. This journal specifically examines how musical illustration serves as the backbone of the narrative in "Silogui," analyzing how every note and rhythm not only accompanies but also actively shapes the cinematic experience, strengthening cultural themes, and deepening the emotions of the Mentawai child characters. Using a qualitative approach with semiotic analysis of music and film narrative, this research finds that music plays a crucial role in building atmosphere, representing spiritual values, and reinforcing messages of preservation.Keywords: Silogui, Kumey, Aduy,  Siberut, Mentawai, Panki   
The Role And Function Of Mantau Arts In The Community Of Merangin District, Jambi Province Zaidi, Ahmad; Syaputra, Weldi
Melayu Arts and Performance Journal Vol 8, No 1 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i1.4639

Abstract

Mantau is a traditional music from Bangko District, Merangin Regency, Jambi Province. Mantau historically comes from a rhyme song carried by the Anman tribe who arrives at the port of Central Sumatra Island. The performance of mantau is sung by one person and the poems are arranged spontaneously into a rhyme form. Mantau underwent several changes on it’s performance, such as the formation of players, and the addition of musical instruments. In the past, mantau was only sung by one person, both male and female, but now mantau can be sung by two or more peoples, both male and female, from children, teenagers, to adults. The musical instruments are also varied. Nowaday mantau uses other musical instruments such as violin, drum, gong, and wooden kelintang for the vocal accompaniment which previously did not exist in mantau. Uniquely mantau music still survives and popular for it's community. This study seeks to see how mantau can survive and analyzed it through the musical aspect as well as the social aspect. The theory used to answer the problem proposed in this study is the "use" and "function" theory which is formulated by Alan. P. Merriam. The research method that used in this research is the ethnographic method. This study found that in its musical aspect, mantau has its own characteristics that make it different from other music in the archipelago, especially Jambi Province. The uniqueness lies in "sentak" which exist in the melody of the Mantau song. Meanwhile, in the social aspect, mantau is used by its supporting community as a medium for expression both for the older generation and young generation
Komposisi Sound Design Rumah Potong Hewan Padang Panjang Riyadi, Risky; Munafri, Sastra; Sina, Ibnu; Hendri, Yon; Zaidi, Ahmad
Musica: Journal of Music Vol 5, No 1 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i1.5446

Abstract

Komposisi Sound Design Rumah Potong Hewan Padangpanjang adalah karya musik multimedia yang menggabungkan elemen bunyi organik dan buatan untuk menciptakan suasana yang menggambarkan aktivitas di Rumah Potong Hewan (RPH) Padangpanjang. Proses penciptaan melibatkan eksplorasi dan pengembangan bunyi, di mana berbagai suara lingkungan seperti jeritan hewan, asahan pisau, dan aktivitas pekerja direkam dan diolah menggunakan perangkat lunak Digital Audio Workstation (DAW) Studio One 6. Teknik sound design seperti splicing, equalizer, reverb, dan delay diaplikasikan untuk menghasilkan suara yang dinamis dan emosional.Karya ini terbagi menjadi dua bagian: pertama, menggambarkan semangat para pekerja melalui suara ritmis dan ceria; kedua, menciptakan suasana mencekam dari perspektif hewan yang dipotong. Dengan memadukan elemen alami dan teknologi, karya ini tidak hanya menghadirkan pengalaman audio yang mendalam tetapi juga memperkenalkan potensi sound design dalam musik digital kepada masyarakat luas. Selain itu, karya ini diharapkan menjadi referensi bagi mahasiswa seni musik untuk mengembangkan teknik sound design dalam komposisi multimedia.
A CORPUS-BASED OF CRITICAL DISCOURSE ANALYSIS REGARDING “GOVERNMENT SUPPORT” AT THE FORMULA-E INDONESIA Inderajati, Aal; Zaidi, Ahmad; Asprillia, Anandya
Lexeme : Journal of Linguistics and Applied Linguistics Vol. 5 No. 1 (2023): JANUARY 2023
Publisher : Universitas Pamulang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32493/ljlal.v5i1.26740

Abstract

Formula-E, which was successfully held in Jakarta, Indonesia, gave rise to various reports. This linguistics study aims to analyze the purpose of online media coverage about 'dukungan pemerintah' on the Formula-E event, which took place on Saturday, 4 June 2022. The data  were taken from online media portals Bisnis.com, CNN, Detik, Kompas, Pikiran Rakyat, and Tribunnews. There are 108 articles analyzed in this study. The articles were scrapped from the same day when the Formula E was held. The data that are sentences from the articles were analyzed using a corpus approach to find words 'dukungan’ (support) and 'pemerintah' (government) using concordances. The data discussed using Van Dijk's critical discourse analysis theory to reveal its meaning. The results found that the macrostructure is government support for the 2022 Formula-E. Then the superstructure of the six media uses a framework that matches the title and content. In the microstructure, 'dukungan' and 'pemerintah' concordances were found. Analysis of social cognition found that online media portals show partiality. The media that is most likely to support the government is CNN. It can be seen from the chosen language, which tends to provide evidence that the central government has supported this event. Meanwhile, the media that seemed to criticize the government's support was Tribunnews by presenting the figure of Joko Suranto as one of the Indonesian citizens who sponsored this event rather than central government. The social context to be achieved is that online media tend to show their side with the government by not choosing words that discredit the government.
MEANING REPRESENTATION OF CORONA AND COVID-19 IN ONLINE NEWSPAPER Nida, Faridatun; Zaidi, Ahmad; Dhiyaulhaq, Sahira
Lire Journal (Journal of Linguistics and Literature) Vol. 5 No. 1 (2021): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v5i1.108

Abstract

Corona and COVID-19 become the headline of almost all newspaper articles. It leads to a curiosity of its accordance to World Health Organization naming policy since those terms are relatively new for Indonesian people. Reading the newspaper becomes the solution for updating the condition of the pandemic. Unfortunately, some of the most-frequently-read newspaper seems inconsistent in giving the name that makes them have different references. This research is aimed to see the use of corona and COVID-19 in news articles to see its accordance with WHO naming policy. The analysis was done using AntCont software to see the collocation of corona and covid; besides that, the theory of discourse pragmatic is used to interpret each term's meaning. The analysis reveals that the meaning interpreted in those newspapers is inconsistent for its collocation, conjunction, and writing style. The analysis and its result are expected to evaluate the newsmaker or news writer about giving the reader accurate information. It is also expected to give the reader understanding of the proper meaning of corona and covid
Sound Design Composition Of ISI Padangpanjang with Studio one 5 Application Gulo, Yogi; Zaidi, Ahmad; Rahmadinata, Melisa Fitri; Munafri, Sastra; Hendri, Yon
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5549

Abstract

The sound composition of the Indonesian Institute of the Arts Padang Panjang with the Studio One 5 Application is a process of creating musical works using digital technology. This musical composition originates from the activities of the academic community that took place in the environment of the Indonesian Institute of the Arts Padang Panjang. The Studio One 5 application is used as a tool to process sounds taken from art education activities, then processed in a demicrophone manner to become a new sound composition. This composition was created with the aim of describing the atmosphere in the environment of the Indonesian Institute of the Arts Padang Panjang which is presented through audio sound. The method of creating the sound composition of the Indonesian Institute of the Arts Padang Panjang involves modern music production techniques. The stages of creation are by recording audio samples which are then processed through the Studio One 5 application, and given additions such as the use of sound effects, mixing, and digital mastering. After the entire music work is complete, the musical composition that originates from the sounds in the environment of the Indonesian Institute of the Arts Padang Panjang then becomes a new musical composition entitled sound design isi padangpanjang.