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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi FENOMEN Journal of Urban Society´s Arts specta: Journal of Photography, Arts, and Media MAVIB Journal : Jurnal Multimedia Audio Visual and Broadcasting Jurnal Pengabdian Seni Sanggitarupa Jurnal Ilmiah Multidisiplin Indonesia Retina Jurnal Fotografi Pengabdian Seni
Raynald Alfian Yudisetyanto
Institut Seni Indonesia Yogyakarta
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Earth & Planetary Sciences Education Engineering Languange, Linguistic, Communication & Media Physics Social Sciences Other

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Ethnic Character Design of Seblang Olehsari Dancer as a Visual Communication Design for Banyuwangi Tourism Promotion Achmad Oddy Widyantoro; Raynald Alfian Yudisetyanto
Jurnal Ilmiah Multidisiplin Indonesia (JIM-ID) Vol. 5 No. 08 (2026): Jurnal Ilmiah Multidisplin Indonesia (JIM-ID), August 2026
Publisher : Sean Institute

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Abstract

Seblang Olehsari is a traditional ritual of the Osing people in Banyuwangi Regency that holds sacred significance and is a main attraction on the regional tourism calendar. Although Seblang has been widely studied from anthropological, cultural, and tourism perspectives, the use of its visual identity as a medium of communication through character design remains relatively limited. This research aims to design a chibi-style ethnic character that represents the visual identity of the Seblang Olehsari Dancer and serves as a promotional medium to support tourism in Banyuwangi Regency. The research method employs a design-based research and development (R&D) approach using the Young and Rubicam Creative Workplan model, which includes the stages of data collection, analysis, creative concept development, design visualization, and evaluation of design outcomes. Data were obtained through literature studies, observation of the visual attributes of the Seblang ritual, documentation, and analysis of existing tourism promotion media. The study produced a set of chibi-style ethnic character designs that retain the main visual elements of the Seblang Dancer's head, such as omprok, as well as expressions and gestures that communicate ritual characters without losing their cultural identity. The character designs are adaptable for use across various promotional media, including digital media, merchandise, illustrations, animations, and promotional materials for tourist destinations. This research shows that the local culture-based character design approach can be an alternative visual communication strategy effective in strengthening destination branding, enhancing the appeal of tourism promotions, and expanding public appreciation of Banyuwangi's intangible cultural heritage.
Analisis Etika Deontologi terhadap Fenomena Visual Meta AI Tanpa Disclaimer di Instagram dalam Perspektif Seni Media Rekam Raynald Alfian Yudisetyanto; Edial Rusli; Zulisih Maryani
Rekam Vol 22, No 2 (2026): Oktober 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i2.19753

Abstract

Deontological Ethical Analysis of Unlabeled Meta AI Visual Phenomena on Instagram from a Recorded Media Arts Perspective. This study explores the dimensions of Kantian deontological ethics regarding the integration of Meta AI on Instagram, specifically focusing on the practice of distributing AI-generated visuals without disclaimers. Within the discourse of recorded media arts, instant text-to-image prompting on social media shifts the ontological status of photography from an indexical record of reality to an algorithmic simulation, creating acute ethical ambiguities for the audience. Using a qualitative descriptive approach and a critical philosophical study method, this paper analyzes real visual artifacts on Instagram that present hyper-realistic AI imagery without transparent attribution. Differentiating from previous studies on AI photography ethics in academic settings, this research highlights a unique crisis on social media platforms, where instant AI tools democratize visual deception and erode audience autonomy in favor of engagement metrics. Guided by Immanuel Kant’s Deontology, this study argues that user integrity is not judged by the aesthetic outcome, but by the 'Good Will' and 'Moral Duty' to disclose machine intervention through mandatory labeling. The study concludes that labeling AI content is a categorical imperative required to preserve the boundary between physical reality and digital hyperreality in the post-truth era.
Co-Authors Achmad Oddy Widyantoro Agus Setiawan Fazry Ahmad Fathurrizqi As-Sirry Aji, Daru Tunggul Dinda Fenita Mulyaningrum Edial Rusli Fatahillah, Muhammad Kyara Febriana Ismy Zahra Firmansyah, Achmad Taufik Hafidh Khairunnisa Irwandi Irwandi Kusrini Kusrini Lulu Kurnia Sudrajat Margaretha Amadeus Edelweis Sarah Hafizah Nugroho Umboro, Susanto Yohanes Baptista Baud Priambodo Zulisih Maryani