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Contemporary Music Composition “Konfrontasi” | Komposisi Musik Kontemporer “Konfrontasi” I Putu Riangga Budi Pramana; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 1 No 4 (2021): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i4.371

“Konfrontasi” composition is a musical composition that refers to a representation of one form of conflict, which describes an event in which one provokes an action or argument opposite from another person who is considered an opponent openly. In music, confrontation is likened to a word that describes the dynamic and disharmist movement of musical sentences. Confrontation is realized based on the continuity of Gong Kebyar's gamelan character as a revealing medium, namely dynamic characters. Confrontation is realized with the aim of enhancing the knowledge and expertise of stylists to build the ability to create contemporary compositions based on simple thinking on the relevance of the characteristics of ideas to the characteristics of Gong Kebyar. In realizing the composition of Confrontation, stylists use the method of creation of Panca Sthiti Ngawi Sani consisting of: Ngawirasa (Inspiration), Ngawacak (Exploration), Ngarancana (Conception), Ngawangun (Execution), and Ngebah (Presentation). Konfrontasi composition is presented as a contemporary composition with structural parts consisting of three parts with a focus on the concept of contrast and harmony. Contemporary composition is a musical composition that not only considers free without considering conventional provisions or forgetting tradition.

Music composition Of Hayuning Rasa | Tabuh Kreasi Hayuning Rasa Kadek Agus Artana; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 2 No 1 (2022): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Hayuning Rasa is a new creation of percussion that is still based on the existing tradition, then developed with a touch of creativity, both in terms of game technique, content, and parts of the song. By not eliminating musical elements, traditions, and adapting to the development of contemporary musical aesthetics, which are contained in the media, said Gamelan Gong Kebyar. This work has the theme of social life, which is inspired by life in a society that lives peacefully, happily and harmoniously which will be contained in the work of Tabuh Kreasi Hayuning Rasa. This cultivation method uses stages called Panca Sthiti Ngawi Sani. This stage will serve as a guide in creating a percussion creation of Hayuning Rasa, which consists of five stages: the inspiration stage (ngawirasa), the exploration stage (ngawacak), the conception stage (planning), the execution stage (ngawangun), the production stage (ngebah). The form of this work is the form and structure in the work of Tabuh Kreasi hayuning Rasa, which has various elements of musicality, accentuating the playing of instruments in each part, and the balance in this work is organized and arranged so that the relationship between parts can be realized and arranged systematically so that a work that has integrity. The structure consists of kawitan, crew and presses

Music Composition “Entik” | Komposisi Musik “Entik” I Wayan Arya Bisma; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Root growth always develops to form new branches so that it forms a very unique physique with irregular links that make the physical form of the root look complicated. This phenomenon stimulates the author's mind to transfer it into the form of a musical composition art form entitled Entik. This phenomenon is interpreted by processing the range of tones, interweaving patterns and interweaving between instruments, developing instrument functions, rhythms, tempos and dynamics that are processed in a minimalist manner, which are presented using the medium of the gamelan semarandhana. The creation of this work was realized using the creation method Panca Sthiti Ngawi Sani, which consists of five stages of creation, namely: Ngawirasa, Ngawack, Ngarancana, Ngewangun and Ngebah. Keywords: root, entik, karawitan

Nguci a New Musical Creations | Musik Kreasi Baru Nguci Rata sunadi I Komang; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.2155

This musical composition has the goal of expressing creativity and potential in art by creating quality and quality works of art. The work entitled tabuh kreasi “Nguci” is an innovative karawitan creation which is still based on Balinese karawitan traditional patterns. This work originated from the stylist's interest in the beauty of the sound of the pleci bird's song and has a cycle of sounds ranging from wheezing to ngalas, ngerol, ngeplong and gacor. So the stylist tries to transform it with a different character which will become a creation of percussion music with a tradition nuance. The process of creating this work goes through 5 stages, namely, the inspiration stage (ngawirasa), the exploration stage (ngawacak), the conception stage (ngaplan), the execution stage (ngewangun), the production stage (ngebah). This piece of percussion creation by Nguci consists of three parts, namely kawitan, pengawa and kecet. In its presentation, Nguci's percussion creations were played by 22 supporters with a duration of 12 minutes. The medium used to express this work of art is the gong angklung kebyar.

Introduction to the Musical Composition “Bangked” | Pengantar Komposisi Karawitan “Bangked” I Made Dandy Pradana; Suharta I Wayan
GHURNITA: Jurnal Seni Karawitan Vol 3 No 3 (2023): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i3.2108

Bangked's karawitan artwork is work inspired by the formation of paddy mud and the cili motive found in lamak which is still closely related to the formation of the mud itself. Bangked is a Balinese word that means the combination of two elements, namely, land and water. Rare cili and rare angon are depictions of these two elements which farmers usually depict in the form of scarecrows or scarecrows. The purpose of creating Bangked's artwork is to give a message of advice to all of society so that we as humans must be able to appreciate land and water as elements in life. Bangked's artwork uses the barungan semara pegulingan saih pitu as a medium of expression due to the many modulations or patet that the stylist can use to express all the inspiration that is in the stylist's mind. The method for creating Bangked karawitan works of art uses the Panca Stihiti Ngawi Sani method from I Wayan Dibia, which includes the Inspiration Stage (Ngawirasa), Exploration Stage (Ngawacak), Conception Stage (Ngerencana), Execution Stage (Ngewangun), and the third. last Production Stage (Ngebah/Maedeng). In this Bangked karawitan artwork, a division system is used, in which each part has its own meaning and significance.

Contemporary Music Composition “Konfrontasi” | Komposisi Musik Kontemporer “Konfrontasi” I Putu Riangga Budi Pramana; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 1 No 4 (2021): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i4.371

“Konfrontasi” composition is a musical composition that refers to a representation of one form of conflict, which describes an event in which one provokes an action or argument opposite from another person who is considered an opponent openly. In music, confrontation is likened to a word that describes the dynamic and disharmist movement of musical sentences. Confrontation is realized based on the continuity of Gong Kebyar's gamelan character as a revealing medium, namely dynamic characters. Confrontation is realized with the aim of enhancing the knowledge and expertise of stylists to build the ability to create contemporary compositions based on simple thinking on the relevance of the characteristics of ideas to the characteristics of Gong Kebyar. In realizing the composition of Confrontation, stylists use the method of creation of Panca Sthiti Ngawi Sani consisting of: Ngawirasa (Inspiration), Ngawacak (Exploration), Ngarancana (Conception), Ngawangun (Execution), and Ngebah (Presentation). Konfrontasi composition is presented as a contemporary composition with structural parts consisting of three parts with a focus on the concept of contrast and harmony. Contemporary composition is a musical composition that not only considers free without considering conventional provisions or forgetting tradition.

Introduction to the Musical Composition “Bangked” | Pengantar Komposisi Karawitan “Bangked” I Made Dandy Pradana; Suharta I Wayan
GHURNITA: Jurnal Seni Karawitan Vol 3 No 3 (2023): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i3.2108

Bangked's karawitan artwork is work inspired by the formation of paddy mud and the cili motive found in lamak which is still closely related to the formation of the mud itself. Bangked is a Balinese word that means the combination of two elements, namely, land and water. Rare cili and rare angon are depictions of these two elements which farmers usually depict in the form of scarecrows or scarecrows. The purpose of creating Bangked's artwork is to give a message of advice to all of society so that we as humans must be able to appreciate land and water as elements in life. Bangked's artwork uses the barungan semara pegulingan saih pitu as a medium of expression due to the many modulations or patet that the stylist can use to express all the inspiration that is in the stylist's mind. The method for creating Bangked karawitan works of art uses the Panca Stihiti Ngawi Sani method from I Wayan Dibia, which includes the Inspiration Stage (Ngawirasa), Exploration Stage (Ngawacak), Conception Stage (Ngerencana), Execution Stage (Ngewangun), and the third. last Production Stage (Ngebah/Maedeng). In this Bangked karawitan artwork, a division system is used, in which each part has its own meaning and significance.

Nguci a New Musical Creations | Musik Kreasi Baru Nguci Rata sunadi I Komang; I Wayan Suharta
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.2155

This musical composition has the goal of expressing creativity and potential in art by creating quality and quality works of art. The work entitled tabuh kreasi “Nguci” is an innovative karawitan creation which is still based on Balinese karawitan traditional patterns. This work originated from the stylist's interest in the beauty of the sound of the pleci bird's song and has a cycle of sounds ranging from wheezing to ngalas, ngerol, ngeplong and gacor. So the stylist tries to transform it with a different character which will become a creation of percussion music with a tradition nuance. The process of creating this work goes through 5 stages, namely, the inspiration stage (ngawirasa), the exploration stage (ngawacak), the conception stage (ngaplan), the execution stage (ngewangun), the production stage (ngebah). This piece of percussion creation by Nguci consists of three parts, namely kawitan, pengawa and kecet. In its presentation, Nguci's percussion creations were played by 22 supporters with a duration of 12 minutes. The medium used to express this work of art is the gong angklung kebyar.

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