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All Journal E-Journal Of Cultural Studies Harmonia: Journal of Research and Education Jurnal Kajian Bali MUDRA Jurnal Seni Budaya KALANGWAN Segara Widya: Jurnal Penelitian Seni Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Pendas : Jurnah Ilmiah Pendidikan Dasar Gelar : Jurnal Seni Budaya Ghurnita: Jurnal Seni Karawitan International Journal of Social Science Journal of Aesthetics, Creativity and Art Management Jurnal Penjaminan Mutu Global Art Creativity Conference Open Access DRIVERset
I Wayan Suharta, I Wayan
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Public Health Social Sciences Other

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Sonic Hybridity, Cultural Continuity, and Musical Identity: Gamelan Pesel in Contemporary Bali I Wayan Suharta; I Gde Made Indra Sadguna; Yung-Hsin Wang
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p01

Abstract

This article examines gamelan pesel, an innovative hybrid ensemble created by I Wayan Arik Wirawan that fuses the sonic and material characteristics of semar pegulingan and selonding. Through qualitative methods, including organological analysis, participant observation, interviews, and digital ethnography, this research explores how gamelan pesel embodies “sonic hybridity,” a process through which Balinese musicians negotiate between tradition and innovation. The findings reveal that gamelan pesel’s creative design integrates bronze and iron instruments to generate a new timbral spectrum, while its unique tuning system and intercontextual performances across ritual, social-cultural, and digital media articulate a dynamic redefinition of Balinese musical identity. Rather than signaling a rupture with tradition, the ensemble exemplifies progressive traditionalism, where renewal sustains continuity. This study contributes to ethnomusicological and cultural discourse by illustrating how new ensembles can nurture cultural continuity through experimentation and adaptation.
Co-Authors I Gede Yudarta, I Gede I Ketut Setiawan I Komang Sudirga I Kt. Suteja I Made Dandy Pradana I Nyoman Suarka I Putu Swaryandana Ichi Oka I Wayan Arya Bisma I Wayan Cika I Wayan Sutirta, I Wayan In Diana Sari, Ni Luh Desi Indra Sadguna, I Gde Made Kadek Agus Artana Kadek Wahyudita Ketut Sumerjana, Ketut MS Prof. Dr. I Wayan Rai . Ni Made Ruastiti Ni Nyoman Manik Suryani Pramana, I Putu Riangga Budi Rata sunadi I Komang Rinto Widyarto Suparsa, I Made Adipramana Suteja, I Kt. TATI NURHAYATI Yung-Hsin Wang