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All Journal ELS Journal on Interdisciplinary Studies in Humanities English Language in Focus (ELIF) jurnal syntax admiration CALL Edukasi Lingua Sastra Journal of English Language and Education Saksama: Jurnal Sastra Paradigma: Jurnal Kajian Budaya Barista : Jurnal Kajian Bahasa dan Pariwisata
Deni Suswanto
UIN Sunan Gunung Djati Bandung
Aerospace Engineering Arts Humanities Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Education Electrical & Electronics Engineering Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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REPRESENTATION OF TERRORISM AFTER 9/11 IN KATHRYN BIGELOW AND MARK BOAL'S <i>ZERO DARK THIRTY</i> MOVIE Maulina Putri, Mela; Faisal Syarifudin, Bunyamin; Suswanto, Deni
Paradigma: Jurnal Kajian Budaya
Publisher : UI Scholars Hub

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Abstract

Terrorism, as a global phenomenon, has been widely represented in various media, particularly in films. One of the films that represent terrorism is Zero Dark Thirty by Kathryn Bigelow and Mark Boal. This research aims to discuss the representation of terrorism in Kathryn Bigelow and Mark Boal's Zero Dark Thirty, employing a qualitative approach and an analytical descriptive method. To achieve the research objectives, the author employs John Fiske's Semiotics theory, which is divided into three levels: the reality level, the representation level, and the ideological level. The results and discussions in this study are presented through visual and narrative aspects, which encompass elements such as appearance, costume, environment, behavior, voice, camera techniques, music, and casting. Zero Dark Thirty represents an act of terrorism that is following real conditions in the world. The film portrays acts of terrorism such as shootings and bombings—including suicide attacks—which result in fatalities, material losses, and widespread trauma. These elements contribute to reinforcing stereotypes of terrorism associated with Middle Eastern countries and the conflicts surrounding them. Critical awareness is necessary when watching because, as a media product, television or film serves to convey information, ideology, ideas, or propaganda that supports the dominant interests in society. In the film Zero Dark Thirty, the dominant interest refers to American interests, which provide a single perspective on the topic of terrorism. This study highlights the importance of critical awareness in consuming media, as films play a significant role in shaping public perceptions of terrorism and global conflicts.
CROSSING WORLDS: PORTAL FANTASY IN NOVEL THE LION THE WITCH AND THE WARDROBE, KOREAN NOVEL SOLO LEVELING AND COMIC MANGA THAT TIME I GOT REINCARNATED AS A SLIME Iskandar, Iskandar; Priyawan, Pepen; Suswanto, Deni
Saksama: Jurnal Sastra Vol. 3 No. 2 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i2.38448

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This article explores the representation of portal fantasy in three distinct works: The Lion, the Witch and the Wardrobe by C.S. Lewis, Solo Leveling Volume 1 by Chu-Gong, and That Time I Got Reincarnated as a Slime Volume 1 by Fuse. The research problem centers on how the portal fantasy formula is adapted and represented in different literary forms novels and manga. Drawing on theories from Farah Mendlesohn on fantasy genres, E.M. Forster on key elements of novels, and Will Eisner on comics, the study employs a comparative literature approach and qualitative methods, including close reading and textual analysis. The analysis focuses on key elements such as setting, plot, motif, and character to uncover how these works embody the portal fantasy genre. The findings reveal that each work utilizes the portal concept uniquely to achieve distinct narrative purposes: The Lion, the Witch and the Wardrobe emphasizes the contrast between the real world and a magical one, offering moral and exploratory adventures, Solo Leveling presents a dynamic, challenge-filled journey that serves as a metaphor for personal growth and transformation and That Time I Got Reincarnated as a Slime explores themes of identity and adaptation through the protagonist’s reincarnation in a fantastical world. The results highlight the versatility of the portal fantasy genre in conveying complex themes of transformation, identity, and exploration across different media. This study contributes to a deeper understanding of how portal fantasy functions within various literary forms, offering insights into its narrative potential and thematic richness.
Co-Authors Assiddiqi, Hasbi Ayunani, Meliana Aulia Chaniago, Muhammad Daffa Deuis Sugaryamah, Deuis Faisal Syarifudin, Bunyamin Fauzi, Muhammad Erfan Fidela Shaumi Suryadi Iskandar Iskandar Marwah Marwah Maulina Putri, Mela Muhammad fauzan Muhammad Ilham Nurazizah, Maya Siti Priyawan, Pepen Putri Sriningsih, Meylany Sakinah, R Myrna Nur Sakinah, R. Myrna Nur Yuyun Nurulaen, Yuyun