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All Journal Jurnal Adabiyah IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature ELS Journal on Interdisciplinary Studies in Humanities Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam LOYALITAS: Jurnal Pengabdian Kepada Masyarakat Jurnal Basataka (JBT) CALL Edukasi Lingua Sastra Journal of English Teaching and Linguistics EPIGRAM (e-journal) Jurnal Pendidikan Indonesia (Japendi) Saksama: Jurnal Sastra Riwayat: Educational Journal of History and Humanities Lire Journal (Journal of Linguistics and Literature)
Assiddiqi, Hasbi
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Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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An Analysis of Illocutionary Speech Act in NYU's 2022 Commencement Speech Khusnah, Nurul Azizatul; Assiddiqi, Hasbi; Listiani, Toneng
JETLi: Journal of English Teaching and Linguistics Vol. 4 No. 2 (2023)
Publisher : Program Studi Pendidikan Bahasa Inggris, FKIP - Universitas Iskandar Muda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55616/jetli.v4i2.595

Abstract

Illocutionary speech acts are actions used by speaker not only to convey utterances, but also have other purposes for conveying meaning. Meanwhile, motivational elements are used by speaker to arouse the enthusiasm of their listeners. This study aims to find out and analyse illocutionary speech acts and how the utterances conveyed motivational elements in New York University (NYU)’s 2022 commencement speech. The data used is a transcript of a video entitled New York University (NYU)’s 2022 Commencement Speaker Taylor Swift. In this research, the researcher uses Searle’s theory to classify and analyze sentences and Daniel Goleman’s theory to classify and analyze motivational elements. This study used qualitative method with descriptive results based on the researcher’s analysis. Bowen’s theory is used as technique analysis in categorizing, describing and drawing a conclusion. The results of illocutionary speech act show that there are 37 data of representative, 9 data of directive, 12 data of expressive, 6 data of commissive and no sentences stated as declarative. The results of motivational elements show that there are 4 data of personal drive motivation, 3 data of commitment motivation, 3 data of initiative motivation and 3 data of optimism motivation. It can be concluded that representative was the most commonly found data because speaker told their life stories, also related to personal drive motivation as the most commonly found data to motivate graduates to improve themselves to achieve their goals.
THE ROLE OF GOSSIP AS A STRATEGY TO REACH POWER IN TILIK SHORT MOVIE Dahlan, Sandra Dewi; Wahyuningsih, Mirotin Eka; Assiddiqi, Hasbi; Ardian, Edi; Fajar, Rahmat
Jurnal Adabiyah Vol 21 No 1 (2021): June (Humanities)
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jad.v21i1a2

Abstract

The complexity and distinctiveness of gossip and gossiping have highlighted the recent viral short movie, Tilik (2018). It is important to note that gossip has also been identified as a support in social attachment in large crowds which is used to gain certain power. This research analyzes the role of gossip and gossiping in reaching the power within a community and the instruments to reach such power. Hence, this qualitative research employs cultural study approach to get an in-depth and complete analysis based on cultural perspective. Besides, Social Dominance Theory is also applied to explore the usage of gossip as weapon to reach the top of power. The study shows that gossip is surely a sharp weapon that may attack either the object of gossip or others harmed by the formulation of gossip. Also, gossip can be activated as a weapon to reach power in a certain group. Furthermore, gossip can be effective if the person who spreads it has power in the society.Keywords: Gossip; Power; Javanese Society; Tilikالملخصتم تسليط الضوء على تعقيدات وخصائص النميمة والقيل والقال في أحدث فيلم قصير سريع الانتشار ،  Tilik (2018). كأداة اتصال ، من المهم ملاحظة أن النميمة المحددة يمكن أن تساعد في تقوية الروابط الاجتماعية للعديد من الناس وكذلك اكتساب القوة. تحلل هذه الدراسة دور النميمة والنميمة في اكتساب التأثير (القوة) في المجتمع وكذلك الأدوات المستخدمة لتحقيق تلك القوة. يسعى البحث النوعي بنهج ثقافي إلى الحصول على تحليل حاد ومتعمق للتصورات الثقافية. تُستخدم نظرية الهيمنة الاجتماعية أيضًا كأداة تحليلية لفهم استخدام القيل والقال كسلاح في اكتساب القوة. أظهرت النتائج أن القيل والقال يمكن أن يكون سلاحًا حادًا يمكنه مهاجمة الشيء الذي يُنثر عليه القيل والقال والأشخاص الآخرين الذين تضرروا من قصة القيل والقال. كما يظهر أن النميمة يمكن تفعيلها كسلاح لاكتساب السلطة في مجموعة معينة. علاوة على ذلك ، يمكن أن تكون النميمة فعالة إذا كان للشخص الذي ينشرها تأثير في المجتمع.الكلمات الرئيسية: ثرثرة؛ قوة؛ المجتمع الجاوي نظرةABSTRAKKompleksitas dan kekhasan gosip dan bergosip menjadi sorotan dalam film pendek viral terbaru, Tilik (2018). Sebagai alat komunikasi, penting untuk dicatat bahwa gosip teridentifikasi dapat membantu mempererat ikatan sosial banyak orang sekaligus meraih kekuasaan. Penelitian ini menganalisis peran gosip dan bergosip dalam mendapatkan pengaruh (kekuasaan) di dalam masyarakat serta instrument yang digunakan dalam meraih kekuasaan tersebut. Penelitian kualitatif dengan pendekatan budaya ini berupaya memperoleh analisis tajam dan mendalam dalam persepsi budaya. Teori dominasi sosial juga digunakan sebagai instrument analisis untuk memahami penggunaan gossip sebagai senjata dalam memperoleh kekuasaan. Hasil penelitian menunjukkan bahwa gosip dapat menjadi senjata tajam yang dapat menyerang objek tergosip maupun orang lain yang dirugikan oleh cerita gosip tersebut. Selain itu juga menunjukkan bahwa gosip dapat diaktifkan sebagai senjata untuk meraih kekuasaan pada suatu kelompok tertentu. Lebih jauh, gosip bisa efektif jika orang yang menyebarkannya memiliki pengaruh di masyarakat.
FROM WARRIORS TO UNITY: ANALYSING FANTASY FORMULA IN RAYA AND THE LAST DRAGON (2011) Tasari, Putri Devi; Assiddiqi, Hasbi
Saksama: Jurnal Sastra Vol 2, No 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.27767

Abstract

This research aims to analyze the conflict formula in Raya and The Last Dragon, directed by Carlos López Estrada and Don Hall. The film portrays the story of Raya, a female warrior in a country abundant with animals and a unique mode of transportation called Tuktuk, before it turns dystopian. The scenes from the film represent the cultural diversity of Southeast Asia. The research method employs a descriptive quantitative approach, analysing data and sources through the intrinsic elements of the film. Data collection techniques include documentation techniques, such as films and literary observations, and interactive techniques, such as data reduction, data presentation, and data collection. The writer applies literary theory to comprehend the literary systematics in films. The findings of this study reveal that Raya and The Last Dragon presents Kumandra as a country that exemplifies Southeast Asian civilization, aiming to demonstrate tolerance, resilience, acceptance, and unity.
LIFE AND DEATH FANTASY IN MATT HAIG’S THE MIDNIGHT LIBRARY Sinda, Vatina; Assiddiqi, Hasbi; Pramita, Agry
Saksama: Jurnal Sastra Vol 3, No 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.34283

Abstract

AbstractThis study discusses the fantasy of life and death desire in Matt Haig’s The Midnight Library (2020). The aim of this research is: To find out what fantasy of life and death desire that represent id, ego, and superego of Matt Haig in The Midnight Library. This study uses a psychoanalysis approach, which is used to analyze the fantasy of life and death desire that can representative the id, ego, and superego of Matt Haig as an author regarding to life and death desire. The result of this study show the id is dominant among the ego and superego. prominently features id symbols, indicating a profound exploration of primal desires, instincts, and the unconscious mind, particularly evident in main character's arc. These id symbols, serve to unveil author's innermost wishes and untamed impulses, suspending societal norms and reality's constraints. Through id- driven narratives, readers witness Nora's pursuit of immediate gratification, navigating alternate lives driven solely by desires, devoid of moral judgment. Additionally, ego symbols reflect author's attempts to negotiate reality, while superego symbols embody societal ideals and moral judgments that conflict with author's id-driven desires.Keywords: Fantasy, Psychoanalysis, Matt Haig, Novel. Life and death.
WOMEN TIKTOKERS’ OFFENSIVE LANGUAGE UTILIZATION DURING THE FREE PALESTINE CAMPAIGN Issanty, Nadia Mauliana; Ruminda, Ruminda; Assiddiqi, Hasbi
Epigram Vol 21 No 2 (2024): Epigram Volume 21 Nomor 2 Tahun 2024
Publisher : Politeknik Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32722/epi.v21i2.7152

Abstract

Linguists argue women's linguistic politeness is influenced by societal perceptions, but as gender equality advances, the concept of women's language evolves, involving debates on offensive language. Therefore, this study investigated the utilization of offensive language by women TikTokers in the Free Palestine campaign. The research focuses on the study of issue statements regarding the various forms of offensive language used by women TikTokers participating in the Free Palestine campaign. This study employs Battistella's (2005) theory, which posits four distinct categories of offensive language. This study employed a qualitative approach, utilizing data obtained from the transcriptions of three female TikTok users, namely Kayla, Katie, and Heba. According to the research findings, women who use TikTok employ all of Battistella's offensive language categories a total of 223 times in their videos. Among women TikTokers, the term "obscenity" is the most frequently utilized, appearing a total of 159 times. It is followed by "epithets," which appear 30 times; "profanity," which appears 19 times; and "vulgarity," which appears 15 times. This study presents empirical evidence demonstrating that the linguistic patterns exhibited by Kayla, Katie, and Heba, who are female TikTokers, deviate from the conventional characteristics of women's language, specifically in relation to the usage of swearing as described by Lakoff. Kayla, Katie, and Heba exercise a greater degree of autonomy in expressing themselves through the use of offensive language, without fear of criticism or judgment.
Stereotype of Beauty and Ugliness in Soman Chainani’s The School for Good and Evil Salsabila, Socha; Assiddiqi, Hasbi; Fauzi, Erfan Muhammad
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.6141

Abstract

This research analyzes the stereotypes of beauty and ugliness in Soman Chainani’s The School for Good and Evil. This research aims to identify the stereotypes of beauty and ugliness constructed through the characterization of the two main characters, Sophie and Agatha, as well as how the novel challenges and reconstructs traditional expectations of beauty and ugliness. Using a qualitative approach and descriptive analysis methods, this research identifies narrative elements that reinforce and challenge these stereotypes. The research results show that beauty is often associated with good, while ugliness is associated with evil. Sophie, who is described as very physically beautiful, was initially considered good, but later developed into a character full of selfishness. Agatha, who is perceived as ugly, actually displays kindness and strong morality. The novel The School For Good and Evil subverts the traditional stereotype, showing that physical appearance does not always reflect a person's morality. This research uses the theories of Janice Radway and John Cawelti. Radway explains that beauty is often associated with the role of the female hero, while Cawelti discusses the balance between convention and invention in popular works. This research identifies beauty not only through outer beauty such as physical appearance but also inner beauty. Good deeds such as defending, forgiving, helping, giving, and loving are the essence of goodness. With the meaning that inner beauty involves honesty, sincerity, and good deeds that reflect the values of true goodness.
THE STRUGGLE OF WOMEN’S CHARACTER AGAINST PATRIARCHAL TRADITION IN QUEEN CHARLOTTE BY TOM VERICA Fauziah, Afifah Nur Rizki; EF, Abd. Hanan; Assiddiqi, Hasbi
Lire Journal (Journal of Linguistics and Literature) Vol. 9 No. 1: Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v9i1.426

Abstract

This study examines the resistance of female characters against patriarchal traditions in Queen Charlotte: A Bridgerton Story. The research explores how gender, race, and social status shape the struggles of Queen Charlotte, Lady Danbury, and Princess Augusta in navigating patriarchal constraints such as social expectations, legal limitations, and political hierarchies. Employing a qualitative descriptive method with close reading and thematic analysis, this study investigates the characters’ different strategies of resistance—negotiation, rejection, and manipulation—within the monarchical system. The findings reveal that while Queen Charlotte negotiates power within the constraints of patriarchy, Lady Danbury outright rejects traditional gender roles, and Princess Augusta manipulates the system for survival. The study also highlights how the series reconstructs history through a modern feminist lens, emphasizing gender agency and racial inclusivity over strict historical accuracy. This research contributes to feminist literary criticism by demonstrating how historical fiction serves both as a critique of systemic oppression and as a medium for narratives of resistance, reinforcing the ongoing discourse on gender equality and intersectionality in media representation.
The Dual Approach to Frodo Baggins’ Characterization: Direct and Indirect Methods in Tolkien’s The Fellowship of the Ring Febrianti, Nabilah Tri; Assiddiqi, Hasbi; Listiani, Toneng
Edukasi Lingua Sastra Vol 23 No 1 (2025): Edukasi Lingua Sastra
Publisher : Universitas Muhammadiyah Kotabumi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47637/elsa.v23i1.1675

Abstract

This analysis examines the connection between social aspects and the characterization of Frodo Baggins in The Fellowship of the Ring by J.R.R. Tolkien. In novels, as in any other form of art, the storyline and characters are intricately woven together. This work of research will show how social issues affect Frodo's evolution as a character. The analysis have been found using descriptive qualitative approach, which means that out of 51 instances of characterization associated with determination, 12 were direct and 39 were indirect. Furthermore, the inquiry reveals that while 42 instances where a connection of characterization of Frodo and the main theme of adventure is found, for 9 of the instances direct portrayal and for 33 instances indirect portraying of determination fighting overwhelming odds are did. Thus, this study affirms that Frodo's characterization is deeper than adventure, but rather courage and sense of responsibility. Frodo's journey depict not only the struggle to triumph, but also depicts the inner turmoil, altruism, and grit that is embedded in the violence of searching for the self. This analysis assists in further understanding of Frodo Baggins as a reluctant hero, supporting the Claim that he is a depiction of human struggle against adversities.
PSYCHOLOGICAL CONFLICT OF MAIN CHARACTER IN FREDRICK BACKMAN’S A MAN CALLED OVE Agustian, Sigit; Assiddiqi, Hasbi; Fauzi, Erfan Muhammad
Jurnal Basataka (JBT) Vol. 8 No. 1 (2025): Juni 2025
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/basataka.v8i1.692

Abstract

Penellitian ini bertujuan untuk mengidentifikasikan dan mendeskripsikan konflik psikologis pada karakter utama dalam novel A Man Called Ove karya Fredrick Backman berdesarkan pendekatan psikoanalisis Jacques Lacan. Penelitian ini menggunakan jenis penelitian kualitatif deskriftif. Sumber data utama yang digunakan dalam penelitian ini adalah Novel A Man Called Ove dengan tambahan beberapa data sekunder dalam penelitian ini adalah jurnal, skripsi, buku-buku teori, dan ensiklpoedia. Teknik pengumpulan data dalam penelitian ini menggunakan Teknik kajian Pustaka yaitu membaca, mencatat dan mengklasifikasikan. Analisis data dalam penelitian kualitatif deskriftif ini menggunakan pendekatan psikoanalisis Jacques Lacan dengan focus pada struktur 3 tahap konflik kesadaran real, simbolik, dan imaginary. Hasil analaisis naratif pada tokoh utama dalam novel A Man Called Ove karya Fredrick Backman ditemukan terdaapat 13 bentuk psikologi konflik yang terjadi, terbagi dalam 5 konflik pada tahap Real, 4 konflik pada tahap Imaginary, dan 4 topik pada tahap symbolic. Konflik tersebut mempengaruhi karakter utama dalam menjalankan cerita di dalam novel. Untuk menjaga ketefokusan dan kedalaman analisis, penelitian ini hanya berfokus membahas konflik yang terjadi pada karakter utama Ove yang dianggap paling signifikan dalam perkembangan alur dan karakter yang berpuncak pada rasa kehilangan, kekosongan, namun tetap memperlihatkan sisii kebaikan dan ketulusan pada akhir carita. Temuan penelitian ini menegaskan bahwa psikoanalisis Jacques Lacan efektif dan bisa digunakan untuk mengungkapkan dinamika psikologi dan penjelasan konflik dalam suatau karya sastra.
The Plot and Characters in Building the Romance Formula in Movie Midnight Sun (2018) by Scott Peer Putri Sriningsih, Meylany; Assiddiqi, Hasbi; Suswanto, Deni
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44717

Abstract

This study analyzes the romantic formula in Midnight Sun (2018) by analyzing the plot and characterization through the lens of John G. Cawelti's romantic formula theory, supported by Radway's theory. Using a qualitative research design and an objective literary criticism approach, this study identifies the key elements of the romantic formula, including the initial meeting between the protagonists, the development of their relationship, the introduction of conflict, and its resolution. The findings show that Midnight Sun successfully applies the classic structure of romantic narratives. The film follows Cawelti's stages from the first meeting, the development of the relationship, emotional conflict, and ends with a bittersweet yet meaningful resolution. The characterization revealed by Radway reflects the romantic formula that provides emotional depth and satisfaction for the audience. The findings show that Midnight Sun follows the common romantic structure, where the relationship between the hero and heroine develops through emotional and situational obstacles before reaching a resolution. This study contributes to the broader discourse on romantic narratives in popular cinema, offering insights into the application of formulaic storytelling in contemporary films.
Co-Authors Agustian, Sigit Dahlan, Sandra Dewi Deni Suswanto Dian Nurrachman, Dian Edi Ardian, Edi EF, Abd. Hanan Ellena FL Lilipaly Fajar, Rahmat Fauzi, Erfan Muhammad Fauziah, Afifah Nur Rizki Febrianti, Nabilah Tri Hamid Abu Zayd, Nashr Iis Nur Asyiah Imam Mudakir Issanty, Nadia Mauliana Khusnah, Nurul Azizatul Listiani, Toneng Miranda, Lirang Titania Muhammad Ramdhan pramita, agry Priyawan, Pepen Putri Sriningsih, Meylany Rahmah, Nazma Sania Ruminda Ruminda Salsabila, Socha Sape'i, Sape'i Sinda, Vatina Sudjatnika, Tenny Tasari, Putri Devi Wahyuningsih, Mirotin Eka Yoga Sudarisman