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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Journal of Teaching and Learning in Elementary Education Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam English Language in Focus (ELIF) CALL Journal of English Language and Education Gunung Djati Conference Series Saksama: Jurnal Sastra
Faisal, Bunyamin
Fakultas Adab Dan Humaniora UIN Sunan Gunung Djati Bandung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Economics, Econometrics & Finance Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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SLAVERY IN ‘BILAL: A NEW BREED OF HERO’ AND ’12 YEARS A SLAVE’ FILMS Fitri Hafsyari; Bunyamin Faisal
CALL Vol 3, No 1 (2021): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v3i1.12509

Abstract

This paper discusses slavery in Bilal: A New Breed of Hero film and 12 Years A Slave film. From the title of this paper, it would be known that the objects for this research are Bilal: A New Breed of Hero film and 12 Years A Slave film. The focus of this paper is to seek the portrayal of slavery and its relationship with economic and religion. To analyze both objects, the theory of slavery from Kevin Bales is employed, which sees that slavery is a state marked by the loss of free will. In addition, the theory of Marxism by Karl Marx as a literary theory to assist this research is also used since it is related to examine two antagonistic classes, which in this case, between slave and freeman. They are also used to discuss economic and religion. Besides, the researcher is going to compare both objects by using comparative literature. The method used in this research is descriptive analysis method and comparative literature method. As a result of the analysis, Bilal in the movie is not in accordance with what Karl Marx’s theory that said ‘someone will not contemplate about mental production such as religion, philosophy, and ethics (morality) before he fulfils his economy and basic needs, because maintaining economic power is the motive behind those things’. Bilal does not represent this theory because he is not materialist. Besides, he embraced Islam firmly, so even he was a slave and economically he had nothing, but he chose to prioritize religion (which is included in mental production) before economy (material production). Keywords: slave; slavery; economy; religion; Marxism
THREE-DIMENSIONAL ASPECTS OF THE MAIN CHARACTER IN DELIA OWENS' WHERE THE CRAWDADS SING Wahyuni Khotimah; Bunyamin Faisal Syarifudin; Agry Pramita
CALL Vol 5, No 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.20809

Abstract

Egri's three-dimensional theory (1923) was employed to examine the multifaceted aspects of Catherine Danielle Clark, the main character in Delia Owens' novel "Where the Crawdads Sing." This qualitative study utilized a narrative approach to gather and analyze data through inductive and deductive techniques. The findings revealed several three-dimensional aspects of Catherine Danielle Clark. Physically, she possessed beauty, long black hair, and a well-proportioned body with a deep-tanned complexion, which improved as she matured. Socially, she hailed from a lower-class American family, held various jobs as a seafood seller, book writer, and poet, and experienced discrimination and singledom. Her hobbies included reading books and collecting organisms from the marsh. Psychologically, she exhibited introversion, insecurity, sensitivity, irritability, selfishness, anxiety, and a reluctance to forgive. However, she also displayed independence, optimism, and a determined fighting spirit for survival, showcasing remarkable talent in painting and writing. Overall, the study found that the psychological dimension was more pronounced than the physiological and social dimensions. Keywords: main character, physiological dimension, psychological dimension, sociological dimension, three-dimensional aspects
THREE-DIMENSIONAL ASPECTS OF THE MAIN CHARACTER IN DELIA OWENS' WHERE THE CRAWDADS SING Khotimah, Wahyuni; Syarifudin, Bunyamin Faisal; Pramita, Agry
CALL Vol. 5 No. 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.20809

Abstract

Egri's three-dimensional theory (1923) was employed to examine the multifaceted aspects of Catherine Danielle Clark, the main character in Delia Owens' novel "Where the Crawdads Sing." This qualitative study utilized a narrative approach to gather and analyze data through inductive and deductive techniques. The findings revealed several three-dimensional aspects of Catherine Danielle Clark. Physically, she possessed beauty, long black hair, and a well-proportioned body with a deep-tanned complexion, which improved as she matured. Socially, she hailed from a lower-class American family, held various jobs as a seafood seller, book writer, and poet, and experienced discrimination and singledom. Her hobbies included reading books and collecting organisms from the marsh. Psychologically, she exhibited introversion, insecurity, sensitivity, irritability, selfishness, anxiety, and a reluctance to forgive. However, she also displayed independence, optimism, and a determined fighting spirit for survival, showcasing remarkable talent in painting and writing. Overall, the study found that the psychological dimension was more pronounced than the physiological and social dimensions. Keywords: main character, physiological dimension, psychological dimension, sociological dimension, three-dimensional aspects
Co-Authors Agry Pramita Baihaqi, Zulfan Rafly Dian Nurrachman, Dian Erfan Muhammad Fauzi Fitri Hafsyari Fitriani Fitriani Khotimah, Wahyuni Lutfi Fachrulrozi Permanaludin, Udayani pramita, agry Rahayu, Ai Hayati Sinsin Sintya Thasyalina Amarthalia Wahyudin Darmalaksana Wahyuni Khotimah Yoga Sudarisman Yudha Nur Widiananta Yuyun Nurulaen, Yuyun Zalfa Zahira