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All Journal English Language and Literature VIVID Journal of Language and Literature CaLLs : Journal of Culture, Arts, Literature, and Linguistics Berumpun: international journal of social, politics and humanities CALL SALEE: Study of Applied Linguistics and English Education Journal of English Language and Education Saksama: Jurnal Sastra
pramita, agry
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Fantasy Formula in Romance Movies: Beauty and the Beast (2017) and Aladdin (2019) Kartika, Yuri Yusnia; Saehu, Andang; Pramita, Agry
SALEE: Study of Applied Linguistics and English Education Vol. 3 No. 2 (2022)
Publisher : STAIN Sultan Abdurrahman Kepulauan Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35961/salee.v3i2.508

Abstract

Popular literature is an entertaining work and is widely loved by the public. This study focuses on formula analysis of fantasy genres identified from the Beauty and the Beast (2017) and Aladdin (2019) movies seen from several scenes in both movies. The films is an interesting fantasy genre movies because although the movies is different, it has the same formula. This research uses a comparative descriptive method with a qualitative approach to present data analysis. In addition, this study also used several theories from Saricks (2009) to examine the formula of the fantasy genre and the theory of comparative literature from Wellek and Warren's (1942). The study reveals that there are four points of the fantasy genre formula that have something in common in these two movies. First, in the Characteristics of Belle and Jasmine who are brave women and have an adventurous spirit. Second, the same Storyline between the two movies where both are the same against enemies who want to kill the main male characters. Third, the same Frame Setting contains magical elements. Finally, in both movies there are tense scenes that quickly turn into humorous scenes or in the fantasy genre formula called Pacing. From the results obtained by the researchers, it was concluded that in both movies there are elements of fantasy formula. These formulas then make fantasy movies into films that are great demand and liked by the audience.
The Characterization Adaptation in and “Then There Were None” Ramdani, Paisal; Saehu, Andang; Pramita, Agry
English Language and Literature Vol 12, No 3 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i3.124721

Abstract

This study analyzes the adaptation process of literary element in the novel and the film “And Then There Were None” by Agatha Christie. The researcher uses a qualitative descriptive method combined with Huctheon theory because the research results and the content of this study are in the form of words and pictures that must be explained and referred to as content analysis. Theory of Literary Adaptation by Hutcheon uses to review the data where the discussion focuses on character & characterization as a literary element in the novel and the film And Then There Were None by Agatha Christie. This study provides new results regarding the changes in character & characterizations in the novel to the film. One adaptation process found in this research is subtraction, which relates to the omission of the novel’s character in the film form. In this case, the adaptation process refers to the character's peripheral roles. The peripheral role of the character is a type of character that is unimportant or unnecessary to the core of the story. This research also provides another type of adaptation process, namely modification related to the character's characterization in the film form.
LIFE AND DEATH FANTASY IN MATT HAIG’S THE MIDNIGHT LIBRARY Sinda, Vatina; Assiddiqi, Hasbi; Pramita, Agry
Saksama: Jurnal Sastra Vol 3, No 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.34283

Abstract

AbstractThis study discusses the fantasy of life and death desire in Matt Haig’s The Midnight Library (2020). The aim of this research is: To find out what fantasy of life and death desire that represent id, ego, and superego of Matt Haig in The Midnight Library. This study uses a psychoanalysis approach, which is used to analyze the fantasy of life and death desire that can representative the id, ego, and superego of Matt Haig as an author regarding to life and death desire. The result of this study show the id is dominant among the ego and superego. prominently features id symbols, indicating a profound exploration of primal desires, instincts, and the unconscious mind, particularly evident in main character's arc. These id symbols, serve to unveil author's innermost wishes and untamed impulses, suspending societal norms and reality's constraints. Through id- driven narratives, readers witness Nora's pursuit of immediate gratification, navigating alternate lives driven solely by desires, devoid of moral judgment. Additionally, ego symbols reflect author's attempts to negotiate reality, while superego symbols embody societal ideals and moral judgments that conflict with author's id-driven desires.Keywords: Fantasy, Psychoanalysis, Matt Haig, Novel. Life and death.
Social Classes Inequality In The English-Translated Version By Bett And Boyd Of Kawakami’s Japanese Novel Entitled “Heaven” Putri, Hurul Aini; Sugaryamah, Deuis; Pramita, Agry
Berumpun: International Journal of Social, Politics, and Humanities Vol 7 No 2 (2024): Berumpun: International Journal Of Social, Politics, and Humanities
Publisher : Faculty of Social and Political Sciences University of Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/berumpun.v7i2.211

Abstract

Heaven is a Japanese novel authored by Mieko Kawakami in 2009, translated by Bett and Boyd in 2020. Kawakami identifies bullying in schools, particularly through the character Iijima, as the central theme of this story. Moreover, the phenomenon of bullying stems from the fundamental issue of social class inequality. This research aims to: 1) identify social class through the frameworks of Marx and Levy, Jr.; 2) elucidate Kawakami's perspective and the concept of transindividuality; and 3) assess the significance of social class inequality in translation practices. This research method employs a descriptive qualitative approach, which focuses on social analysis. However, it persuades social classes to comprehend analysis and utilize sociology literature and literary translation from the perspective of an English learner. This research identifies the highest class as Ninomiya, who is a facilitator of bullying, while the lowest class is represented by Eyes and Kojima, who suffer from bullying. Kawakami created those characters as a manifestation of her social and humanity philosophy, taking into account her own past experiences. Therefore, Bett and Boyd, as the translators of Heaven, uphold the values of social class inequality
THE USE OF HYPERBOLE AND METAPHORS IN POP SONG LYRICS: A COMPARATIVE STUDY ON TOP FIVE SONGS BY ARCTIC MONKEY AND COLDPLAY Putri, Tharissa Adila; Nurrachman, Dian; Pramita, Agry
Saksama: Jurnal Sastra Vol 3, No 2 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i2.37049

Abstract

Comparative literature involves comparing, analysing and understanding literary works to explore similarities, differences and influences in literature. Comparative literature can be found in song lyrics as a way to create a better understanding and convey the songwriter's feelings or thoughts to the listener. This research explores the similarities and differences in the use of hyperbole and metaphor in the top five songs from Arctic Monkeys and Coldplay. By conducting a comparative analysis of the lyrical content, this research aims to reveal how these two well-known bands use these literary devices to convey emotions and themes in their music. By using Reaske's figurative language theory and objective criticism approach. This research found that Arctic Monkeys songs often explore themes of romance, emotion, and burning desire, using hyperbole to dramatically amplify feelings, making their expressions more intense and vivid, for Coldplay lyrics often raise themes of longing, regret, and admiration. As for metaphors, both bands use metaphors extensively to convey deeper meanings and evoke emotions. This research contributes to a deeper understanding of how literary techniques are used in songwriting across different genres and styles of music.Keywords: Arctic Monkeys, Coldplay, Comparative Literature, Figurative Language
THE WOMAN STRUGGLE IN THE NOVEL JANE EYRE BY CHARLOTTE BRONTE AND ENTROK BY OKKY MADASARI: COMPARATIVE LITERATURE Sarah, Rima; Pramita, Agry
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 8, No 2 (2022): CaLLs, December 2022
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v8i2.7693

Abstract

Culture and phenomena that exist in society can be known through novels. One of them is the phenomenon of women. This study discusses the woman struggle through two works of English and Indonesian literature, namely the novel Jane Eyre by Charlotte Bronte and the novel Entrok by Okky Madasari. These two novels tell about the life of the women character and their environment. This study uses the theory of feminist literary criticism to find feminist issues in the two novels that appear through the female characters. The method used is descriptive analysis using a qualitative approach. The data source is the novel Jane Eyre by Charlotte Bronte, published in 1847 by Smith, Elder & Co. in London, England, and Okky Madasari's novel Entrok published by Gramedia Pustaka Utama in 2010. The results of data analysis show that the female characters, namely Marni, Rahayu, and Jane Eyre have similarities in making efforts to equalize women through freedom of choice, education. , and work. However, there are also differences regarding the setting of place, time, and culture in the two novels.
The Representation of White Supremacy in Colson Whitehead‘s The Nickel Boys Utami, Evi Setyo Budi; Pramita, Agry; Hkikmat, Mahi M
Journal of English Language and Education Vol 10, No 2 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i2.689

Abstract

This study aims to explain the forms of white supremacy in the novel The Nickel Boys by Colson Whitehead. The theory used in this research is Fredrickson's theory of white supremacy. This study was used descriptive qualitative research.This research analyzes the dialogue and narration in the novel as a whole. Supported by Stuart Hall's representation theory illustrates that this novel represents events in America in the 1960s regarding white supremacy based on social problems arised. This study's findings show that three forms of white supremacy are represented in the novel. Color bar reflects the inequality in American multiracial society depicted in the novel. Racial segregation refers to the separation of communities based on different races and skin colors that identify blacks and whites are separated in the school. Restriction is a combination of the two concepts, color bar and racial segregation, which ultimately causes people of color and blacks not to obtain equal rights with whites.
THREE-DIMENSIONAL ASPECTS OF THE MAIN CHARACTER IN DELIA OWENS' WHERE THE CRAWDADS SING Khotimah, Wahyuni; Syarifudin, Bunyamin Faisal; Pramita, Agry
CALL Vol. 5 No. 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.20809

Abstract

Egri's three-dimensional theory (1923) was employed to examine the multifaceted aspects of Catherine Danielle Clark, the main character in Delia Owens' novel "Where the Crawdads Sing." This qualitative study utilized a narrative approach to gather and analyze data through inductive and deductive techniques. The findings revealed several three-dimensional aspects of Catherine Danielle Clark. Physically, she possessed beauty, long black hair, and a well-proportioned body with a deep-tanned complexion, which improved as she matured. Socially, she hailed from a lower-class American family, held various jobs as a seafood seller, book writer, and poet, and experienced discrimination and singledom. Her hobbies included reading books and collecting organisms from the marsh. Psychologically, she exhibited introversion, insecurity, sensitivity, irritability, selfishness, anxiety, and a reluctance to forgive. However, she also displayed independence, optimism, and a determined fighting spirit for survival, showcasing remarkable talent in painting and writing. Overall, the study found that the psychological dimension was more pronounced than the physiological and social dimensions. Keywords: main character, physiological dimension, psychological dimension, sociological dimension, three-dimensional aspects
LIFE AND DEATH FANTASY IN MATT HAIG'S THE MIDNIGHT LIBRARY Sinda, Vatina; Assiddiqi, Hasbi; Pramita, Agry
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.34283

Abstract

Abstract This study discusses the fantasy of life and death desire in Matt Haig's The Midnight Library (2020). The aim of this research is: To find out what fantasy of life and death desire that represent id, ego, and superego of Matt Haig in The Midnight Library. This study uses a psychoanalysis approach, which is used to analyze the fantasy of life and death desire that can representative the id, ego, and superego of Matt Haig as an author regarding to life and death desire. The result of this study show the id is dominant among the ego and superego. prominently features id symbols, indicating a profound exploration of primal desires, instincts, and the unconscious mind, particularly evident in main character's arc. These id symbols, serve to unveil author's innermost wishes and untamed impulses, suspending societal norms and reality's constraints. Through id- driven narratives, readers witness Nora's pursuit of immediate gratification, navigating alternate lives driven solely by desires, devoid of moral judgment. Additionally, ego symbols reflect author's attempts to negotiate reality, while superego symbols embody societal ideals and moral judgments that conflict with author's id-driven desires. Keywords: Fantasy, Psychoanalysis, Matt Haig, Novel. Life and death.
Social Class Inequality in 1912 English Society as Reflected in J.B. Priestley's Play Script An Inspector Calls Yahya, Wirda Humaira; Mansyur, Agus Salim; Pramita, Agry
Vivid: Journal of Language and Literature Vol. 14 No. 1 (2025)
Publisher : English Department, Faculty of Humanities, Andalas University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/vj.14.1.25-33.2025

Abstract

This study examines social class inequality in 1912 English society as reflected in J.B. Priestley’s play An Inspector Calls. The play highlights the structure of society based on powerful class differences, where the upper class represented by the Birling family and Gerald Croft have privileges that the working class represented by Eva Smith does not have. The study uses a mimetic approach that views literature as a reflection of human life. To explore how inequality is portrayed through interactions between characters, this study uses a qualitative descriptive method. In addition, it uses the concept of base and superstructure in Marxism to examine how the economic structure (base) shapes and maintains social norms, ideologies, and institutions (superstructure) to perpetuate the dominance of the bourgeoisie over the working class. The results of this study reveal three main aspects: labor exploitation, class domination and social control, and gender inequality in capitalism. The results show that An Inspector Calls not only serves as a play, but also as a critique of capitalist society, by exposing how the economic structure maintains class-based oppression.
Co-Authors Agus Salim Mansyur Andang Saehu, Andang Assiddiqi, Hasbi Deuis Sugaryamah, Deuis Dian Nurrachman, Dian Faisal, Bunyamin Kartika, Yuri Yusnia Khotimah, Wahyuni MAHI MAMAT HKIKMAT Putri, Hurul Aini Putri, Tharissa Adila Ramdani, Paisal Sarah, Rima Sinda, Vatina Utami, Evi Setyo Budi Yahya, Wirda Humaira