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PENGABDIAN MASYARAKAT PERANCANGAN AKSESIBILITAS GAMAT BAY NUSA PENIDA Wahyudi Linggasani, Made Anggita; Ida Bagus Gede Parama Putra; Dewa Ayu Nyoman Sriastuti
Jurnal Abdi Masyarakat Vol. 7 No. 2 (2024): Jurnal Abdi Masyarakat Mei 2024
Publisher : Universitas Kadiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30737/jaim.v7i2.5199

Abstract

Kawasan Eksisting Gamat Bay sebagian besar terdapat kawasan hutan lindung yang kedepannya akan diusulkan menjadi salah satu DTW Gamat Bay. Hutan lindung memiliki pesona yang tidak kalah dengan pesisir gamat Bay namun potensinya belum banyak dikenal orang. Oleh karena itu Desa Sakti ingin mengembangkan DTW Gamat Bay sebagai ekspansi daya tarik yang ditawarkan bagi wisatawan untuk menikmati sudut lain dari Pulau Nusa Penida. Terdapat lima pilar yang dapat berperan dalam pengembangan pariwisata terhadap kawasan Nusa Penida khususnya Gamat Bay yang terdiri dari Atraksi, Aksesibilitas, Amenitas, Ancilleries dan Comunity Involvement. Kawasan Hutan Lindung dalam kawasan Gamat Bay di Desa Sakti memiliki luasan sekitar 33 hektar sebagai Hutan Lindung. Secara harfiah perancangan aksesibilitas dan RTH dapat menjadi hal utama dalam perancangan kawasan pariwisata sebagai penghubung antar zona maupun antara fasilis. Pada umumnya aksesibilitas merupakan derajat kemudahan pencapaian maupun penggunaan baik terhadap lingkungan maupun objek serta pelayanan. Aksesibilitas terbagi atas dua, yakni aksesibilitas fisik dan non fisik, aksesibilitas fisik meliputi akses pada bangunan umum, akses pada jalan umum, pada pertamanan dan pemakaman umum, dan taman kota. Aksesibilitas dirancangan sebagai penghubung area antar zona serta sebagai akses terhadap fasiltias-fasilitas penunjang pariwisata pada Kawasan Hutan Lindung. Perancangan aksesibilitas sangat memperhitungkan faktor-faktor dasar dalam merencanakan aksesibilita yang lebih aksesibel dan mendukung kegiatan konservasi hutan lindung
PENGEMBANGAN DESAIN DAN PRODUK FURNITUR EDUKASI UNTUK PENYANDANG CEREBRAL PALSY DI YPK BALI Wahyudi Linggasani, Made Anggita; Putu Gede Suranata; I Wayan Yogik Adnyana Putra; Gde Bagus Andhika Wicaksana
Jurnal Abdi Masyarakat Vol. 9 No. 1 (2025): Jurnal Abdi Masyarakat November 2025
Publisher : Universitas Kadiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30737/jaim.v9i1.6790

Abstract

This community service program aimed to improve the rehabilitation services for individuals with cerebral palsy at Yayasan Peduli Kemanusiaan (YPK) Bali by designing and producing adaptive furniture that is ergonomic, affordable, and tailored to user needs. Identified problems included non-ergonomic tools, limited availability of adaptive devices, high cost, lack of inclusive design expertise, and limited collaboration with academic institutions. Using User-Centered Design (UCD) and Participatory Action Research (PAR) methods, the team developed a rehabilitation chair and an ergonomic walker. Evaluation showed enhanced comfort and postural support for users. Training modules for staff increased the organization’s capacity. The program exemplified how inclusive design and technological innovation can enhance therapy effectiveness, affordability, and sustainability.
Quantitative Spatial Analysis Of Cluster Patterns And Spatial Integration In The Celuk Creative District, Gianyar, Bali Putri, Ni Putu Ratih Pradnyaswari Anasta; Wahyudi Linggasani, Made Anggita; Wicaksana, Gde Bagus Andhika
Journey : Journal of Tourismpreneurship, Culinary, Hospitality, Convention and Event Management Vol 8 No 2 (2025): Journey : Journal of Tourismpreneurship, Culinary, Hospitality, Convention and Ev
Publisher : Politeknik Internasional Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46837/journey.v8i2.339

Abstract

Celuk Village in Gianyar Regency, Bali, has evolved organically into a prominent silver craftsmanship corridor, forming a unique creative economy ecosystem where production workshops, commercial galleries, and tourist interaction spaces coexist within an interconnected spatial hierarchy. This study employs a spatial quantitative approach to analyse distribution patterns, spatial relationships, and functional hierarchies among 70 silver workshops and galleries across a defined 6-month research period. Spatial point data were collected through GPS-based field surveys, validated with positional accuracy tolerance ≤ 3 m, and processed using QGIS software to perform Point Pattern Analysis (PPA) and Kernel Density Estimation (KDE). The analysis identifies clustering tendencies and spatial density hierarchies, revealing a linear aggregation pattern concentrated along the primary west–east corridor connecting Gianyar and Denpasar. Statistical spatial correlation was measured using Nearest Neighbour Index (NNI = 0.69), indicating clustered distribution, supported by strong positive spatial autocorrelation (Moran’s I = +0.89, p < 0.05), confirming significant spatial dependence between neighbouring business units. To clarify the term functional mapping, field observations incorporated structured indicators of Building Function (production, exhibition, mixed use), Architectural Typology (traditional workshop, modern gallery, hybrid façade, adaptive building), and Activity Intensity Level (frequency of visible workers, visitor presence, façade permeability, sidewalk spill-out, and temporal peak markers). The findings demonstrate that spatial configuration in Celuk is shaped not only by economic efficiency and proximity, but also by symbolic cultural markers—such as temples and traditional ornaments—that reinforce spatial identity and distinguish the district from purely commercial corridors. While clustering supports collaborative resource sharing and visibility, the study also detects spatial imbalance between the main spine and peripheral lanes, signalling emerging commercial pressure and declining activity on secondary routes. For sustainable creative district growth, a scale-sensitive integrated spatial planning framework is recommended, applying thematic production–display–tourism zoning supported by community-based governance to maintain economic–cultural balance, walkability, and cultural authenticity. This research contributes empirical spatial metrics and a replicable methodological structure for developing culture-based creative districts in Bali and Indonesia.