Articles
<![CDATA[Membudayakan Kebiasaan Menulis melalui Program Adik Asuh pada Siswa SMA St. Thomas Aquinas di Kecamatan Langke Rembong ]]>
<![CDATA[Yuliantari, Ans Prawati]]>;
<![CDATA[Moon, Yuliana Jetia]]>
<![CDATA[ RANDANG TANA - Jurnal Pengabdian Masyarakat Vol 1 No 1 (2018): Randang Tana - Jurnal Pengabdian Masyarakat ]]>
Publisher : <![CDATA[STKIP Santu Paulus Ruteng ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[PKM ini bertujuan untuk meningkatkan kemampuan menulis dari subyek yang menjadi sasaran PKM. Adapun subyek dari PKM ini adalah siswa SMA St.Thomas Aquinas. Tujuan jangka panjang dari kegiatan ini adalah sebagai berikut, bagi siswa sasaran PKM, akan menumbuhkan kebiasaan menulis dan diharapkan dapat menumbuhkan minat siswa dalam kegiatan menulis. Tujuan jangka panjang yang diharapkan bagi mahasiswa dan guru sebagai mitra yang melakukan PKM adalah melatih diri untuk mengamalkan ilmunya sehingga dapat membentuk karakter seorang guru profesional. Tujuan khusus dari PKM ini adalah meningkatkan kemampuan masyarakat sasaran (siswa) dalam menulis. Metode yang digunakan dalam melaksanakan PKM adalah metode latihan dengan media diari yang dipadukan dengan bimbingan individual (adik asuh). Adapun tahapan PKM secara umum adalah sebagai berikut. Tim utama pengusul PKM terdiri dari dua dosen, namun dalam pelaksanaannya dua dosen akan membawahi dua puluh mahasiswa lainnya. Tugas tim utama selain membimbing kakak asuh juga memimpin, mengontrol, mengevaluasi jalannya PKM.Setiap adik asuh akan dibagikan diari, pena, dan perlengkapan lainnya jika dibutuhkan. Bimbingan dilakukan selama dua bulan secara intensif. Pemilihan subyek yang dijadikan sebagai sasaran PKM dilakukan secara acak tetapi melalui tes awal. Tes awal yang dilakukan agar siswa sasaran PKM yang terpilih sesuai target PKM. Adapun secara spesifik siswa yang akan dipilih adalah siswa dengan kemampuan menulis yang rendah. Hasil PKM menunjukan bahwa terdapat peningkatan dalam keterampilan menulis narasi. Siswa juga mengalami peningkatan intinsitas menulis.]]>
<![CDATA[MIGRATION AND THE MAGGARAIANS’ CULTURAL IDENTITY AS REPRESENTED IN MAGGARAIAN RAP SONGS ]]>
<![CDATA[Yuliantari, Ans Prawati]]>
<![CDATA[ International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020 ]]>
Publisher : <![CDATA[Sanata Dharma University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (18.904 KB)
|
DOI: 10.24071/ijhs.v3i2.2195
<![CDATA[One significant factor that has brought the Manggaraians into contact with many people from various cultures outside their place of origin is migration. Their awareness of the importance of preserving and retaining their cultural identity is growing once they experience intercultural interactions. Rap songs have become one of the means by which they observe migration and cultural identity closer as important phenomena in their life.           The present article studies these phenomena in Manggaraian rap songs. For this purpose, the concept of “rural idyll†suggested by Marc Mormont is used to understand the Manggaraians’ perspective on their home region, and the concept of identity as defined by Stuart Hall is used to examine the way the Manggaraians construe their cultural identity. This study is focused on 30 Manggaraian rap song that feature migration and Manggaraian cultural identity as the themes of the lyrics.           The study has led to the insight that the main reasons that motivate the Manggaraians to migrate are their desires to continue their education, find better livelihood, gain new experiences in foreign regions and look for better accesses and facilities that are unavailable in their home region to achieve their goals. The experience of living among people from many different cultures in foreign regions confront them with the need to maintain their cultural identity and contact with their home region. To fulfill this need they make attempts of revitalizing Manggaraian traditional values that they are familiar with throughout their growing-up years in Manggarai.]]>
<![CDATA[Technoscapes and mediascapes influence on village and city relations in Manggarai, East Nusa Tenggara ]]>
<![CDATA[Ans Prawati Yuliantari]]>
<![CDATA[ SIMULACRA: JURNAL SOSIOLOGI Vol 3, No 1 (2020) ]]>
Publisher : <![CDATA[Universitas Trunojoyo Madura ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (471.463 KB)
|
DOI: 10.21107/sml.v3i1.7112
<![CDATA[The development of infrastructure and information technology has a significant impact on the relationship between Ruteng, the capital of the Manggarai district, and the surrounding villages. The mobility of the people between the cities and villages has led to new problems which previously did not have a significant influence. The shrinking of the rural agricultural sector and the development of the informal sector in the city are indicative of the dynamic relationship between the two. In order to see the phenomenon of changes that occur in the relationship between Ruteng and the surrounding villages, a theory of landscapes by Arjun Appadurai is used. Interviews were conducted with two entrepreneurs who employed people from five villages, namely Wae Belang, Pong Murung, Purang, Lando, and Nanu, and ten workers from those villages. Observations and literature reviews were carried out to support and complement the data obtained by the interview method. Technoscape, in the form of physical infrastructure development in rural areas and mediascape in the form of television and radio shows, as well as social media, became a pull factor for migration to Ruteng. Meanwhile, the traditional view in the form of go’et (traditional expressions) and the similarity of culture become the push factors for urbanization to Ruteng.]]>
<![CDATA[”Ruteng is da City”: Representasi Lokalitas dalam Musik Rap Manggarai ]]>
<![CDATA[Ans. Prawati Yuliantarii]]>
<![CDATA[ Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 16, No 2 (2015): Agustus 2015 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (128.21 KB)
|
DOI: 10.24821/resital.v16i2.1511
<![CDATA[Penelitian ini membahas fenomena musik rap di Manggarai dan representasi lokalitas yang ada di dalam lagu-lagunya. Untuk melihat hal itu dipergunakan teks lagu sebagai obyek kajiannya. Lagu “Ruteng is da City” karangan Lipooz dipilih sebagai bahan kajian untuk melihat elemen-elemen lokal di dalam teksnya itu direpresentasikan dalam lagu sebagai pembentuk identitas rap Manggarai. Untuk membahas elemen lokalitasnya dipergunakan konsep cultural-melding-and-mediation oleh Lull. Sementara untuk mempertajam analisis representasi lokalitas dipergunakan teori Collective Representation dari Durkheim. Berdasarkan penelitian dapat disimpulkan bahwa melalui teks lagu “Ruteng is de City” dapat dilihat pengalaman kolektif masyarakat, kebiasaan khas, kode yang merupakan simbol kota Ruteng, dan barang yang menjadi produk lokal wilayah itu. Elemen-elemen lokal itu merepresentasikan budaya Manggarai yang berisi kepercayaan, norma-norma, nilai dan pandangan filosofis masyarakat yang membentuk identitas masyarakat Manggarai. “Ruteng is da City”: Representation of Locality in Manggarai Rap Music. This research discusses the phenomenon of rap in Manggarai and the representation of locality of the songs. To figure out this phenomenon, the textual examination on the song lyrics of “Ruteng is da City” composed by Lipooz is particularly selected as the object of study to identify the local elements of the text (lyric) which are represented in the song as the form of the identity of Manggarai rap. The identification of local elements is based on cultural-melding-and-mediation concept proposed by Lull. Meanwhile, in analyzing the representation of locality in the text, Durkheim’s theory of Collective Representation is adopted. According to the research result, it is concluded that the song text of “Ruteng is d City” contains the collective experience of the community, norms, the symbolic code of the town (Ruteng), and the local commodities of the town. The local elements found in the song represent Manggarai traditional culture that includes beliefs, norms, values and philosophical views of Manggarai society which essentially form the identity of Manggarai people.]]>
<![CDATA[ONLINE LEARNING ASSISTANCE FOR SETIA BHAKTI CATHOLIC HIGH SCHOOL STUDENTS AT THE COVID 19 PANDEMIC PERIOD ]]>
<![CDATA[Ans Prawati Yuliantari]]>
<![CDATA[ Randang Tana - Jurnal Pengabdian Masyarakat Vol 4 No 2 (2021): Randang Tana - Jurnal Pengabdian Masyarakat ]]>
Publisher : <![CDATA[Unika Santu Paulus Ruteng ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.36928/jrt.v4i2.784
<![CDATA[This article aims to explain the educational program carried out by lecturers and students of the Indonesian Language and Literature Education Program, Universitas Katolik Indonesia Santu Paulus Ruteng, to students at high schools in Manggarai Regency, East Nusa Tenggara Province. The method of implementing the program consists of four stages, namely debriefing students and supervisors of this program, observation of the problems of prospective students, third, based on the results of observations, the supervisor directing students in providing assistance, and fourth is the implementation of mentoring carried out during two weeks. Based on the process that has been carried out, it can be seen that this program can help students at Setia Bhakti high school level to deepen understanding of learning materials they got at school. This system can also replace the role of parents in supervise their children during the online learning process because not every parent has the adequate ability to understand subjects in high school. Meanwhile, the results of the evaluation after the implementation of the program showed that the students wanted similar programs to be continued in the future if face-to-face learning could not be implemented. In addition, the mentoring method can be further refined according to input and feedback from teachers and teachers in partner schools]]>
<![CDATA[Molas Baju Wara: Hybridity in Manggarai Rap Music ]]>
<![CDATA[Ans. Prawati Yuliantari]]>
<![CDATA[ Celt: A Journal of Culture, English Language Teaching & Literature Vol 16, No 2: December 2016, Nationally Accredited ]]>
Publisher : <![CDATA[Soegijapranata Catholic University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (1793.881 KB)
|
DOI: 10.24167/celt.v16i2.769
<![CDATA[Rap music which has been popular since 2007 in Manggarai region, East Nusa Tenggara, Indonesia, gave rise to rap hybrid phenomenon. The mixture between American rap music formats and local elements of Manggarai attracted the attention of young people in the region. One of the local songs that feature hybridity in rap Manggarai is "Molas Baju Wara" created by Lipooz, one of the pioneers of rap in Ruteng, the capital city of Manggarai district. To discuss this phenomenon, the concept of hybridity in cultural territory proposed by James Lull is adopted. This concept is used particularly to analyze the forms of hybridity reflected in " Molas Baju Wara" and the ways they are used in showing the social and cultural conditions of Manggarai. "Molas Baju Wara" was selected as the object of study because the song is clearly showing the characteristics of hybridity in music. The study shows that hybridity could be perceived in Manggarai rap music specifically in the use of local musical instruments like drums, cajon, and tambourine as a substitute for percussive sounds of drums, boombox, or turn-table which are commonly used by rap musicians in their home country, the U.S.A. In addition, there are elements of local sound such as the sound of rain that represents Ruteng as the rain city. Hybridity characteristics can also be found in the use of Manggarai vernacular in the whole lyrics as well as the narration of local themes and certain sites that represent Ruteng.]]>
<![CDATA[CONTESTATION BETWEEN GLOBAL AND LOCAL IN MANGGARAI RAP MUSIC ]]>
<![CDATA[Ans. Prawati Yuliantari]]>
<![CDATA[ Rubikon : Journal of Transnational American Studies Vol 3, No 1 (2016) ]]>
Publisher : <![CDATA[Universitas Gadjah Mada ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (144.281 KB)
|
DOI: 10.22146/rubikon.v3i1.34248
<![CDATA[Globalization causes the spread of pop culture beyond geographical boundaries. Rap music as a form of pop culture spread around the world in the 1990s through the mass media that was driven by the transnational music industry. Its popularity was not just happened in big cities, but in peripheral regions like in Manggarai of East Nusa Tenggara as well.This article uses the transnational concept in American studies and theory of landscape advanced by Arjun Appadurai. The concept of Transnational American Studies is used to analyze the influence of American culture beyond its territory, while the theory of landscape is used to analyze the conflicts that occured between the global and the local rap music in Manggarai music spaces.This analysis shows that the process of appropriation carried out by local rapper against global rap music is a form of negotiation to adapt to local tastes as well as of creativity to face global music. The strategies undertaken in the struggle for spaces of music can be seen in the form of themes, language, dialect, or mode of production. Contestation between the global and the local is always transformed through the development of music consumers in the area.Keywords: Contestation, Rap, Transnational, Globalization]]>
<![CDATA[CERITA LOKE NGGERANG SEBAGAI REPRESENTASI SEJARAH POLITIK DI FLORES BARAT NUSA TENGGARA TIMUR ]]>
<![CDATA[Ans Prawati Yuliantari]]>
<![CDATA[ UNEJ e-Proceeding 2020: E-PROSIDING SEMINAR NASIONAL PEKAN CHAIRIL ANWAR ]]>
Publisher : <![CDATA[UPT Penerbitan Universitas Jember ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
<![CDATA[Tujuan penulisan artikel ini adalah menunjukkan bahwa cerita rakyat Loke Nggerang dalam masyarakat Manggarai merupakan representasi dari konstelasi kekuatan-kekuatan politik yang ada di wilayah Flores Barat. Simbolisme yang ditunjukkan dalam cerita rakyat itu mewakili kekuatan yang menguasai wilayah Manggarai, yaitu Bima dan Makassar beserta kerajaan-kerajaan lokal yang berada di bawah pengaruhnya. Pendekatan sejarah dan antropologi dipergunakan untuk menjawab dua persoalan dalam artikel ini, yaitu bagaimana sejarah politik di Manggarai direpresentasikan dalam cerita Loke Nggerang? Mengapa sejarah politik dalam masyarakat Manggarai direpresentasikan melalui cerita rakyat? Hasil kajian menunjukkan bahwa tradisi lisan dalam bentuk cerita rakyat dapat dipergunakan sebagai alat untuk menyampaikan sejarah suatu wilayah. Ketiadaan tradisi tulis menyebabkan masyarakat Flores Barat menggunakan cerita-cerita rakyat untuk mencatat peristiwa-peristiwa penting yang terjadi dalam masyarakatnya sebagai upaya menurunkan kisah itu kepada generasi selanjutnya. Simbol-simbol dalam cerita Loke Nggerang menampilkan kekuatan-kekuatan politik yang berebut pengaruh, akibat, dan pandangan orang Manggarai terhadap pengaruh luar di wilayahnya. Kata kunci: Loke Nggerang, Manggarai, representasi, sejarah politik]]>
<![CDATA[Manggaraian People's Perspective on Migration: A Study of Popular Manggaraian Songs' Lyrics ]]>
<![CDATA[Ans Prawati Yuliantari]]>;
<![CDATA[Yohanes S. Lon]]>;
<![CDATA[Fransiska Widyawati]]>
<![CDATA[ MOZAIK HUMANIORA Vol. 20 No. 1 (2020): MOZAIK HUMANIORA VOL. 20 NO. 1 ]]>
Publisher : <![CDATA[Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/mozaik.v20i1.15681
<![CDATA[Migration is one of important issues in the Manggaraians' life. Their migration from Manggarai to various regions in Indonesia has made subtantial impacts on Manggaraian society. Over a long period of time, they have transformed from an agrarian society into an industrial society. This socioeconomic shift has become one of recurrent themes in Manggaraian popular songs. Two of the songs featuring this theme are “Lelak Loce Renda” written by Felix Edon and “Hemong Beo” written by Yasintus S.A. Jaar. Two questions that the present study intends to answer are, what factors encourage Manggaraian people to migrate out of their home region according to the lyrics of the abovementioned two songs? and how do they perceive migration as part of their socioculturalral realities? The answers to these questions are developed using a sociocultural perspective based on a theoretical concept posited by Everett E.Lee named pull and push factors. The study has led to the conclusion that the factors that has motivated the Manggaraians to migrate out of their home region thus far can be grouped into "push" factors and "pull" factors. The greatest push factor is found in a Manggaraian cultural value called goet-goet because of which they see migrating for better future is a respectable decision. The greatest pull factor is the expectation that the places to which they want to migrate offer more economic opportunities than those available in their hometown or home villages.]]>
<![CDATA[MIGRATION AND THE MAGGARAIANS CULTURAL IDENTITY AS REPRESENTED IN MAGGARAIAN RAP SONGS ]]>
<![CDATA[Ans Prawati Yuliantari]]>
<![CDATA[ International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020 ]]>
Publisher : <![CDATA[Sanata Dharma University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.24071/ijhs.v3i2.2195
<![CDATA[One significant factor that has brought the Manggaraians into contact with many people from various cultures outside their place of origin is migration. Their awareness of the importance of preserving and retaining their cultural identity is growing once they experience intercultural interactions. Rap songs have become one of the means by which they observe migration and cultural identity closer as important phenomena in their life. The present article studies these phenomena in Manggaraian rap songs. For this purpose, the concept of rural idyll suggested by Marc Mormont is used to understand the Manggaraians perspective on their home region, and the concept of identity as defined by Stuart Hall is used to examine the way the Manggaraians construe their cultural identity. This study is focused on 30 Manggaraian rap song that feature migration and Manggaraian cultural identity as the themes of the lyrics. The study has led to the insight that the main reasons that motivate the Manggaraians to migrate are their desires to continue their education, find better livelihood, gain new experiences in foreign regions and look for better accesses and facilities that are unavailable in their home region to achieve their goals. The experience of living among people from many different cultures in foreign regions confront them with the need to maintain their cultural identity and contact with their home region. To fulfill this need they make attempts of revitalizing Manggaraian traditional values that they are familiar with throughout their growing-up years in Manggarai.]]>
