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Sarrohmahniyati, Sarrohmahniyati
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Semantic Error Analysis in English Oral Presentation Pramesti, Rahmadini Windy; Putra, Aidil Syah; Iffah, Ida Farhatul; Sarrohmahniyati, Sarrohmahniyati
Dinamika Bahasa dan Budaya Vol 19 No 2 (2024): DINAMIKA BAHASA DAN BUDAYA
Publisher : Universitas Stikubank (UNISBANK) Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35315/bb.v19i2.9880

Abstract

This study aims to analyze the oral semantic errors made by students during their English oral presentations and to classify these errors according to the categories defined by Al-Shormani and Al-Sohbani's (2012), adapted from James' (1998) error classification theory. This study uses qualitative descriptive analysis method. The study’s population consisted of approximately 50 6th-semester English Education students at Universitas Muhammadiyah Tangerang, with a sample size of 14 students from class 6A1, who were scheduled to perform their oral presentation. The data collection techniques used are observation and documentation. Data analysis involves several steps: identifying semantic errors, categorizing the collected semantic error, describing the corrected versions of these semantic errors, and concluding with a descriptive analysis of the semantic errors. The findings of this study found that among the fifteen semantic errors found in students’ oral presentations, lexical choice errors were the most frequent, totaling 8 errors (53%). Collocation and formal misformation had the lowest occurrence, each with only 1 error (7%). Additionally, lexical-grammatical choice errors accounted for 3 instances (20%), while formal misselection accounted for 2 errors (13%) in the study. Keywords: oral presentation, semantic, semantic error
CODE MIXING AND CODE-SWITCHING FOUND IN CINTA LAURA KIEHL'S SELECTED SONGS Pasaribu, Cintana Marito; Dianti, Hilmina Rahma; Iffah, Ida Farhatul; Putri, Intan Cahyani; Sarrohmahniyati, Sarrohmahniyati; Nargis, Nargis
VARIABLE RESEARCH JOURNAL Vol. 2 No. 01 (2025): JANUARI 2025
Publisher : Media Inovasi Pendidikan dan Publikasi

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Abstract

This research analyzes the use of code-mixing and code-switching in selected song lyrics by Cinta Laura Kiehl. The research aims to identify the types of code-mixing and code-switching that appear in five selected songs: "You Say Aq," "Can't Live," "Have Some Fun," "We Can Do It," and "Let Me Go," and to analyze how these linguistic phenomena are used. This research employs a descriptive qualitative method by analyzing song lyrics based on Hoffman's (1991), theory of code-mixing and Poplack's (1980), theory of code-switching. Data validity is ensured through source triangulation and peer debriefing. The research results show 12 data points consisting of 3 external code-switching data and 9 outer code-mixing data. No internal code-switching or inner code-mixing was found in the five songs. The phenomena of code-mixing and code-switching occur between Indonesian and English or vice versa. This research provides insights into how both linguistic phenomena are used as creative strategies in contemporary Indonesian pop music.
Foreignization and domestication in translating Louise Glück’s poems: An ideological analysis Sarrohmahniyati, Sarrohmahniyati; Putra, Aidil Syah; Sutikno, Eka Ugi
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 12 No. 1 (2026): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v12i1.41906

Abstract

This study examines how translation techniques interact with ideological orientation in the Indonesian rendering of selected poems from Firstborn by Louise Glück. It integrates Lawrence Venuti's concepts of foreignization and domestication with the taxonomy of translation techniques proposed by Lucía Molina and Amparo Hurtado Albir. Adopting a qualitative design grounded in comparative textual analysis, the dataset comprises 21 translation units drawn from five poems, along with their Indonesian versions published on Buruan.co. The findings indicate that literal translation and borrowing tend to align with a foreignizing orientation, as they preserve stylistic features and cultural markers of the source text. In contrast, techniques such as adaptation, modulation, amplification, reduction, and transposition are more closely associated with domestication, facilitating readability and cultural accessibility for the target audience. Overall, the distribution reflects a relatively balanced pattern, though it leans slightly toward domestication, particularly in instances where semantic clarity and reader comprehension are prioritized. By grounding ideological tendencies in observable textual evidence, this study contributes to translation studies by linking macro-level theoretical constructs (ideologies) with micro-level analytical practice (techniques). It also provides practical insights for translators seeking to negotiate the tension between aesthetic fidelity and readability in the translation of contemporary poetry.
Co-Authors Aidil Syah Putra Dianti, Hilmina Rahma Eka Ugi Sutikno, Eka Ugi Iffah, Ida Farhatul Nargis, Nargis PASARIBU, CINTANA MARITO Pramesti, Rahmadini Windy Putri, Intan Cahyani