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All Journal Melintas An International Journal of Philosophy and Religion Jurnal Dekonstruksi Sapientia Humana : Jurnal Sosial Humaniora Mamangan Social Science Journal Jurnal Pembumian Pancasila : Mewujudkan TRISAKTI sebagai Pedoman Amanat Penderitaan Rakyat SUBAKTYA, Unpar Community Service Journal
Simanjuntak, Mardohar Batu Bornok
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Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Mengangkat Pewacanaan Nasionalisme, Pancasila, dan Seni Simanjuntak, Mardohar Batu Bornok; Bolo, Andreas Doweng; Sirait, Asnita
SUBAKTYA: UNPAR COMMUNITY SERVICE JOURNAL Vol. 1 No. 1 (2024): (JULI 2024) SUBAKTYA: UNPAR Community Service Journal
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/sucsj.v1i1.7928.9-19

Abstract

Pengabdian yang menyasar para seniman muda ini dimaksudkan untuk memperkuat landasan ideologis mereka dengan cara menanamkan Pancasila sebagai sebuah ideologi yang kokoh dalam bernegara. Penanaman ideologi ini dilakukan dengan tiga tema yang semuanya membentuk satu kesatuan: bagaimana prinsip Pancasila berperan dalam mengobati luka sejarah, bagaimana menerapkan gagasan besar Pancasila dalam kehidupan sehari-hari lewat aktivitas yang berdampak pada masyarakat luas, dan terakhir bagaimana Pancasila dapat kita pergunakan untuk menafsirkan ulang makna kepahlawanan. Ketiga tema tersebut diberikan lewat seminar daring (webinar) yang dilakukan dengan cara mengundang ketua-ketua komunitas seniman muda atau perwakilannya. Kegiatan yang berlangsung dari bulan September hingga November 2020 ini melibatkan lima orang pakar, tiga orang dari Fakultas Seni Rupa dan Desain Institut Teknologi Bandung (FSRD-ITB), satu orang dari galeri seni WOT BATU, dan satu orang dari Institut Seni Indonesia Padangpanjang (ISI Padangpanjang). Dari pengabdian ini dapat disimpulkan bahwa para seniman yang aktif di dunia seni di Indonesia memiliki kepedulian yang mendalam tentang urgensi Pancasila dalam kaitannya dengan rasa nasionalisme bangsa ini. Dengan kata lain, integrasi Pancasila bukan hanya sebuah kewajaran, melainkan sebuah keharusan.
The Ethics of Transhumanism from the Perspective of Gilbert Ryle Monist Ethics: Ambiguities and Prospects Simanjuntak, Mardohar Batu Bornok; Doweng Bolo, Andreas; Loho, Ambrosius Markus
Sapientia Humana: Jurnal Sosial Humaniora Vol 3 No 02 (2023): Vol 3 No 02 (2023)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/jsh.v3i02.6940

Abstract

Transhumanism attempts to overcome human limitations through the use of technology, such as nanotechnology, artificial intelligence, and genetic modifications. In the monist ethical perspective, humans are considered complex material entities, and consciousness is understood as a product of the physical and chemical interactions in the brain with various other parts of the body. The problem is that with such artificial revolutions, ethical foundations based on corporeal limitations become irrelevant. Gilbert Ryle questions Platonistic dispositions that overly rely on reduction with the consequence of extractive knowledge rather than abstract knowledge. Plato's line of thought is then strengthened by Cartesian dualism, which, when applied in a monist perspective, can be reduced to an extraction of brain performance. Ryle proposes an abstraction that allows for the interaction between elements to form a unified understanding of the complex. Based on Ryle's thinking, a study of monist ethics can offer a thoughtful approach to constructing an ethical framework that aligns with the transhumanist era's revolution.
Memikirkan Ulang Fondasi Definitif Filosofis dari Fotografi Doweng Bolo, Andreas; Simanjuntak, Mardohar Batu Bornok
Sapientia Humana: Jurnal Sosial Humaniora Vol 4 No 01 (2024): Vol 4 No 01 (2024)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/jsh.v4i01.7542

Abstract

This text discusses the problematic nature of photography since its inception. This disposition arises because photography is a manifestation of the dualistic thinking pattern matured by René Descartes and radicalized by Immanuel Kant. Photography, which began in the 19th century, was analog and relied on the permanent traces of time caused by chemical reactions. The strong claim of photography against the singularity of artistic work positions it as a threat to the value of art on one hand, while on the other, photography opens up various new approaches to artistic expression. Around 150 years after its birth, photography faced a serious challenge: even with digital technology, which eliminates the permanence of time traces, photography was considered "dead." This perceived death of photography led to ideological approaches viewing the existence of photography as post-medium discourse. By examining the development of major literature during the transition from analog to digital photography, this ideological approach further guides the discourse on photography as a metatheoretical and paradigmatic area. By shedding temporal elements, the discourse on photography moves more agilely within the framework of complex material monism—becoming a way of existing in a non-dualistic knowledge structure.
Co-Authors Andreas Doweng Bolo Kairupan, Melvyn Zaafir Loho, Ambrosius Markus Masmuni Mahatma Nugraheni, Ester Oka P Moeliono, Tristam Seva, Kristining sirait, asnita Tristam P. Moeliono