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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK)
Asfar Muniir
Program Studi Pendidikan Seni Pertunjukan FKIP Untan Pontianak
Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Mathematics Other

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KAJIAN MUSIKOLOGI RAGAM POLA TABUHAN TRADISIONAL TAR DI KELURAHAN SUNGAI JAWI DALAM KOTA PONTIANAK Angga Khasbullah; Ismunandar Ismunandar; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 3 (2019): Maret 2019
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (940.247 KB) | DOI: 10.26418/jppk.v8i3.32309

Abstract

AbstractThe background of this research way there are so many pattern tradisionaltar in Kelurahan Sungai Jawi Dalam Kota Pontianak which is not written yet in the west notation. There is uniqueness in that pattern of traditional percussion instrument whether it is musical aspect in terms of the textual or arts performance aspect in terms of the contextual. The problem of this research is the technique of how to play “tar” and how the pattern of traditional percussion instrument in Pontianak city.The method of this research way descriptive with qualitative method and musicology approach. The resource data of this research way the informant who knows and understandsabout every kind of pattern of traditional percussion instrumentin Kelurahan Sungai Jawi Dalam Kota Pontianak.The data collection technique of this research is observation, interview, and documentations.The result  this research way there are twenty pattern of traditional percussion of tar in Kelurahan Sungai JawiDalam Kota Pontianak that is used to escort the art of Hadrah which consist of three stages; they are Gencat, Terosan, and Marade. This research is to describe each of the kind of pattern of traditional percussion which has the design  percussion pattern that is shaped by the literal repeating. Keywords: Pattern of Traditional Percussion Instrument, Tar, Hadrah
MAKNA SIMBOL BUSANA TARI PENYAMBUTAN PENGANTIN DAYAK TAMAN DI KABUPATEN KAPUAS HULU KALIMANTAN BARAT Gabriella Rami; Imma Fretisari; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 1 (2020): Januari 2020
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (569.282 KB) | DOI: 10.26418/jppk.v9i1.38503

Abstract

AbstractThis research aims to describe the meaning symbols of Penyambutan Pengantin dayak Taman dance costume in Kapuas Hulu. The research focused issues related to meaning symbols about color, motifs, and forms in the dance costume of Penyambutan Pengantin Dayak Taman Kabupaten Kapuas Hulu.Method used was a description with a qualitative form, the approach used is semiotics. The sources data in this research were the results of interview, firld notes and documentation with the speakers, namely Eugene Yohanes, Yuliana Langki, and Yakoba. Validity data testing technique used was source triangulation. The data analysis techniques used in this research are the sistematic compiling and analyzing. The results from this research was a Batang lalo that has the meaning symbols of gathering of men and women in a marriage that is a complete and unbroken and also as a symbol of fertility and a prayer for the bride and groom’s new life. Motif kaki burung that have the significance of the symbol as a foothold or power to build a home that will have many obstacles in the future that a family must face. The meaning symbol of the colored in dance costume was a cycle of human life. Keywords: The Meaning of The Symbol, Penyambutan Pengantin Dayak Taman Dance Costume
Co-Authors Agus Syahrani Angga Khasbullah Ciprilia Dian Trismidita Ega Elpasa Gabriella Rami Imam Ghozali Imma Fretisari Ismunandar Ismunandar Mega Diah Rosanti Nabilla Syafani Octaviandri Octaviandri Ogi Nursauri Rahayu Rahayu Regaria Tindarika Rulli Yandi Vrinka Vizura Welli Aprian Yudhistira Oscar Olendo