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Motif dan Kepuasan Mahasiswa dalam Mengapresiasi Jogja-NETPAC Asian Film Festival 2020 melalui Akun Instagram Nala Nandana Undiana; Hery Supiarza; Erik Muhammad Pauhrizi
Sense: Journal of Film and Television Studies Vol 5, No 1 (2022)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sense.v5i1.6966

Penyelenggaraan sebuah festival film lazimnya dilakukan secara langsung. Hal tersebut berkaitan erat dengan faktor – faktor pendukung penyelenggaraan kegiatan tersebut. Terutama hal – hal yang berkaitan dengan program yang akan berlangsung didalamnya, seperti duduk bersama di dalam satu ruangan untuk menyaksikan film – film yang dipilih oleh pihak penyelenggara. Namun hal tersebut harus kita kesampingkan saat ini, mengingat krisis pandemi covid-19. Penelitian ini akan melihat motif serta kepuasan dari pengunjung festival film Jogja-NETPAC Asian Film Festival 2020 yang diselenggarakan dalam jaringan. Metode survey dengan pendekatan uses and gratification akan melihat sejauh mana efektifitas pemanfaatan aplikasi Instagram berkaitan dengan pemenuhan kepuasan serta motif dari pengunjung festival film. Penelitian ini melihat pemanfaatan media sosial dapat menjadi salah satu alternatif penyelenggaraan kegiatan seperti festival film dimasa pandemi covid-19.

Vakansi Yang Janggal Dan Penyakit Lainnya : Semantic And Semiotic Analysis Of The Variety Of Meanings From Film Nanda Maulana; Erik Muhammad Pauhrizi
Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

Semiotics which is a branch of science from semantics which discusses the variety of meanings in language is also closely related to the concept of meaning in a sign or symbol, and in its development, semantics and semiotics are often used in the concept of telling meaning in films, either explicitly or explicitly, in this journal. will analyze the meaning in the film Vacancies That Awkward and Other Diseases directed by Yosep Anggi Noen, through the semantic and semiotic meanings that are implicitly or implicitly used in the film Vacations Yang Odd and Other Diseases, with qualitative research methods, which are the result of observing the works and data observation.

Ciptagelar village identification in the documentary film ''Pare” Hardi Ibrahim; Erik Muhammad Pauhrizi; Gharisa Nur Alam
Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

In Indonesia, rice is one of the main commodities cultivated in the agricultural sector. Rice is also a staple food commodity in Indonesia. Rice also has a vital position in the economic sector, and is the lifeblood of the rural economy. Rice has deep philosophical value for the people of Kasepuhan Ciptagelar, the rice produced by Kasepuhan Ciptagelar cannot be sold. The Kasepuhan Ciptagelar community considers rice to be the embodiment of Dewi Sri, Dewi Sri herself according to the Kasepuhan Ciptagelar community is the giver of life, therefore the customary law of Kasepuhan Ciptagelar prohibits selling rice because selling rice is the same as selling oneself and this is a category of great sin for the Kasepuhan community. Ciptatitle. However, because of their compliance with this customary law, they can meet their food needs independently. This study aims to examine rice culture in the Kasepuhan Ciptagelar community by looking at the causes of the Kasepuhan Ciptagelar community worshiping rice and the consequences of customary law that prohibits the Kasepuhan Ciptagelar community from selling rice and implemented into the design of documentary films. The research approach in this study uses a qualitative research model, using an ethnographic approach then combined with a base research design method as the stage of creating a documentary film. Ethnography aims to unravel culture as a whole, both material and abstract. The results of the study show how the continuity of indigenous peoples in Kasepuhan Ciptagelar is seen from the community's obedience to customary law or carrying out ancestral teachings that regulate rice cultivation until its distribution can meet their food needs. The implications of this research can be a reference for modern society in treating the universe for food security. Keywords — Ciptagelar; Documentary film; Customary law; Food security; Culture

Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts Dedi - Warsana; Hery - Supiarza; Erik Muhammad Pauhrizi; Irwan Sarbeni
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4412

This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating theatrical performances. The creation process went through collaborative learning from research on cities, script writing, to creation of works, while Dramaturgy is placed as a theoretical approach in theater creation. This research is an effort to provide empirical experience to students in creating teamwork as a basis for film and television work patterns. This study uses a participatory action research method where the author is involved in all actions taken by film and television (FTV) students. This study found that through project: 1) students gain an understanding of dramaturgy as a science of analyzing drama with all kinds of derivatives related to it, 2) it is more effective to gain empirical experience as a real provision when creating film and Television works, 3) students can create works based on real cases. This research is expected to be able to strengthen KBK in FTV study program and become a treasure trove of intellectual property particularly in Universitas Pendidikan Indonesia and generally become a strategy for developing dramaturgy learning for Indonesia Society

FILSAFAH KEHIDUPAN TRITANGTU SUNDA DALAM FILM EKSPERIMENTAL ADAT “GAME OVER DRAMA” Wiki Riandi; Sandie Gunara; Erik Muhammad Pauhrizi
Jurnal Adat dan Budaya Indonesia Vol. 5 No. 1 (2023)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jabi.v5i1.52492

Creating an art work is a creative process of thinking and emotion in a practical and intuitive performance. Personal coding of the author in the creation of experimental film often leads to new interpretations. The empirical experience of tradition underlies the idea of creating a notable work. Sundanese Tritangtu philosophy, a tradition of the Sundanese, contributes to the formation of sundanese's creativity in working and understanding life. In this study, an experimental film entitled "Game over Drama" was interpreted heurmeneuticly with the concept of Tritangtu with the aim of making a systematic, factual visual description, and raising awareness of the Sundanese about the relationship between humans, nature and their gods. The analysis focused on the film visual content to reveal the Sundanese Tritangtu philosophy. The results of this study reveal that the Sundanese always consider that their lives will always depend on nature and their Creator and believe that their bodies are composed of elements of water, earth, air and fire which are natural elements. This view is a relationship manifestation between the Sundanese and the universe as well as a representation of the characters contained in their bodies. This research is expected to be a reference for exploring the values of local wisdom for filmmakers who try to raise local wisdom through experimental films.

Merancang Treatment Film “Sang Seniman” melalui Paradigma Estetika (Aesthesis) Dekolonial pauhrizi, erik muhammad
IRAMA Vol 2, No 1 (2020): February
Publisher : Universitas Pendidikan Indonesia

Sebagai salah satu produk kebudayaan popular, terdapat potensi gambar bergerak atau film yang bisa dihasilkan dari sebuah konten keberlanjutan sejarah masyarakat sebelum dilakukannya invasi dan kontekstual hidup paska kemerdekaan, dengan membangun pengetahuan dan subjektifitas lokal yang bisa membentuk khasanah estetika sinema lokal Indonesia. Indonesia memiliki beragam tradisi tutur gambar dari 1.128 adat. Namun perkembangan tradisi tersebut terputus akibat panjangnya kolonialisme dan berkembangnya medium-medium visual modern saat ini. Menurut data statistik Pemandangan Umum Industri Film Indonesia 2019 kebergaman konten yang masih diartikan secara sempit yaitu genre, lewat pendekatan narasi sinema mainstream Hollywood. Sinema Negara Ketiga adalah sebuah opsi metode untuk mengadaptasi ekspresi gambar lokal dalam menyampaikan situasi mengenai masyarakat pribumi yang berkembang dari pengalaman kolonialisme paska negara-negara terbentuk. Berdasarkan permasalah tersebut, peneliti merancang sebuah proses berpikir estetika dekolonial, untuk mengekplorasi dan bereksperimentasi ruang berpikir estetika dan bahasa rupa gambar bergerak Indonesia. Metodologi yang digunakan dalam penelitian ini menggunakan pendekatan teori-teori kontekstual paskakolonialisme, eksistensialisme, dan absurdisme dan Teater Absurd nya Samuel Beckett.

Digital Conflict Experimentation: Strategies for Film/Video Art-Making Practise in Educational Fields Pauhrizi, Erik Muhammad; Erika Ernawan; Dedi Warsana; Danendra Alfathadiningrat
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5603

This research describes strategies in experimental film studio space, with a subjective creation process approach through the management of personal experiences of digital trauma conflicts of students of the internet user generation. The formulation of this research questions the ability of practical studio space to become a bridge of expression. This research aims to obtain the perspective of the psychological state built from the condition of trauma towards the selection of the visual language. Participatory Action Research (PAR) is conducted by reviewing and analyzing comprehensively so that all data in this study can be accounted for. The results showed that most of the students were able to recognize and manage their conflicts without being burdened by the standards of Blockbuster cinema or High Art to be empowered with creative ideas and works. In the context of self, they are able to increase their confidence as artists or academic filmmakers. This research implies that it can serve as a basis for shaping new knowledge, skills and attitudes towards the emergence of other methods of expression of film or video art creation in the future. Keywords: education; digital conflict; experimental film; video art; engaged art.

Integrasi Pendekatan Teater dalam Pembelajaran Seni Pemeranan untuk Mahasiswa Film: Studi Kasus pada Metode Stanislavsky dan Games and Exercise Warsana, Dedi; Pauhrizi, Erik Muhammad
Dance and Theatre Review Vol 7, No 2: November 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v7i2.13905

Penelitian ini mengkaji penerapan pendekatan teater dalam pembelajaran seni pemeranan untuk mahasiswa film, khususnya dengan mengadopsi metode Stanislavsky dan Augusto Boal. Fokus penelitian adalah pada efektivitas metode memori emosional (emotional memory) dari Stanislavsky dengan pendekatan games and exercise dalam membantu mahasiswa memahami karakter peran mereka, serta bagaimana integrasi latihan teater dan film dapat meningkatkan kualitas performa dalam produksi film. Penelitian ini juga mengeksplorasi pengaruh latihan intensif terhadap kesiapan aktor dan hasil akhir teater dan film, dengan tujuan memberikan kontribusi terhadap pengembangan kurikulum pendidikan film serta model pembelajaran seni pemeranan yang lebih komprehensif dan aplikatif, dengan menekankan pentingnya seni pemeranan sebagai bagian integral dari proses produksi film.

Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts Warsana, Dedi -; Supiarza, Hery -; Pauhrizi, Erik Muhammad; Sarbeni, Irwan
Gelar: Jurnal Seni Budaya Vol. 20 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4412

This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating theatrical performances. The creation process went through collaborative learning from research on cities, script writing, to creation of works, while Dramaturgy is placed as a theoretical approach in theater creation. This research is an effort to provide empirical experience to students in creating teamwork as a basis for film and television work patterns. This study uses a participatory action research method where the author is involved in all actions taken by film and television (FTV) students. This study found that through project: 1) students gain an understanding of dramaturgy as a science of analyzing drama with all kinds of derivatives related to it, 2) it is more effective to gain empirical experience as a real provision when creating film and Television works, 3) students can create works based on real cases. This research is expected to be able to strengthen KBK in FTV study program and become a treasure trove of intellectual property particularly in Universitas Pendidikan Indonesia and generally become a strategy for developing dramaturgy learning for Indonesia Society

The traumatized body and the camera lens: Reading WATI in the context of female cinematography Desyukra, Joyandi; Pauhrizi, Erik Muhammad; Warsana, Dedi
Imaji: Jurnal Seni dan Pendidikan Seni Vol. 23 No. 2 (2025): October
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v23i2.89810

This study investigates how cinematography, informed by the female gaze, functions as a medium for articulating women's trauma in the context of domestic violence, as exemplified by the short film WATI. The research utilizes a practice-based methodology, positioning the film creation process as the primary data source. The analysis centers on key still photographs, applying a descriptive-reflective approach to examine framing, lighting, blocking, and body gestures. Findings reveal that extended close-ups and asymmetrical framing foreground Wati’s body as a locus of internal experience, while low-key and underlighting accentuate the psychological dimensions of trauma. Restrictive domestic compositions and passive gestures, such as silent submission, subtly communicate resistance. The faint smile in the after-credit scene operates as a mask of trauma, inviting viewers to engage with the character’s internal wounds. Collectively, WATI advances the discourse on the female gaze by rejecting objectification and presenting the female body as a site of tension among wounds, resignation, and defiance.

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