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Pentingnya Safety Riding Dalam Keselamatan Relawan Escorting Ambulans Ahmad, Rifqi Fauzi; Tjahjodiningrat, Harry; Warsana, Dedi
Jurnal Keselamatan Transportasi Jalan (Indonesian Journal of Road Safety) Vol. 10 No. 2 (2023): JURNAL KESELAMATAN TRANSPORTASI JALAN (INDONESIAN JOURNAL OF ROAD SAFETY)
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46447/ktj.v10i2.567

Medical treatment for the community needs to be carried out quickly and immediately. For this reason, safety riding is knowledge that needs to be understood by volunteers accompanying ambulances in ensuring quick medical treatment to their destination and safety for these volunteers in accompanying ambulances in carrying out their duties. This research aims to determine the importance of understanding ambulance escort volunteers regarding safety riding in accompanying ambulances in carrying out their duties. The method in this research was carried out using a descriptive qualitative method using a qualitative ethnographic approach. Data was collected through an interview process with the ambulance escorting volunteer community in Greater Bandung. The research results show that awareness of the importance of driving safety among ambulance escorting volunteers is very high. Factors such as defensive driving skills, use of protective equipment, and compliance with traffic laws have a direct impact on the success of an emergency medical mission. Ambulance escort volunteers' practice and understanding of safe driving methods tends to respond to emergency situations more effectively and safely. Keywords: Safety Riding, medical, Voulenteers, Escorting Ambulance

Menengok Bringbrung, Seni Tradisi Terebang Di Cidadap Ledeng warsana, dedi
IRAMA Vol 2, No 2 (2020): August
Publisher : Universitas Pendidikan Indonesia

Bringbrung merupakan salah satu bentuk Seni tradisional atau buhun yang berada di Kelurahan Ledeng Kecamatan Cidadap Kotamadya Bandung. Tradisi seni Bringbrung ini bersifat turun temurun dari satu generasi ke generasi lainnya. Seni ini lahir tidak lepas dari pengaruh kebudayaan Islam, hal ini sejalan dengan penduduk Cidadap yang mayoritas beragama Islam (muslim). Para pelakunya menyakini bahwa Bringbrung merupakan seni para sesepuh zaman dahulu yang merupakan hasil pengembangan dari Seni Terebang yang pada awalnya berfungsi sebagai media penyebaran agama Islam. Mengenai asal muasal sejak kapan Seni Terebang ini muncul masih belum diketahui secara pasti. Namun menurut beberapa informasi seni Terebang dibawa Mubaligh atau Kyai yang berasal dari Cirebon untuk menyiarkan agama Islam ke daerah Bandung menggunakan metode dakwah melalui pendekatan kesenian dengan membawa alat musik Terebang (sejenis rebana) yang dikenal dengan sebutan Seni Terebang. Cara dakwah seperti ini ternyata mudah diterima oleh masyarakat pada saat itu.

The traumatized body and the camera lens: Reading WATI in the context of female cinematography Desyukra, Joyandi; Pauhrizi, Erik Muhammad; Warsana, Dedi
Imaji: Jurnal Seni dan Pendidikan Seni Vol. 23 No. 2 (2025): October
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v23i2.89810

This study investigates how cinematography, informed by the female gaze, functions as a medium for articulating women's trauma in the context of domestic violence, as exemplified by the short film WATI. The research utilizes a practice-based methodology, positioning the film creation process as the primary data source. The analysis centers on key still photographs, applying a descriptive-reflective approach to examine framing, lighting, blocking, and body gestures. Findings reveal that extended close-ups and asymmetrical framing foreground Wati’s body as a locus of internal experience, while low-key and underlighting accentuate the psychological dimensions of trauma. Restrictive domestic compositions and passive gestures, such as silent submission, subtly communicate resistance. The faint smile in the after-credit scene operates as a mask of trauma, inviting viewers to engage with the character’s internal wounds. Collectively, WATI advances the discourse on the female gaze by rejecting objectification and presenting the female body as a site of tension among wounds, resignation, and defiance.

Identitas Cina Benteng di Antara Cina Indonesia Lainnya dari Sisi Sosial dan Budaya Muhammad, Rival; Pauhrizi, Erik Muhammad; Warsana, Dedi
Khasanah Ilmu - Jurnal Pariwisata Dan Budaya Vol 14, No 2 (2023): Jurnal Khasanah Ilmu - September 2023
Publisher : Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/khi.v14i2.15015

Penelitian ini mendeskripsikan identitas Cina Benteng di antara orang-orang Cina di Indonesia pada umumnya. Mulai abad ke-16 Orang-orang Tiongkok/Cina mulai bermigrasi ke Indonesia dengan berbagai tujuan, mulai dari ekspedisi militer, mencari ilmu dan mencari rempah-rempah. Pengaruh kedatangan bangsa Cina ke Indonesia memberikan dampak yang cukup besar. Orang keturunan Cina bagi bangsa pribumi dipandang sebagai orang-orang yang mendominasi dalam sektor ekonomi. Etnis Tiongkok umumnya dipandang sebagai golongan kelas atas yang berperawakan putih dan sipit sehingga dominasi dalam bidang ekonomi ini selalu dikaitkan dengan berbagai peristiwa politik yang menciptakan sejarah rasisme di Indonesia. Penelitian ini menampilkan sisi lain dari bangsa keturunan cina yang ada di Cina banteng sebagai antithesis dari pandangan tersebut. Tujuan penelitian ini adalah menyoroti eksistensi Cina Benteng yang hasil akhirnya dijadikan film dokumenter dengan judul “Membelah Benteng”. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan deskriptif, dan data didapatkan melalui observasi, wawancara dan studi dokumentasi. Penelitian ini menemukan bahwa Cina Benteng: 1) secara fisik berbeda dengan orang Cina pada umumnya, 2) secara bahasa mereka tidak bisa berbahasa Cina, 3) dari faktor ekonomi mereka termasuk golongan menengah ke bawah. Implikasi penelitian ini sebagai data utama dalam pembuatan film dokumenter berjudul: Membelah Benteng.

Pentingnya Safety Riding Dalam Keselamatan Relawan Escorting Ambulans Ahmad, Rifqi Fauzi; Tjahjodiningrat, Harry; Warsana, Dedi
Jurnal Keselamatan Transportasi Jalan (Indonesian Journal of Road Safety) Vol. 10 No. 2 (2023): JURNAL KESELAMATAN TRANSPORTASI JALAN (INDONESIAN JOURNAL OF ROAD SAFETY)
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46447/ktj.v10i2.567

Medical treatment for the community needs to be carried out quickly and immediately. For this reason, safety riding is knowledge that needs to be understood by volunteers accompanying ambulances in ensuring quick medical treatment to their destination and safety for these volunteers in accompanying ambulances in carrying out their duties. This research aims to determine the importance of understanding ambulance escort volunteers regarding safety riding in accompanying ambulances in carrying out their duties. The method in this research was carried out using a descriptive qualitative method using a qualitative ethnographic approach. Data was collected through an interview process with the ambulance escorting volunteer community in Greater Bandung. The research results show that awareness of the importance of driving safety among ambulance escorting volunteers is very high. Factors such as defensive driving skills, use of protective equipment, and compliance with traffic laws have a direct impact on the success of an emergency medical mission. Ambulance escort volunteers' practice and understanding of safe driving methods tends to respond to emergency situations more effectively and safely. Keywords: Safety Riding, medical, Voulenteers, Escorting Ambulance

Crossing the Boundaries of Film Aesthetics: Challenging Avant-Garde Practices and Contemporary Cinema Exhibitions in Indonesia Pauhrizi, Erik Muhammad; Ernawan, Erika; Warsana, Dedi; Soetedja, Zakarias S.; Utama, Rizki Resa; Alfathadiningrat, Danendra
Harmonia: Journal of Arts Research and Education Vol. 25 No. 2 (2025): December 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v25i2.15829

This study investigates the impact of avant-garde cinema in redefining Indonesian film aesthetics, focusing on its role in challenging dominant cultural and technological narratives in the digital era. Presented at the Cine Future: Radical Cinema on Future Perspective exhibition, the research identifies a critical gap in mainstream cinema’s limited engagement with narratives evolving alongside rapid advancements in projection technology and digital reproduction. The study is anchored in the experimental works of film students from Universitas Pendidikan Indonesia’s Film and Television Study Program, showcased in the Cine Future exhibition, which exemplifies avant-garde cinema’s potential to reinterpret traditional narratives. With the Practice-led Research methodology, this research integrates artistic practice with critical analysis, allowing student filmmakers to explore the complexities of the digital age through creative expression. Findings indicate that avant-garde cinema enables the construction of new, culturally rooted narratives by merging historical aesthetics with modern technology, providing students with a framework for critiquing and interpreting social realities. This research contributes to broader discussions on avant-garde cinema’s relevance in academic and creative fields. It demonstrates its significance in fostering critical dialogue and evolving cinema as a dynamic medium for cultural reflection. The study underscores the value of incorporating avant-garde methods within film education to prepare students for a rapidly changing cinematic landscape.

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