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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Nuansa Journal of Arts and Design Gondang: Jurnal Seni dan Budaya Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Lakon Jurnal Pengkajian & Penciptaan Wayang Visual Heritage: Jurnal Kreasi Seni dan Budaya Jurnal bahasa, sastra, seni, dan pengajarannya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Santoso, Iwan Budi
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Pelatihan Sound System Bagi Anggota Sanggar Kandang Seni Jabung Magetan Santoso, Iwan Budi; Purnomo, Wahyu
Abdi Seni Vol. 14 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i1.5082

Abstract

The artwork community service program was carried out at the Kandang Seni Jabung studio, Jabung Village, Panekan District, Magetan Regency, in the form of workshops/training activities on the use of a sound system to create an album of Jaranan Art Accompaniment Music (Reog) in Magetan Style. Workshops/training activities at the Kandang Seni Jabung art studio use the lecture method and practices of operating sound system equipment. The final result of this artwork community service is to create reliable artists and/or sound-engineer artists to make the music album of the Jaranan Art Accompaniment (Reog) Magetan Style. On the other hand, artists can record and produce music albums. They can also become sound engineers in amplifying the sound of musical performances or other arts that use elements of sounds. 
PERANAN SOUND SYSTEM TERHADAP ESTETIKA PERTUNJUKAN WAYANG KULIT PURWA: STUDI KASUS PERGELARAN WAYANG KI PURBO ASMORO Finarno, Hannova Aji; Santoso, Iwan Budi
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

This study examines the role and influence of the sound system in Ki Purbo Asmoro’s ancient shadow puppet performance. Research studies answer three basic questions as the formulation of research problems, namely (1) How the concept of sound in the wayang purwa performance? (2) What are the sound system devices for amplification and how is it applied in wayang purwa performances? and (3) What is the role and function of using a sound system in a puppet show? prototype? This type of research uses a qualitative descriptive approach, with data collection through interview with resource persons, literature study and observation. Results Research shows that the use of sound system technology in performances wayang purwa with the puppeteer Ki Purbo Asmoro not only for the sake of amplify sound. Utilization by means of microphones, audio mixers and equalizer is done to amplify the sound. Sound reinforcement in the sense of wayang performances don’t have to be loud, but the strength of the sound can mean sound clear and/or clear sound.
Kajian Fungsi Nyanyian Kawen dalam Upacara En Heser di Desa Aitoun Kecamatan Raihat Kabupaten Belu Nusa Tenggara Timur Fouk, Agustina Yuliani; Santoso, Iwan Budi
PROMUSIKA Vol 13, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

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Abstract

Penelitian ini mengeksplorasi peran nyanyian kawen dalam upacara En Heser di Desa Aitoun, Kecamatan Raihat, Kabupaten Belu, Nusa Tenggara Timur, yang berfungsi sebagai penghormatan kepada yang telah tiada serta sebagai medium untuk memperkuat ikatan sosial dan budaya masyarakat. Metode penelitian yang digunakan dalam studi ini adalah pendekatan etnografi, yang memungkinkan peneliti untuk memahami makna dan fungsi nyanyian kawen dalam kehidupan masyarakat Aitoun secara mendalam. Melalui analisis kualitatif, penelitian ini mengkaji struktur makna lirik dan fungsi nyanyian kawen.  Hal lain yang tidak kalah penting adalah bagaimana partisipasi masyarakat dalam ritual ini menciptakan solidaritas dan kebersamaan di tengah kesedihan. Data dikumpulkan melalui observasi langsung selama upacara, wawancara mendalam dengan tokoh masyarakat, dan analisis dokumentasi terkait tradisi lokal. Dengan demikian kajian data observasi memberikan gambaran menyeluruh tentang konteks sosial dan budaya yang melatarbelakangi praktik ini. Berdasarkan pengamatan interaksi sosial dan partisipasi individu selama upacara En Heser, penelitian ini menemukan bahwa nyanyian kawen tidak hanya berfungsi sebagai ritual penghormatan, tetapi juga sebagai sarana pendidikan yang mengajarkan nilai-nilai budaya kepada generasi muda. Hasil penelitian menunjukkan bahwa nyanyian kawen berperan penting dalam menjaga kesinambungan budaya, memperkuat identitas komunitas, dan menciptakan ruang untuk merayakan kehidupan meskipun dalam suasana duka. Dengan demikian, nyanyian kawen menjadi bagian integral dari warisan budaya yang layak untuk dilestarikan dan dihargai. Study on the Function of Nyayian Kawen in the En Heser Ceremony in Aitoun Village, Raihat District, Belu Regency, East Nusa TenggaraAbstractThis research explores the role of kawen singing in the En Heser ceremony in Aitoun Village, Raihat District, Belu Regency, East Nusa Tenggara. The ceremony serves as a tribute to the deceased and as a way to strengthen social and cultural bonds within the community. The study employs an ethnographic approach, enabling the researcher to gain a profound understanding of the meaning and function of kawen songs in the lives of the Aitoun community. Through qualitative analysis, it examines the structure of wedding songs and their purposes. An equally important aspect is how community participation during the ritual fosters solidarity and togetherness in the midst of grief. Data was gathered through direct observation during the ceremony, in-depth interviews with community leaders, and analysis of documentation related to local traditions. This observational data provides a comprehensive view of the social and cultural context behind the practice. Based on observations of social interactions and individual participation during the En Heser ceremony, the study found that kawen songs serve not only as a mark of respect but also as an educational tool that imparts cultural values to the younger generation. The findings show that kawen songs are vital in preserving cultural continuity, reinforcing community identity, and creating a space to celebrate life even in times of sorrow. Therefore, kawen songs are an essential part of cultural heritage that deserve preservation and appreciation.Keywords: En Heser; Songs; Kawen; Holon
BENTUK DAN PERUBAHAN FUNGSI MUSIK KONGKIL DI DESA BUNGKAL KABUPATEN PONOROGO Rahayuningsih, Bina Kiki; Santoso, Iwan Budi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 1 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i1.3091

Abstract

Kongkil music was created in 1933 by Eyang Toinangun as a means of gathering the people of Bungkal Village as an effort to resist the Dutch invaders. Kongkil music is an ensemble consisting of instruments of kongkil, kedhang, saron, kethuk, kenong, kempul and gong. In the beginning, Kongkil's music brought songs created by its members with the theme of passion-building, because there was no legacy of the old repertoire of the predecessors. There was an innovation in the form of repertoire changes since 1975, namely bringing dolanan gendhing. Around 2000, Kongkil's music was in a vacuum, then it was revived in 2012 with a new repertoire that presented lancaran and langgam gendhing. The research entitled "The Form and Change of Kongkil Music Function in Bungkal Village, Ponorogo Regency" uses the concept of Edy Sedyawati's thought that changes in social structure and values will cause physical changes and the role of art itself in society. It also causes changes in the structure of forms. These changes cannot be avoided if the art is willing to live within the society. This study uses descriptive qualitative analysis methods.  From this study, it found several things related to the Kongkil Martapura music group, including: (1) History and regeneration of the Kongkil Martapura music group, (2) the forms of performances, instruments and repertoires presented, (3) the factors driving changes in function and its impact on intellectuals and contextual.
PERJALANAN TEKNIK REKAMAN STEREOFONIK PADA KARAWITAN JAWA Santoso, Iwan Budi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 2 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i2.3550

Abstract

The touch between karawitan and recording technology produce karawitan recording based on stereophonic forms. Stereophonics is a form of the next generation of monophonics recording. Monophonics has a single-track or single- sound while stereophonics emphasizes two-track recording. The recording technique with stereophonics eventually became the main choice in the development of music recording because it is able to bring the sound of music closer to the original. A stereophonic development for karawitan recording does not eventually begin. It is through the stages of time that finally stereophonic recording technology is used in Javanese karawitan recording.
Digital disruption and Karawitan recordings: Paradigm shifts, aesthetic challenges, and opportunities for cultural preservation Santoso, Iwan Budi; Pujiono, Bagong; Darno, Darno
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
Publisher : citeus

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Abstract

This article explores how digital recording practices, amid contemporary technological transformation, rearticulate the musical meaning of karawitan, reshape listening experience, and reorganize its modes of cultural circulation. The study is situated within broader scholarly debates on digital mediation, particularly concerning the shifting relationship between recorded sound and the socio-spatial and ritual contexts that have historically constituted karawitan performance. Using a descriptive qualitative case-study approach, the research draws on in depth interviews with musicians (pengrawit), scholars, distributors, and listeners, supported by observations of recording environments, patterns of online circulation, archival sources, and indicators of platform based distribution. The findings indicate that the disembedding of sound from live performance settings constrains the transmission of inter-musician interaction, spatial resonance, and ritual presence, while technical standardization in digital production tends to narrow improvisational scope and dynamic responsiveness. Concurrently, the increasing dominance of internet platforms such as YouTube and Spotify substantially broadens access and accelerates global circulation, yet also fosters listening practices oriented toward immediacy and fragmentation. Rather than portraying digitalization as a unidirectional process of cultural loss, this study reveals a structural tension between expanded reach and altered experiential depth, underscoring the need for context-aware recording strategies and digital curation models capable of supporting the sustainable transmission of karawitan in the digital era.
PROSES AMPLIFIKASI GAMELAN JAWA DALAM PERGELARAN KARAWITAN Iwan Budi Santoso
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 15 No. 1 (2015)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v15i1.2027

Abstract

Pergelaran seni merupakan ajang bagi seniman pertunjukan yang dipertontonkan kepada masyarakat untuk mendapatkan apresiasi. Ketika pergelaran seni di hadirkan kepada masyrakat, biasanya selalumelibatkan berbagai unsur pertunjukan. Unsur-unsur tersebut mempunyai peran dan tanggungjawab yang berbeda-beda. Salah satu unsur pertunjukan adalah hadirnya musik sebagai pendukung pertunjukan seni yang lainnya, atau justru musik hadir sebagai konser mandiri. Peran musik dalam pergelaran seni juga membutuhkan peran unsur lainnya. Unsur tesebut adalah kebutuhan akan adanya proses amplifikasi yang digunakan untuk menguatkan bunyi instrumen musik oleh penata suara. Secara khusus pada kasus pertunjukan musik karawitan yang menggunakan gamelan Jawa selalu banyak kekurangan dalam proses amplifikasi. Hal ini karena kurangnya pemahaman terhadap musikkarawitan dengan gamelan Jawa. Jika musik karawitan dapat dipahami oleh para sound engineer, maka pergelaran seni dengan musik gamelan Jawa akan berhasil dengan baik.Kata Kunci: Pergelaran Karawitan, Gamelan Jawa, amplifikasi.
MENGALIR DAN MEMBAUR SEBUAH KARYA AKULTURASI MUSIK MINANGKABAU-JAWA Iwan Budi Santoso; Teti Darlenis; Dana Adi Arya Pradipta
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 1 (2023)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i1.4570

Abstract

Artistic Research (Art Creation) entitled Flowing and Blending was inspired by the movement and/or migration of Indonesian people from one area to another. This is based on the necessities of life in the area of origin which are considered no longer providing income, so that it has an impact on economic income. The arrival of migrants from an area makes the problem of the culture of origin and those visited sometimes unable to merge. The purpose of this artistic research is to find out the different tone areas. However, in the work Menglir dan Mebaur produces a mixture of musical sounds as measured by the sound ambitus of the instrument when used in cultural communication (music). The process of mutual respect and respect by using the language of communication will be able to flow and blend in the cultural frame, even though both have different backgrounds. Based on the elements of culturalcommunication, it produces cross-cultural values that are mutually respectful and respectful. Musical artwork Flows and Diffuses becomes a manifestation of musical works representing two different cultural elements, however, they can complement each other with the communication language of musical instrument tones when sung. In order to build the musical in this part of the work as a whole, the authors also look for elements of the combination of two cultures, namely Minang and Javanese, with the hope that the concept of assimilation can become a unified musical feeling as amirror or reflection of a togetherness.
Co-Authors Andre Indrawan Bambang Sunarto Bina Kiki Rahayuningsih Dana Adi Arya Pradipta Darlenis, Teti Darno, Darno Finarno, Hannova Aji Fouk, Agustina Yuliani Kiswanto Kiswanto Kurniawan, Muh Zakki Mistortoify, Zulkarnaen Pujiono, Bagong Rahayuningsih, Bina Kiki Santosa Santosa Wahyu Purnomo Wahyu Purnomo, Wahyu Wisnu Mintargo Yusuf Beny Setiawan