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All Journal JURNAL PENDIDIKAN TAMBUSAI JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Pena Literasi Journal of Arabic Literature (Jali) JILSA (Jurnal Ilmu Linguistik dan Sastra Arab)
Ramadhan, Gia
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Humanities Languange, Linguistic, Communication & Media Social Sciences

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Nilai Religiusitas dan Solidaritas dalam Film Farha Karya Darin J. Sallam (Analisis Semiotika Charles Sanders Peirce) Ramadhan, Gia; Rohanda, Rohanda; Dayudin, Dayudin
JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Vol 9, No 3 (2024): November 2024
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/sh.v9i3.3596

Abstract

This research analyses the social and cultural values in Darin J. Sallam's Farha by examining the relationship between Representament, Object, and Interpretant. The research uses a qualitative paradigm with a Charles Sanders Peirce semiotic analysis approach. Literature study is the method used based on data sources in the form of snippets of dialogue scenes from Farha's film published on the Netflix platform. The formal Object of this research is Charles Sanders Peirce's semiotics and the material Object is Farha Film by Darin J. Sallam. The results and discussion show several representations that can produce several interpretations. The explanation of the interpretation in this film is in the form of social and cultural values based on the theory expressed by Eduard Spranger. In this film, there are at least five social and cultural values consisting of religious, power, solidarity, theoretical, and art or aesthetic values. The various values presented in the film illustrate the setting of this film in Palestine, which at that time was hit by the Nakba Day event. The values in the film are expected to inspire many people, especially in seeing the phenomena in Palestine This research using Charles Sanders Peirce's Semiotics theory only found five social and cultural values and it is hoped that other researchers will continue this research with different theories.Keywords – Farha Film, Palestine, Peirce’s Semiotic,.
Fokus Kajian Pada Hasil Belajar Mahasiswa Bahasa dan Sastra Arab UIN Sunan Gunung Djati Bandung Ramadhan, Akmal Hibatullah; Ramadhan, Gia; Alindra, Palendika; Saladin, Cundarojat Sidiq; Rifaron, Najwa
Jurnal Pendidikan Tambusai Vol. 9 No. 1 (2025)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v9i1.25677

Abstract

Penelitian ini bertujuan untuk mengetahui fokus kajian dan hasil belajar mahasiswa Program Studi Bahasa dan Sastra Arab di UIN Sunan Gunung Djati Bandung. Metode penelitian yang digunakan adalah deskriptif kualitatif, yang bertujuan untuk mendeskripsikan hasil belajar (learning outcome) mahasiswa berdasarkan artikel jurnal yang dipublikasikan di Google Scholar oleh Rohanda Rohanda. Penelitian ini berupaya memahami bagaimana mahasiswa mendalami berbagai disiplin ilmu dalam studi bahasa dan sastra Arab serta bagaimana pemahaman mereka terhadap fokus kajian tertentu memengaruhi hasil belajar yang dicapai. Hasil penelitian menunjukkan bahwa mahasiswa yang memiliki pemahaman mendalam terhadap fokus kajian tertentu cenderung mencapai hasil belajar yang lebih optimal. Fokus kajian tersebut mencakup aspek linguistik dan sastra, yang berkontribusi terhadap pengembangan wawasan akademik dan keterampilan analitis mereka.
FENOMENA RASISME TERHADAP ETNIS TIONGHOA PADA MEMOAR NGENEST KARYA ERNEST PRAKASA:STRUKTUALISME GENETIK LUCIEN GOLDMANN Haq, Iman Amirul; Rohanda, Rohanda; Ramadhan, Gia
Pena Literasi : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 8 No. 1 (2025): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.8.1.71-83

Abstract

Penelitian ini menganalisis fenomena rasisme terhadap etnis Tionghoa dalam film Ngenest, sebuah memoar karya Ernest Prakasa, dengan menggunakan pendekatan strukturalisme genetik Lucien Goldmann. Tujuannya adalah untuk mengungkap bagaimana pengalaman pribadi penulis merefleksikan diskriminasi rasial dan identitas etnis dalam masyarakat Indonesia. Penelitian ini menggunakan metode kualitatif dengan analisis deskriptif terhadap isi memoar tersebut, didukung oleh tinjauan literatur yang berkaitan dengan rasisme dan teori strukturalisme genetik. Hasil penelitian menunjukkan bahwa Ngenest merepresentasikan rasisme melalui tiga aspek strukturalisme genetik, yaitu fakta manusia, subjek kolektif, dan pandangan dunia. Fakta manusia dibagi menjadi fakta individu, yang menggambarkan pengalaman pribadi Ernest tentang perundungan dan stereotip rasial, dan fakta sosial, yang menggambarkan diskriminasi sistemik terhadap etnis Tionghoa, seperti kebijakan-kebijakan Orde Baru. Subjek kolektif tercermin dari bagaimana pengalaman individu Ernest merepresentasikan perjuangan kolektif etnis Tionghoa dalam menghadapi diskriminasi sosial. Sementara itu, pandangan dunia dalam memoar tersebut mengekspresikan harapan akan kesetaraan dan kritik terhadap Bhinneka Tunggal Ika yang sering kali hanya menjadi slogan tanpa implementasi yang nyata. Penelitian ini hanya membahas tiga aspek dari strukturalisme genetik Goldmann, tanpa mengeksplorasi aspek dialektika pemahaman dan penjelasannya. Kontribusinya terletak pada pengayaan studi sastra tentang rasisme dengan menunjukkan bagaimana pengalaman pribadi dalam sebuah memoar dapat merefleksikan 
HUMAN FACTS IN THE FILM “WADJDA” BY HAIFAA AL-MANSOUR: A GENETIC STRUCTURALISM ANALYSIS Salsabila, Nisrina Zahrani; Rohanda, Rohanda; Ramadhan, Gia
Journal of Arabic Literature (JaLi) Vol 6, No 2 (2025): Journal of Arabic Literature (JaLi)
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jali.v6i2.35499

Abstract

Film is a form of visual art that serves not only as a medium of entertainment but also as a reflection and critique of the social realities that underpin it. This study aims to analyse how the film Wadjda (2012) by Haifaa al-Mansour represents individual struggle and oppressive social structures through the lens of genetic structuralism developed by Lucien Goldmann. The primary objective of this research is to reveal the dialectical relationship between the film text and the patriarchal social structure of Saudi Arabian society by examining how collective consciousness is reflected in the narrative and characters of the film. The focus of the study lies in two main aspects: (1) the individual facts depicted in Wadjda and (2) the social facts that underlie the limitations of women's roles in society. Through narrative and social analysis of the film Wadjda, it is found that Wadjda's struggle to own a bicycle becomes a symbol of resistance against cultural and religious norms that restrict women's freedom. The film not only portrays the personal conflict of the character but also represents the tension between traditional values and aspirations for modernity. The findings of this study are expected to contribute to literary studies, particularly in understanding the dialectical relationship between text and social structure in visual literary works.
Perubahan Nasib Tokoh Utama dalam Cerpen Nikosia Karya Saadi Youssef (Analisis Semiotika Naratif A.J Greimas) Ramadhan, Gia; Rohanda, Rohanda
JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Vol. 8 No. 1 (2024): April
Publisher : Fakultas Adab dan Humaniora UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jilsa.2024.8.1.53-66

Abstract

This research analyzes the changes in the main character’s  fate in the short story "Nicosia" by Saadi Youssef through the review of actant scheme and functional structure. It uses a qualitative paradigm with the Algirdas Julien Greimas (A.J. Greimas) narrative semiotics analysis approach. The formal object in this research is A.J. Greimas's semiotics, and the material object is the short story "Nicosia" already published on the website nizwa.com. The results and discussion show that the main character experiences a significant change in fate. The results and discussion show that the main character experiences a significant change in fate. Starting from the initial situation as someone with an uncertain life fate and troubled by anxiety, it ends with the main character's self-situation full of peace and tranquility. Several phenomena in the story are explained in the transformation that begins from the initial situation to result in the final situation. The placement of the main character as the subject, other supporting characters who act as helpers, and several things received by the main character can form a functional structure of the story that is limited to the isotop of space and time.
Co-Authors Alindra, Palendika Dayudin, Dayudin Haq, Iman Amirul Ramadhan, Akmal Hibatullah Rifaron, Najwa Rohanda Rohanda, Rohanda Saladin, Cundarojat Sidiq Salsabila, Nisrina Zahrani