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All Journal Da'watuna: Journal of Communication and Islamic Broadcasting
Jaka Farih Agustian
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Religion Computer Science & IT Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Representasi Budaya Patriarki dalam Film Ngeri-Ngeri Sedap Fatimah Anmazzwa; Silviana Purwanti; Kadek Dristiana; Jaka Farih Agustian
Da'watuna: Journal of Communication and Islamic Broadcasting Vol. 5 No. 3 (2025): Da'watuna: Journal of Communication and Islamic Broadcasting
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/dawatuna.v5i4.8175

Abstract

The film Ngeri-Ngeri Sedap presents a narrative that is closely related to patriarchal culture, especially in the context of Batak society. Where the role of women in Batak culture is often dominated by men, resulting in negative impacts that affect women's mental and psychological well-being in the family and social spheres. This study aims to analyze how patriarchal culture is represented in the film using Roland Barthes' semiotic theory. The research method used is Roland Barthes' semiotics, with a focus on two-stage semiotic analysis: denotation and connotation that represent the construction of private or household patriarchal culture. The results of the study show that this film reproduces patriarchal values ​​through the construction of gender roles, power relations in the family, and social expectations of women and men. This representation is seen in the dialogue, gestures, and cultural symbols displayed. The conclusion of this study shows that Ngeri-Ngeri not only reflects the patriarchal culture that is still strong in society, but also maintains and normalizes the system through the narratives and symbols used. Although the film shows efforts to resist patriarchy, this film still strengthens male dominance in the family social structure. This study is expected to provide insight into how film as a popular media can be a reflection of the strengthening of the existing social system.
Representasi Kekerasan Seksual Terhadap Perempuan dalam Film Like and Share Rizky Rahmayanti; Kheyene Molekandella Boer; Jaka Farih Agustian; Nurliah
Da'watuna: Journal of Communication and Islamic Broadcasting Vol. 5 No. 1 (2025): Da'watuna: Journal of Communication and Islamic Broadcasting
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/dawatuna.v5i1.6827

Abstract

This study discusses the representation of sexual violence against women in the film Like and Share by Gina S. Noer, using the Charles Sanders Peirce semiotic model method. This film depicts the complexity of sexual violence, especially in the digital world, through a strong narrative and complex characters. The study was conducted with an in-depth analysis of symbols, objects, and interpretations of signs in the film, including sexual assault, intimidation, and the distribution of pornographic content without permission. The results of the analysis show how technology exacerbates sexual violence and the important role of media in building public awareness of this issue. This study contributes to understanding the representation of sexual violence in the media and the importance of privacy protection and digital ethics.
Co-Authors Fatimah Anmazzwa Kadek Dristiana Kheyene Molekandella Boer Nurliah Rizky Rahmayanti Silviana Purwanti