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All Journal PRABANGKARA Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Cahaya Mandalika Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Global Art Creativity Conference Jurnal Studi Seni Visual dan Desain: Les-Guet's
I Gede Jaya Putra
Institut Seni Indonesia Bali
Arts Humanities Languange, Linguistic, Communication & Media

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TOYA CAMPUHAN: AIR DAN PERADABAN MANUSIA DALAM PENCIPTAAN SENI LUKIS Setem, I Wayan; Kondra, I Wayan; Gede Putra Jaya, I Made
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.4232

Abstract

TThe purpose of this research and art creation is to create and present artworks with “Toya Campuhan: Water and Human Civilization” as the source of inspiration. World civilization, especially in ancient Bali, has emerged and developed around water as its source of life. Water sources, such as river confluences, act as a pulse, supporting the joints that contribute significantly to various parts of physical and spiritual life. Due to this, water must be conserved, so that they always provide benefits for the journey of human life far into the future. However, the current condition of rivers in Bali is really worrying, as various pollutants pollute them. Slowly but surely, the water condition will worsen if we continue to let it be. This evokes my empathy, emotion, and hope about a healthy river confluence as a mission that I wanted to convey through the creation of this painting. This creation model becomes a cultural expression as a medium for increasing public appreciation to raise the spirit of ecological resilience over the problem of water pollution. This creation is based on research, where the method consists of two parts, namely the research method and the creation method. The research method uses an anthropological approach, especially related to ethnography. Meanwhile, the creation method passes through three stages: exploration, improvisation, and the embodiment of the work, which is preceded by a study of similar works of art and literature review.
PASCA IMAJINER DALAM RUANG LINGKUP PENCIPTAAN SENI Jaya Putra, I Gede; Gede Budayana , I Wayan
Jurnal Cahaya Mandalika ISSN 2721-4796 (online) Vol. 4 No. 1 (2023)
Publisher : Institut Penelitian Dan Pengambangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jcm.v4i1.1291

Abstract

Artikel ini membahas tentang konsepsi pemikiran antara realitas dan imajiner yang divisualkan melalui karya seni rupa kontemporer. Berdasarkan hasil pengamatan dilapangan dengan Denpasar, Badung dan Gianyar sebagai lokasi observasi yang pertumbuhannya sudah dikatagorikan sebagai kaum urban. Kekaryaan berfokus pada proses imajinasi dengan mencari makna-makna baru yang dapat dipakai sebagai proses penyadaran terhadap nilai budaya saat ini. Sumber data diperoleh melalui pendekatan kualitatif menggunakan metode deskriptis analisis. Penciptaan menggunakan teori Alma M. Hawkins yaitu eksplorasi, improvisasi, dan forming. Beserta teori Mimesis oleh Plato dan teori Simulacra oleh Baudrillard. Kekaryaan menunjukan hasil dari siklus peniruan atas realitas dengan memunculkan kode-kode yang menyiratkan makna baru, merujuk pada pola hidup masyarakat kini yang ambigu, tumpang tindih, absurd serta complicated. Begitu pula pada nilai budaya, perubahan signifikan hadir melalui prosesi pernikahan masyarakat postmodern, yang saat ini tidak hanya mempersoalkan spiritualitas/ religiulitas melainkan melahirkan satu wacana baru tentang fashion pernikahan.
Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
Absurdity-Identity Of Body And Culture In Contemporary Art Creation I Gede Jaya Putra; Vita Wulansari
Warna Komunikasi Vol 1 No 2 (2025): Journal of Visual Art and Design Studies: Les-Guet's
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/lg.v1i2.5492

Abstract

This paper discusses the creation of a contemporary artwork entitled Skibili, which emerges from the intersection between the global absurd phenomenon “Skibidi” and Balinese cultural identity. Digital anomalies such as Skibidi are understood as forms of brainrot, internet-born cultural products that are banal, repetitive, yet viral reflecting both entertainment strategies and mass consumption patterns in contemporary society. The presence of such anomalous culture collides with Balinese cultural identity rooted in sacredness and spirituality, thereby producing a new space of negotiation for the body and culture. The creative process employs the yajna approach as a symbolic, spiritual, and aesthetic method: beginning with the exploration of absurd phenomena, paying respect to traditional values, and culminating in the realization of a visual artwork using wood, charcoal, and plywood as mediums. The visualization of a human head emerging from a toilet, juxtaposed with the text “Kau yang berkata, aku yang merasa”, is read as a metaphor of a marginalized body that nevertheless retains its agency and resistance against external power. Theoretical references include Albert Camus on absurdity as a condition of meaninglessness, Michel Foucault on the body as the locus of power and discipline, and Jean Baudrillard on simulacra and hyperreality. Through this framework, Skibili is interpreted as both social critique and cultural irony: the Balinese body and identity, situated at the crossroads of sacredness and banality, threatened by absurd globalization yet simultaneously finding ways to endure through contemporary artistic expression.
FROM SACRED OFFERING TO WEARABLE ART: RECONTEXTUALIZING SAMPIAN IN CONTEMPORARY FASHION PRACTICE Putra, I Gede Jaya; Wulansari, Vita
Warna Komunikasi Vol 2 No 1 (2026): Journal of Visual Art and Design Studies: Les-Guet's
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/lg.v2i1.6453

Abstract

Sampian is a ritual offering element integral to Hindu practices in Bali, carrying symbolic, philosophical, and aesthetic values beyond its devotional function. As contemporary society evolves, traditional objects such as sampian are increasingly explored beyond ritual contexts, entering the realms of art and fashion. This study examines the process of recontextualizing sampian from a sacred ritual object into wearable art within contemporary fashion, focusing on materiality, sustainability, and the transformation of meaning. Previous studies have addressed sampian primarily from the perspectives of ritual function, craft heritage, and traditional aesthetics; however, limited scholarly attention has been paid to its potential recontextualization within contemporary fashion discourse. This gap is significant given the intersection of cultural identity, ethical questions surrounding the use of sacred objects, and the growing discourse on sustainable fashion. Employing a qualitative, practice-based research approach, this study combines literature review, aesthetic and semiotic analysis—drawing on Bourriaud's Relational Aesthetics and Barthes' semiotic theory—and direct artistic production. Fieldwork and artwork creation were conducted in Bali between March and May 2022. The findings demonstrate that recontextualizing sampian produces distinct aesthetic forms combining woven janur, transparent textile, and bodily performance, while simultaneously expanding the object's cultural meaning rather than erasing it. The study argues that this transformation is ethically viable when grounded in cultural sensitivity, community engagement, and critical reflection, thus distinguishing responsible recontextualization from cultural appropriation.
Co-Authors Budiarta, I Dewa Putu Gede Devi Krishnanandayani, Jyothi Dharma, I Made Agus Wira Gede Budayana , I Wayan Gede Yosef Tjokropramono I Wayan Setem, I Wayan Kondra, I Wayan Mahananda, I Putu Gede Rindra Mustika, I Ketut Patricia Putra, Evelyn Pemayun, Tjokorda Udiana Nindhia Prayoga, I Kadek Dena Ari Rahditya, Ida Bagus Mas Putra Sucipta, I Wayan Adi Suryadinata T. Y., Anak Agung Gde Trisna Vita Wulansari Wulansari, Vita