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Journal : Islamic Journal of Communication and Public Discourse

Islamophobia Discourse: Analyzing the Representation of Islam and Muslims in Public Narratives Tamamiyah, Lutfiyatut
Islamic Journal of Communication and Public Discourse Vol. 2 No. 1 (2025): Islamic Journal of Communication and Public Discourse
Publisher : Sekolah Tinggi Agama Islam Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59784/ijcpd.v2i1.6

Abstract

The phenomenon of Islamophobia has become a rapidly growing global issue, reinforced by negative representations of Islam and Muslims in public narratives, both through traditional and social media. These representations shape public perceptions that often associate Muslims with violence and extremism, exacerbating social tensions between communities. This study aims to analyze the patterns of representation of Islam and Muslims in traditional media and social media and identify differences in the characteristics of narratives on both platforms. The method employed is a qualitative approach based on critical discourse analysis (CDA), utilizing data from 200 traditional media articles and 100,000 social media posts related to Islam and Muslims between 2020 and 2025. Analysis was conducted using NVivo 14 software to code themes, sentiments, and narrative framing. The results showed that negative representations dominated, with 50% of traditional media news and 70% of social media posts portraying Islam negatively. The findings support Cultivation and Framing theories, which state that exposure to media content shapes long-term social perceptions. The implications of this study emphasize the importance of media literacy, reforming journalistic ethics, and developing community-based counter-narratives to reduce the spread of Islamophobia and foster fairer representations of Muslims in the public sphere.
Semiotic Analysis of Roland Barthes on Da'wah Content of Ustadzah Halimah Alaydrus Through YouTube Channel Tamamiyah, Lutfiyatut
Islamic Journal of Communication and Public Discourse Vol. 2 No. 2 (2025): Islamic Journal of Communication and Public Discourse
Publisher : Sekolah Tinggi Agama Islam Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59784/n55y9n49

Abstract

Backround: This research examines the semiotic construction of meaning in digital Islamic da'wah content through analysis of Ustadzah Halimah Alaydrus's YouTube channel using Roland Barthes' three-level framework of denotation, connotation, and myth.Objective: As female Islamic preachers increasingly utilize digital platforms to disseminate religious teachings, understanding how meaning is semiotically constructed becomes critical for comprehending contemporary religious communication.Method: This qualitative study employs semiotic content analysis on eight selected videos representing diverse themes and high audience engagement.Findings and Implications: At the denotative level, findings reveal consistent formal presentation through text-based visuals, voice-only audio, and structured discourse creating distinctive brand identity. Connotative analysis demonstrates how these elements activate cultural codes related to Islamic piety, feminine virtue, and religious authenticity, negotiating tensions between tradition and modernity through sophisticated symbolic communication. Mythological analysis uncovers how content naturalizes the "Pious Femininity Synthesis"—presenting conservative Islamic gender norms and contemporary women's aspirations as perfectly compatible—while constructing "maternal wisdom authority" through epistemological, genealogical, experiential, pedagogical, and moral positioning mechanisms.Conclusion: Findings contribute theoretically by demonstrating Barthesian semiotics' effectiveness for religious discourse analysis, practically by revealing semiotic strategies for digital da'wah effectiveness, and critically by exposing ideological dimensions wherein female religious voice expansion coexists with naturalization of conservative gender hierarchies. The study provides comprehensive understanding of how digital Islamic content shapes contemporary religious identity and consciousness through layered meaning construction, offering insights valuable for preachers, religious institutions, media literacy educators, and scholars of digital religion.