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All Journal Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya International Journal of Local Economic Governance ATAVISME JURNAL ILMIAH KAJIAN SASTRA ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Haluan Sastra Budaya Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Ranah: Jurnal Kajian Bahasa Jurnal Surya Masyarakat Studi Budaya Nusantara Jurnal Surya Masyarakat Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat
Setiawan, Fredy Nugroho
Universitas Brawijaya
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Journal : Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya

 1 
Universal Humanity as Discourse of Nationalism in Garin Nugroho’s Soegija (2012) Fredy Nugroho Setiawan; M. Andhy Nurmansyah; Rizki Nufiarni; Scarletina Vidyayani Eka
Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Vol 11, No 1 (2021)
Publisher : Fakultas Bahasa dan Budaya Asing (FBBA), Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26714/lensa.11.1.2021.80-95

Abstract

This research discusses discourse of nationalism in Garin Nugroho’s Soegija, a biopic which premiered in 2012. The film is chosen because it presents the story of Soegijapranata, an intellectual who is not from dominant nationalist groups, during the era of independence movement; he is neither a prominent military figure nor a figure from the largest religious group in Indonesia. This film is analyzed to investigate its position in ideological contestations emerging after the Reformation, particularly after the 2000s. Seymour Chatman’s postulates regarding story and discourse in narrative structure of fiction and film (1978) is used as a theoretical framework for this research. The results show that discourse of nationalism is presented in the narrative structure of the film in the form of arguing the idea of universal humanity in the context of Indonesia as a nation. This effort is portrayed by the main character’s intellectual struggles against shallow primordialism that influences both Indonesian people’s perspectives during independence movement era and foreign people’s point of views, the colonizers, which are represented by subversive actions of the Dutch and Japanese in Indonesia. The values of universal humanity that have been adopted into the spirit of nationalism are stated through the main characters’ statements and actions. It can be concluded that the concept of nationalism in Indonesia is said to be born from a long struggle against oppression and injustice. This concept has become a dominant ideology which remains relevant, as implied in Soegija.
Kontribusi Teater Kampus dalam Pendidikan Karakter Mahasiswa: Studi Kasus Teater Lingkar Fakultas Ilmu Budaya Universitas Brawijaya Fredy Nugroho Setiawan; Yusri Fajar
Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Vol 7, No 1 (2017)
Publisher : Fakultas Bahasa dan Budaya Asing (FBBA), Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1156.386 KB)

Abstract

The study aims to explain the contribution of “Teater Lingkar” of Faculty of Cultural Studies Universitas Brawijaya in educating its members’ characters. The researcher employs qualitative method in collecting and recording data by applying the principles of field research in interviewing informants and library research in gathering textual and visual data. The analysis of the interview reveals that “Teater Lingkar” has contributed in improving the character quality of its members. In this case, the group serves as a medium of character education that helps its members to have better personality. It is obtained through activities they have done in the group. Thus, this finding provides an example of the significance of theater groups on campus in terms of their contribution in educating and improving the quality of their members’ characters.
HEGEMONI DAN DOMINASI PERUSAHAAN SEMEN TERHADAP PENDUDUK DI WILAYAH PEMBANGUNAN PABRIK SEMEN DALAM SAMIN VS SEMEN Fredy Nugroho Setiawan
Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Vol 6, No 1 (2016)
Publisher : Fakultas Bahasa dan Budaya Asing (FBBA), Universitas Muhammadiyah Semarang

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Abstract

Samin vs Semen is a documentary film portraying efforts of cement companies supported by the government to build cement plants near the Samin followers lands against resistance from Samin followers and nearby villagers who believe the activities of cement factories will harm their farmlands. Regarding Gramscian premises on hegemony and domination, this study describes some actions undertaken by the cement companies to cope with the resistance. The results of the study show that the cement companies, assisted by the government through its apparatus of state coercive power, attempt to dominate and hegemonize the local villagers. The domination of cement companies can be seen through a series of coercive measures of government apparatuses in handling the resistance.The hegemony, on the other hand, is yet to be proven due to the limitation of data from the film, which only takes the viewpoint of Samin followers and their proponents. Nevertheless, indications leading to hegemony exist although consent of the people remains subtle.
Co-Authors Agus Suman Arcci Tusita Dany Ardian Eka, Scarletina Vidyayani Eka, Scarletina Vidyayani Elisabeth Worobroto Purwaningrum Fariska Pujiyanti Hadi Nasbey Hamamah HAMAMAH, M.Pd. Mochamad Andhy Nurmansyah Muhamad Rozin Muhammad Rozin Pujiyanti, Fariska Rizki Nufiarni, Rizki Rozin, Muhamad Rozin, Muhammad Scarletina Vidyayani Eka Sony Sukmawan, Sony Sri Utami Budi Yusri Fajar