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PENGEMBANGAN KOMPETENSI JURI TARI UNTUK MENINGKATKAN OBJEKTIVITAS DAN TRANSPARANSI PENJURIAN DALAM KOMPETISI SENI TARI DI JAKARTA Nursilah; Leny Suryani; Sulistiani; Rines Onyxi Tampubolon
Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Vol. 6 No. 1 (2025): PROSIDING SEMINAR NASIONAL PENGABDIAN KEPADA MASYARAKAT - SNPPM2025
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kompetisi seni tari di Jakarta seringkali dihadapkan pada tantangan terkait objektivitas dan transparansi dalam penilaian, disebabkan oleh keragaman latar belakang juri dan kurangnya standar penilaian yang baku. Program pengabdian ini bertujuan untuk meningkatkan kompetensi juri tari melalui pelatihan terstruktur, dengan fokus pada peningkatan objektivitas dan transparansi dalam sistem penjurian. Pelatihan ini mencakup pengenalan teori penilaian tari berbasis validitas dan reliabilitas, serta penerapan metode penjurian yang objektif dan terstandarisasi. Selain itu, program ini juga menghasilkan modul pelatihan yang dapat dijadikan panduan oleh juri dalam kompetisi tari di tingkat pelajar. Pelatihan ini diikuti oleh juri dari beragam latar belakang, termasuk akademisi, praktisi tari, dan pelatih sanggar. Hasil dari program ini diharapkan dapat meningkatkan pemahaman juri mengenai pentingnya penilaian yang sistematis dan transparan, serta mengurangi ketidakpuasan peserta dan penyelenggara yang sering timbul akibat ketidakjelasan dalam sistem penjurian. Program ini juga menghasilkan pedoman penilaian yang dapat diterapkan dalam kompetisi tari di Jakarta dan memanfaatkan teknologi digital untuk meningkatkan transparansi hasil penjurian. Secara keseluruhan, program ini bertujuan untuk meningkatkan kualitas kompetisi seni tari di Jakarta dan mendukung pengembangan bakat seni pelajar melalui sistem penjurian yang lebih kredibel dan objektif. Abstract  Dance competitions in Jakarta often face challenges related to objectivity and transparency in judging, caused by the diverse backgrounds of the judges and the lack of standardized evaluation criteria. This community service program aims to enhance the competence of dance judges through structured training, with a focus on improving objectivity and transparency in the judging system. The training includes an introduction to dance evaluation theory based on validity and reliability, as well as the implementation of objective and standardized judging methods. Additionally, the program produces a training module that can serve as a guide for judges in student-level dance competitions. The training is attended by judges from various backgrounds, including academics, dance practitioners, and studio coaches. The results of this program are expected to improve judges' understanding of the importance of systematic and transparent evaluation, as well as reduce participant and organizer dissatisfaction that often arises from unclear judging systems. This program also produces an evaluation guideline that can be applied in dance competitions in Jakarta and utilizes digital technology to enhance the transparency of the judging results. Overall, this program aims to improve the quality of dance competitions in Jakarta and support the development of student artistic talent through a more credible and objective judging system.
ANALISIS KONSEP NGUNDA BAYU PADA TARI REJANG DESA, DI DESA TISTA, KECAMATAN ABANG, KABUPATEN KARANGASEM, BALI Ni Ketut Santi Sukma Melati; Rines Onyxi Tampubolon; Lissa Maharani; I Gede Radiana Putra; I Putu Bagus Bang Sada Graha Saputra
Jurnal Pendidikan Tari Vol 6 No 1 (2025): Inovasi dan Penguatan Metode Pembelajaran Seni Tari yang Berorientasi Pada Keterl
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.616

Abstract

The Rejang Desa dance has become an important cultural heritage in Tista Village, Abang District, Karangasem Regency. This dance is characterized by its distinctive and classical makeup and costume design, which continue to uphold local wisdom as the central element of their aesthetic arrangement. Rejang Desa can only be performed and appreciated during the Kuningan and Manis Kuningan ceremonies, making it distinct from Rejang Dewa, which may be performed in various religious ceremonies across different villages. The term dance is inseparable from the concept of movement technique, as every dance composition employs movement as its primary medium of expression. In dance movements, the control of breath and energy is essential to maintain the integrity and fluidity of motion. This understanding is commonly referred to as the Ngunda Bayu technique, which is an inherent practice among Balinese dancers across various dance forms. Therefore, this study aims to examine and understand the application of the Ngunda Bayu concept in the Rejang Desa dance of Tista Village. The presence of this concept can be observed through the duration of the performance and the structure of the presentation. To explore this issue, a qualitative research method is employed, supported by the theory of form. It is expected that the findings of this research will reveal and substantiate the use of the Ngunda Bayu concept within the Rejang Desa dance of Tista Village. In line with this objective, the author seeks to develop a scientific discussion that examines the embodiment of Ngunda Bayu in the performance of Rejang Desa in Tista Village.