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All Journal Jurnal Ilmu Komunikasi Perspective Humanities and Social Sciences
Tulas’un, Lakna
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Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice

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Analysis Of Cultural Acculturation of Suran Wayang Kulit Among The Samin Community in Blora Regency Tulas’un, Lakna; Sutinnarto, Sutinnarto; Winarni, Isti
Jurnal Ilmu Komunikasi Vol 23 No 3 (2025): December
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v23i3.15786

Abstract

This study demonstrates how the Suran Shadow Puppet performance serves as a vital instrument for cultural integration within the Samin community in Blora. The performance bridges local wisdom and Samin philosophy with modernization, illustrating how traditional art functions as a mediator of social change while simultaneously preserving cultural identity. By analyzing the role of the Suran Shadow Puppet show, this research broadens academic understanding, provides theoretical insights, and supports cultural preservation in line with the principles of Sustainable Development. The study employs qualitative methods, including literature review, in-depth interviews, and participatory observation of Suran Shadow Puppet performances. The findings reveal that acculturation is manifested through religious, socio-cultural, and communicative dimensions, positioning the Suran Shadow Puppet show not only as entertainment but also as a medium for transmitting the core values of the Samin community. These values emphasize honesty, simplicity, commitment, and solidarity. The study affirms that such performances facilitate adaptation to change without compromising cultural identity, while functioning as an effective means of cultural preservation in the digital era.
An Analysis of Communication and Social Criticism in Emha Ainun Nadjib’s Poem “God Is Already Very Popular” Setiawan, Muhamad Agung; Tulas’un, Lakna; Sutinnarto; Khairani, Najmi Rizki; Rif’atul Himmah
Perspective Humanities and Social Sciences Vol. 1 No. 2 (2025): Volume 1 No 02 (2025)
Publisher : Institut Karya Mulia Bangsa

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Abstract

Poetry is not only an aesthetic medium, but also a means of communication capable of delivering social critique through symbolic language. This study aims to analyze the linguistic style in Emha Ainun Nadjib’s poem “God Is Already Very Popular” and how its stylistic elements construct messages of social and religious criticism. The dynamics of modern religiosity filled with symbolism, fanaticism, and the commodification of faith serve as an essential context reflected in Cak Nun’s work. This research employs a descriptive qualitative method with a stylistic analysis approach. The analysis was conducted through close reading of the poem, classification of stylistic devices, and interpretation of meaning based on the theoretical framework of social criticism and literary communication. The analysis consists of three stages: (1) identifying figures of speech and poetic structures, (2) categorizing linguistic styles related to communicative messages, and (3) interpreting the relationship between stylistic elements and the conveyed social criticism. The findings reveal that irony is used to highlight shallow religious practices, while metaphor and symbolism implicitly yet sharply portray social conditions. Simile is applied to make abstract concepts more communicative and concrete. Overall, the study demonstrates that Cak Nun’s poem represents a form of indirect social critique, as its messages are delivered implicitly through figurative language. Thus, this research emphasizes that poetic language functions as an effective communication instrument in conveying social criticism while encouraging readers’ spiritual reflection.
Co-Authors KHAIRANI, NAJMI RIZKI Rif’atul Himmah Setiawan, Muhamad Agung Sutinnarto Sutinnarto, Sutinnarto Winarni, Isti