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Journal : Acintya

FOTOGRAFI POTRET INDONESIA DALAM KARYA-KARYA FOTOGRAFER KASSIAN CEPHAS DAN ANDREAS DARWIS TRIADI Prasetyo, Andry
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3700.862 KB) | DOI: 10.33153/acy.v2i1.127

Abstract

Kassian Cephas and Andreas Darwis Triadi are two most popular photographers who become benchmarks in the development of pa trait photography in Indonesialheir photos are able to bring them to higher position and are able to make Indonesia being in the same place to other developed notions in photography of their era. Analysis result through aesthetic approach of potrait photography towards potrait photos produced by Kassihan Cephas ( I 845 — I 912) and Andreas Darwis Triadi shows that the works are produced by the process of creating which is built of aesthetic values so that they are able to lift civilization of each photograph artist. The works are also produced by a good skill of photography technique as well as creativity skill with high aesthetic touch. It can be seen from the costume, make up, style, and property used increating woman portrait photography. But it also cannot leave the human practical needs to support their daily lives such as spiritual need and personal interest.Key words: Potrait Photography, Aesthetics, Kassian Cephas and Darwis Triadi.
EKSPLORASI GERAK AIR DALAM VISUALISASI FOTOGRAFI STILL LIFE Prasetyo, Andry
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.832 KB) | DOI: 10.33153/acy.v7i2.2005

Abstract

The research on the art work entitled “Eksplorasi Gerak Air Dalam Visualisasi Fotografi Still Life” (The Exploration of Water Movement in Photography Visualization Still Life” aims to create a photography work with the object of water spot that quickly moves and forms a certain pattern that cannot be caught by eyes, that is then paused so that it can be enjoyed in detail by high speedtechnique. The research uses experimental approach. It is executed through two stages covering analysis and development. The analysis includes identification and studies on the research object including water movement or water spot and the material forming a certain pattern as an object of photography. The method of photography creating Still Life covers three stages: exploration, planning, and realization. The result shows that firstly, the beauty of the photograph Still Life with the object of water spot can be caught and seen by eyes with high speed technique. Secondly, the image of water movement that is freezed can produces visual element and aesthetic effect by adding the light of lamp in the background at the time the photograph is taken.Keywords: photography Still Life, water movement, exploration.
CARA MELIHAT Prasetyo, Andry
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (415.167 KB) | DOI: 10.33153/acy.v11i1.2610

Abstract

Abstract This study discusses John Berger's book entitled: The Way of Seeing which was first printed in 1972. The purpose of this study is to urge photographers to study harder and implement critical theories about concepts and philosophies that support photography. This language urgency helps foster the critical spirit and instinct of students who are studying photography.This research departs from a literature review. Because of its basic research, with qualitative descriptive forms, it is in the search for data sources on primary and secondary data. Primary data is Berger's original work entitled How to Look, while the secondary one is a review and commentary on Berger's main work by other authors.The results of this study show the concept of thought of John Berger: Seeing the building of our existence in the world that surrounds us, therefore we can explain in words, whatever is around us. Seeing not only the affairs of the mechanical reaction of the eye organs (lens, retina, etc.) but there is the activity of choosing from so many things outside us that are visible to the eye. Keywords: John Berger, How to Look, Critical Theory, Photographer
FOTOGRAFI POTRET INDONESIA DALAM KARYA-KARYA FOTOGRAFER KASSIAN CEPHAS DAN ANDREAS DARWIS TRIADI Prasetyo, Andry
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.127

Abstract

Kassian Cephas and Andreas Darwis Triadi are two most popular photographers who become benchmarks in the development of pa trait photography in Indonesialheir photos are able to bring them to higher position and are able to make Indonesia being in the same place to other developed notions in photography of their era. Analysis result through aesthetic approach of potrait photography towards potrait photos produced by Kassihan Cephas ( I 845 — I 912) and Andreas Darwis Triadi shows that the works are produced by the process of creating which is built of aesthetic values so that they are able to lift civilization of each photograph artist. The works are also produced by a good skill of photography technique as well as creativity skill with high aesthetic touch. It can be seen from the costume, make up, style, and property used increating woman portrait photography. But it also cannot leave the human practical needs to support their daily lives such as spiritual need and personal interest.Key words: Potrait Photography, Aesthetics, Kassian Cephas and Darwis Triadi.
EKSPLORASI GERAK AIR DALAM VISUALISASI FOTOGRAFI STILL LIFE Prasetyo, Andry
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v7i2.2005

Abstract

The research on the art work entitled “Eksplorasi Gerak Air Dalam Visualisasi Fotografi Still Life” (The Exploration of Water Movement in Photography Visualization Still Life” aims to create a photography work with the object of water spot that quickly moves and forms a certain pattern that cannot be caught by eyes, that is then paused so that it can be enjoyed in detail by high speedtechnique. The research uses experimental approach. It is executed through two stages covering analysis and development. The analysis includes identification and studies on the research object including water movement or water spot and the material forming a certain pattern as an object of photography. The method of photography creating Still Life covers three stages: exploration, planning, and realization. The result shows that firstly, the beauty of the photograph Still Life with the object of water spot can be caught and seen by eyes with high speed technique. Secondly, the image of water movement that is freezed can produces visual element and aesthetic effect by adding the light of lamp in the background at the time the photograph is taken.Keywords: photography Still Life, water movement, exploration.
CARA MELIHAT Prasetyo, Andry
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i1.2610

Abstract

Abstract This study discusses John Berger's book entitled: The Way of Seeing which was first printed in 1972. The purpose of this study is to urge photographers to study harder and implement critical theories about concepts and philosophies that support photography. This language urgency helps foster the critical spirit and instinct of students who are studying photography.This research departs from a literature review. Because of its basic research, with qualitative descriptive forms, it is in the search for data sources on primary and secondary data. Primary data is Berger's original work entitled How to Look, while the secondary one is a review and commentary on Berger's main work by other authors.The results of this study show the concept of thought of John Berger: Seeing the building of our existence in the world that surrounds us, therefore we can explain in words, whatever is around us. Seeing not only the affairs of the mechanical reaction of the eye organs (lens, retina, etc.) but there is the activity of choosing from so many things outside us that are visible to the eye. Keywords: John Berger, How to Look, Critical Theory, Photographer