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INDONESIA
Berkala Arkeologi SANGKHAKALA
Published by Balai Arkeologi Sumatera Utara
ISSN : 14103974     EISSN : 25808907     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
"SANGKHAKALA" refers to the shell horns that blown regularly to convey certain messages. In accordance with the meaning, this journal expected to become an instrument in the dissemination of archaeological information to the public which is published on an ongoing basis. Berkala Arkeologi Sangkhakala is a peer-reviewed journal published biannual by the Balai Arkeologi Sumatera Utara in May and November. The first edition was published in 1997 and began to be published online in an e-journal form using the Open Journal System tool in 2015. Berkala Arkeologi Sangkhakala aims to publish research papers, reviews and studies covering the disciplines of archeology, anthropology, history, ethnography, and culture in general.
Arjuna Subject : Seni dan Humaniora - Arkeologi
Articles 9 Documents
 1 
Search results for , issue "Vol 12 No 23 (2009)" : 9 Documents clear
Perkembangan Bentuk Nisan Aceh, Sebagai Wujud Kreativitas Masyarakat Aceh Pada Masa Lalu Repelita Wahyu Oetomo
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3413.754 KB) | DOI: 10.24832/bas.v12i23.206

Abstract

AbstractAt least, there are 3 (three) periods of Islam art development in Aceh. First, the beginning of the expansion of Islam. In that era, the element of Islam’s art assimilated to the art of preislam (Hindu-Buddha). In line with the development of Aceh government system, people began to increase the skill in art. But, when the Dutch nation colonized, the art in Aceh was fading. It was known through the gravestones.
Angklung, Perkembangannya dari Masa ke Masa Deni Sutrisna
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v12i23.202

Abstract

AbstractAngklung, is one of the instrument made of bamboo which’s popular in west Java, had been known since the Clasic era (around 9 to 14 century). At first, angklung was used in traditional ceremony that related with agriculture, such as:ritual to Dewi Sri. Now, angklung is as an instrument for entertaining.
Sarkofagus Samosir: Kreativitas Lokal Masyarakat Samosir Taufiqurrahman Setiawan
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2204.71 KB) | DOI: 10.24832/bas.v12i23.207

Abstract

AbstractOne of the megalithic culture is sarcophagus. It appeared in someplace in Indonesia, such as Sulawesi, Nusa Tenggara, Bali, and also Sumatera. All has same function, as a sarcophagus, yet each has spescial characteristic.
Panji, Karya Nusantara yang Mendunia: Suatu Kajian Folklor Tentang Keberterimaan “Barang” Impor Ery Soedewo
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4188.039 KB) | DOI: 10.24832/bas.v12i23.203

Abstract

AbstractPanji story is one of creativity form from ancient Java periode that’s still enjoyed till now in many representation forms. The spread of it not only in South-East Asia archipelago but also to South- East Asia mainland. The similarity of some autochton elements made the story could be accepted in anyplace
Identitas Budaya, Kreativitas, dan Kajian Arkeologi Publik Andri Restiyadi
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1715.628 KB) | DOI: 10.24832/bas.v12i23.199

Abstract

AbstractPublic Archaeology can’t be understood as a narrow-minded view point as an archaeological research and their object’s presentation and representation at the public only. However, public archaeology must be understood more widely as an archaeological view point for understand the public requirements and importance. These discipline have an important meaning for the socialization of supreme culture values at the past. On the future, those values will be reinforcing the national cultural identities from the foreign cultural influence. In order to those purpose, public role, active and seletive creativity in the foreign culture adoption without leaving any cultural identity, will be necessary.
Rumah Panggung, Wujud Kreativitas dari Masa ke Masa Ketut Wiradnyana
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v12i23.204

Abstract

AbstractThere’s been storeyed house since prehistory, classic era and also in the traditional buildings at any ethnics in Indonesia. Till now, people in coastal area lived in storeyed house. It was people adaptation to the environment that emerged the architectural creativity with emphasized its function as a shelter.
Pustaha Laklak: Antara Karya Satra dan Souvenir Churmatin Nasoichah
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2587.831 KB) | DOI: 10.24832/bas.v12i23.200

Abstract

AbstractPustaha Laklak is the literary of Batak society. It’s needed to improve the idea to create and perpetuate it. To promote, pustaha laklak could be used as souvenir although it’s not the original one.
Ukiran Motif Kerawang Gayo, Gambaran Seni Kriya Kayu yang Nyaris Hilang Nenggih Susilowati
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (8318.67 KB) | DOI: 10.24832/bas.v12i23.205

Abstract

AbstractAs the time flow, Gayo people hadn’t built the traditional houses yet. Around late 19 to begin 20 century, the old building known as archaeological remains that had to be conservated. The architectured or it’s carved indicated the culture development of the past. That building also had known as a monument which indicated that at that time there’s an artistic skill and the glory of its art.
Kreativitas Partonun dalam Menimbulkan Efek Komunikasi Pemasaran Ulos Defri Elias Simatupang
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2780.822 KB) | DOI: 10.24832/bas.v12i23.201

Abstract

AbstractThis article about ulos, a traditional clothes made by Batak People. Nowdays, many partonun (people who made ulos) difficult to sell it. They complain about that and finally did not serious to preserve this culture. As a traditional ancestor heritage ulos must be competing in this global market era.So actually they need a new creativity to think how ulos can be more impotant. This Writing want to think about creativity by using communicatioan market theories.

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