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INDONESIA
JURNAL WALENNAE
Published by Balai Arkeologi Sulawesi Selatan
ISSN : 14110571     EISSN : 2580121X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Walennae’s name was taken from the oldest river, archaeologically, which had flowed most of ancient life even today in South Sulawesi. Walennae Journal is published by Balai Arkeologi Sulawesi Selatan as a way of publication and information on research results in the archaeology and related sciences. This journal is intended for the development of science as a reference that can be accessed by researchers, students, and the general public.
Arjuna Subject : -
Articles 252 Documents
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INTI KONFEDERASI WAJO: SURVEY ARKEOLOGI DI TOSORA, CINNOTABI AND LAMASEWANUA Moh. Ali Fadillah; M. Irfan Mahmud; Budianto Hakim
WalennaE Vol 18 No 2 (2020)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/wln.v18i2.496

Abstract

“The beginning of Wajo's establishment began with the migration of people from various places to open rice fields and build settlements to the east of Lake Tempe. The settlements were then transformed into political units which formed a 'state' under the rule of a nobleman based in Cinnotabi. Several political agreements underlie the formation of a confederation of three domains. Regime change resulted in the transfer of the center of government. Lontara Wajo and the oral tradition mention some toponyms but do not explain in detail where the core of the Wajo confederation lies. This research is aimed at determining the location and character of the toponym by conducting field surveys in places that are suspected of being associated with the existence of the pre-Islamic capital of Wajo. Using an archaeological approach and supported by information from textual sources. Surveys in the villages of Tosora, Cinnongtabi and Tajo in Majauleng District have identified the existence of the old capitals around Wajo-wajo, Boli, Leppadeppa, Attunuang, and other sites based on archeological traces such as menhirs, burned bone fragments, pottery and ceramics shards and other artifacts. Identification of imported ceramic fragments from China, Thailand, Vietnam, these sites might be dated between the 14th and 17th centuries. Taking into account the concentration of artefacts and relations between sites, it can be concluded that Tosora was the capital from the end of the 16th century and until the arrival of Islam at the beginning of the 17th century, while the capital of the early period of Wajo hypothetically was dated between the beginning of the 15th century and the end of the 16th century was around the confluence of Wajo-wajoe river which flows into Latamperu and Penrange lake which then empties into Cellue river before ending at the Cenrana mainstream”
Author Biodata Editorial Team
WalennaE Vol 18 No 1 (2020)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

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Writing Guidelines Editorial Team
WalennaE Vol 18 No 1 (2020)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

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Reviewer Acknowledgement Editorial Team
WalennaE Vol 18 No 1 (2020)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

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WADAH KUBUR KAYU DI SELAYAR DAN PERBANDINGAN DENGAN BEBERAPA DAERAH DI PROVINSI SULAWESI SELATAN DAN TENGGARA Bernadeta AKW
WalennaE Vol 19 No 1 (2021)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/wln.v19i1.509

Abstract

Penelitian ini bertujuan untuk mengetahui distribusi wadah kubur kayu yang diletakkan di gua-gua di Kepulauan Selayar dan perbandingannya dengan beberapa daerah di Sulawesi Selatan dan Tenggara. Dalam pencapaiannya, selain diuraikan bentuk-bentuk wadah kubur kayu di gua-gua Selayar, juga dilakukan deskripsi temuan sejenis di Bulukumba, Enrekang, Toraja (Sulawesi Selatan) dan Kolaka Utara (Sulawesi Tenggara). Metode yang digunakan adalah studi literatur (desk study), yaitu mencari dan menghimpun berbagai referensi berkaitan dengan topik penelitian. Selanjutnya dilakukan pengolahan data dengan disertai analisis bentuk, sebaran dan etnografi serta pembuatan peta. Hasil penelitian menunjukkan bahwa distribusi wadah kubur kayu baik di pesisir maupun di pedalaman Sulawesi Selatan terdapat di Selayar, Bulukumba, Enrekang dan Toraja. Demikian pula di Sulawesi Tenggara wadah kubur kayu ditemukan di gua-gua khususnya di daerah Kolaka Utara. Dari data literatur menunjukkan wadah kubur kayu berawal di Toraja sekitar abad ke-8 M dan mengalami perkembangan pada abad ke-12 dan ke-13 Masehi. Kontinuitas tradisi itu masih berlangsung di Toraja yang merupakan daerah pegunungan yang secara geografis cukup terisolir sehingga lambat dalam memperoleh perubahan budaya pada masa-masa tertentu. Secara etnografis, wadah kubur kayu yang digunakan oleh sebagian masyarakat Toraja sekarang memiliki perbedaan secara tipologis. Berbeda dengan Enrekang, meskipun terletak pada topografi perbukitan dan pegunungan, namun masyarakatnya tidak lagi menggunakan wadah kubur kayu disebabkan kuatnya pengaruh agama Islam.   This research aims to establish the distribution of wood coffins placed in caves in Selayar Islands and their counterparts in several regions in South Sulawesi and Southeast Sulawesi. To meet the aim, the research describes the forms of wood coffins placed in caves in Selayar, Bulukumba, Enrekang, and Toraja (South Sulawesi) and Kolaka Utara (Southeast Sulawesi). The method used was literature study (desk study), which comprises the activities of finding and collecting various references related to the research topic. The collected data were analyzed to find out the forms, distribution and ethnography of wood coffins in those regions. A map of the distribution of wood coffins in the regions was also made. The results of the research show that the distribution of wood coffins in the coastal areas and hinterlands in South Sulawesi is found in Selayar, Bulukumba, Enrekang and Toraja. In Southeast Sulawesi especially in the region of Kolaka Utara, wood coffins are found in caves. The data collected through literature study show that the tradition of using wood coffins started in Toraja around the 8th century and experienced rapid development in the 12th and 13th centuries. Today the tradition is still performed in Toraja. This region is mountainous, so that it did not undergo rapid cultural changes in some certain eras. Ethnographically, the wood coffins now used by some of the Toraja communities have typological differences compared with the ones used in the past. Enrekang is also a mountainous area. However, the community does not use wood coffins anymore due to the strong influence of Islam.
JPG Editorial Team
WalennaE Vol 18 No 2 (2020)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

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UCAPAN TERIMA KASIH PENINJAU Editorial Team
WalennaE Vol 18 No 2 (2020)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

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UCAPAN TERIMA KASIH REVIEWER Editorial Team
WalennaE Vol 19 No 1 (2021)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

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Penggambaran Qilin pada Mimbar Masjid Gedhe Mataram Kotagede: Kajian Arkeologi Seni Naufal Raffi; Dyah Kumalasari Kumalasari; Sandy Maulana Yusuf Yusuf
WalennaE Vol 19 No 2 (2021)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/wln.v19i2.494

Abstract

Interaksi antarbudaya dalam kajian arkeologi seni memungkinkan corak budaya tertentu muncul di artefak budaya lain. Tujuan dari penelitian ini adalah mengetahui latar belakang kemunculan ornamen figur qilin pada mimbar Masjid Gedhe Mataram Kotagede, beserta teknik penggambaran dan prinsip-prinsip seni yang melekat padanya. Metode penelitian yang digunakan dalam penelitian ini ialah kualitatif deskriptif dengan pendekatan arkeologi seni dan ikonografi. Dari hasil wawancara diketahui bahwa ornamen qilin merupakan pemberian dari Sultan Palembang. Ornamen ini menjadi bukti adanya pengaruh Tiongkok di Nusantara. Qilin pada mimbar Masjid Gedhe Mataram Kotagede digambarkan dengan teknik denaturalistis atau stilasi. Penggambaran qilin memperhatikan prinsip-prinsip seni rupa. Prinsip-prinsip tersebut antara lain kesatuan, keseimbangan, irama, dan kesebandingan simbol.   Intercultural interactions, in relation to the study of art archeology, have allowed certain cultural features to appear in other cultural artefacts. The aim of this study was to put forward the reasons behind the appearance of the qilins on the pulpit of the Masjid Gedhe Mataram in Kotagede, along with the depiction techniques and art principles attached to it. The research method used in this study was descriptive qualitative with an art archaeological and iconographical approach. The study indicated that the pulpit was a gift from Sultan of Palembang, demonstrating Chinese influence in this archipelagic nation (Nusantara). The qilins were portrayed using denaturalization or stylized techniques, highlighting the principles of fine art such as unity, balance, rhythm, and proportionality of symbol.
Perbandingan Morfologi Nisan Arca pada Kompleks Makam Islam di Wilayah Etnik Makassar Nurul Adliyah Purnamasari; Makmur Makmur
WalennaE Vol 19 No 2 (2021)
Publisher : Balai Arkeologi Provinsi Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/wln.v19i2.508

Abstract

Nisan arca merupakan tipe nisan yang memiliki bentuk menyerupai manusia. Nisan arca adalah bentuk kontinuitas dari sebuah produk budaya yang dikenal dengan sebutan arca megalitik, yang bertransformasi menjadi nisan arca pada masa peradaban Islam di Sulawesi Selatan. Penelitian ini sendiri dilakukan sebagai upaya untuk menelusuri nisan arca pada wilayah Etnik Makassar yang ditemukan pada delapan kompleks makam Islam yang tersebar di Kabupaten Bantaeng, Jeneponto dan Maros. Metode yang digunakan yaitu metode desk study yaitu penelusuran data awal terkait nisan arca di wilayah Etnik Makassar, kemudian dilanjutkan dengan pengumpulan data lapangan. Setelah seluruh data terkumpul dilakukan proses analisis. Tahapan analisis dilakukan dengan proses klasifikasi data terhadap seluruh nisan arca untuk menentukan morfologi masing-masing. Sehingga diperoleh informasi bahwa nisan arca di wilayah Etnik Makassar terdiri atas beberapa variasi bentuk yang berbeda. Variasi tersebut dipengaruhi oleh beberapa faktor, yaitu perbedaan kondisi etnografi, lingkungan dan sistem pengetahuan masyarakat setempat, serta periode pembuatan nisan arca itu sendiri.    Statue tombstones are a type of tombstones that resemble human beings. Statue tombstones are a form of the continuity of cultural products known as megalithic statues, which were transformed into statue tombstones during the Islamic era in South Sulawesi. This research was conducted to investigate the statue tombstones found in eight Islamic tomb complexes in Makassar Ethnic Areas in Bantaeng Regency, Jeneponto Regency, and Maros Regency. The desk study method was used to explore preliminary data related to the statue tombstones found in Makassar Ethnic Areas. Then, field data collection was carried out. The analysis process was carried out after all the required data had been collected. The analysis was carried out by classifying the data on the statue tombstones to determine their morphological features. Results of the analysis show that the statue tombstones have varied forms. The variety was influenced by several factors, namely the ethnographic conditions, environments and knowledge systems of the local communities, and the periods in which the statue tombstones were made.

Page 23 of 26 | Total Record : 252

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