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CaLLs : Journal of Culture, Arts, Literature, and Linguistics

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Published by Universitas Mulawarman

ISSN : 2460674X EISSN : 25497707 DOI : -

Core Subject : Education, Social,

Education Languange, Linguistic, Communication & Media Social Sciences

CaLLs (Journal of Culture, Arts, Literature, and Linguistics) published by Fakultas Ilmu Budaya Universitas Mulawarman and published in June and December. CaLLs welcome articles and research reports utilizing an interdisciplinary approach to the study of culture. The object materials of the study may include aspects of language/linguistics, literature, arts (music and traditional arts).

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Articles 6 Documents

Search results for , issue "Vol 4, No 2 (2018): December 2018" : 6 Documents clear

POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A Sidjabat, Yedija Remalya; Yulianto, Vissia Ita; Koapaha, Royke Bobby
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Hip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used to see the factor that played a role in formation of hip hop dangdut, but not fully realized by NDX group. Political identity in formation of hip hop dangdut then analyzed in textual and contextual to answer the contestation of hip hop dangdut in postcolonial perspective. The concept postcolonial in this research is criticized dominance or the form of leadership culture (hegemony) conducted by capitalists. Hip hop dangdut formed because of the hegemony of media in popularizing hip hop that occurs massively. Contestation on hip hop dangdut identity is analyzed using the concept of mimicry and hybridity to see ‘in-between’ space or third space that can be described the position of hip hop dangdut. Negotiations between hip hop and dangdut is a form of hybridity that takes place in ambivalence, which is mimicking and mocking, and not entirely subordinated to the cultural discrimination that occurs to the strategy of globalization. The performance and NDX music that performed on stage shows the cultural identity negotiations between hip hop and dangdut that formed in the third space.

MAKNA SIMBOL NILAI KEBANGSAAN DALAM PERAYAAN ERAU Janah, Ulum; Rosdiana, Rosdiana; Indriastuty, Nina
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

In local wisdom that has a fair value, the local community has an identity for the nationality of the country. These national values are the basis for national resilience because in these symbols there are patterns in supporting things and as a form of filtering for globalization and support for national resilience. This research aims to find out the national values through symbolic symbols in Erau traditional celebrations in Tenggarong as supporters of national resilience. Descriptive qualitative analysis with Peirce's semiotic approach to interpreting symbols in Erau celebrations that have national values. Its superiority is able to interpret symbols in the Erau context in various other fields. Erau as one of the cultural forms created by the people of Kutai Kartanegara has a symbol of nationality in every ritual in it. Overall, the indigenous people, in this case, the Kutai Kartanegara Sultanate in carrying out Erau is inseparable from the mythology they use based on the Salasilah of the Kutai Kartanegara Sultanate and also the Panji Selaten and Braja Niti books. Mythology is a cultural root that has been passed down from generation to generation as the identity of the Kutai Kartanegara Sultanate and also the patterns of life of its people. In addition, some of the rituals in Erau were designed by the Kutai Sultanate, as well as those that had rules, as a sultanate, they also had separate rules.

CALABAI DAN BISSU SUKU BUGIS: REPRESENTASI GENDER DALAM NOVEL CALABAI KARYA PEPI AL-BAYQUNIE Rokhmansyah, Alfian; Hanum, Irma Surayya; Dahlan, Dahri
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

This study aims to describe the life of calabai and bissu, as well as the views of the people depicted in the Calabai novel by Pepi Al-Bayqunie. This research is library research with a qualitative approach. Data analysis was carried out through several stages, namely the data classification stage, data analysis, and the conclusion of the analysis results. The results of this study indicate that calabai and bissu are gender variations other than men and women in Bugis culture as illustrated in the Calabai novel by Pepi Al-Bayqunie. Calabai who was described by the author in the novel was a Calabai who had privileges and finally he became a bissu. In relation to the existence of calabai and bissu as illustrated in the novel, it turns out that there is a rejection from the group who consider these two gender variations to be incompatible with human nature. The existence of calabai is a problem because it is contrary to the social construction that already exists in the community. However, unlike calabai, the existence of bissu is considered more respectable because it plays an important role in Bugis culture.

KOLOFON Admin Jurnal
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya Universitas

PROSES PENCIPTAAN KOMPOSISI MUSIK KYAI BADRANAYA DALAM KARYA MUSIK KIDUNG SEMAR Setyoko, Aris; Supanggah, Rahayu
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Kyai Badranaya is another name for figures in the purwa puppet show which is a symbolic figure for Javanese people. The special symbolic means to have variations, concepts of life, and beliefs in Javanese society. In the Javanese purwa puppet show, Semar figures are representations of good and wise qualities in human beings. Real Semar figures are also gods who transformed into commoners and became servants, protectors, and also knights of Pandawa namely Yudhistira, Bima, Arjuna, Nakula, and Sadewa in the Javanese version of the Mahabharata epics. The musical composition of Kyai Badranaya is part of the four musical compositions of Kidung Semar by the author, who presents musical performances with ideas from the values and semar phenomenon of Semar figures in the purwa puppet show in Java. The method is carried out through stages, namely the alignment process, and sound training. With this method, the music composition of Kyai Badranaya is compiled and presented in the form of a musical repertoire, which proposes reflection and thoughts about how one becomes a leader who applies the life concept of Semar, namely tepa selira, lembah manah, and andhap asor. The purpose of various organizations is the application used as a learning medium for the general public in the form of new music works. The result of the creation of this musical composition work is to contribute scientific thinking on how to create new music works by utilizing work from traditional sources of Javanese musical music in particular, as well as archipelago music.

PERSUASIVE POWER AS REFLECTED BY RHETORICAL STYLES IN POLITICAL SPEECHES: A COMPARATIVE STUDY OF BARRACK OBAMA AND JOHN MCCAIN Rahayu, Famala Eka Sanhadi; Susilo, Susilo; Sunardi, Sunardi
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

This study investigated about persuasive power and rhetorical style in Barrack Obama’s and John McCain’s speeches to answer two problems: how Barrack Obama’s and John McCain’s political speeches conveyed persuasive power as reflected in their rhetorical styles and what the differences of Barrack Obama’s political speeches from John McCain’s speeches are in terms of: persuasive power of the message conveyed and the rhetorical style from eighteen speeches during Presidential Election Campaign of United States in 2008. The researcher used rhetorical criticism as the technique in analyzing the data. The data of the present study were sentences which were considered to have persuasive power that were created by using rhetorical style. Having analyzed the data, the researcher revealed the following findings: (1) The researcher found that both Obama and John McCain used rhetorical style to convey the meaning in their speeches. Yet, they produced the rhetorical style differently in case of the time they brought into the speeches; Obama brought the future but McCain brought the past; (2) Obama had more persuasive power in his speech comparing with John McCain since he produced more frequent and more various rhetorical style.

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Contact Name
-

Contact Email
-

Phone
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Journal Mail Official
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Editorial Address
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Location
Kota samarinda,

Kalimantan timur

INDONESIA