cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Indri Astrina Fitria Indrarani
Contact Email
risetarsitektur@unpar.ac.id
Phone
-
Journal Mail Official
risetarsitektur@unpar.ac.id
Editorial Address
Gedung PPAG 1, Lantai 1A Program Studi Arsitektur, Fakultas Teknik Universitas Katolik Parahyangan (UNPAR) Jl. Ciumbuleuit No. 94, Bandung, 40141, Jawa Barat, Indonesia
Location
Kota bandung,
Jawa barat
INDONESIA
Jurnal RISA
Published by Universitas Katolik Parahyangan
ISSN : 25488074     EISSN : -     DOI : https://doi.org/10.26593/risa
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
Jurnal RISA aims to contribute to scientific research, practice, and education by publishing national and international studies. The scope of this journal includes the dissemination of research findings, ideas, and reviews in the following subject areas: 1. History, Theory, and Philosophy of Architecture; 2. Housing and Settlements; 3. Architecture and Urban Design; and 4. Building Management Technology.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 300 Documents
 1   2   3   4   5 
THE ROLE OF REFLECTING SURFACES IN ACHIEVING A DARK AND LUMINOUS EFFECT FOR VIDA BEKASI MARKETING OFFICE’S WORK-RELATED ACTIVITIES Pradipta, Edward
Riset Arsitektur (RISA) Vol 1, No 1 (2017): Jurnal Riset Arsitektur
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1456.381 KB)

Abstract

Abstract- Lighting plays an important role in space formation and supporting activities. The utilization of natural lighting for the sake of saving energy can serve that purpose at noon. In the office, good natural lighting will support effienct use of energy by not using artificial lighting. The particular kind of sunlight that feels comfortable for office use should be the non-direct one which is reflected first. Therefore, the natural lighting design should pay attention to this, from the exterior to the interior elements, especially the reflecting surface providing non-direct sunlight.As one of Jakarta’s satellite cities, Bekasi’s development keeps increasing. New housing areas appear and require marketing offices as working areas and for image branding. The marketing office located in Vida Bekasi in East Bekasi uses no artificial lighting at noon. This research discusses what kind of role reflecting surfaces play in achieving a dark and luminous effect for Vida Bekasi marketing office’s work-related activities, by focusing on office rooms A and B. Room A on the first floor and room B on the second floor are interesting topics for discussion as they share the reflecting surface element even though the effect differs.This research can be classified as evaluative-descriptive, employing both the qualitative and quantitative methods. The research started off with interviews conducted with both the architect and the site architect, in addition to literature study, magazine articles, brochures, and internet sources. The calculations were made with a ruler and lux meter, and simulation was conducted with the Velux Daylight Visualizer 3.The analysis concludes that the reflecting surface configuration ranging from form and color to texture is one of the possible strategies to optimize natural lighting in offices.Keywords : natural lighting, reflecting surface, Vida Bekasi marketing office
THE APPLICATION OF GEOMETRIC PROPORTION AND COMPOSITION THEORY TO THE BNI 46 JAKARTA BUILDING BY SILABAN Ratnasarira
Riset Arsitektur (RISA) Vol 1, No 4 (2017): RISET ARSITEKTUR "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1374.319 KB)

Abstract

Abstract- In terms of history, proportion, composition and geometry have been applied as design elements since long ago, way before the era of modern architecture. The existence of these three elements enables numerous variations and produces freedom of expression. Unfortunately, in current design processes, these visual principles are often overlooked. In fact, they play a role as one of the indicators of aesthetics of a building, as well as exerting influence on human perception in capturing and perceiving a given space. The purpose of this research is to study the application of proportion and composition principles to one of the creations of the Indonesian modern architect Frederich Silaban. The BNI 46 Building design by Silaban acts as the research object, displaying a façade which is crammed with modern thoughts, different on each side but remaining harmonious and visually attractive. The theory of proportion, composition, geometry and structuring principles provide the basis for analyzing the existing object. This research uses the descriptive analytical method with the qualitative approach to data collection of the research object. The next step is the vertical and horizontal analysis of the building enclosure in relation to the implementation of geometric proportion and composition principles in the building. This research is expected to be beneficial in terms of enriching the knowledge and study of geometric proportion and proportion in architecture, adding to the consideration of implementing visual principles for professionals, as well as adding to the archive/portfolio concerning Silaban as one of Indonesia’s pioneering modern architects. Keywords: proportion, composition, Geometry, Silaban
THE CHARACTERISTIC FEATURES OF MEGALITHIC CULTURE IN THE ARCHITECTURE OF TEMPLES ON THE ISLAND OF JAVA (FROM THE ANCIENT TO THE MIDDLE AND LATE CLASSICAL ERAS) Pradipta, Rahadian Prajudi Herwindo, Martin
Riset Arsitektur (RISA) Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1809.323 KB)

Abstract

Abstract - Culture is the outcome of human thinking and as such it is closely related to society. One prominent form of culture that is very well known in Indonesia is megalithic culture based on the use of large stones or slabs. The impact this megalithic culture has made on Indonesia is profound, for it already reared its head long before the Hindu-Buddhist culture entered Indonesia, so it has affected this archipelago up to now. In this research study, objects have been employed that had previously been passed over in the process of purposive sampling, that is to say temples that featured a terrace or steps in parts of their complex were sought after. This research project aims to look for the typical characteristics of this megalithic culture in the temple architecture found on Java, and their connection with each of the Hindu-Buddhist eras. The outcome of the analysis indicates that the particular features of the megalithic culture are reflected in the arrangement or lay-out of the mass displaying tiers on teraces or steps, both on site and in the individual constructions, in addition to its orientation facing the mountain or the location of the temple being situated atop a mountain. Height is an indicator of the typical hierarchy found in this megalithic culture, in other words: the higher, the holier. The aesthetic ornaments or elements encountered in megalithic culture are not particularly well-developed, even though it must be admitted that in the final period there are statues and etched stones, albeit none too orderly or detailed. Keywords: Megalithic, temple, mass, hierarchy, aesthetic element
THE EXISTENTIAL SIGNIFICANCE OF CEREMONIAL ARCHES FOR THE ENVIRONMENTAL IMAGE OF THE KERATON AREA IN CIREBON AND YOGYAKARTA Zerlinda, Kirana
Riset Arsitektur (RISA) Vol 1, No 1 (2017): Jurnal Riset Arsitektur
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3508.007 KB)

Abstract

Abstract - The Special Region of Yogyakarta (DIY) and the town of Cirebon are places that share the same monarchical background. This has made urban space planning and the lay-out develop certain characteristics leading to a uniqueness or urban identity. This planning has taken on a physical shape discernible in the environmental image. It has been shaped by the local cultural activities. Ceremonial arches (gates called gerbang) can be regarded as physical elements to be found in Cirebon and Yogyakarta that have cultural-historical value as icons representing the urban environmental image. However, changes made in environmental planning (leading to chaos by prioritizing private interests) has diminished the existence of the physical element of these gerbang At present DIY still adheres to (or recognizes) its monarchical cultural traditions in terms of the public authorities, but Cirebon’s case is different. The latter no longer employs the system for public governance of its region, and at present the historiographic remnants have ended up as mere internal assets.These two differences will naturally affect urban spatial planning and its physical elements, especially when it comes to the characteristic gerbang. In the area of Keraton Kasultanan Ngayogyakarta there are physical elements unlike a proper ceremonial arch, but in socio-cultural terms the Pojok Benteng has been interpreted as a gerbang marking the border of the kingdom’s region. On the other hand, in the area of Keraton Kasepuhan, socio-cultural values affect the interpretation of other physical elements as falling under the gerbang category. These ceremonial arches have ended up as mere markers of “thereness” in the palatial area of the Keraton, which is caused by many other factors that hamper these gerbang gates so that there is no more indication of their actual existence.Keywords: Existence, Socio-cultural, Ceremonial Arch, Urban Image, Expression 
ARCHITECTURAL ACCULTURATION IN THE RESIDENCE OF BUDHI SANTOSO Yenny Gunawan, Fransnino,
Riset Arsitektur (RISA) Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1031.795 KB)

Abstract

Abstract - In the Colonial Era, Dutch architects came to Indonesia and designed buildings based on their European expertise. They adapted to the factor of the tropical climate and indigenous cultural elements as a source of developing the process of architectural acculturation. The residence of Budhi Santoso in Yogyakarta is one of the products resulting from the acculturation between Dutch colonial architecture and the local wisdom and skills of Javanese culture. Architectural acculturation is an important topic that requires further study to contribute to the wealth of cultural knowledge, academic vocabulary as well as the variety of Indonesian architectural styles.The research method consists of qualitative research while the data processing has been obtained from studying the relevant background literature, direct observation, taking measurements, recording data in the shape of photographs and conducting interviews with the owner, Mr Budhi Santoso himself. The data were subjected to analysis using the comparative method by way of a comparison between Dutch and Javanese architecture. This analysis employs a theory derived from the study of background literature, namely Francis D.K. Ching’s theory concerning form, space and order to draw conclusions from the research study of cultural acculturation as observed in this residence.The conclusion indicates that Budhi Santoso’s residence is the product of a form of cultural acculturation between Dutch and Javanese architecture viewed from various angles, including the aspects of site/location, mass form, spatial order (lay-out), the elements of structural and non-structural scope and ornaments. These aspects have been affected by certain dominant features from one of the architectural styles, or else they have received the impact from a mixture between the two styles mentioned, leading to a new type of hybrid architecture. Keywords: Acculturation, Dutch Architecture, Javanese Architecture
THE ARCHITECTURE OF PAGODAS VIEWED FROM THE ANGLE OF SITE LAY-OUT, PROPORTION, AND SYMBOLIZATION William, Raymond
Riset Arsitektur (RISA) Vol 1, No 02 (2017): Riset Arsitektur "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1471.488 KB)

Abstract

Abstract – On Bali the islanders enjoy a close relationship with their Creator. The majority of Balinese worship in temples or shrines called Pura. These form a complex of sacred buildings that have a certain significance and function. One prominent type is the so-called Meru or Pagoda. Not all Pura temples have such a pagoda, but those that have more than one are found quite frequently. The placement of a pagoda in a temple is usually made at the main section due to its holiness or purity. Their shape differs from other constructions because their layered roof is multi-tiered, always uneven in number, starting from 3 up to 11. Therefore, these pagodas attain a different height so that their proportions are interesting to observe in order to determine whether there is a pole (patokan) or not. The pagodas carry divine symbols, ones referring to other temples or shrines, or ancestral symbols. This study employs the descriptive-analytical method by conducting a qualitative-quantitative evaluation. The qualitative evaluation investigates the lay-out of the placement and examines symbolization, whereas the quantitative evaluation studies the proportions of the pagodas. The data collection technique contains three parts, namely studying the relevant background literature, making observations, and holding structured interviews. The data analysis subjects the outcome of the observations and interviews to analysis, to be joined with theoretical study. The conclusion may be drawn that the ordering principle behind the placement of pagodas is situated in the main area, considered the most sacred part of a Pura temple. These proportions prove to have several features in common by comparison, so that it can be turned into a pole (patokan). No uniformity was detected in the symbolization of the pagoda in terms of carvings or the number of joinings.Keywords: pagoda, site lay-out, proportion, symbolization, temples on Bali
THE CONFIGURATION OF MASS LAY-OUT AND EXTERNAL SPACE EXPLOITATION OF FISHING VILLAGES Study objects: The Fishing Villages of Cilincing and Marunda in North Jakarta Levina, Levina
Riset Arsitektur (RISA) Vol 1, No 1 (2017): Jurnal Riset Arsitektur
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1234.75 KB)

Abstract

Abstract- Cilincing and Marunda are two kampongs situated in the north of Jakarta, immediately bordering on the Java Sea. The existence of the fishing villages sketches the lives of these communities. They make their living out of catching fish and other produce, so the lives of the fishing community take place between water and land. This situation has led to their settlement differing from others in the urban kampong. The synergy stimulated by the water-based context has inspired the unique architectural features of these villages, in terms of planning the lay-out of the dwelling-places or residential area.This research study is a descriptive-comparative analysis of the exploitation of exterior space based on the configuration pattern of the mass lay-out of the fishing villages observed. The data collection technique consists of gathering the relevant physical data along with those covering related activities. The physical data have been obtained by way of field mapping and observation, while the data concerning activities have been collected through observation and interviews conducted with the respondents, namely the inhabitants of the Cilincing fishing village (RT 012) and of Marunda (RT 03). The data have been divided based on the major outdoor activities of the community involved (sea-faring and residing). Finally, a comparison has been drawn between the research results of these two villages.The findings indicate that the configuration of the mass lay-out in these two fishing villages has created a quality of exterior space exploitation that is different as well. The one that displays a scattered lay-out pattern has a large volume of exterior space at its disposal that is left unexploited by its inhabitants, both for sea-bound activities and residential land-bound ones. The propinquity of the mass has created exterior space that is more intimate in nature.Keywords: Configuration of mass lay-out, exterior space
DISCONTINUITY OF LINGKAGE CIRCULATION STRUCTURE WITHIN THE AREA OF THE KERATON KASEPUHAN CIREBON (A Case Study: The Keraton Kasepuhan Complex; The Mandalangen Kampong) Prayuko
Riset Arsitektur (RISA) Vol 1, No 4 (2017): RISET ARSITEKTUR "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1733.134 KB)

Abstract

Abstract- The Kasepuhan Cirebon Palace is a living and standing city monument that acts as a city artifact. The existence of the palace itself has been established since the fourteenth century as the kingdom’s capital. A castle cannot stand on its own as a city monument, hence the existence of urban function elements such as; Housing, Circulation, and Fixed Activities as described by Aldo Rossi in The Architecture of the city, 1982. Within the complex of this palace, there are two main areas surrounded by a fortress wall, namely the Keraton complex as the dwelling for Sultan Sepuh (the King), and the Kampung Mandalangen Complex as the dwelling for abdi dalem (servants, subordinates) and royal relatives. The method used in this research is descriptive-quantitative with Continuity, Connectivity, and Depth analysis (Marshall, Stephen, Streets & Patterns. 2003) to discover Street Types in the form of stem, spine and cross-connector within the area. After discovering the Backbone of the complex, (the writer) then descriptively provides the Ragaan (visual/description) in the form of the orientation of the complexes towards one another. In time, many changes have happened to this area. Special mention must be made of the phenomenon of open/close permeability to the Keraton Kasepuhan Cirebon (between complexes and outside of the complex), along with the phenomenon of spatial non-physical aspects (palatial policy and citizens’ behavior) that affects the spatial physical element. Both phenomena have created a shift in the Circulation link structure of both complexes, as well as relations between both complexes. Keywords: Keraton Kasepuhan Cirebon, Relation, Circulation Link Structure, Backbone, DisContinuity.
BALINESE ORNAMENTS IN BALE GILI BUILDING ARCHITECTURE ACCULTURATION Artistiari, Ni Made Witrishna
Riset Arsitektur (RISA) Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (844.298 KB)

Abstract

Abstract - The cultural from of acculturation that has been taking place in Indonesia since the arrival of foreign traders who colonized Indonesia and influenced its traditional architectural culture with non-local architecture yielded a new hybrid form called the Dutch East Indies style. This forms real, tangible evidence of the presence of non-local cultural acculturation with Indonesian indigenous culture. The Bale Gili building at the Soekasada Ujung Park is one example of this phenomenon, built in the Dutch Colonial Era by a Dutch architect named Van Den Hentz. The impact made by Dutch colonial architecture is immediately apparent, but there are also Balinese ornaments in the entire scope of the Water Palace that must be taken into account. The dominant ornaments, their role and significance in the architectural acculturation process and the extent of this acculturation between local and non-local (Dutch) architecture in the Bale Gili building need to be explored by way of extending the acculturation of this typical Indies type of architecture.The descriptive method has been employed to interpret the concrete presence of the Bale Gili building, followed by the analytical method applied to the object of research, subsequently correlated with theoretical study of the ornamentation in the architecture of the building in addition to its anatomical theory. The findings show that the dominant ornaments in the Bale Gili building are the ones based on religion and local beliefs. A closer examination of the ornaments by way of extending architectural acculturation indicates that these ornaments based on religious beliefs in this particular building reveal a concrete form of acculturation between the Dutch colonial style of architecture and the Balinese traditional style. Keywords: Acculturation, Architecture, Dutch East Indies architecture, Water Palace, Bali, Ornament, Bale Gili
THE TRANSFORMATION IN THE LAY-OUT OF BUILDING AND SPATIAL MASS IN THE BLOCKS AND CORRIDORS IN THE CITY CENTER AREA CASE STUDY: PASAR BARU IN BANDUNG Trisia, Agnes
Riset Arsitektur (RISA) Vol 1, No 02 (2017): Riset Arsitektur "RISA"
Publisher : Riset Arsitektur (RISA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (929.906 KB)

Abstract

Abstract - The overly rapid development of commercial functions has changed the lay-out (massing) of Pasar Baru and its environs, along with the horizontal and vertical expansion of buildings, causing a typo-morphological transformation, leading to problems with the lay-out in terms of scale, façade, orientation, and building height. This research study is followed by a description of this lay-out and its impact on the blocks and corridors of Jalan Otto Iskandar Dinata (Otista) by way of the qualitative-descriptive survey method, complemented by study of the relevant background literature, and a discussion of the typo-morphological transformation of Jalan Otista. The changes have impacted the blocks and corridors. The former came in the shape of the residential pockets being wedged together, a change of circulation in these pockets, disorientation of the block mass, and asymmetry or discrepancy observed in the building scale. The latter took the shape of changes in the building façades that tend to be heterogeneous, assymetry or discrepancy in the building scale, the interrupted arcade and non-defined entrance doors to alleys.The conclusion shows that this area displays a typo-morphology of building façades that is relatively heterogeneous. This area will experience vertical building with a larger building mass of blocks that is relatively larger in volume. In turn, this will cause the residential pockets within the blocks to disappear although some of these are bound to survive. This study may provide useful input for the municipal government in anticipating and overcoming the problems surrounding the spatial lay-out and urban planning of a developing city.Keywords: transformation, mass lay-out, block, corridor

Page 1 of 30 | Total Record : 300

 1   2   3   4   5 

Filter by Year

2017 2025


Reset
Filter By Issues
All Issue Vol 9 No 02 (2025): RISET ARSITEKTUR "RISA" Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA" Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA" Vol 8 No 03 (2024): RISET ARSITEKTUR "RISA" Vol 8 No 02 (2024): RISET ARSITEKTUR "RISA" Vol 8 No 01 (2024): RISET ARSITEKTUR "RISA" Vol 7 No 04 (2023): RISET ARSITEKTUR "RISA" Vol 7 No 03 (2023): RISET ARSITEKTUR "RISA" Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA" Vol 7 No 01 (2023): RISET ARSITEKTUR "RISA" Vol 6 No 04 (2022): RISET ARSITEKTUR "RISA" Vol 6 No 03 (2022): RISET ARSITEKTUR "RISA" Vol 6 No 02 (2022): RISET ARSITEKTUR "RISA" Vol 6 No 01 (2022): RISET ARSITEKTUR "RISA" Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA" Vol 5 No 03 (2021): RISET ARSITEKTUR "RISA" Vol 5 No 02 (2021): RISET ARSITEKTUR "RISA" Vol 5 No 01 (2021): RISET ARSITEKTUR "RISA" Vol 4 No 04 (2020): RISET ARSITEKTUR "RISA" Vol 4 No 03 (2020): RISET ARSITEKTUR "RISA" Vol 4 No 02 (2020): RISET ARSITEKTUR "RISA" Vol 4 No 1 (2020): RISET ARSITEKTUR "RISA" Vol 3 No 04 (2019): RISET ARSITEKTUR "RISA" Vol 3 No 03 (2019): RISET ARSITEKTUR "RISA" Vol 3 No 02 (2019): RISET ARSITEKTUR "RISA" Vol 3 No 01 (2019): RISET ARSITEKTUR "RISA" Vol 2 No 04 (2018): RISET ARSITEKTUR "RISA" Vol 2 No 03 (2018): RISET ARSITEKTUR "RISA" Vol 2 No 02 (2018): RISET ARSITEKTUR "RISA" Vol 2 No 01 (2018): RISET ARSITEKTUR "RISA" Vol 2, No 01 (2018): RISET ARSITEKTUR "RISA" Vol 2, No 4 (2018): RISET ARSITEKTUR "RISA" Vol 2, No 3 (2018): RISET ARSITEKTUR "RISA" Vol 2, No 2 (2018): RISET ARSITEKTUR "RISA" Vol 1 No 04 (2017): RISET ARSITEKTUR "RISA" Vol 1 No 03 (2017): RISET ARSITEKTUR "RISA" Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA" Vol 1, No 02 (2017): Riset Arsitektur "RISA" Vol 1 No 02 (2017): RISET ARSITEKTUR "RISA" Vol 1, No 4 (2017): RISET ARSITEKTUR "RISA" Vol 1, No 1 (2017): Jurnal Riset Arsitektur Vol 1 No 1 (2017): RISET ARSITEKTUR "RISA" More Issue