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Gedung PPAG 1, Lantai 1A Program Studi Arsitektur, Fakultas Teknik Universitas Katolik Parahyangan (UNPAR) Jl. Ciumbuleuit No. 94, Bandung, 40141, Jawa Barat, Indonesia
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INDONESIA
Jurnal RISA
Published by Universitas Katolik Parahyangan
ISSN : 25488074     EISSN : -     DOI : https://doi.org/10.26593/risa
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
Jurnal RISA aims to contribute to scientific research, practice, and education by publishing national and international studies. The scope of this journal includes the dissemination of research findings, ideas, and reviews in the following subject areas: 1. History, Theory, and Philosophy of Architecture; 2. Housing and Settlements; 3. Architecture and Urban Design; and 4. Building Management Technology.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 300 Documents
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EFFECT ON CHILDREN PLAY ROOM TYPOLOGY PATTERN PLAY ACTIVITY BEHAVIOR OF CHILDREN CASE STUDY: RUSUNAWA JATINEGARA WEST, EAST JAKARTA AND RUSUNAWA CIGUGUR, CIMAHI, WEST JAVA Febriyana, Y. Basuki Dwisusanto, Deti
Riset Arsitektur (RISA) Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA"
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Abstract - Fulfilling the ever-increasing need for residential areas in a brief period of time has triggered the remarkable immaturity that can be observed in the development of urban planning. Multi-storied apartments may form a solution for the problem of meeting this demand. However, their design fails to pay sufficient attention to the necessary means of social interaction, especially in providing a suitable area for children’s playgrounds. This study aims to explore the various typologies for children’s playgrounds, and the influence they exert on the pattern of play activities. This research study may stimulate the effort to improve the quality of residential areas and the space reserved for children’s playgrounds, focusing on the low-rent apartments known as rusunawa found in West Jatinegara, East Jakarta and those situated in Cigugur, Cimahi, West Java. In the latter there was no playground available for children, so that the local residents’ children finally created a new spot not originally intended for that purpose, whereas the former had already provided one. The samples selected consist of both boys and girls whose age range is between 2-12 years old. The theoretical background literature deals with home-range, behavioral setting, personal space and children’s play activities. This research study yields the conclusion that the spatial typology does not affect the pattern of the children’s play activities, and furthermore no difference was found in the behavioral pattern of the children’s play activities between the two neighborhoods examined. The behavioral pattern of the children’s play activities turned out to be just the same. Moreover, in both study locations, it was found that the older the children, the more capacious the personal space they require tends to be. Keywords: Spatial Typology, Children’s Play Activities, Home-range, Behavioral Setting
CHANGES IN THE PHYSICAL SETTING OF OPEN SPACE IN ACCOMMODATING A VARIETY OF ACTIVITIES IN THE CREATIVE KAMPONG OF DAGO POJOK Ivena, Priska
Riset Arsitektur (RISA) Vol 1, No 02 (2017): Riset Arsitektur "RISA"
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Abstract-The development of a given settlement or residential area cannot be detached from the phenomenon of the urban kampong succeeding in holding out, based on the concept of harmoniously living together as members of a community in society, and one of the strategies used is keeping a close-knit community. The city of Bandung with its concept of being a creative city supports the idea of having creative kampongs that promote the arts and culture of the local community. The creative kampong is expected to be able to provide solutions by creating a better environment, and one of these solutions is exploiting the potential of the natural and human resources available to improve the local community’s welfare. The aim of this research study is to determine how exactly the community living in the creative kampong of Dago Pojok has been able to enhance the physical setting of a limited amount of space in such creative ways to fulfill the need for a range of activities. The method used for this research project can be classified as qualitative by way of frequent mapping of the physical setting at the creative location selected, based on the outcome of observation and recommendations made by the actual initiator of the creative kampong. This stage was followed by mapping of activities and behavior or attitude in the area under observation over a certain period of time. In order to find out more about the physical setting during incidental activities, the data were obtained from the documentation of the creative kampong. The processed data were subsequently analyzed to determine to which degree the need for activities in a particular physical setting can be attempted by way of creative aspects. In the open space used for everyday activities and creative pursuits, the physical setting initially influenced the activities themselves, and the varied activities went on to provide a context for creativity in the same manner as a physical setting experiences change in keeping with the need for space. The physical elements that undergo change may be categorized as fixed, semi-fixed, and non-fixed elements, and those situated in the open (public) space may be classified as base plane, vertical plane, street accessories, illumination and the scope-related atmosphere.Keywords: change in physical setting, open space, creative kampong, Dago Pojok Kampong
THE ROLES OF GLASS BLOCK APERTURES IN NATURAL LIGHT DISTRIBUTION FOR THE PRODUCTION ACTIVITY OF CV. EVERGREEN BUANA SANDANG Priyadi
Riset Arsitektur (RISA) Vol 1, No 4 (2017): RISET ARSITEKTUR "RISA"
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Abstract- A factory within the industrial field is both productive and commercial, with profit as its main orientation of activity. One of the efforts to minimize production cost in a factory is electricity saving through optimizing the utilization of natural lightning as a substitute for the use of lamplight. The lighting design in a factory area of production has to concur with specific activities conducted. The level of illumination and sufficient illumination comfort may improve both workers’ eyesight and concentration. Glass blocks form one of the commonly chosen materials to be applied as natural light apertures. From an economic point of view, glass block material has an edge in terms of low production cost and maintenance. CV. Evergreen Buana Prima Sandang, as children’s clothing factory utilizes natural lighting through glass block apertures, applied to the entire production area and all production stages from beginning to end. Based on theoretical study, they cannot be used to optimize natural lighting in a room, because there is no control over the direction and quality of incoming light. As a host of different activities, the factory’s production area requires a differing quantity of lighting. The research was conducted with the descriptive method and the quantitative approach, starting from initial observation of the study object, the medium of interviews and study of the relevant background literature derived from numerous sources. This was followed by direct measurement in the field as well as design simulation of natural lighting. In the analytical process, the influence of conditions around the spot on the intensity of the light source is described along with the role of glass-block apertures in fulfilling the requirement of light intensity illuminating work space, the influence of types and properties of glass blocks, as well as the influence of position and dimension of the apertures on natural light distribution covering each area of production. Keywords: glass block, natural light, production area, children’s clothing company
THE INFLUENCE OF FUNCTION, FORM AND STRUCTURE ON THE SPATIAL HIERARCHY OF THE TAWANG RAILWAY STATION IN SEMARANG Santoso, Bachtiar Fauzy, Beni Adi
Riset Arsitektur (RISA) Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA"
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Abstract - Dutch East Indies Empire architecture in Indonesia must be preserved as a result of acculturation between a foreign culture and a local one. The century-old Tawang Railway Station in Semarang has been hit by annual rob floods and has undergone somerenovation, but the latter has made the impact of reducing the architectural values of “Indies” style in its features. This research study may deepen understanding of this type of colonial architecture, exploring its application to this railway station. Furthermore, an in-depth analysis determines how function, form and structure have affected the spatial hierarchy of this railway station. This study is descriptive, analytical and interpretative, employing theories dealing with archetypes, ordering principles and Dutch East Indies Empire architecture. After data collection, the analysis compares these theories with the object of study. The findings indicate that this station has indeed applied the concept of the Dutch colonial style, starting from the context of the local area to the building elements, except for the floor. At present, the latter has already been changed in its entirety, from the initial building stage to its current state, where the specific “Indies” character can no longer be discerned. The zenith of hierarchy can be observed in the main lobby whose function is to receive visitors in its cube-shaped space similar to the Sokoguru (central Javanese pillar) and the cupola not found in any other part of the building. The building mass of the station is symmetrical in keeping with its typical “Indies” character, but the function of the interior space is asymmetrical. This shows the importance of achieving a high degree of spatial efficiency to make the activities run smoothly and effectively. Keywords: Hierarchy, Space, Dutch East Indies Empire Architecture, Semarang’s Tawang Railway Station
THE INFLUENCE OF FORM AND MATERIALS ON THE PROPER ACOUSTIC FUNCTION OF THEATRICAL PERFORMANCES AND MUSIC CONCERTS AT GEDUNG KESENIAN IN JAKARTA Mega, Susanti
Riset Arsitektur (RISA) Vol 1, No 1 (2017): Jurnal Riset Arsitektur
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Abstract- A given space requires a specific design for it to function in the best possible way. Many aspects need to be taken into consideration, and the same principle applies to an auditorium. Its space requires proper handling of the right acoustics to optimize the activities to be held there, among others space employed for the purpose of staging theatrical performances and concerts. Ideally speaking, these activities must prioritize the use of natural (purely acoustic) sound without resorting to an electric amplifier. Therefore, an appropriate acoustic design of the space to be used is of the utmost necessity. Each of these spaces has its own criteria to optimize the activities that are held there. To examine the acoustic quality of a given space, there are several prerequisites that must be fulfilled, starting from the form and materials used, the sound’s volume level, sound distribution, reverberation time, acoustic flaws or shortcomings and noise reduction or sound control. Using the explorative method and post-performance evaluation, this research study investigates the capability of the Arts Building called Gedung Kesenian in Jakarta to accommodate two different activities, both from the angle of the specific activity and the prerequisites for the space used. Gedung Kesenian Jakarta has attempted to surmount the problem of echo/reverb that is different for the theatrical and musical performances. However, the too widely diverging values have prompted the need for adding portable elements that are passive in nature in order to maximize the sound reflection, evenness of sound distribution, reverb time as well as dealing with the problem of the echoing sound area, referred to as “shadow sound”.Keywords: acoustic suitability, acoustics of theater space, acoustics of concert space, reverberation time 
THE PERCEPTUAL TERRITORY MODEL IN THE WATER HOUSES ON STILTS FOUND IN THE HERITAGE AREA ON THE KUIN RIVERBANK IN BANJARMASIN Kusnadi, Giosia Pele Widjaja, Regi
Riset Arsitektur (RISA) Vol 1, No 03 (2017): RISET ARSITEKTUR "RISA"
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Abstract - The limited amount of land available on the mainland of the Kuin region has triggered the emergence of permanent stilt houses on the river resulting in new settlements as part of the Kuin region. As a matter of fact, these houses on stilts on the riverbank in the Kuin Kampong do not have a well-defined division marker with the air-based space of the river, so that this particular territory is only based on the perception of the individual owners. This research study aims to shed light on territorial behavior and the perceptual territory model to be found at this location. The data collection method was initially conducted by way of direct observation and conducting interviews with various prominent society figures selected from the local community. After the case study object had been selected, in-depth research was conducted into territorial behavior observed in these case studies. The result indicates that there are two perceptual territory models out of the six cases examined based on their territorial attitude. The first one concerns the perceptual territory model pointing toward the front (mainland) up to the road network, and pointing backwards, to the river. On the other hand, on the immediate left and right side of the buildings, they press close on the space owned by their neighbors. The second one comprises the perceptual territory model pointing toward the mainland (reaching the houses across) pointing backwards to the the river, and to the immediate left or right of the buildings. Keywords: Territory, Perceptual Theory, Territoriality, Culture of Settlement
THE MEANING OF ORNAMENTS IN THE HINDU AND BUDDHIST TEMPLES ON THE ISLAND OF JAVA (ANCIENT - MIDDLE - LATE CLASSICAL ERAS) Halim, Andre
Riset Arsitektur (RISA) Vol 1, No 02 (2017): Riset Arsitektur "RISA"
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Abstract- As one of the relics of the Classical Era, temples and shrines have been known as a means of worshipping the gods and goddesses or one’s ancestors, especially in the religions of Hinduism and Buddhism. Observers often regard the ornaments of these temples as mere visual art objects, as eye candy that may beautify their outward appearance. However, when examined more closely, these ornaments carry a certain meaning in each of the temples. The aim of this research study is to explore the deeper significance of these ornaments and their location. This research can be classified as qualitative, using the descriptive-analytical method. Employing the Purposive Sampling method regarding ornamentation, eleven temples have been selected that meet the research requirements. Both Hinduism and Buddhism have been known to make a division into three worlds, namely the lower, middle and upper spheres. This division has also shaped the elements of temples into their respective head, body and legs/feet. Further categorization yields six motifs, all of which can be found in temples in various shapes, consisting of several types of ornament that embellish the three elements mentioned above. Each of the motifs carries a variety of meanings. In this research study, the relationship between the meanings and their exact location (placement) is analyzed, indicating that they are in keeping with the division into three worlds, but then again there are ones that do not follow that pattern, and still others that are not affected at all. Development of the physical shape of the ornaments has occurred in several ornaments, but the majority of the changes in their physical shape has left no impact on the meaning contained within these ornaments.Keywords: temple, ornament, meaning, placement, physical shape
PRESYSIBILITY CONCEPT OF PRE-PROPOSED MAJAPAHIT CITY, ON MODERN REGULATION OF AREA CASE STUDY ON CAMPUS UI, UB AND ITB Winarno
Riset Arsitektur (RISA) Vol 2, No 2 (2018): RISET ARSITEKTUR "RISA"
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Abstract - Modern building design today has a tendency to focus only on the inner space, while the outer spaceonly as space remaining from processing the space inside. Understanding of space in the context of modernwestern architecture is certainly not necessarily in harmony with the understanding of space in the context oftraditional Javanese architectureBased on the ongoing activities in traditional Javanese buildings, it shows thecomposition of spatial arrangement that allows interaction with the environment so that it is sustainable andresponsive to nature / climate. The mass of the building can be seen as the visual boundary of the space marker,so it can be processed, among others, by given certain pressures such as the use of ornamentation, etc.According to Professor of Southeast Asian Archaeological National University of Singapore John N. Miksic thepower of Majapahit range includes Sumatra and Singapore and even Thailand as evidenced by the influence ofculture, building style, temple, sculpture and art. Trowulan itself is the capital and civilization center of JavaMajapahit. Nagarakretagama mentions the palatial culture of a noble and elegant, with delicate artistry andliterature, as well as a complicated religious ritual system. Majapahit temples good quality geometrically byutilizing the sap of vines and brown sugar as a brick adhesive. This style of building can still be found in Javaand Bali architecture. In addition, Trowulan has a reservoir system called "Segaran", which functions as floodcontrol and water source during drought.This research is trying to understand elements of ancient city of Trowulan and searching for the wealth of urbanspatial Javanese - hindu this and looking for potential development in the present, The research will be donedescriptively argumentative with qualitative approach through study on urban spatial Trowulan to modern areaprecedent.Key Words : Urban Planning, Open Space, Majapahit Capital, Trowulan, Javanese- Hindu Civilization,Mandala
THE MONUMENTALITY OF MODERN ARCHITECTURE AS OBSERVED IN JAKARTA’S POLA BUILDING Irena
Riset Arsitektur (RISA) Vol 2, No 01 (2018): RISET ARSITEKTUR "RISA"
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Abstract- After the Indonesian people declared Independence on 17 August 1945, Ir. Soekarno had a modern vision and mission, namely that architecture could become a symbol of strength and power in a state. Therefore, various monumental building projects emerged, especially in Indonesia’s capital Jakarta. One of these was the Pola building in Jakarta, a work of architecture designed by F. Silaban. The Pola building was actually constructed on top of Ir. Soekarno’s former house and functioned as an exhibition space to display Overall Projects Planned for the First Eight Years 1961-1969 (PSBPTP). The purpose of this study is to find out more about the architectural monumentality encountered in this research, to examine the concrete shape of the expression of this monumentality in the Pola building, and to determine the geometric elements, supporting the creation of this expression in this particular building. The research methods consist of the descriptive method, the analytical method and the interpretative method through the analysis of the physical and spatial data related to the observation of the building activities; interviews held with the building manager and the study made of the background literature on the object of study. The theory concerning architectural monumentality, the theory dealing with principles of arrangement (lay-out), the theory of geometrical elements and finally the theory concerning archetypes have been used to analyze the physical construction data regarding their monumentality. The conclusion that may be drawn from this research is that the monumentality observed in the Pola building can be gleaned from the geometrical elements shaped like a striped rectangle as the composing element that contributes to its monumentality with its repetitive lay-out showing a static and balanced rhythm. The benefit of this research lies in the hope that it may make a positive contribution to the development of scientific knowledge in the field of architecture., and especially modern architecture in whose field this research has focused on the monumentality of buildings designed in the modern architectural style based on the physical condition of the building in question. Keywords : Monumentalism, Architecture, Modern
PERSISTENCY OF USE OF BOROBUDUR-PRAMBANANSEWU ARCHITECTURE (JAWA ERA CENTRAL CLASS) ON BAYON TEMPLE IN KAMBOJA Widyargo
Riset Arsitektur (RISA) Vol 2, No 2 (2018): RISET ARSITEKTUR "RISA"
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Abstract - Indonesia was in its heyday back then In the time of middle classic era of Hindu and Buddha. It isproved by many construction of big Temple such as Borobudur, Prambanan, and Sewu Temple. In AngkorKingdom which was younger age was found alleged resemblance to the figure of Angkor temple andPrambanan Borobudur, and Sewu temple. It is also supported by the fact that in the 8th century, KingJayawarman II who built Angkor, returned from Java.The Cambodian temple research object this time is BayonTemple which is the last civilization of Angkor Kingdom with Prambanan, Borobudur and Sewu temples as acomparative object that represents Middle Classic era of the Javanese temple architecture. The purpose of thisresearch is to know the persistence of architectural elements (massing, plan, figure, and ornamentation) ofBorobudur, Sewu and Prambanan temple (Javanese temple of Middle Classic era) at Bayon temple viewed fromsimilarities and differences of these elements.The research method used in this research is semiquantitative-qualitative method by observing, collectingtemple data of research object, then linking data with related theory so that it becomes processed data. Datathat have been processed with the theory of each temple then compared each other to get a descriptive analysisof the similarities and differences of its elements. That data was recalculated then to find the amount ofsimilarities of the study object with the object of comparison can be found. From the analysis can be concludedthat at Bayon temple there are similarities of element found with Javanese Middle Classic era of architecture,but similarities are only found on the principle of designing the mass, plan, and the figure only, while inornaments there were found ornaments with the same type exist but not similar or not in the same place.Key Words : persistent, comparation, essential elements of the temple, Javanese Middle Classic era ofArchitecture, Bayon Temple, acculturation.

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