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Jurnal RISA

risa
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Published by Universitas Katolik Parahyangan

ISSN : 25488074 EISSN : - DOI : https://doi.org/10.26593/risa

Core Subject : Engineering,

Civil Engineering, Building, Construction & Architecture

Jurnal RISA aims to contribute to scientific research, practice, and education by publishing national and international studies. The scope of this journal includes the dissemination of research findings, ideas, and reviews in the following subject areas: 1. History, Theory, and Philosophy of Architecture; 2. Housing and Settlements; 3. Architecture and Urban Design; and 4. Building Management Technology.

Arjuna Subject : Teknik (semua kategori) - Arsitektur

Articles 430 Documents

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CONCEPT OF SETTLEMENT IN JULAH CULTURAL VILLAGE AS A PART OF BALI AGA VILLAGE REVIEWED ON RITUAL, BELIEF, AND DOMESTIC ROUTINE ASPECTS Dewa Nyoman Angga A. B. ; Y. Basuki Dwisusanto ; Franseno Pujianto
Riset Arsitektur (RISA) Vol 3 No 02 (2019): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- Reidfiled (1953) states that new buildings built within the vernacular architecture physically manifest and perpetuate the cultural norms and building that accumulate in them. In essence, Balinese culture is classified as an expressive type that emphasizes the religious and aesthetic values (art) as the dominant value, so the value is always prominent and present along with other elements in everyday life (Pujaastawa, 2014). This research describes Desa Adat Julah sattlement’s concept as Bali Aga Village which still survive, viewed from cultural aspect, ceremony and daily routine as dominant element and the relation of architectural form to the activity in it. This study applies the theory of Vernacular Architecture Paul Oliver: (1) Religion and Belief, (2) Ceremony and Ritual, and (3) Domestic Routine.The architectural elements of Desa Adat Julah classified into order, space and form based on D. K. Ching theory.The research shown, beliefs factors led the village zonation based on natural factors such as mountains (ulun) and sea (teben). In ceremonial activity, the main circulation path can be called the "center" of village orientation. The concept of dwelling yard is associated with the catuspatha. The catuspatha generates a “natah” space. The canges of domestic routine also changed its form. Key Words: Desa Adat Julah, belief, ritual and domestic routine, form, space and order, concept of settlement.

THE EXPRESSION OF NATION-BUILDING AND THE CHARACTER-BUILDING SPIRIT AS FORMS OF NATIONAL IDENTITY AS OBSERVED IN THE ISTIQLAL MOSQUE’S ARCHITECTURE Iqbal Ardiansyah; C. Sudianto Aly
Riset Arsitektur (RISA) Vol 1 No 04 (2017): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- A political regime generally possesses an identity and has insight into nationally idealistic cultural values. Its expression can be observed in the art and physical architecture that blossoms in its era. This insight gives birth to national identity. The formation of national identity itself originated from several dimensions, namely the sub-national dimension, the personal dimension, and the supra-national dimension. In the transition between the Netherland-East Indies and the Republic of Indonesia, Indonesia as a new country possessed ideals in the formation of physical architectures that can represent its national identity. This insight is realized in detail within nation-building and character-building ideas within several mega-projects pioneered by the Old-Order government. One of them was the Istiqlal Mosque as a national house of worship. The expression of Istiqlal Mosque architecture cannot be separated from the dimensions of national identity formation in architecture. The focus of this research is on the observation of Istiqlal Mosque architecture. Indicators of the national identity’s expression in Istiqlal Mosque architecture are: the discussion of national-identity dimensions in architecture (national-identity dimension – sub-national dimension, national-identity dimension – personal identity and national-identity dimension- supra-national identity). The discussions of expression in architecture that can be achieved through visual composition formation are (a) domination, (b) repetition, and (C) continuity in composition of one architectural object. The object of architecture was further examined, arranged by form and material, general design principles, contextual relations, and physical, semantic and spatial organization of an architectural object. The Istiqlal Mosque is one example of an architectural product from the previous political regime that can profoundly and critically sharpen our thoughts concerning the Indonesian nation’s identity on the national and state level. Keywords: national identity, nation-building and character-building, sub-national dimension, personal dimension, supra-national dimension, Istiqlal Mosque

EVALUASI SAMBUNGAN MUR-BAUT STRUKTUR PORTAL TRUSS “THE GREAT HALL” OBI ECO CAMPUS - JATILUHUR Kenny Christian ; Anastasia Maurina
Riset Arsitektur (RISA) Vol 2 No 03 (2018): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- Bolt joint is one of the common joineries in a modern bamboo construction. The usage of the bolt joints in bamboo joinery are believed to be the most efficient therefore the bolt joint was used regardless of the various kind of different forces in every bamboo joinery. One of the disadvantage of the bolt joints in bamboo construction in the force that flow parallel to the bamboo fibers therefore some of joineries needed to be strengthen to prevent the joinery failure. The Great Hall OBI Eco Campus is one of the building which the joineries entirely connected by the bolt joints, through different forces in every joinery some of the joinery in the building are strengthen by rope. The bolt joints have many other combinations to strengthen the joinery that could be an option, they are bolt joint with clamping and with mortar injection. Key Words: Bolt Joint, parallel forcee to the bamboo fiber, strengthen by rope, “The Great Hall” OBI Eco Campus, Clamping, Mortar Injection

THE INFLUENCE OF SPATIAL HIERARCHY AND FUNCTION ON THE ARCHITECTURE OF THE MAIN BUILDING OF CIREBON’S KEJAKSAN RAILWAY STATION Nasya Nabilla Aninditya
Riset Arsitektur (RISA) Vol 1 No 02 (2017): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract - The Cirebon region was once one of the centers for sugar plantations on Java. In the middle of the 19th century the town of Cirebon developed an urban area revolving around the food industry whose main products were sugar and ice. To facilitate the distribution of sugar in large quantities, the State Railway Service built the Cirebon Railway Station in the Kejaksan town district. This was designed and built by a Dutch architect named P.A.J. Mooijen in 1911, in the typical “Indies” style that was in the middle phase of its development. This research study aims to explore the influence of function and hierarchy on its architectural form, namely the main station building on Jalan Siliwangi in the Kejaksan district. The research steps consist of deconstructing and classifying the building, employing Thijs Eversen’s theory concerning Archetypes in Architecture, and an examination of function, form, space and ordering principles as described by Francis D.K. Ching. The result of this interpretation is subsequently linked to various indicators that point toward the Indies style of architecture, as proposed by Hardinoto. The final step consists of showing the connection between spatial function and hierarchy found in the building form. The conclusion indicates that spatial function and hierarchy have indeed had a direct impact on the architectural form examined. This is discernible in the building mass that shows a formal hierarchy in the middle, which is in keeping with the hierarchy of building space. The typical Dutch East Indies building concept featuring the use of symmetrical space, a monumental shape due to the hierarchy in the middle section, and the use of supporting walls can all be found in the main building of this railway station.Keywords: Function, Form, Space, Spatial Hierarchy, Dutch East Indies Style of Architecture

RELATION BETWEEN PHYSICAL SPATIAL ORDER OF SETTLEMENT WITH BATAK TOBA SOCIETY’S KIN RELATIONSHIP STUDY OBJECT: HUTA GINJANG VILLAGE, SIANJUR MULA-MULA SUB-DISTRICT Grace Mananda Hutabarat ; Rumiati R. Tobing
Riset Arsitektur (RISA) Vol 3 No 03 (2019): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- Batak Toba tribe is an ethnic group that still holds tradition as an identity that distinguish them from other ethnic groups in Indonesia. Part of the culture that strongly influences society’s daily life is the kinship, as can be seen with the usage of family name and the philosophy of Dalihan na Tolu, which regulates attitudes and behaviors among society. Aside from the kinship, the traditional architecture is also a cultural identity of Batak Toba tribe, ranging from the order of settlements to organization of space in each dwelling. The research aims to study the physical spatial order of the settlements as a consequence of Batak Toba kinship system, to see the relation between settlement’s physical spatial order with the clan system and the philosophy of Dalihan na Tolu, and lastly to see the effect of modernization in the development of Batak Toba settlements.Huta Ginjang Village in Sianjur Mula-mula is an indigenous village that still holds Batak Toba tradition and culture. Residents are mostly from the Sagala clan and originated from one ancestor. Each house is inhabited by one nuclear family and the collection of several dwellings in a certain order forms a settlement that still knows the kinship of one another. Huta Ginjang Village consists of eight cluster of settlements that still have relation to each other, forming a small clan group.Data on the spatial physical order of the settlements in Huta Ginjang Village and the society’s kin relationship are obtained from literature studies, direct observation in the object of study, and interview with the villagers. The obtained data were analyzed qualitatively by using the relation theory in architecture.The result of the research shows the undeniable relation between physical spatial order of settlement in Huta Ginjang Village with the society’s kin relationship, either on the village, huta, or on the dwelling scale. One of the relation can be seen in the absence of hierarchy in dwelling placement, as the principle of the Dalihan na Tolu has no hierarchy between each of the components. The relation with the kin relationship cannot be seen from each of the building’s typology, because there are no special features that distinguishes each of the kinship groups. Key Words: relation, physical spatial order, kin relationships, Huta Ginjang Village

THE INFLUENCE OF THE CREATIVE KAMPONG’S TOURIST ACTIVITIES ON THE CHANGE IN LAY-OUT FOR ACTIVITIES AND THE CHANGE IN SPATIAL ARRANGEMENT OF THE DAGO POJOK KAMPONG IN BANDUNG Maria Kencana Hanggana Raras ; Giosia P. Widjaja
Riset Arsitektur (RISA) Vol 2 No 01 (2018): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract - “Bandung the Champ” is a program organized by Bandung’s Municipal Government to develop the local economy and increase the quality of urban life. One of these programs is called the Kampong Champ, which puts forward the concept of the Creative Kampong. The purpose of this program is to develop the economy of the local community by way of exploring the potential of the citizens, and to create a kampong fit for tourism. The Creative Kampong at Dago Pojok has been built and expanded from 2010 up to the present. The phenomenon that has taken place consists of the change made in the spatial lay-out to accommodate tourist activities based in these quarters that are of a temporary kind. This research project aims to identify the change mentioned above as a consequence of the marked shift from daily activities in the neighborhood to tourism-related ones and to reveal the influence of the change in spatial arrangement made in this kampong on the spatial lay-out of the Dago Pojok area. The methods employed for this research consist of the qualitative method and the descriptive method along with field observation using the technique of observing place-centered mapping. The study of the discussion starts off with identifying the arrangement of physical space that has undergone change due to a change in activity, followed by an analysis of the influence of the architectural elements on the change made in the lay-out of physical space and the approach to the morphological aspects of the city to identify the impact of these changes on the planning of this urban area. The results of the study indicate that the changes made in the arrangement of the activity space and the circulation have been caused by the change in daily activities into tourism-related ones coming from the Creative Kampong so that the latter’s spatial lay-out cannot accommodate these activities properly. As a consequence, the space needs to be rearranged with the element of semi-fixed features due to the density of the relatively tall buildings in this urban kampong. The changes in spatial arrangement made in the various areas under observation have exerted an influence on the urban kampong’s spatial lay-out, amounting to a structural change in the lay-out and orientation as well as the formation of hierarchy and datum in the area of Dago Pojok. Keywords : Tourism, Creative Kampong, change in lay-out, change in spatial arrangement

ADAPTATION AND CONSERVATION OF THE FINE ARTS MUSEUM IN THE KASATRIYAN COMPLEX AT THE KERATON OF YOGYAKARTA Arthur Pramudya
Riset Arsitektur (RISA) Vol 1 No 1 (2017): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- At present, the Fine Arts Museum at the Keraton of Yogyakarta is still intact, though it has seen slight change and is less than comfortably equipped for certain activities. This research study aims to reveal the cultural significance of the objects and the architectural elements that have shaped them, followed by a description of preservation measures. The research method is qualitative-interpretative, along with the Architectural Approach (function-form-meaning), Architectural Typology, and the Conservational Approach. The cultural significance of the formal aspects falls under architectural values and skills, whereas the functional aspect takes on the form of purpose-based values and history-related values.The building with its massive shape has been adapted to its environment or immediate surroundings, in addition to having been ornamented. The spatial arrangement shows a symmetrical pattern. The thick walls protect it against the local tropical climate. The function of the building has changed drastically, namely from being a school to a residence for the Crown Prince, to its final transformation into a museum. The ornaments on the ceiling, railings, walls, gable and columns reveal a decidedly mixed style consisting of Art Nouveau, the typical Indies style, and local Javanese architecture. The skill-related values reveal the technology behind the shaping elements of the structural and architectural construction. The current purpose-based values refer to its present use as a Fine Arts Museum.The period spanning 1921-1934 forms the reference point for conservation. The condition of the building is still intact and solid, but there is some ambiguity in terms of temporal context (era) discernible, and there is minor damage, as well as less than satisfactory suitability for its current purpose. Conservation measures include adaptation of the building in accordance with its current function and preservation in the shape of routine maintenance.Keywords: Fine Arts Museum, cultural meaning, adaptation, conservation

SIMILARITIES AND DIFFERENCES IN THE SPATIAL PATTERN AND FORM OF BUDDHIST BUILDINGS OF WORSHIP ON BALI Meidy Charista Cahyawan; Yuswadi Saliya
Riset Arsitektur (RISA) Vol 1 No 04 (2017): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- In addition to Hinduism, Balinese people are familiar with Buddhism that entered the region at almost the same time as Hinduism during Dharmaudayana’s reign. Unfortunately, due to the large number of sects and religions developed at that time, there was religious simplification by Mpu Kuturan. Syncretism occurred between Shivaism, Buddhism (Mahayana), as well as original Balinese local religion merging into Shiva-Buddhism that developed into Balinese Hinduism that has been prominent until the present. After independence, the school of Buddhism that had not been influenced by the conditions and local denominations was resurrected and had Vihara temples built. Hence, the existence of Buddhist buildings of worship on the island of Bali from the IX-XI century called Candi (Vihara). Based on this phenomenon, the need arose for identifying similarities (in terms of continuity) and differences (discontinuity) of spatial and formal patterns in the Buddhist buildings of worship in Bali within the typo-morphological context, namely Goa Gajah (Elephant Cave), Candi Pegulingan (Pegulingan Temple), Candi Kalibukbuk (Kalibukbuk Temple), Brahma Vihara Arama (Brahma Arama Temple), and Vihara Buddha Sakyamuni(Buddha Sakyamuni Temple). The descriptive qualitative method was used through field observation of individual research objects which was subsequently identified and analyzed to discover the similarities and differences as well as mutual relations in accordance with variables determined by theoretical analysis concerning typo-morphology and Buddhist buildings of worship. There are similarities and differences in each research object. The similarities and differences exist due to the strong beliefs and closely guarded simbols of Buddhism although there is also the influence of local and traditional elements on the Balinese order of life. These, in turn caused the existence of numerous patterns of each object. The new patterns are the reflection of the various forms of assimilation that occur on Bali. Keywords: Buildings of Worship, Candi, Vihara, Bali, Typo-morphology

LAWANG SEWU’S MONUMENTALITY ARCHITECTURE Amirul Farras Abyyusa ; Sudianto Aly
Riset Arsitektur (RISA) Vol 3 No 02 (2019): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- Lawang Sewu is a historic cultural heritage building that became one of the leading tourist attractions in Semarang City. The building that was built in 1904 and completed in 1918 has experienced some changes in function and ownership. Lawang Sewu was originally the administrative office of Nederlands-Indische Spoorweg Maatschappij (NIS). NIS is a private company engaged in the field of railways. Lawang Sewu also witnessed the 5 days battle in Semarang that occurred on 14 to19 August 1949. It was marked by the location of Tugu Muda Monument located on the west side of Lawang Sewu. Apart from the historical side, spatial relationships between Lawang Sewu and Tugu Muda Monument in the area, making the building of the former NIS office is significant. Architecturally, the significance can be explained in the context of the monumentality of the building.The Monumentality of Lawang Sewu is explained gradually from several aspects. First, an architectural object can be monumental seen from the link between architecture and monument. Second, the historical and cultural dynamics attached to the building. Third, the building relationship with the surrounding environment and its architectural character. Referring to the concept of architectural monumentality enclosed by Yoshinobu Ashihara and Louis Kahn, monumentality is described based on the image of the singularity of buildings that arise from its relationship with the surrounding environment and the quality of the atmosphere of space formed from building elements.As an architectural object, Lawang Sewu has the required value in the definition of monuments and monumental properties. These values include aspects of history, technology, architecture, and culture. Not only has monumental values, Lawang Sewu also experienced the dynamics of changing the meaning of monuments as described in the Nine Points on Monumentality. In addition, Lawang Sewu is a building inherent in the collective memory of society. This is evidenced from the name Lawang Sewu which is actually a nickname. In the architectural context, Lawang Sewu is able to show the monumental value of its unique impression on Tugu Muda Monument Area. Then, both the architectural elements and the structures seen in the atmosphere of space in Lawang Sewu able to convey the image of a certain period. Elements of buildings with economic value and high technological updates also form the value of Lawang Sewu monumentality. Key Words: significance, monumentality, history, culture, Lawang Sewu, railway

EVALUATION OF LIGHT SHELF DESIGN PERFORMANCES TO THE DAYLIGHT’S SUNLIGHT PENETRATION ON SINAR MAS LAND PLAZA BUILDING TANGERANG TO INCREASE THE GREEN MARK ASSESSMENT Monica Elizabeth ; Ryani Gunawan
Riset Arsitektur (RISA) Vol 2 No 04 (2018): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- Light shelf is one of the daylighting strategies used in Sinar Mas Land Plaza Tangerang. However, based on observations made on the object of research, light shelf design on Sinar Mas Land Plaza Tangerang is not optimal. This is because the purpose of a light shelf that should reflect sunlight directly to enter much deeper into the room does not occur. This is evident in the use of artificial lighting in areas close to openings, so it is necessary to evaluate the light shelf design to improve light shelf performance, which is also useful for improving the Green Mark BCA assessment.This research uses experimental research method to see daylight penetration by simulating model using Ecotect which can simulate model by ray simulation. Evaluation is done by manipulating variables from light shelf design such as ceiling design aspect, light shelf shape, and light shelf slope to see effective light shelf design to be applied to Sinar Mas Land Plaza Tangerang. Based on the research, it can be concluded that the performance of the existing light shelf design is not optimal because of the fins that are above the light shelf to block out direct sunlight. The sloped ceiling design also affects the daylight penetration distance into space. Light shelf design that effective at North orientation is a light shelf design with curved shapes, while the light shelf design that effective at South orientation is a light shelf design with a slope of 200. Improving the light shelf design can increase the Green Mark rating up to 8 points. Key Words: light shelf, daylight penetration, assessment of Green Mark, Ecotect

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Indri Astrina Fitria Indrarani

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Gedung PPAG 1, Lantai 1A Program Studi Arsitektur, Fakultas Teknik Universitas Katolik Parahyangan (UNPAR) Jl. Ciumbuleuit No. 94, Bandung, 40141, Jawa Barat, Indonesia

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Home Page

OAI Link

Editorial Team

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Contact Name Indri Astrina Fitria Indrarani

Contact Email risetarsitektur@unpar.ac.id

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Journal Mail Official risetarsitektur@unpar.ac.id

Editorial Address Gedung PPAG 1, Lantai 1A Program Studi Arsitektur, Fakultas Teknik Universitas Katolik Parahyangan (UNPAR) Jl. Ciumbuleuit No. 94, Bandung, 40141, Jawa Barat, Indonesia

Location Kota bandung, Jawa barat INDONESIA

Abstract

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Contact Name
Indri Astrina Fitria Indrarani

Contact Email
risetarsitektur@unpar.ac.id

Phone
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Journal Mail Official
risetarsitektur@unpar.ac.id

Editorial Address
Gedung PPAG 1, Lantai 1A Program Studi Arsitektur, Fakultas Teknik Universitas Katolik Parahyangan (UNPAR) Jl. Ciumbuleuit No. 94, Bandung, 40141, Jawa Barat, Indonesia

Location
Kota bandung,

Jawa barat

INDONESIA