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INDONESIA
Jurnal Filsafat
Published by Universitas Gadjah Mada
ISSN : 08531870     EISSN : 25286811     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Filsafat is a scientific journal that first published in 1990, as a forum for scientific communication, development of thinking and research in philosophy. Jurnal Filsafat is published twice a year, in February and August with p-ISSN: 0853-1870, and e-ISSN: 2528-6811 The Editorial Team of Jurnal Filsafat accepts manuscript in the field of philosophy which has never been published in other media. Editorial Team has the right to edit the manuscript as far as not changing the substance of its contents.
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Articles 6 Documents
 1 
Search results for , issue "Vol 22, No 1 (2012)" : 6 Documents clear
FILSAFAT EKONOMI PANCASILA MUBYARTO Hastangka Hastangka
Jurnal Filsafat "WISDOM" Vol 22, No 1 (2012)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.12984

Abstract

The purposes of this paper is to find and analyze on Mubyarto’s philosophy of Pancasila Economics. Mubyarto is the great philosopher in Pancasila’s Economics. Conceptually, Pancasila’s Economics become fundamental aspects in Indonesia’s economics development paradigm. The issues on Mubyarto’s Pancasila’s Economics emerge when questioning economy growth, equality, and economy justice; and how Pancasila’s Economics can explains economics growth between industrial and agricultural principal. This paper discussed about the essence of Pancasila’s Economics, how it works, how Mubyarto’s theorizing Pancasila’s Economics into practice, and how does economists, and scholar’s responses on Pancasila Economics. Finally, we conclude that Mubyarto’s Pancasila’s Economics is an approach to see phenomena of economy in Indonesian society and Mubyarto’s Pancasila’s Economics is an alternative approach to learn economic against conservatism and neo-classical theory of economy.
HAKIKAT PENYULUHAN PEMBANGUNAN DALAM MASYARAKAT Dwi Siswanto
Jurnal Filsafat "WISDOM" Vol 22, No 1 (2012)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.12985

Abstract

The essence of development education can be obtained by explaining its meaning; explaining and analyzing its functions and principles in the community; and describing its essential elements. Based on the study that have been conducted, the essence of development education can be described as follows. First, development education is a process of information dissemination; process of explanation; process of behavioral change; the educational process; and social-engineering process. Second, its functions is to change people's behavior better to improve the quality of life. Third, its principles include: the interests and needs; grassroots organizations; culture changes; cooperation and participatory democracy in the application of science; learning by doing; the use of appropriate methods; leadership; trained specialists; education must consider the family as a social unit; education should be able to realize satisfaction. Fourth, the elements in development education are extension, objectives, methods, media, place and time.
METAFISIKA SIMBOL KERIS JAWA Nurhadi Siswanto
Jurnal Filsafat "WISDOM" Vol 22, No 1 (2012)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.12986

Abstract

Essential issue in the study of the metaphysics of symbol is based on two main questions: (1) is a symbol immanent in human (and limitedly rooted in the human spirit) or symbol is also rooted to the transcendent (which address the human and his life)?; and (2) is a symbol just has horizontal dimension or vertical dimension as well?The creation of keris is a mixture of desires, hopes, goals, and desired benefits from the buyer if the dagger with a sense, initiative and creativity embodied in the master symbols at luk, dhapur, and pamor. The master in the making process, entered the dimensions of the symbols commonly applicable in the Javanese community. Javanese keris analyzed from the point of the symbol, can be concluded that the symbol visible at the class of ordinary Javanese (the public) is more vertical-transcendental, and the special group (the intellectuals) Javanese symbol doubles the vertical dimension-transcendental, as well as horizontal-immanent, while the new class (the keris is considered as art), Javanese symbolism over the horizontal dimension-immanent.
DIMENSI TANDA DALAM PERSPEKTIF ANALITIKA BAHASA LUDWIG WITTGENSTEIN DAN PENGARUHNYA DALAM TANDA KONTEMPORER Rizal Mustansyir
Jurnal Filsafat "WISDOM" Vol 22, No 1 (2012)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.12982

Abstract

This article focused on Wittgenstein’s thought about sign. The thinking of sign is developed in semiotics tradition. Semiotics and philosophy of language are different tradition, but they have similarity, namely concern with problem of meaning. Wittgenstein’s thought in his two periods understood about sign in different way.Wittgenstein I said that sign of complexity is not arbitrarily resolved in the analysis, in such a way that its resolution would be different in every propositional structure. According to Wittgenstein II, not all signs have impressed themselves on subject so strongly. A sign in the algebra of logic form instance can be replaced by any other one without exciting a strong reaction in subject. Nowadays, signs in contemporary culture are developing into confusing signs, pseudo-signs, eloquent-signs, and codeswitching.
KONSEP MANUSIA DALAM GUNUNGAN: SEBUAH REFLEKSI FILOSOFIS TERHADAP KEARIFAN LOKAL Andreas Yumarma
Jurnal Filsafat "WISDOM" Vol 22, No 1 (2012)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.12983

Abstract

Gunungan has important role and function in the wayang performance. Such a primacy is shown from its place in the performance which is always in the middle of the screen at the beginning and the end of performance. The colorful images of gunungan symbolize cosmic order, growth, life, and so on. Philosophical reflection of gunungan, therefore, sheds a light to the concept of human being, its existence in the world, and some ethical and religious consequences to human attitudes. There are some philosophical ideas such as structure of human existence, concept of the origin and destination of all beings (sangkan paraning dumadi), cosmic person, and human co-existence, as well as the concept of religiousity. Those concepts are topics of local wisdom in gunungan that should be reinvented in order to contribute alternative directions for both human development and societal progress.
Metafisika Simbol Keris Jawa Nurhadi Siswanto
Jurnal Filsafat "WISDOM" Vol 22, No 1 (2012)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.3104

Abstract

Persoalan esensial dalam pengkajian metafisika simbol didasarkan pada dua pertanyaan pokok yaitu: (1) apakah simbol imanen dalam kemanusiaan saja (hanya berakar dan terbatas dalam roh manusia saja) ataukah simbol juga berakar kepada yang transenden (yang mengatasi manusia dan kehidupannya)?; dan (2)  apakah simbol hanya berdimensi horizontal saja ataukah berdimensi vertikal juga?Penciptaan keris merupakan perpaduan dari keinginan, harapan, tujuan, dan manfaat yang diinginkan dari sang pemesan keris dengan olah rasa, karsa, dan cipta sang empu yang terwujud dalam simbol-simbol pada luk, dhapur, dan pamor keris. Sang empu dalam proses tersebut, masuk dalam dimensi simbol-simbol umum yang berlaku dalam masyarakat Jawa. Keris Jawa bila dianalisis dari sudut metafisika simbol, maka terlihat simbolisasi keris Jawa pada golongan awam (masyarakat umum) lebih bersifat vertikal-transendental; pada golongan khusus (kaum intelek) simbolisasi keris Jawa berdimensi ganda yaitu vertikal-transendental, sekaligus horizontal-imanen; sedangkan pada golongan baru (yang menganggap keris adalah benda seni), simbolisasi keris Jawa lebih berdimensi horizontal-imanen.Kata kunci: keris, simbol, metafisika

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