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Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : 14126206     EISSN : 25805886     DOI : https://doi.org/10.30996/parafrase.v23i1
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Parafrase: Jurnal Kebahasaan dan Kesastraan is an international scientific journal which is devoted to social and humanity studies. Parafrase: Jurnal Kebahasaan dan Kesastraan is a double blind peer-reviewed international journal published online and in printed form. Parafrase: Jurnal Kebahasaan dan Kesastraan publishes original, previously unpublished research and opinion papers written in English. Paper topics include the following: Literature, Language, History, Philosophy, Arts, Cultural studies, and Anthropology.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 11 Documents
 1   2 
Search results for , issue "Vol 18 No 2 (2018)" : 11 Documents clear
STUDENTS’ RESPONSE TO SCHEMA THEORY APPLIED IN WRITING CLASS FOREIGN LANGUAGE LEARNING SOFI YUNIANTI
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (178.708 KB) | DOI: 10.30996/parafrase.v18i2.1716

Abstract

Much research analyzed the application of schema theory in classroom. However, few research have discussed about students’ response in writing class that applied schema theory, especially in Foreign Language Class. This research aims to find students’ response applied schema theory in writing class foreign language learning. It discovers what student’s opinion to the schema application in writing class. Finally, it discusses the implication of the research’s finding towards the schema theory, and encourages further study relating different groups of students in different contexts. Keywords Writing, Schema Theory, Foreign Language Learning
ANALISIS MAKNA DAN PENGGUNAAN KATA WASHI DAN ORA PADA 37 JUDUL MUKASHIBANASHI MERRY ZAHROTUL MUFIDAH; ENDANG POERBOWATI
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (250.999 KB) | DOI: 10.30996/parafrase.v18i2.1721

Abstract

In Mukashibanashi, the words Washi and Ora are often used. The word Washi is often used by the elderly people, namely grandfather and grandmother. The word Ora is also often used by young people. Washi and Ora have the same meaning as Watashi. The words Washi and Ora were used in the Edo period. The objectives of this study are to describe the meaning of the words Washi and Ora and to describe the use of the words Washi and Ora. Descriptive method is applied in tnis study. The data analysis procedure is looking for the words Washi and Ora in Mukashibanashi, translating, and analyzing them. After the analysis, it can be concluded that the words Washi and Ora have the same meaning, namely "me" and they can be used by anyone: the elderly people, young people, children, women, and men in informal use. Keywords: imiron, hinshi, washi dan ora, mukashibanashi
PERBEDAAN ICHININSHO DAIMEISHI MENURUT GENDER CUK YUANA
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (349.627 KB) | DOI: 10.30996/parafrase.v18i2.1717

Abstract

The variety of languages can be traced in every language. However from gender point view, it seems that every language does not have any differences. The different choice of vocabulary or goi used by men and women can be classified in Futsuu Meishi (noun), Ichininsho Daimeshi (first person pronoun), and Sanninsho Daimeishi (third person pronoun). This research focuses on futumeishi and Ichininsho Daimeishi. In futsumeishi, female speakers tend to add the prefix "O" or "GO" in front of meishi which is meant to respect, while male speakers tend not to use the prefix "O" or "GO". In Ichininsho daimeishi, male speakers tend to choose and use vocabulary that seems more crude, namely "washi, boku, ore, etc.", while female speakers tend to choose and use vocabulary that seems more subtle, such as "watakushi, atakushi, atashi, and so on.” Keywords: language variety, gender, male language, female language, koyumeishi
PENGGUNAAN BAHASA PROKEM DALAM KOMIK KIMI NI TODOKE VOLUME 24 KARYA KARUHO SHIINA ELSA YUNITA PUTRI; NOVI ANDARI
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (327.946 KB) | DOI: 10.30996/parafrase.v18i2.1722

Abstract

Japanese Jargon which is also known as a wakamono kotoba term is a dynamic language style which will change over time and become a culture in youth daily life in communicating with others. There are many words that are formed from wakamono kotoba. Therefore to make it easier the usage of each word from wakamono kotoba, the words are divided into groups. This study aimed to know the types of wakamono kotoba in Kimi No Todoke comic volume 24. This study used descriptive qualitative method with linguistic approach. The analysis were done by elaborating and analysing types of wakamono kotoba that have been grouped in a descriptive form according to the related theory. The result of the study showed that: from 40 wakamono kotoba that have been found in a data source can be categorized into 7 types, they are: 1) in a form of abbreviation from 2 or more vocabularies; 2) clipping the word; 3) have no change in form both have change in meaning from the original meaning; 4) use the word from katakana ‘go’; 5) use the abbreviated word from katakana ‘go’; 6) combined Japanese language with the word from katakana ‘go’; and 7) there is sound change. Keywords: Linguistics, Language Style, Wakamono Kotoba, Comic
TEKNIK PENERJEMAHAN DEIKSIS DARI BAHASA INDONESIA KE DALAM BAHASA INGGRIS LULUK ULFA HASANAH
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (215.231 KB) | DOI: 10.30996/parafrase.v18i2.1718

Abstract

This research aims to obtain an outline of the translation techniques used in the translation of deixis. The focus of it is on the techniques of deixis translation that used by translators. The qualitative approach used in this research with content analysis method. There are 284 data on the deixis translation which shows the use of translation techniques as a major problem in this. The result of this is found nine types of the translation techniques, namely the technique of generalization, amplification, borrowing, literal translation, linguistic amplification, particularisation, reduction, modulation, and transposition. The type of translation with literal translation techniques occupies the most widely used of the translator. That is, in the deiksis translation, translators use more word-by-word translation, becouse deixis occupies more units of words or phrases in a sentence. Keywords: deixis, translation, the translation techniques, the translation techniques of deixis
DEKONSTRUKSI LAKON GRAFFITO AHMAD FAISHAL; MOH. HARIYANTO
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (212.119 KB) | DOI: 10.30996/parafrase.v18i2.1719

Abstract

A text of drama is importance and an integral part of any drama perfomarnces. However, it seems that it has obtained lack of appreciation and has been separated from a performance. It is needed only when it will be performed. This article tries to explore the ideas of deconstruction in Akhudia’s Grafito. Deconstructive method proposed three steps in its reading a text, that is verbal stage, textual, and meaning stages. On the verbal stage, the reading of the text is inteded to uncover the paradox and contradiction critically. On the textual stage, the reading is focused on finding the meaning of the whole text. The meaning stage will trace the linguitic meaning of the text. In Grafito, one can read Akhudiat shows a rebellion and an opposition toward the social construction such as religous institution. The characters are given various characteristics, such as being capable to create setting, properties, being shadows, or inside voices which suggest unconvensional dimention propose a paticular artistic value. Keywords: discourse, deconstruction, Graffito
HABITUS TOKOH DAVID DALAM NOVEL A CHILD CALLED IT DAN THE LOST BOY KARYA DAVE PELZER ADELINE GRACE MARIANNE LITAAY; DHENY JATMIKO
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (157.536 KB) | DOI: 10.30996/parafrase.v18i2.1720

Abstract

Habitus is a concept from Pierre Bourdie (1977), which is agent’s structural base in conducting practices or actions This study is focused on habitus and the construction structure in David, the main character in Dave Pelzer’s A Child Called It and The Lost Boy. Habitus is shown in David’s actions and attitude when dealing with people around him. The method used in this research is descriptive method, which aims to objectively describe the subject which is the subject of science by collecting basic descriptive information needed to understand the nature of the subject. The study reveals that David’s habitus includes low self esteem, inferior feeling, continuous suspicious and difficulties to trust others, rude utterances and theft; which are the results of internalization of his alcoholic and rude mom’s parenting style. David’s mother treated him cruelly; which ranges from physical abuse (hit, stabbed with a knife, and burned), psychological abuse (threat and forced to say bad things about himself), and neglect (left starving, hurt, and isolated). Keywords: habitus, physical abuse, psychological abuse
NEUROTIC ANXIETY SUFFERED BY WILLY WONKA IN ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY ANANG VIKI PRATAMA HADJU
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (207.818 KB) | DOI: 10.30996/parafrase.v18i2.1725

Abstract

This study uses psychoanalysis concept, namely neurotic anxiety by the main character in Charlie and The Chocolate Factory, a novel by Roald Dahl. This study finds the character’s personality, Willy Wonka in Charlie and The Chocolate Factory’s novel becomes neurotic anxiety who influenced of the three systems of personality, there are Id, Ego, and Superego from his traumatic experienced. This happens because his life principle which it has to be followed defence mechanism to overcome the conflict he experienced. Unfortunately, he thinks that the process of the competition is the best way to reduce his anxiety for a while. This study is expected to contribute to the understanding of the human mind and significance object between literature and the psychological condition. Keywords: Id, Ego, Superego, and Neurotic Anxiety.
PRAKTIK SENI LUDRUK DI SURABAYA: STRATEGI KEBERTAHANAN SENI TRADISIONAL LUDRUK SURABAYA DHENY JATMIKO; AGUNG PRASAJA
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (189.332 KB) | DOI: 10.30996/parafrase.v18i2.1846

Abstract

The study discusses the strategies used by ludruk groups as the survival strategies of Ludruk as a traditional form of art in Surabaya during the New Order. In Surabaya, there are at least three popular Ludruk groups: the groups of Ludruk RRI Surabaya, Cak Kartolo, and Irama Budaya. The success of Ludruk RRI Surabaya can be seen from their continuity and their success at socializing the government programs; the success of Kartolo is marked by 95 tapes which are well received; while the success of Irama Budaya is proven with the great number of audience (around 500) in 1998-2003. The analysis method applied is Pierre Bourdieu’s genetic structuralism method. Based on the study, it is found that the strategies used by the ludruk groups in Surabaya are playing the role as the government’s art media, optimalizing dagelan (comedy), and giving space for the minority while maintaining convension. Keywords: Ludruk RRI Surabaya, Kartolo, Irama Budaya, Strategy
COMPARATIVE LITERARY STUDY ON MOCHTAR LUBIS’ HARIMAU HARIMAU AND HERMAN MELVILLE’S MOBY DICK AMBAR ANDAYANI; D. JUPRIONO
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 2 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (209.319 KB) | DOI: 10.30996/parafrase.v18i2.1842

Abstract

There are two tendencies in comparative literary study. First, in comparative literary study, both of literatures from two countries are compared for certain points (theme, stylistic, setting, characterization, etc). Second, comparative literary study raises literary critical appreciation from other discipline perspectives (psychology, sociology, philosophy, religion, anthropology, politic). In this article, both tendencies are applied at once. The focus of this paper is about the theme in novels Harimau Harimau Muchtar Lubis and Moby Dick Herman Melville. It uses existentialism philosophical approach and criticism literature. The finding of the research, if we compare them, the existentialism theme in Harimau Harimau and Moby Dick has similarities that human being has freedom to determine her/his choice in her/his life for the future. Yet, what choice that she/he takes, it has a risk that she/he must face with responsibility as a human being. The pursuits of the responsibility caused anxiety, frightened, suffering as what the characters face in these novels. Key words: comparative literature, existentialism, theme, choice of life, causality law

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