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Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni

Ekspresi
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Published by Institut Seni Indonesia Padang Panjang

ISSN : 14121662 EISSN : 25802208 DOI : http://dx.doi.org/10.26887/ekspresi

Core Subject : Humanities, Art,

Arts Humanities

Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni welcomes full research articles in the area of Visual Art and Performing Art. Scope areas are: related to Art and Culture, Creative Process and conceptual research in visual art and Performing Art.

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 297 Documents

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ANALISIS SEMIOTIKA ARSITEKTUR BANGUNAN PELABUHAN TELUK NIBUNG SEBAGAI WUJUD IDENTITAS TANJUNG BALAI KOTA KERANG Panjaitan, Sri Wahyuni; Pramayoza, Dede
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Artikel ini membicarakan tentang Pelabuhan Teluk Nibung yang terletak di Kota Tanjung Balai Asahan, Sumatera Utara. Pelabuhan tersebut kini mengalami perubahan arsitektur, yang memberikan ciri khas dari kota Tanjung Balai Asahan sebagai Kota Kerang. Mengunakan metode analisis semiotika Charles Sanders Peirce, tulisan ini menguraikan perihal semiotika arsitektur bangunan, yang dipandang sebagai bahasa simbol atau tanda yang dapat memberikan informasi melalui bentuk-bentuk dan pesan tertentu kepada target audience. Penelitian menunjukkan bahwa jika dilihat berdasarkan objek semiotika, yakni ikon, indeks dan simbol, maka arsitektur bangunan Pelabuhan Teluk Nibung merupakan wujud identitas kota Tanjung Balai Asahan, yang dikenal kota Kerang. Salah satu wujudnya adalah bangunan berbentuk seperti salah satu jenis cangkang kerang yaitu jenis kerang Kepah.AbstractThis article discusses the Teluk Nibung Harbor located in Tanjung Balai Asahan City, North Sumatra. The port is now undergoing architectural changes, which give the characteristics of the city of Tanjung Balai Asahan as the City of Shells. Using the semiotic analysis method of Charles Sanders Peirce, this paper describes the semiotics of building architecture, which is seen as a language of symbols or signs that can provide information through certain forms and messages to the target audience. The research shows that when viewed based on semiotic objects, namely icons, indexes, and symbols, the Teluk Nibung Harbor building architecture is a manifestation of the identity of the city of Tanjung Balai Asahan, which is known as the city of Shells. One of its forms is a building shaped like one type of clamshell, namely the Kepah type of shell.

DEFORMATION OF SRIKAYA FRUIT IN WOOD PRODUCTS DWI AGUS SUSILA; GUN SUDIRYANTO
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 2 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Srikaya fruit has a distinctive character on the skin, namely the natural but regular division of the chunks which when appointed as an idea for product design will be interesting. The results of future research are the deformation of srikaya fruit in the form of wood products in the form of interior decoration for homes as well as an access reminder for humans that srikaya fruit is part of the health facility for the human body because it contains folic acid, potassium, vitamin C, fiber, vitamin A, magnesium and a good source of iron for the body. In terms of research targets, it is expected that the results of the design of wood products have their own unique values, both in wood material, design, product shape and finishing, so that when displayed they will get a positive response. The responses given by connoisseurs of the work in this exhibition forum will be evaluated and become a benchmark for further research on the main basis ofwood

PENDEKATAN SUBJEKTIF DAN OBJEKTIF SEBAGAI METODE PENCIPTAAN FILM EKSPERIMENTAL SAYA DAN SAMPAH (POLUSI VISUAL) GANGGA LAWRANTA; DEDE PRAMAYOZA
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 2 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

This article describes the creative process of an experimental film entitled Saya dan Sampah which is one of the experimental films that departs from the political phenomenon in 2019, where general elections took place in Indonesia starting from the City or District, Provincial, Legislative, to Presidential elections. The experimental film Saya dan Sampah was created using a subjective point of view which aims to show that the presence of campaign props in public spaces, which are not well-organized, both in terms of design, irregular placement and uncommunicativeness, produce visual waste or visual pollution, where people's rights in the public sphere are ignored. The process of creating the experimental film Saya dan Sampah shows that basically the impact of visual pollution is public space that is neither environmentally friendly nor visually friendly, as well as long-term impacts that can dull human reasoning. Therefore, society does not have to be permissive towards the freedom to use public space, which is basically their space.AbstrakArtikel ini menguraikan tentang proses penciptaan film eksperimental berjudul Saya dan Sampah yang merupakan salah satu film eksperimental yang berangkat dari fenomena politik di tahun 2019, di mana pemilihan umum terjadi di Indonesia dimulai dari tingkat Kota atau Kabupaten, Provinsi, Legislatif hingga pemilihan Presiden. Film eksperimental Saya dan Sampah diciptakan dengan menggunakan sudut pandang subjektif yang bertujuan untuk menunjukkan bahwa keberadaan alat peraga kampanye di ruang publik, yang tidak tertata rapi, baik dari bentuk desain, penempatan yang tidak beraturan dan tidak komunikatif, menghasilkan sampah visual atau polusi visual, di mana hak masyarakat di ruang publik diabaikan. Proses penciptaan karya film eksperimental Saya dan Sampah menunjukkan bahwa pada dasarnya dampak dari polusi visual adalah ruang publik yang tidak ramah lingkungan maupun secara visual, begitu juga dengan dampak jangka panjang yang dapat menumpulkan daya nalar manusia. Karenanya masyarakat tidak harus bersifat permisif terhadap kebebasan penggunaan ruang publik, yang pada dasarnya merupakan ruang mereka.

Multi Orientation Footing In Digital Collage Artwork FARLAN ADRIAN HASAN
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 22, No 1 (2020): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

The phenomenon of singularity in the direction of the footing has used in realizing this concept. The technique used is digital collage basically built a structure that is binary opposition that is top-down opposition where the bottom area has always been a foothold orientation. The existence of this phenomenon can not be separated from the influence of causal law (cause and effect) the gravitational force of the earth which basically causes all objects to have a uniform footing direction, which ultimately also affects human perception in representing images (photographs, paintings, drawings, etc.). This phenomenon of unity of foothold leads to the concept of "multi-orientation foothold" in the creation of digital collage art, which seeks to get out of the rule of unity of foothold while simultaneously undermining the top-down structure of the image. Deconstruction becomes the foundation using photo media with JPEG format. The method used refers to the five stages of creativity from David Campbell (1986: 18-24), namely: 1) Preparation Phase, 2) Concentration, 3) Incubation, 4) Illumination, and 5) Verification / production.

CYBERSPACE ANALYSIS IN NA'VI AVATAR FILM AS A REQUIREMENT OF VIRTUAL SPACES AFRINA, CUT
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Cyberspace as Virtual space embodiment in Na'vi's Avatar Film by using the analysis theory according to Mark Slouka. The purpose of the Film Avatar analysis is to further understand the elements of the Cyberspace in the film, the results of the analysis of the authors on the movie Avatar is the advancement of technology and communication with a network capable of creating Cyberspace in a life. Where the human sense of being now leads to machine culture as a product of media communication technology is Internet. Cyberspace in the movie Aavatar is able to disrupt the balance that is on the Na'vi community. Cyberspace's identity built in the Avatar is a modern human-controlled indetity. Technology is the human work that is controlled by human beings themselves. The results of the Avatar technology product are not solely acceptable to the Na'vi community. The integrity and solidarity of the Na'vi community to defend the earth of Pandora, with a teeter fight against the sophistication of modern human technology.

BENTUK DAN MAKNA LUKISAN BERTEMAKAN EKSPRESI WAJAH NEGERIKU TARUAN, HATMI NEGRIA; SUSANDRO, SUSANDRO
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

AbstrakSetiap wajah menggambarkan rupa yang beragam seperti sedih, gembira, takut, marah dan sebagainya. Namun ekspresi demikian tidaklah menampak di atas kanvas sebagaimana wajarnya dalam bentuk rupa ekspresionis. Bentuk yang telah terdistorsi itupun mendapat berbagai pemaknaan dari penikmatnya yang dapat mengisi ruang kosong dari karya. Artikel ini bertujuan memaparkan bentuk serta makna yang digagas oleh senimannya. Metode yang digunakan yaitu berlandaskan pada ingatan, menyelisik catatan-catatan sepanjang proses serta mengamati karya secara langsung. Proses pemaknaan bersandar pada teori interpretasi Paul Riceour yang bersandar pada tanda dan simbol yang dianggap sebagai teks. Hasil penelitian ini ialah makna-makna yang terbaca masih pada karya menunjukkan kondisi sebagaimana realitanya, meski tidak lagi disajikan dengan rupa sebagaimana realitasnya.AbstractEach face depicts various forms such as sad, happy, afraid, angry, and so on. However, such an expression does not appear on the canvas as it usually would in an expressionist form. Instead, the distorted form gets various meanings from the audience, filling the space of the work. This article aims to describe the structure and to mean that the artist-initiated. The method used is based on memory, examining notes throughout the process, and observing the work directly. The meaning process relies on Paul Riceour's interpretation theory which relies on signs and symbols considered texts. This research shows that the meanings that are read in the works show the conditions as they are in reality, even though they are no longer presented in the form of existence.

THEATRICAL PERFORMANCE AND ENGLISH AS A FOREIGN LANGUAGE LEARNING CAROLINE V. KATEMBA
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 2 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

To understand a foreign language, young learners must first master their vocabulary. As a result, the goal of this study was to determine the efficacy of Theatrical Performance(Role Play Technique) in improving students' vocabulary enhancement. Its specific goal was to answer the question: Is there a significant difference between students who were taught using the Role Play Technique and those who were not taught using Role Play? This was a quantitative study with an experimental using a pre & a post-test design. 68 Students participated in the study. They were divided into the experimental and the control group. According to the findings, there was a significant difference in the vocabulary enhancement of students in the experimental group and the conventional method. Based on the findings of this study, the researcher concludes that using Theatrical Performance or Role Play Techniques can help students improve their vocabulary

CREATIVE PROCESS OF CONTEMPORARY DANCE GEOMETRY: A CHOREOGRAPHIC WORK WITH A SOCIAL PSYCHOLOGICAL APPROACH Venny Rosalina; Fabio Yuda
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 24, No 1 (2022): Edisi Januari-Juni 2022
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v24i1.2090

This paper discusses the process of creating Geometry, a dance works by using a psychological approach to express the idea of the Minangkabau body in contemporary dance practice. Geometry dance works as a real picture of the behavior, thoughts, appreciation of human characters through the description of body dialogue and unique experiences as character expressions in dance works. This study resulted in a description of the creative process of contemporary dance creation based on the application of a psychological approach by describing creative values, appreciation values and behavioral values in a geometric creation. The audience's reflection becomes the impetus to feel the sensations of contemporary dancers' bodies. Basik Minang Kabau uses geometry as a critical reflection on the development of contemporary dance in West Sumatra as a form of the body of the Minangkabau tradition towards a contemporary body. Keywords: Geometry; psychology; Audience Reflection; choreography; creative processPROSES KREATIF TARI KONTEMPORER GEOMETRI: SEBUAH KARYA KOREOGRAFI DENGAN PENDEKATAN PSIKOLOGI SOSIAL AbstrakTulisan ini membahas tentang sebuah proses kreatif dalam penciptaan tari kontemporer berjudul Geometri dengan menggunakan pendekatan psikologi sosial. Koreografi tersebut disusun untuk mengungkapkan gagasan tentang ketubuhan Minangkabau dalam praktik tari kontemporer. Karya tari Geometri erupakan gambaran nyata dari perilaku, pemikiran, penghayatan karakter manusia melalui penjabaran dialog tubuh dan pengalaman unik sebagai ekspresi karakter dalam karya tari. Penelitian ini mengahasilkan sebuah uraian proses kreatif penciptaan tari kontemporer yang berbasis pada penerapan pendekatan psikologi dengan menjabarkan nilai-nilai kreatif, nilai penghayatan dan nilai bersikap dalam sebuah penciptaan geometri. Refleksi penonton menjadi dorongan untuk merasakan sensasi ketubuhan penari kontemporer. Basik minang kabau menjadikan karya geometri sebagai refleksi kritis terhadap perkembangan tari kontemporer di Sumatera Barat sebagai wujud tubuh tradisi minangkabau menuju tubuh kontemporer. Kata Kunci: Geometri; psikologi sosial, refleksi penonton; koreografi; proses kreatif

Study of the Message of Feminism and Post-Colonialism in Babad Diponegoro Painting Pupuh Sinom XIV by Isur Suroso BAYU SETIAWAN
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 22, No 1 (2020): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

In the painting about Babad Diponegoro entitled “The Garden Of Earthly Prosperity In Ground Zero” by Isur Suroso, contain meaningful messages. Every sign in the painting contain messages that represent different meaning. A lot of signs in the painting visualized feminism and pos-tcolonialism.. There are many contradictive but interrelated between signs. There are abundant messages about colonialism time in 19 century. The representation of the Prince Diponegoro, Prince’s grandmother, and abdi dalem are deformed to emphasize the message about post- colonialism and feminism. The message about feminism in this painting represented by showing women domination among men

THE “HIDDEN PLEASURES” IN SEAGRAM'S ADVERTISEMENT: THE ART OF PERSUASSION CAROLINE V. KATEMBA; JOSHUA H.L. TOBING
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 22, No 2 (2020): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Advertisement is an art that persuade people to look at it and to get engage as well as be a part of them. There are hidden pleasures in the advertisement that fails to be identified by the costumers that will attract them as they are not aware of it. The purpose of this study is to identify the ‘hidden pleasures” in the Seagram’s advertisement as it aims to seek an answer to these questions: (1). What are the ‘hidden pleasures’(as written) in the Seagram’s advertisement by using semiotic analysis/approach (2). How can these advertisements persuade the viewer? (3). To what group of people does this ad aims at? (target at socio-economic level). Findings are discuss in the paper.

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Home Page

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Contact Name Saaduddin

Contact Email red.ekspresiseni@gmail.com

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Editorial Address https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/about/editorialTeam

Location Kota padang panjang, Sumatera barat INDONESIA

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Contact Name
Saaduddin

Contact Email
red.ekspresiseni@gmail.com

Phone
+6281371972228

Journal Mail Official
red.ekspresiseni@gmail.com

Editorial Address
https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi/about/editorialTeam

Location
Kota padang panjang,

Sumatera barat

INDONESIA