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Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni

Ekspresi
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Published by Institut Seni Indonesia Padang Panjang

ISSN : 14121662 EISSN : 25802208 DOI : http://dx.doi.org/10.26887/ekspresi

Core Subject : Humanities, Art,

Arts Humanities

Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni welcomes full research articles in the area of Visual Art and Performing Art. Scope areas are: related to Art and Culture, Creative Process and conceptual research in visual art and Performing Art.

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 297 Documents

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EDUCATIONAL FILM SCREENING AS AN INNOVATION FOR PADANG PANJANG CITY LIBRARY SERVICES CUT AFRINA; BUSTAMIN BUSTAMIN; SAIFUDDIN RASYID; IWIN ARDYAWIN; ADRIPEN ADRIPEN; RAHMA FIRA YENDRI; KHOFIFAH KHOFIFAH
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 2 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Inovasi layanan perpustakaan merupakan tuntutan zaman yang harus diakomodir dan diwujudkan dalam bentuk kebijakan program atau kegiatan yang dapat direalisasikan agar dapat meningkatkan kunjungan perpustakaan, pada akhir memberikan kontribusi peningkatan indeks literasi. Tujuan penelitian ini untuk menganalisis inovasi bioskop sebagai wahana baru di Perpustakaan Padang Panjang. Metode penelitian deskriptif dengan pendekatan kualitatif dengan sumber data wawancara dan dokumentasi. Kemudian analisis data berdasarkan Analisis Interactive Model dari Miles & Humberman. Hasil penelitian menunjukkan bahwa pemutaran film edukasi di bioskop perpustakaan Padang Panjang dapat memicu peningkatan kunjungan masyarakat ke perpustakaan dan film-film edukasi yang paling banyak peminatnya adalah film Surau dan Silek, disusul dengan film Kisah Rasullah dan Pengemis Buta Yahudi serta Sepatu Dahlan.ABSTRACTLibrary service innovation is a demand of the times that must be accommodated and realized in the form of program policies or activities that can be discovered to increase library visits, contributing to an increase in the literacy index. This study aimed to analyze cinema innovation as a new vehicle in the Padang Panjang Library. Descriptive research method with a qualitative approach with data sources interview and documentation. Then the data analysis is based on the Interactive Model Analysis from Miles & Humberman. The results showed that screening educational films at the Padang Panjang library cinema could increase public visits to the library. The educational films with the most demand were Surau and Silek films, followed by the films Kisah Rasullah and the Pengemis Buta Yahudi and Sepatu Dahlan.

RE-READING THE HISTORY OF BODY IN MENITI JEJAK TUBUH BY SHERLI NOVALINDA Roza Muliati; Wahida Wahyuni; Saaduddin Saaduddin
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 24, No 1 (2022): Edisi Januari-Juni 2022
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

This paper explains how the body narrates its own history in a dance work Meniti Jejak Tubuh by Sherli Novalinda. The reading of the history of the body aims to explain how does the choreographer rereads the body in creating a new and different bodily practices. This paper is a result of an artistic research by using an embodiment approach and aesthetics of experience perspective. Data was collected through interviews and textual analysis methods. The results of the analysis reveal that Sherli Novalinda in her dance work Meniti Jejak Tubuh presents a rereading of her body history through an experimental creation process. The choreographer narrated the history of her body as a women inheritated Kerinci culture by borrowing another body in an experimentative process, cross-culture and gender, in order to create a new body narrative, the body in between.Keywords: Body History; Dance; Sherli Novalinda MEMBACA ULANG SEJARAH TUBUH DALAM PENCIPTAAN TARI MENITI JEJAK TUBUH KARYA SHERLI NOVALINDAAbstrakTulisan ini menjelaskan bagaimana tubuh menarasikan sejarahnya sendiri dalam tari Meniti Jejak Tubuh karya Sherli Novalinda. Pembacaan terhadap sejarah tubuh dalam karya tari ini bertujuan untuk menjelaskan bagaimana koreografer membaca kembali tubuhnya dalam menciptakan praktik ketubuhan yang baru dan berbeda. Tulisan ini merupakan hasil dari sebuah riset artistik dengan menggunakan pendekatan ketubuhan (embodiment) dan perspektif estetika pengalaman (aesthetics of experience). Pengumpulan data dilakukan melalui metode wawancara dan analisis tekstual. Hasil analisis menunjukkan bahwa Sherli Novalinda dalam karya Meniti Jejak Tubuh menghadirkan pembacaan terhadap sejarah tubuhnya melalui proses penciptaan yang eksperimentatif. Koreografer menarasikan sejarah tubuhnya sebagai perempuan yang mewarisi budaya Kerinci dengan meminjam tubuh orang lain dalam proses eksperimentasi yang lintas budaya dan gender hingga menciptakan sebuah narasi tubuh yang baru, tubuh in-between. Kata kunci: Sejarah Tubuh; Dance; Sherli Novalinda

EXISTENCE OF RATOH BANTAI DANCE IN THE STUDIO OF BUANA BANDA ACEH Fifie Febryanti Sukman; Sabri Gusmail
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 21, No 2 (2019): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Ratoh Bantai dance is one of traditional dances from South Aceh that has its unique characteristics. According to its name, Ratoh Bantai uses property that is different from ordinary dances in Aceh province namely pillow. In the past, this dance became the popular dance in the society but the appearance of various dances that are more upbeat and energetic make Ratoh Bantai dance starting to become unpopular in the society. This research took the subject “effort of maintaining the existence of Ratoh Bantai dance. The purposes of this research are to know and describe the effort of maintaining the existence of Ratoh Bantai dance. Research method used is descriptive qualitative method. Data were obtained through observation, interview, and library research. Research result obtained is Buana studio as one of studios that maintain the traditional dance of Ratoh Bantai conducts teaching effort to its protégés in the studio every month so the protégés of Buana studio still know the repertoire of dances in Aceh, especially Ratoh Bantai dance that’s almost forgotten by today young generation. Besides that, this research also described the choreography aspect of Ratoh Bantai dance in Buana studio.

ANALYSIS OF THE MUSICAL FORM OF KEDU’E AS AN ACCOMPANIMENT OF EAST SABU ETHNIC PADOA DANCE AT IE LOWE WINI STUDIO, AIR NONA VILLAGE, KOTA RAJA DISTRICT, KUPANG. FLORA CEUNFIN; MARIA KLARA AMARILIS CITRA SINTA DEWI TUKAN
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 22, No 1 (2020): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Pedoa dance is one of the traditional dance of East Nusa Tenggara, precisely from the Eastern Sabu Region. Pedoa dance in its presentation uses song and Kedu’e as accompaniment. Kedue is a rhythmic musical instrument that is tied to the feet of Pedoa dancers. The problem is how the musical form of Kedu'e as an accompaniment to the East Sabu ethnic Pedoa dance at the Ie Lowe Wini studio, Air Nona Subdistrict, Kota Raja District, Kupang City. The uniqueness that is found in the Pedoa dance is the presence of the Kedu'e musical instrument that is tied to the dancer's feet. Thus there are eight (8) Kedu'e rhythm patterns or Pedoa dance rhythm patterns, namely (1) Tede rhythm patterns or Tede Motion Variations, (2) Manale rhythm patterns or Manale movements, (3) Hala rhythm patterns Hala motions, (4) Heroda Rhythm Patterns or Heroda range of motives, (5) Dede Rhythm Patterns or Dede Motion patterns, (6) Lung Rhythm Patterns or Lung motion variations, (7) Hegede Rhythm Patterns or Hegede Motion Variations, (8) The My Rhythm Pattern or My Variety of My Motion. The above rhythmic patterns vary in tempo, namely Andante, Moderato and Allergo. The tempo variation follows the rhythm of the song that is sung by dancers while dancing Pedoa, besides that the tempo change especially from Andante ketempo Alergo is a consideration so that dancers can take power in a variety of fast tempo dance moves. The rhythm or tempo produced by these two musical instruments will give enthusiasm to dancers and add an Estonian and dynamic feeling to the Pedoa dance.

SEMIOTIC ANALYSIS OF BUTET KARTAREDJASA’S VISUAL ARTWORK “GORO-GORO BHINEKA KERAMIK” AKBAR, TAUFIK
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

AbstrakArtikel ini merupakan sebuah analisis makna terhadap karya-karya seni visual Butet Kartaredjasa “Goro-Goro Bhineka Keramik”. Penelitian dilakukan menggunakan metode kualitatif dengan focus pada pendekatan semiotika dyadic Ferdinand De Saussure. Hasil penelitian menunjukkan bahwa karya-karya “Goro-Goro Bhineka Keramik” memiliki makna tentang pentingnya sikap kritis bagi si seniman, sindiran politik yang memecah belah masyarakat serta pentingnya menjaga persatuan di tengah keberagaman sebagai identitas bangsa Indonesia.AbstractThe paper is a meaning analysis on artworks “Goro-Goro Bhineka Ceramic” by Butet Kartaredjasa. This research using a qualitative method with focuses on dyadic semiotics from Ferdinand De Saussure. The result of this research contains: the meaning of the ceramics is about the importance of critical attitude for him as an artist, divisive political innuendo in Indonesian people, and the importance of maintaining unity amidst diversity as the identity of the Indonesian nation.

PARADIGMA FAKTA SOSIAL DALAM FILM FETIH 1453, KAJIAN STUKTURAL FUNGSIONAL ANDRI MAIJAR; SITI FADILLA; NOVI BUDIMAN
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 2 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

ABSTRAKFilm sebagai karya seni tentu tidak terlepas dari paradigma masyarakat dalam membaca sebuah fenomona baru dalam film (realitas film). Film Fetih 1453 yang bercerita tentang peperangan umat muslim untuk merobohkan dan mengambil alih konstatinopel (Spanyol) dari tangan non muslim ini dapat dikaji melalui paradigma fakta sosial dengan memasukan aspek-aspek teori sturktural fungsional dan teori konflik. Kelompok-kelompok masyarakat yang hadir dalam film tersebut juga merefleksikan konflik sosial yang terjadi pada masa kejadian dalam film tersebut. Beberapa konflik sosial seperti pandangan masyarakat dan kekuasaan menjadi poin-poin penting untuk menciptakan dramatik dalam film tersebut. Sebagai fungsi film sebagai sarana komunikasi dan representasi dari kehidupan masyarakat, film ini dianggap cukup berhasil dalam menghadirkan realitas tersebut. Film-film bernuansa religi ini juga menjadi bahan kajian dan dakwah bagi umat muslim untuk melihat kekuatan umat islam di zaman tersebut. ABSTRACTFilm as a work of art indeed cannot be separated from the paradigm of society in reading a new phenomenon in film (film reality). The film Fetih 1453, which tells about the war of Muslims to overthrow and take over Constantinople (Spain) from the hands of non-Muslims, can be studied through the paradigm of social facts by incorporating aspects of functional, structural theory, and conflict theory. The community groups present in the film also reflect the social conflicts that occurred during the events in the film. Several social conflicts, such as people's views and power, become essential points to create drama in the film. As a function of film as a means of communication and representation of people's lives, this film is considered quite successful in presenting this reality. These films with religious nuances are also material for study and da'wah for Muslims to see the strength of Muslims at that time

FAKTOR-FAKTOR PENYEBAB INSTRUMEN BIOLA JADI BAGIAN INTEGRAL KEBUDAYAAN MUSIK ETNIK MELAYU PESISIR TIMUR SUMATERA UTARA Muhammad Zulfahmi
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 15, No 1 (2013): Ekspresi Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Biola menjadi bagian integral dalam kebudayaan musik etnik Melayu Pesisir Timur Sumatera Utara. Bunyi (sound)-nya telah mewakili maenstream budaya Melayu. Unsur-unsur bunyi menjadi pilar utama pembentukan struktur musiknya. “Proses-integrasinya” disebabkan oleh hubungan masyarakat Melayu Pesisir Timur Sumatera Utara dengan bangsa-bangsa lain pada masa lampau. Melalui faktor-faktor transformasi sosio budaya, teknik estetika khas biola Melayu merupakan paduan antara konsep-konsep bermain biola dalam kebudayaan musik Barat dan musik Melayu.

JAVA TRADITIONAL DELIVERY RITUAL INSTRUMENTS IN THE WORK OF DODOT BATIK Danang Priyanto; Sri Hesti Heriwati
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 24, No 1 (2022): Edisi Januari-Juni 2022
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

This article entitled “Javanese Traditional Birth Ritual Devices in Dodot Batik Works” focuses on the process of creating written batik dodot with the idea of Javanese traditional birth ritual tools. Interest in the existence of these devices is starting to be unknown in the community. The fact that conventional Javanese childbirth is no longer used in the early 21st century in Java is clarified by the Minister of Health Regulation (Permenkes) no. 97 of 2014 states that childbirth must be carried out in a health care facility (Fasyankes) through a midwife who is an expert in the field of obstetrics. The purpose of the creation is to create a handmade batik dodot based on the idea of a traditional Javanese birth ritual device that will be applied to the body with a draping technique. The art used is a symbolic concept with the concept of stacking which emphasizes the creation of the components that make up the batik pattern consisting of the main, supporting, and isen-isen motifs. Analysis of the data used using an interpretation method through an aesthetic approach. The steps of creation include 1) research using ethical and emic data sources, 2) experiments emphasizing dye experiments and central motif sketching techniques, 3) contemplating the stage of finding symbols/metaphors, and 4) forming to make arrangements into a design pattern ( prototype). The works created are four dodot works with a length of 106 cm and a width of 520 cm. The work produced is Anjangkepi Gesang with the philosophy of hope that his parents will be able to fulfill all his needs, Ambuka Science with the philosophy of hope that both parents will be able to understand all knowledge, Angganda Arum with the philosophy of hope that both parents will have a beautiful life and happy, Amadangi Jagad with the philosophy of the hope of both parents that one day his son will be able to benefit the environment around him. The dodot created is applied to the body through a draping technique by forming wrinkles, pleats, and drapes.Keywords: Ritual Devices; Javanese Customary Birth; Dodot; Batik. PIRANTI RITUAL PERSALINAN ADAT JAWA DALAM KARYA DODOT BATIK AbstrakArtikel ini berjudul “Piranti Ritual kelahiran Adat Jawa Dalam Karya Dodot Batik” difokuskan pada proses cipta dodot batik tulis dengan ide piranti ritual kelahiran adat Jawa. Ketertarikan pada keberadaan piranti tersebut yang mulai tidak dikenal di tengah masyarakat. Fakta bahwa praktek persalinan adat Jawa sudah tidak lagi digunakan pada awal abad 21 di Jawa diperjelas dengan Peraturan Menteri Kesehatan (Permenkes) no. 97 tahun 2014 yang tertulis persalinan harus dilakukan di fasilitas pelayanan kesehatan (Fasyankes) dengan melalui bidan yang ahli pada bidang obstetri. Tujuan penciptaan adalah menciptakan karya dodot batik tulis bersumber ide piranti ritual kelahiran adat Jawa yang akan diaplikasikan ke tubuh dengan teknik draping. Konsep seni yang digunakan adalah konsep simbolik dengan konsep tata susun yang menekankan penciptaan komponen motif penyusun pola batik terdiri dari motif utama, pendukung dan isen-isen. Analisis data yang digunakan menggunakan metode interpretasi dengan melalui pendekatan estetika. Langkah-langkah penciptaan meliputi 1) riset dengan memanfaatkan sumber data etik dan emik, 2) eksperimen menekankan pada eksperimen bahan pewarna dan teknik skets motif utama, 3) perenungan tahap menemukan simbol/metafora, dan 4) pembentukan melakukan penyusunan menjadi sebuah pola desain (purwa rupa). Karya yang diciptakan berupa empat buah karya dodot dengan panjang 106 cm dan lebar 520 cm. Karya yang dihasilkan adalah Anjangkepi Gesang dengan filosofi harapan kedua orangtua agar kelak putranya mampu mencukupi segala kebutuhannya, Ambuka Ilmu dengan filosofi harapan kedua orangtua agar kelak putranya mampu dalam memahami segala pengetahuan, Angganda Arum dengan filosofi harapan kedua orangtua agar kelak putranya memiliki kehidupan yang indah dan bahagia, Amadhangi Jagad dengan filosofi harapan kedua orangtua agar kelak putranya mampu bermanfaat bagi lingkungan di sekitarnya. Dodot yang telah diciptakan diaplikasikan pada tubuh melalui teknik draping dengan membentuk kerutan, lipitan dan draperi.Kata kunci: Piranti Ritual; Persalinan Adat Jawa; Dodot; Batik.

PIPAT TRADITION IN MAINLAND SOUTHEAST ASIAN NATIONS: TRADITIONAL MUSIC IN THAILAND AND CAMBODIA Manop Wisuttipat
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 13, No 2 (2011): Ekspresi Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Pipat tradition would be referred to a type of traditional music which was once court music in Thailand. At present, the tradition is abundantly in practice in central Thailand. The details of Pipat tradition are discussed briefly in different perspectives in order to understand the whole panorama of the present Pipat tradition phenomena. In the post-genocidal war era, Pinpeat still prevails and retains its strength culturally. It can be reflected from widespread, intensive practice of the tradition in ritual or ceremony, as part of Cambodian way of life. The emergence of Donti Puenmuang has a great effect to the court Pinpat tradition in many facets.

TRANSFORMASI BUJANG GADIH AT RANDAI’S SHOW TELUK KUANTAN, PROVINSI RIAU MISRAWATI MISRAWATI; SULAIMAN SULAIMAN
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 22, No 2 (2020): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Bujang Gadih is the main character in the Teluk Kuantan Randai show. Bujang Gadih is a man who plays like a woman with the Bertold Brecht hich is entertaining and educational. The role of Bujang Gadih in the show Randai Teluk Kuantan become Randai identity in the Teluk Kuantan even all regions of Riau Province. This shows that the social transformation that occurred in the Teluk Kuantan community has constructed a Randai in accordance with the culture that is formed. This article aims to discuss the social transformation that forms Bujang Gadih as the main character in the Teluk Kuantan Randai show, so Bujang Gadih becomes its own identity in Randai in Teluk Kuantan. This study uses a qualitative method that is passed through observation, interviews, data analysis and documentation on the object of research and those related to the object. Research result Bujang Gadih in Randai Teluk Kuantan is a representation of social transformation that makes the identity of one of the arts of the Teluk Kuantan namely, Randai Teluk Kuantan.

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