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CMES (Center of Middle Eastern Studies)
Published by Universitas Sebelas Maret
ISSN : 2085563X     EISSN : 25021044     DOI : https://doi.org/10.20961/cmes.18.1.103641
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
The CMES (Center of Middle Eastern Studies) journal is a distinguished peer-reviewed academic publication dedicated to advancing rigorous scholarly research on Middle Eastern studies. It publishes high-caliber research articles, theoretical studies, and critical reviews that engage with both contemporary and historical issues relevant to the region, employing a multidisciplinary approach. The CMES journal serves as a dynamic intellectual platform for researchers, academics, and practitioners to exchange innovative findings and perspectives, advancing Middle Eastern studies through a multidisciplinary framework grounded in the epistemological foundations of the humanities and social sciences. In the humanities, the journal emphasizes linguistics, literature, and Arab culture, while in the social sciences, it focuses on politics, economics, education, and the social dimensions of Arab societies. CMES encourages scholarly work that engages these disciplines through monodisciplinary inquiry, interdisciplinary synthesis, or transdisciplinary dialogue, fostering conceptual integration and methodological interaction across disciplinary boundaries. Manuscripts submitted to CMES must be pertinent to Middle Eastern studies and demonstrate clear engagement with the epistemic traditions of their respective fields. Submissions are expected to exhibit rigorous methodology, original insights, and significant contributions to regional studies, while appealing to a global academic audience.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 166 Documents
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KAIDAH PENAMAAN LEKSEM BENDA-BENDA KECIL (ISM TAṢGĪR) DALAM KAMUS AL-MUNAWWIR ARAB-INDONESIA (ANALISIS MORFOSEMANTIK) Muhammad Yunus Anis, Arifuddin
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44562

Abstract

This article will generally examine the naming convention of small objects lexemes (ism tagīr) in the Al-Munawwir Arabic-Indonesian dictionary. The approach used in this study is a linguistic approach, especially closely related to morphosemantics. In this case, the morphosemantic study involves the study of the structure and meaning of the lexeme in relation to small objects or what is commonly referred to in Arabic as ism taṣgīr. The research method consists of three important stages, such as: (1) the data collection and analysis using the observation method of linguistic units in the form of "words" in the al-Munawwir dictionary, (2) the data analysis used distributional methods in the form of techniques for direct elements and contrasting techniques, and (3) reports on results related to the rules for naming small objects in Arabic. The results of this study are expected to provide new insights on the relationship between morphological word formation in Arabic and naming rules in Semantic studies.
Speech Act Strategies of Commands and Prohibitions in Hadiths Ahmad Jazuli
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 2 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.2.47105

Abstract

The aim of this article is to explain the strategy of speech acts of the commands and prohibitions of the prophet Muhammad in the hadith using Searle's speech acts theory. The purpose of this paper is focused on describing the strategies used by the prophet Muhammad in conveying commands and prohibitions. The results of this paper indicate that there are many speech act strategies used by the Prophet Muhammad in delivering commands and prohibitions, such as direct literal speech acts, indirect literal speech acts, and indirect literal speech acts.
ESTETIKA SUFISTIK DAN ESTETIKA TAUHIDIK: PERSPEKTIF FILOSOFIS KOMPARATIF M, Muh Farkhan
Jurnal CMES Vol 13, No 1 (2020)
Publisher : Arabic Letters and Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44563

Abstract

This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believed and chosen as a basis in determining the direction and expression of art in the socio-cultural space. The method used in this study is descriptive qualitative analytic, with a religious philosophical approach to Islam, while data collection techniques are carried out through literature that is described qualitatively. The results show that aesthetics built on Sufistic conception and spiritual appreciation so distinctively in it’s paradigm. The Sufistic paradigm emphasize how art is able to strengthen one's psyche without debating legal status, while monotheistic aesthetics built on the basis of the legal text and dogmatism emphasize the exoteric level as legally considered by Islamic Islamic law. Thus the social responsibility and the selection of aesthetic views are sectarian in accordance with their religious beliefs.
حركة العودة إلى المسج د في الموسيقى التصويرية الأصلية لفيلم خمس زوايا المساجد Hidayah, Nur
Jurnal CMES Vol 13, No 1 (2020)
Publisher : Arabic Letters and Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44558

Abstract

This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believed and chosen as a basis in determining the direction and expression of art in the socio-cultural space. The method used in this study is descriptive qualitative analytic, with a religious philosophical approach to Islam, while data collection techniques are carried out through qualitatively described literature. The results show that aesthetics built on Sufistic conception and spiritual appreciation so distinctively in it’s paradigm. The Sufistic paradigm emphasizes how art encourages one's psyche without debating legal status, while monotheistic aesthetics built on the basis of dogmatism and belief in the faith underlines the exoteric level, the foundations that are considered permissible or not may not legally Islamic law. Community social responses and the selection of aesthetic views are sectarian in accordance with their religious beliefs.
The Complement Structure of Arabic in Al-Jurumiyyah Book Khaerul Umam, Siti Lathifatussa’diyyah,
Jurnal CMES Vol 13, No 2 (2020)
Publisher : Arabic Letters and Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.2.47106

Abstract

This study aims to describe the complementary structure of Arabic in Al-Jurumiyyah book. A complement is a complementary form in a sentence which holds a function and role as an adverb (adverb function). This study was designed with a qualitative descriptive research model. The data collection method uses the observation method with note-taking technique. Researchers recorded examples of sentences containing complements. Furthermore, data analysis was carried out using distributional method (agih method), in which the researcher examined aspects of language without paying attention to the context of its use. The technique used in data analysis is Bagi Unsur Langsung (BUL) or ‘Immediate Constituent Analysis’ technique by paying attention to the lingual element which is the complement category in Arabic. Furthermore, the researcher used markah (bookmark) reading technique to determine the constituents of complementary fillers in Arabic. The results showed that in Al-Jurumiyyah book there was a complete discussion of the complement structure, namely genetic complement, accusative complement, and dependent complement. Accusative complement includes maf’ûl-muthlaq, maf’ûl li ajlih atau maf’ûl lahu, maf’ûl fîh, maf’ûl ma’ah, a’t-tamyîz, al-châl, al-ististnâ’. Genitive complement in Arabic is represented by a word that is preceded by charf jar particle preposition or in idhâfah form.
Masculinity, Islamism, and Post-Islamism: A Case Study of Da’wah Tarbiyah Activists in Yogyakarta and Surakarta Gunawan, Gun Gun
Jurnal CMES Vol 13, No 2 (2020)
Publisher : Arabic Letters and Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.2.47101

Abstract

As a movement which is related to the Muslim Brotherhood in Egypt, the Tarbiyah movement carries Islamist agendas which indirectly influence the concept of masculinity adopted by its activists. This research examines the concept of masculinity adopted by campus da'wah activists affiliated with the Tarbiyah movement in the city of Yogyakarta and Surakarta. The research subjects were campus da'wah activists at Universitas Gadjah Mada Yogyakarta and Universitas Sebelas Maret Surakarta. The results showed that the concept of masculinity adopted by Tarbiyah da'wah activists experienced a shift in purpose. Now the concept of masculinity is constructed not to support the jihad agenda, but to form an Islamic society that has a good standard of living such as being healthy, strong, intelligent, prosperous, and able to carry out its role properly as an individual, family member, community and nation.
DIMENSI SOSIAL DALAM TEKS AL-MU’TAZILAH Eva Farhah
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44559

Abstract

Al-Mu'tazilah is a portrait of the Egyptian society which lived at some point in time. As described by Thaha Husain in order to show the disparity in the social life of people who need assistance and attention from the government or the authorities. Although the society lived in modern times at that time, not few other inhabitants still remained in underdeveloped education and social life. Through his work Al-Mu'tazilah, Thaha Husain highlights a range of social dimensions of society. This is the central issue to be addressed in this study. To reveal this social dimension, the sociology of literature theory is used, which focuses on the discussion of the sociology of both the author and the literary works. Primary data relevant to the topic were examined using a qualitative method in order to obtain an objective and scientific analysis. After all course, this study is of interest to the academic community in particular, and to other communities. The benefits are to mimic the social attitudes that can be enforced in today's life. In addition, people may refrain from doing things which might harm the social environment, such as isolating someone from another society.
Shift of Form and Meaning in The Translation of Bilal Animation Film Subtitle: “A New Breed of Hero (2015)” Fernanda Venturini Nur Salimova, Abdul Malik
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 2 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.2.47102

Abstract

This article will generally examine the translation shift of form and meaning of the subtitle animated film Bilal: A New Breed of Hero (2015) works by Ayman Jamal with duration 1 hour 51 minutes 43 seconds. The approach used in this study is describing the form and meaning shifting of the translation used by the translator in translating its film. The research method is qualitative descriptive method. The source of the data in the film: Bilal (2015) and the subtitle. Data collection was performed by the method of non-interactive form of observation by exploring in general the film along with the subtitle translation, then the observation is focused with a narrow aspect of translation shift in form and meaning. The research showed that from 297 data, there are 3 types of shift forms, namely 77 data shift at the level of the morpheme, 53 data shift in word category, and 115 data shift at the level of syntax. As for the shift in meaning, there are 3 types, namely 16 data from the generic meaning to the specific, 13 data from the specific meaning to the generic and 23 data shift according to the cultural point of view.
EKSOTIKA INSKRIPSI ARAB PADA KERIS TANGGUH KAMARDIKAN Abdul Jawat Nur
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44560

Abstract

This study discusses the exotic Arabic inscriptions on kamardikan kris based on sociopragmatic studies. This research is interesting to do because not all kamardikan kris found Arabic inscriptions. The existence of Arabic inscriptions on the kamardikan kris is interesting to study from the type of Arabic script and also the intention of the owners to collect the kris. The method used in this study is the method of providing data, the method of analyzing data, and the method of presenting the results of data analysis. Based on an analysis of the types of Arabic script on the kamardikan keris it is concluded that Arabic writings on the kamardikan kris use one type of writing, namely naskhī writing and diwānī writing and some use a combination of several types of writing, namely (a) naskhi and diwāni writing, (b) Naskhī, Țugrā, and Śuluśi writing, (c) Naskhī, Țugrā, and Raihanī writing, (d) naskhī and Diwanī Jalī writing, and (e) writing the tattoo. Based on sociopragmatic studies, the Arabic inscriptions on the kamardikan kris have (a) aesthetic, (b) symbolic, (c) safety, and (d) success functions.
Satan's Repentance: Carnivalesque in Asy-Syahiid Story By Taufiq Al-Chakim Reza Sukma Nugraha
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 2 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.2.47103

Abstract

Carnivalesque or carnival behavior is a concept coined by Mikhail Bakhtin about the suspension of all forms of social rules and hierarchies in literature. This is reflected in an Egyptian short story Asy-Syahiid written by Taufiq al-Chakim (1898-1987). The short story tells of a demonic character who wants to repent of his attitudes known as a human tempter. The satanic narrative described as contradicting the understanding of divine religion shows that al-Hakim tries to present the carnivalesque aspect in his work. This study will analyze the carnivalesque elements in the short story and the ideology behind the carnivalesque depictions. The method used is descriptive analysis method, namely by first describing the carnivalesque elements in the short story, then analyzing the ideology behind the depiction of these elements. The results showed that the short story Asy-Syahiid represented carnivalesque elements, such as profanation, comical elements, and multiplicity of tones. The ideology shown by the short story is a form of al-Hakim's criticism of humanity categorized by the devil's repentant narrative.

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