cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
Adabiyyat: Jurnal Bahasa dan Sastra
Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta
ISSN : 25491482     EISSN : 25492047     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Adabiyyāt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal Adabiyyāt adalah bahasa Indonesia. Jurnal Adabiyyāt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 8 No 1 (2024)" : 6 Documents clear
IDENTITAS BUDAYA LOMBOK DALAM PUISI INDONESIA Soleh, Dwi Rohman; Satrya HD, Dharma -; Suharto, V. Teguh
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080102

Abstract

This article aims to explain the construction of Lombok's cultural identity in three Indonesian poems. Cultural identity is considered a continuous production. In that approach, identity is a construct. Identity is constructed through language. Language is understood as a sign system. Therefore, the analysis of poetry uses sign analysis and semiotic analysis. In this analysis, signs can only be understood in the context of Lombok culture, in the context of the conceptual map of Indonesian society in Lombok. Signs can only be found in the cultural context of Lombok. The data were gathered from three different Lombok poems. The research result shows that in Perang Gurantang poems, Lombok cultural identity is different from Bali's cultural identity. Moreover, Di Gili Tak Ada yang Mengenal Pagi and Kemidi Rudat poems reveal hybrid cultural identity. Finally, Lombok cultural identity has a multicultural identity that gives respect to the differences between Lombok and Bali cultures. The acceptance of West and Malay-Islam culture forms Lombok cultural identity.
PEREMPUAN SEBAGAI OBJEK MALE GAZE PEMBACA: TELAAH KRITIS KARYA SASTRA FEMINIS PEREMPUAN INDONESIA Febrianto, Anggit; Udasmoro, Wening
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080101

Abstract

Since the fall of Suharto in May 1998, women's involvement in literature has increased rapidly, causing a rush of feminist themes and content in literary works in this period. However, the literary works of women writers, even female feminists, are still unable to escape the tendency to objectify women. This research will show that in the works of female feminist writers, female characters are still displayed as objects of the reader’s male gaze. Four novels will be studied, namely Perempuan Berkalung Sorban and Geni Jora by Abidah El Khalieqy, and Tabula Rasa and Gadis Kretek by Ratih Kumala. This study is descriptive qualitative. Data collection techniques were carried out using the literature study method, namely by reading carefully and thoroughly the four material object novels. Collected data will be analyzed using the Male Gaze Theory by Laura Mulvey. According to the Male Gaze Theory, women are constantly looked at, watched, and displayed, with a certain appearance that has a strong visual and sexual influence so that they are referred to as to-be-looked-at-ness. The results of this study show that in the four novels, there are two repeated patterns, that consistently place women as objects of the reader’s male gaze, namely (1) the exposure of women's intimate organs in an erotic context and (2) beautiful and detailed descriptions of women's faces and bodies.
KONSTRUKSI YAHUDI DI BARAT DAN TIMUR: ANALISIS MULTIMODAL HALLIDAY PADA NOVEL GRAFIS Nursani, Asyipa; Firmonasari, Aprillia
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080104

Abstract

This research aims to analyze how Jewish identity is constructed in the West and the East, as represented in the graphic novels Fagin the Jew by Will Eisner and The Last Jew in Penang by Zayn Gregory and Arif Rafhan , using Halliday's multimodal approach. This approach focuses on various modes of communication, such as verbal, visual, gestural, and spatial, in constructing the narrative of Jewish identity in both novels. Fagin the Jew portrays Jewish identity in the Western context, specifically in 19th-century London, emphasizing antisemitic stereotypes and social marginalization. In contrast, The Last Jew in Penang depicts Jewish identity in the multicultural environment of Southeast Asia, where Jewish identity is more accepted and assimilated into the local community. The findings reveal that cultural differences significantly influence the representation of Jewish identity in these two novels. Through an analysis of verbal, visual, gestural, and spatial modes, it is found that Western graphic novels tend to depict Jewish identity in narratives of prejudice and alienation, while Eastern graphic novels highlight narratives of coexistence and adaptation. This research concludes that multimodality plays a crucial role in reflecting the complexity of Jewish identity shaped by differing historical, social, and cultural contexts in the West and the East.
UNVEILING VULNERABILITY: TRAUMA’S REFLECTION ON MASCULINITY IN MOONLIGHT (2016) AND KUCUMBU TUBUH INDAHKU (2018) Anggriati, Sri Widia; Hidayatullah, Danial
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080103

Abstract

This research aims to compare and investigate the trauma that affects men's masculinity in two different movies from America and Indonesia. This research compares two male characters who both experienced traumatic experiences but, in contrast, have different masculinities due to the influence of the trauma as well as the socio-cultural context they experienced. The objects of comparison for this research are the character Juno from the movie Kucumbu Tubuh Indahku (2018) and the character Chiron from the movie Moonlight (2016). The two characters share similarities in the causes of trauma, but they express different masculinities. To analyze this research, the comparative literature method, the theory of trauma by Levine (2008) and the theory of masculinity by R.W. Connell (2005) were used. The research results show that social-cultural influences play an important role in dealing with a person's trauma which can ultimately affect their masculinity. Juno does not receive social support from the people around him. He remains in subordinate masculinity. Meanwhile, Chiron, who received social support, experienced a change in his masculinity from subordinate masculinity to hegemonic masculinity.
“M3GAN YANG MEMBADAI”: MENYINGKAP MORAL STATUS POSHUMANISME DALAM FILM M3GAN (2022) Nugroho, Aji Royan
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080105

Abstract

Superintelligence plays an important role in the development of discourse about posthumanism. In this context, the researcher discussed posthumanism studies in the movie M3GAN (2022). The study focused on the moral status of artificial intelligence embodied robotic prototypes created by humans, namely M3GAN. In other words, how can the protocol system be implemented on M3GAN? Does M3GAN possess moral status regarding suffering, pain, autonomy, interactivity, and adaptivity? How did the humans reveal and interact with this technology in the posthumanism era as depicted in the movie? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. The study used descriptive qualitative data from the dialogue scenes and visual screenshots to represent the analysis results. The results of this research show that artificial intelligence in the form of the M3GAN prototype has moral status, such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
SOCIAL IDENTITY CONSTRUCTION OF THE DISABLED IN FORREST GUMP NOVEL Susanto, Bambang Margo; Haryanti, Rahayu Puji
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080106

Abstract

Superintelligence plays an important role in the development of discourse about posthumanism. In this context, the researcher discussed posthumanism studies in the movie M3GAN (2022). The study focused on the moral status of artificial intelligence embodied robotic prototypes created by humans, namely M3GAN. In other words, how can the protocol system be implemented on M3GAN? Does M3GAN possess moral status regarding suffering, pain, autonomy, interactivity, and adaptivity? How did the humans reveal and interact with this technology in the posthumanism era as depicted in the movie? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. The study used descriptive qualitative data from the dialogue scenes and visual screenshots to represent the analysis results. The results of this research show that artificial intelligence in the form of the M3GAN prototype has moral status, such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.

Page 1 of 1 | Total Record : 6

 1 

Filter by Year

2024 2024


Reset
Filter By Issues
All Issue Vol 9 No 1 (2025) Vol 8 No 2 (2024) Vol 8 No 1 (2024) Vol 7 No 2 (2023) Vol 7 No 1 (2023) Vol 6 No 2 (2022) Vol 6 No 1 (2022) Vol 5 No 2 (2021) Vol 5, No 2 (2021) Vol 5 No 1 (2021) Vol 4 No 2 (2020) Vol 4 No 1 (2020) Vol 3 No 2 (2019) Vol 3 No 1 (2019) Vol 2 No 2 (2018) Vol 2, No 1 (2018) Vol 2 No 1 (2018) Vol 1 No 2 (2017) Vol 1 No 1 (2017) Vol 15 No 2 (2016) Vol 15 No 1 (2016) Vol 14, No 2 (2015) Vol 14 No 2 (2015) Vol 14 No 1 (2015) Vol 14, No 1 (2015) Vol 13, No 2 (2014) Vol 13, No 1 (2014) Vol 12, No 2 (2013) Vol 12, No 1 (2013) Vol 11, No 2 (2012) Vol 11, No 1 (2012) Vol 10, No 2 (2011) Vol 10, No 1 (2011) Vol 9, No 2 (2010) Vol 9, No 1 (2010) Vol 8, No 2 (2009) Vol 8, No 1 (2009) Vol 7, No 1 (2008) Vol 6 No 2 (2007) Vol 6, No 1 (2007) Vol 6 No 1 (2007) Vol 5 No 2 (2006) Vol 5, No 2 (2006) Vol 5, No 1 (2006) Vol 5 No 1 (2006) Vol 4 No 2 (2005) Vol 4, No 2 (2005) Vol 4 No 1 (2005) Vol 4, No 1 (2005) Vol 3, No 2 (2004) Vol 3 No 2 (2004) Vol 3, No 1 (2004) Vol 3 No 1 (2004) Vol 2, No 2 (2003) Vol 2 No 2 (2003) Vol 2 No 1 (2003) Vol 2, No 1 (2003) Vol 1 No 1 (2002) Vol 1, No 1 (2002) More Issue